Munawar Sultana
Munawar Sultana | |
|---|---|
 Munawar Sultana in Pyar Ki Manzil (1950) | |
| Born | Munawar Sultana 8 November 1924 |
| Died | 15 September 2007 (aged 82) |
| Nationality | Indian |
| Occupation | Actress |
| Years active | 1945–1956 |
| Spouse | Sharaf Ali |
| Children | 4 sons, 3 daughters |
Munawar Sultana (8 November 1924 – 15 September 2007) was an Indian cinema actress, who acted in Hindi films. She is cited as one of the "popular" actresses of the late 1940s to early 1950s period, along with Noor Jehan, Swarnalata and Ragini.[1] Her specialty was playing a selfless woman, enduring the rough treatment meted by her husband and family, but who eventually "brought her erring husband back home".
She came into prominence with Mazhar Khan's Pehli Nazar (1945), her first film in a leading role. A discovery of actor-producer-director Mazhar Khan, she became inundated with film offers, becoming one of the busiest actresses by 1949, along with other leading ladies such as Suraiya and Nargis.[2][3] She starred in films with the leading heroes of the era like Prithviraj Kapoor, Dilip Kumar, Surendra, Motilal, Trilok Kapoor, Mahipal etc. Some of her successful films were Pehli Nazar, Dard (1947), Elaan (1947) Kaneez (1947), and Babul (1950).
Early life
Munawar Sultana was born on 8 November 1924, in Lahore, Punjab, British India, into a strict Punjabi Muslim family. According to an interview with son Sarfaraz and daughter Shaheen, conducted by Shishir Krishna Sharma, Munawwar's father was a radio announcer. Munawwar wanted to become a doctor, but was side-tracked by an offer in films. This was a small role in the film, Dalsukh Pancholi's Khazanchi (1941), where she played a barmaid, and had a song, "Peene Ke Din Aaye" picturised on her. She went by the screen name Asha for this period.[4] According to Patel, Munawwar came to Bombay from Lahore, courtesy of the actor-director Mazhar Khan in 1945. She became popular with her film Pehli Nazar, a role she stated was one of her favourites.
Career
In 1945, she was visited in Lahore by producer-actor-director Mazhar Khan, who contracted her on a monthly fee of Rs. 4000 plus an apartment, and brought her to Bombay. Munawar's first film with Mazhar was Pehli Nazar, where she was cast opposite actor Motilal. In the popular song "Dil Jalta Hai Toh Jalne Do" (Let the Aflame Heart Burn) playbacked by singer Mukesh for Motilal, Khan focused on Munawar's close-ups during the picturisation.[2]
1940s
Following Pehli Nazar, she was kept busy through 1947 to 1949 working in several films. Baburao Patel wrote in the cine-mag Filmindia 1949, about her being one of the most over-worked actresses along with Suraiya and Nargis.[3]
In 1947, Munawar acted in four films Dard, Elaan, Andhon Ki Duniya and Naiyya. Dard was directed by Abdul Rashid Kardar under Kardar Productions. In spite of no big stars being in the film, it turned out to be a surprise "musical hit" at the box office.[5] The hero of the film was Kardar's brother Nusrat (Kardar), while Suraiya played the second lead, with Munawwar Sultana as the main heroine.[6] Munawwar lip-synced three songs voiced for her by Uma Devi, a Naushad discovery. The song "Afsana Likh Rahin Hoon" became a big success.[7] Elaan garnered positive reviews for Munawwar. A Muslim social, the film was praised for its "progressive attitude" towards the need of education. It was directed by Mehboob Khan and had Surendra as the male lead.[8]
1948 saw Munawar in four more films. Parai Aag was produced by Great India Pictures and directed by Najam Naqvi. The film starred Munawar with Madhubala and Ulhas. Sona (Gold) was another Mazhar Khan-directed film for his Mazhar Arts Production. Majboor was a Bombay Talkies production, under the direction of Nazir Ajmeri. It had Shyam opposite Munawwar with music by Ghulam Haider. Bombay Talkies had gone through several changes following Himanshu Rai's death, and Devika Rani's partnership with S. Mukherjee had produced several box office hits. With first, Mukherjee, and then Devika Rani leaving as head of production of Bombay Talkies, Ashok Kumar and S. Vacha returned to Bombay Talkies and took over control. Their first film was Majboor. The story was an "inter-communal" love story, with a Muslim boy falling for a Hindu girl.[9] Munawwar formed a "hit-pairing" with Shyam in this film, while Lata Mangeshkar came into prominence under the music direction of Ghulam Haider.[10] Meri Kahani was directed by cameraman Keki Mistry and produced by Sharaf for Super Team Federal Productions (Bombay). The film co-starred Munawwar and Madhubala with Surendra. A comedy of errors, it has the hero in a double role leading to mistaken identities.[11]
1949 was Munawar's busiest year with seven releases. Dil Ki Duniya was directed by Mazhar Khan for his Noble Arts Production. It co-starred Geeta Bali and Mazhar with Munawar. The film was praised for its "versatility" and "well-balanced production values", along with good performances by Munawwar, Mazhar and Geeta Bali. The film was claimed to have done "well" at the box office.[12] Her standout film that year was Kaneez, directed by Krishna Kumar for Caravan Pictures. A Muslim social, it had Munawwar with Shyam, and Kuldeep Kaur. She played a suffering woman married to a wayward husband, who eventually returns to her. It was described as one of her best roles.[13]
1950s
Out of her four films released in 1950, Munawar's most notable film was Babul (Father's House). She acted opposite Dilip Kumar and Nargis in this love triangle. Directed by S. U. Sunny, the music was composed by Naushad.[14] The film became a major success at the box office. She acted in a few more films till 1956, with Jallad being her last appearance.
