The Fall of the Roman Empire (film)

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The Fall of the Roman Empire
Fall of roman empire (1964).jpeg
Directed by Anthony Mann
Produced by Samuel Bronston
Written by Ben Barzman
Basilio Franchina
Philip Yordan
Starring Sophia Loren
Stephen Boyd
Alec Guinness
James Mason
Christopher Plummer
Mel Ferrer
Omar Sharif
Music by Dimitri Tiomkin
Cinematography Robert Krasker
Edited by Robert Lawrence
Production
company
Distributed by Paramount Pictures (US)
Rank Organization (UK)
Release dates
  • March 24, 1964 (1964-03-24) (UK)
  • March 26, 1964 (1964-03-26) (US)
Running time 188 minutes
Country United States
Language English
Budget $20 million
Box office $1,875,000 (US/ Canada)[1]

The Fall of the Roman Empire is a 1964 epic film starring Sophia Loren, Stephen Boyd, Alec Guinness, James Mason, Christopher Plummer, Mel Ferrer and Omar Sharif. It was directed by Anthony Mann and produced by Samuel Bronston, with a screenplay by Ben Barzman, Basilio Franchina and Philip Yordan.

The film was a financial failure at the box-office. However, it is considered unusually intelligent and thoughtful for a film of the contemporary sword and sandal genre and also enjoys a 100% "Fresh" rating at Rotten Tomatoes.

Plot[edit]

In the late second century A.D., the Roman emperor Marcus Aurelius (Guinness) fights to keep Germanic barbarians from invading his northern territories. His deputies are the Greek ex-slave Timonides (Mason), a closet Christian, and the stern and honest general Gaius Livius (Boyd). Livius has close connections with the imperial family, being the lover of Aurelius' philosopher daughter Lucilla (Loren) and a friend of her brother Commodus (Plummer). Nevertheless, he is amazed to hear that Aurelius wants to make him his heir. Despite his military obligations the emperor has egalitarian ideals, dreaming of a day when Rome grants equal rights to men of all nations. He knows that he will not live to achieve this end, and trusts Livius to do so more than his charismatic but brutal son. The discovery that his father has effectively disinherited him hurts Commodus immensely, and damages the almost brotherly relationship he had enjoyed with Livius.

Aurelius summons all the governors of the Roman empire to his headquarters, intending to announce Livius' future accession. Before he can do so he is poisoned by Commodus' cronies, who hope to secure their own political future by putting their friend on the throne. Sure enough, Livius feels that a non-aristocrat such as himself would never be accepted as emperor without Aurelius' explicit backing; he lets his old friend take the position instead. Commodus, who was not part of the murder plot, is left feeling helplessly angry at his deceased father. He dedicates himself to undoing all Aurelius' policies; this involves blatant favoritism towards Rome and Italy, which are enriched by ferocious taxation of the provinces that were to be their equals.

Meanwhile Livius' army scores an important victory on the frontier, capturing the German chieftain Ballomar and his aides. Timonides wins the Germans' trust by successfully undergoing an ordeal, having his hand thrust in a fire; with his help, Livius decides to put Aurelius' policy into effect despite disapproval from Commodus. Lucilla helps convince Livius to defy the emperor, since she loved her father as much as Commodus hates him. A speech by Timonides persuades the Roman Senate to let the German captives become peaceful farmers on Italian land, thereby encouraging their fellow barbarians to cooperate with Rome instead of fighting it. Commodus is furious, and sends Livius back to his frontier post in what is effectively a sentence of banishment. Lucilla is forced to go to Armenia, with whose king she shares a loveless political marriage.

Commodus is compelled to recall Livius in order to put down a rebellion by Rome's eastern provinces. When he arrives at the sight of the unrest, Livius is horrified to find that Lucilla is behind it. She tries to persuade him to join her in making a splinter state, free of her brother's influence, but he feels that Roman civilization will collapse if it is broken into pieces. The issue is settled in an unexpected manner when Lucilla's husband calls in Rome's archenemy the Persians to help the rebelling forces fight Livius. The sight of the dreaded Persian cavalry so panics the defecting Romans that they go back over to Livius, swelling his army and allowing him to score an immense victory. The king of Armenia is killed, and Commodus sends word that Livius is to be made joint ruler of Rome. The condition for this reward, however, is that Livius is to wreak hideous punishments on the populations of the disloyal provinces.

Rejecting this latest piece of brutality, Livius and Lucilla take their army to Rome and order Commodus to abdicate. He responds by bribing away the soldiers' loyalty and massacring Timonides and the population of the German colony (the latter action ensuring centuries of future hostility between Romans and Germans). The fawning Senate declares Commodus a god, and Livius and Lucilla are sentenced to be burned alive as human sacrifices to the new deity. This victory for Commodus is accompanied by a terrible private discovery—he is not of royal blood, being the product of illicit sex between his promiscuous mother Faustina Minor and a gladiator. His mind unhinged by this, Commodus makes the bizarre decision of challenging Livius to a duel for the throne. The two fight with javelins in the Roman Forum, and Livius eventually runs Commodus through. The Senate hastily offer to make Livius emperor, but he refuses; the Roman government is now too corrupt for him to fix. He slips away with Lucilla, leaving Commodus' old advisers to bicker about who will take the emperor's place.

