The Allmusic review by Thom Jurek awarded the album 4 stars and states "Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy... The band is in a heavy Latin mood, where the blues, samba, bossa, hard bop, modal, and even soul are drenched in the blues. With only four tunes presented, the Charles Lloyd Quartet, while a tad more dissonant than it had been in 1966 and 1967, swings much harder, rougher, and get-to-the-groove quicker than any band Lloyd had previously led... This band would split soon after, when Jarrett left to play with Miles Davis, but if this was a live swansong, they couldn't have picked a better gig to issue".[2]
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