Personal life
While working in films, Munawar met Sharif Ali, an affluent businessman who supplied furniture for movie sets. Sharaf Ali financed and produced two films starring Munawar Sultana, namely Meri Kahani (1948) and Pyar Ki Manzil (1950). They got married in 1954, at which point Munawar Sultana quit acting. Her final film, Jallad (1956) was released two years after her wedding, but it had been completed before her wedding. Munawar Sultana now gave priority to her family, becoming the mother of seven children (four sons and three daughters) over time. The family lived in a sprawling house on Ambedkar Road in the posh Pali Hill area of Mumbai, where many of Munawar's contemporaries in the film industry also live.
Sharaf Ali died suddenly in 1966, when even the eldest of their seven children was only eleven years old. However, the money he left behind, as also Munawar Sultana's own earnings, were adequate for all requirements, and she did not feel the need to work in order to support the family. Rather, she gave full attention to the task of raising her children, and was richly rewarded in becoming the matron of a large, harmonious and well-adjusted family. All her children are all well settled in life, both personally and professionally. Munawar Sultana was dotingly cared for in her old age by her children and grandchildren. For the last eight years of her life, she suffered from Alzheimer's disease.[2] She died peacefully at her sprawling bungalow on Ambedkar Road in Pali Hill, Mumbai, surrounded by her family, on 15 September 2007, at the age of eighty-two.[2]
Filmography
List:[15]
| Year | Film | Director | Co-stars | Producer |
|---|---|---|---|---|
| 1941 | Khazanchi | Moti B. Gidwani | M. Ismail, S.D. Narang, Ramola Devi | D. M. Pancholi (Pancholi Productions, Lahore) |
| 1945 | Pehli Nazar[2] | Mazhar Khan | Motilal, Veena, Baburao Pendharkar, Bibbo, Cuckoo | Mazhar Khan for Mazhar Art Productions |
| 1947 | Andhon Ki Duniya | Keshavrao Date | Mahipal, Manmohan Krishna, Keshavrao Date | Rajkamal Kalamandir |
| 1947 | Dard[2][15] | A. R. Kardar | Suraiya, Nusrat (Kardar), Husn Banu, Pratima Devi | A. R. Kardar |
| 1947 | Elaan[2][15] | Mehboob Khan | Surendra, Himalayawala, Rehana, Zebunissa | Mehboob Productions |
| 1947 | Naiya | Aslam Noori | Mazhar Khan, Ashraf Khan, Balakram, Shahzadi, Suman | Mohan Pictures |
| 1948 | Majboor[2] | Nazir Ajmeri | Shyam, Indu, Amir Banu | Bombay Talkies |
| 1948 | Meri Kahani | Keki Mistry | Surendra, Murad, Bhudo Advani | S. T. F. Productions |
| 1948 | Paraai Aag | Najam Naqvi | Madhubala, Ulhas, Khalil | Great Indian Pictures |
| 1948 | Sona a.k.a. Gold | Mazhar Khan | Mazhar Khan, Dixit, Suman, Madan Puri | Mazhar Art Productions |
| 1949 | Dada | Harish | Sheikh Mukhtar, Shyam, Begum Para, Cuckoo, N. A. Ansari | Omar Khayyam Films |
| 1949 | Dil Ki Duniya | Mazhar Khan | Geeta Bali, Mazhar Khan, Suman, Madan Puri | Noble Art Productions |
| 1949 | Kaneez[2][15] | Krishna Kumar | Shyam, Kuldip Kaur, Shyama, Urmila | Caravan Pictures |
| 1949 | Nisbat | S. Shamsuddin | Yakub, Zebu, Sofia, Jilloobai | Hindustan Art |
| 1949 | Raat Ki Rani | Jagdish Sethi | Shyam, Sulochana Chatterjee, Om Prakash, Madan Puri | J. S. Pictures |
