Muthiah Bhagavatar

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Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 ragas.

Early life[edit]

Muthiah was born on 15 November 1877, in Harikesanallur, a small village in the Tirunelveli district of Tamil Nadu in India, into an affluent family. He was exposed to music from a very early age, as his father was a patron of musicians. He lost his father at the young age of six years, and his maternal uncle M. Lakshmana Suri took over the responsibility for his education, initiating Muthiah into Sanskrit and Vedic studies. However, the love of music that had been implanted in him led Muthiah to leave his hometown of Harikesanallur, Tamil Nadu when he was only ten years in search of a teacher. He found the gifted teacher Padinaindumandapa Sambasiva Iyer at Tiruvarur, who recognised Muthiah's talent for music. Sambasiva Iyer was the father of T.S Sabesa Iyer, a contemporary who also went on to win the prestigious Sangeetha Kalanidhi award from the Madras Music Academy. During the nine years he spent with Sambasiva Iyer, Muthiah cultivated this talent and made his name as a Harikata Vidhwan. His rich voice and excellent tanam singing made him one of the era's most highly coveted concert artists.

Composer[edit]

He had to his credit almost 400 musical compositions, the largest among the post-Trinity composers, that included many different types of Varnams as well as Kritis and Thillanas. The songs were on a number of the Hindu pantheon, his patrons. He composed them in four languages – Telugu, Tamil, Sanskrit and Kannada.

Some of the ragams that owe their existence today to this great composer include Vijaysaraswathi, Karnaranjani, Budhamanohari, Niroshta and Hamsanandhi. They are melodious ragas that make one wonder how it was not attempted prior to Muthiah Baghavatar's times. He also popularised Shanmukhapriya and Mohanakalyani. When someone asked if he could compose something that would appeal to Westerners, he composed the English notes (later popularised by Madurai Mani Iyer).

In 1934, Muthiah composed music for Tamil Nadu Talkies then owned by S. Soundararaja for their Lavakusa, a film based on the Uttara Ramayana. Bhagavathar initially was very reluctant but was later persuaded by Raval Krishna Iyer, a budding contractor of Madras. Muthiah travelled to Bombay where the film was being made at the Ranjit Studios. He composed 63 songs for the film resulting in the film being renamed as Sangeetha Lavakusa.

Artist[edit]

He was adept at playing both the Chitraveena and Mridangam.

Muthiahbhagavathar2.jpg

In addition to musical talents, his theoretical knowledge was also vast. He wrote a treatise on musical theory, Sangita Kalpa Drumam, and regularly gave lectures on musicology at the Music Academy. He was the first musician to be awarded a doctorate in India when the Kerala University awarded him the D. Litt. for his Tamil treatise in 1943. He was also the first principal of the Swati Tirunal Academy of music started in Trivandrum in 1939. Muthiah Bhagavatar has also authored a Sanskrit poetic work called Tyagaraja Vijaya Kavya. T. N. Seshagopalan, who was taught by Ramanathapuram Sankara Sivam, a disciple of Muthiah Bhagavathar, said "He was also the first to introduce the practice of nagaswara vidwans playing during the puja time at the Thiruvananthapuram temple."

He lived like a king, but was as magnanimous as he was rich. The Harikesanjali Trust (promoted by his descendants) has been established to propagate his compositions.

Awards and recognitions[edit]

Having impressed the Maharaja of Mysore, he was appointed court musician at Mysore. At Mysore he composed 115 kritis in Kannada in praise of Chamundi devi, the matron goddess of the Mysore dynasty. Later he was invited to the court of Travancore by the Maharaja Mulam Tirunal where he studied Swatitirunal kritis and wrote the book Sangeeta Kalpadruma, which won him an honorary doctorate. Muthiah Bhagavathar was the first President of the Annual Conference at the Madras Music Academy and was awarded the most prestigious award in Carnatic music, Sangeetha Kalanidhi title in 1930. He was conferred with an honorary doctorate by University of Kerala in 1942.[1]

Legacy[edit]

When he died in 1945, Muthiah Bhagavatar had written over 400 kritis and changed the entire landscape of Carnatic music by introducing many Hindustani ragas (for example [Sohini] and Saarang Malhar) and creating approximately 20 new ragas of his own, such as the famous Hamsanandhi. He ensured that his legacy would live on with such compositions as Bhuvanesvariya and also through his disciples, the most famous of which was Madurai Mani Iyer.

Muthiah Bhagavatar's legacy of music lives on in his granddaughter, veena expert Smt. Rugmini Gopalakrishnan.

Compositions[edit]

Varnams[edit]

Composition Raga Tala Language Audio Links Other Info
mAtE malaya dhwaja pAnDya sanjAtE khamAs Adi Sanskrit M.S. Subbulakshmi on YouTube
sree raja mathangi Shuddha Dhanyasi Adi Telugu

Chamundamba astottara Krithis[edit]

Other Krithis[edit]

Composition Raga Tala Language Audio Links Other Info
amba vANi nannu AdarimpavE kIra vANi Adi Telugu T N Seshagopalan on YouTube
asTAdasha supIThasthE simhEndra madhyamam rUpaka Sanskrit
gam gaNapatE namO namah hamsa dhwani rUpaka Sanskrit Nithyasree Mahadevan on YouTube
himagiri tanayE hEma latE Shuddha dhanyAsi Adi Sanskrit S. Sowmya on YouTube
rAja rAjArAdhitE Niroshta Sanskrit
sakti gaNapatim bhajEham nATa rUpaka Sanskrit
siddhi vinAyakam sEvEham mOhana kalyANi Adi Sanskrit
sudhAmayI sudhA nidhE amRta varSiNi rUpaka Sanskrit
vijayAmbikE vimalAtmikE vijaya nAgari Adi Sanskrit
Ratna Kanchuka DArini Kambhoji Misra ChApu Sanskrit

Notes[edit]

  1. ^ "D.Litt for Yesudas after Muthia and Semmangudi from Kerala University". The Hindu (Chennai, India). 29 March 2003. 

See also[edit]

External References[edit]