| 1949 | Sawan Bhado | Ravindra Dave | Om Prakash, Indu, Ram Singh, Raj Adeeb | Prakash Pictures |
| 1949 | Uddhar | S. S. Kulkarni | Dev Anand, Bharat Bhushan, Nirupa Roy | Pratibha Chitra Mandir |
| 1950 | Babul[2][15] | S. U. Sunny | Dilip Kumar, Nargis, Jankidas | Sunny Art Productions |
| 1950 | Pyar Ki Manzil | Keki Mistry | Rehman, Gope, Jankidas | Super Team Federal Productions |
| 1950 | Sabak | Mohammed Sadiq | Gajanan Jagirdar, Karan Dewan, Om Prakash, Kumar, Shyama | Sadiq Productions |
| 1950 | Sartaj | S. Khalil | Motilal, Shyama, Cuckoo | Omar Khayyam |
| 1952 | Apni Izzat | Nanabhai Bhatt | Motilal, Yakub, Yashodhra Katju | Harishchandra Pictures |
| 1952 | Tarang | I. C. Kapoor | Ajit, Jeevan, Manorama | Solar Films |
| 1954 | Ehsan | R. Sharma | Prithviraj Kapoor, Shammi Kapoor, Naaz, K. N. Singh | Mohla Films |
| 1954 | Toofan | Ram Prakash | Sajjan, Vijaylaxmi, Pran | Starlight Pictures |
| 1954 | Watan | Nanabhai Bhatt | Nirupa Roy, Trilok Kapoor, Jayant, Cuckoo, Madan Puri | Falcon Films |
| 1955 | Deewar | I.S. Bali | Bhagwan, Karan Dewan, Sheikh Mukhtar | Indralok Pictures |
| 1956 | Jallad[2] | JayBee | Nasir Khan, Veena | Filmdom |
References
- ^ Pran Nevile (2006). Lahore : A Sentimental Journey. Penguin Books India. pp. 89–. ISBN 978-0-14-306197-7. Retrieved 4 November 2020.
- ^ a b c d e f g h i j k Who is Munawar Sultana? Cinestaan.com website, Published 15 September 2016, Retrieved 18 January 2022
- ^ a b Baburao, Patel (March 1949). "Bombay Calling". Filmindia. 15 (3): 13.
- ^ Filmography of Munawar Sultana on Cinestaan.com website Retrieved 18 January 2022
- ^ Chandra, Balachandran, Pali, Vijay Kumar. "Dard 1947". indiavideo.org. Invis Multimedia Pvt. Ltd. Retrieved 19 January 2022.
{{cite web}}: CS1 maint: multiple names: authors list (link) - ^ Bhaichand Patel (2012). "Suraiya". Bollywood's Top 20: Superstars of Indian Cinema (Munawar Sultana on page 61 under Suraiya chapter). Penguin Books India. p. 61. ISBN 978-0-670-08572-9. Retrieved 19 January 2022.
- ^ Tilak Rishi (2012). Bless You Bollywood!: A Tribute to Hindi Cinema on Completing 100 Years. Trafford Publishing. p. 143. ISBN 978-1-4669-3963-9. Retrieved 19 January 2022.
- ^ Patel, Baburao (April 1948). "Elan-Review". Filmindia. 14 (4): 51. Retrieved 9 November 2016.
- ^ Patel, Baburao (April 1948). "Majboor-Review". Filmindia. 14 (6): 45. Retrieved 9 November 2016.
- ^ NFDC (14 August 1998). INDIAN CINEMA A VISUAL VOYAGE. Publications Division Ministry of Information and Broadcasting Government of India. pp. 238–. ISBN 978-81-230-2192-8. Retrieved 10 November 2016.
- ^ Patel, Baburao (October 1948). "Meri Kahani-Review". Filmindia. 14 (10): 53. Retrieved 9 November 2016.
- ^ Patel, Baburao (August 1949). "Dil Ki Duniya-Review". Filmindia. 15 (8): 51. Retrieved 10 November 2016.
- ^ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Taylor & Francis. pp. 1994–. ISBN 978-1-135-94325-7. Retrieved 4 November 2020.
- ^ Lutgendorf, Philip. "Babul". uiowa.edu. The University of Iowa. Retrieved 19 January 2022.
- ^ a b c d e "Munawar Sultana-Filmography". muvyz.com website. Retrieved 19 January 2022.