A voice-over epilogue states that this political infighting continued for the rest of Roman history, leading to the imperial government's eventual collapse.

Production[edit]

The Fall of the Roman Empire was one of Samuel Bronston's superproductions in Spain, with Marcus Aurelius's winter camp on the Danube shot in snow in the Sierra de Guadarrama, northern Madrid. The 'Battle of the Four Armies' involved 8,000 soldiers including 1,200 cavalry and was shot on an undulating plain at Manzanares el Real which allowed large numbers of soldiers to be visible over a long distance. The film's reconstruction of the Roman Forum at Las Matas near Madrid, at 400 x 230 meters (1312 x 754 feet) holds the record for the largest outdoor film set. The various ancient Rome settings covered 55 acres (220,000 m2).

The film was shot in 70mm Ultra Panavision by Robert Krasker, and the historian Will Durant was engaged to advise on period detail and plot.

The film was a costly financial failure for producer Samuel Bronston who, after making such epics as John Paul Jones (1959), King of Kings (1961), El Cid (1961), and 55 Days at Peking (1963) had to stop all business activities. A bankruptcy notice in the New York Times on 6 August 1965, stated the cost of The Fall of the Roman Empire at $18,436,625. He announced his return with a planned epic about Isabella of Spain, but the film was never made.

This was one of the few Ultra Panavision 70 films not exhibited in Cinerama.

In later years, Miramax would acquire the US distribution rights to the film. After the founders Bob and Harvey Weinstein split with Miramax parent Disney, they formed the Weinstein Company, who currently owns US distribution rights.

UK distribution rights would pass to PolyGram Filmed Entertainment and subsequently Universal Studios.

Musical score[edit]

Dimitri Tiomkin's score, which is one of the notable features of the film, is more than 150 minutes in length. It is scored for a large orchestra, including an important part for cathedral organ. Several cues are extended compositions in their own right. These include Pax Romana in which Marcus Aurelius summons the governors of all the Roman provinces. Although Christopher Palmer stated in his book on film music, The Composer in Hollywood, that it was a march, the cue is actually in the style of a bolero. Other notable cues include those for The Roman Forum, composed to accompany Commodus's triumphal return to Rome as the newly installed Emperor; a percussive scherzo for a barbarian attack by Ballomar's army; the Tarantella danced by the Roman mob on the evening presaging the gladiatorial combat between Livius and Commodus (which seems to be modelled on the Tarantella movement from the Piano Concerto of Tiomkin's teacher Ferruccio Busoni). The score was recorded by the Sinfonia of London (uncredited) at Shepperton Studios. The music editor was George Korngold, son of Erich Wolfgang Korngold. A sound track album was released by Columbia Records to coincide with the release of the film.

Cast[edit]

Actor Role
Sophia Loren Lucilla
Christopher Plummer Commodus
Alec Guinness Marcus Aurelius
James Mason Timonides
Stephen Boyd Livius
Anthony Quayle Verulus
John Ireland Ballomar
Omar Sharif Sohaemus, King of Armenia
Mel Ferrer Cleander
Eric Porter Julianus
Finlay Currie Senator
Andrew Keir Polybius
Douglas Wilmer Pescennius Niger
George Murcell Victorinus
Norman Wooland Virgilianus

Cast notes[edit]

It was envisioned that Charlton Heston would be cast as Livius, but he turned it down after finding out that Sophia Loren would be the leading lady. (Heston had co-starred with Loren in El Cid and had not got on well with her. Thus, he had no desire to work with her again.) The part had also been offered to Kirk Douglas, who turned it down as well. Stephen Boyd, who played opposite to Heston in Ben-Hur, ultimately got the part.

Richard Harris was originally cast as Commodus, but he was replaced by Christopher Plummer. Harris would later play the role of Marcus Aurelius in the 2000 film Gladiator.

Alec Guinness was cast as Emperor Marcus Aurelius, and during the production he became good friends with Sophia Loren. On an evening out Loren persuaded Guinness to dance "The Twist" with her, which he did for the first time in his life. On the flight to Spain, one of the film's writers struck up a conversation with Guinness after seeing him working with the script; the actor stated that he disliked his lines and was rewriting them before starting memorization.

Sara Montiel was offered the role of Lucilla but turned it down. Loren, who took the part, was the highest paid cast member at $1 million.

Awards[edit]

Cover of the novelization.

Novelization[edit]

A novel based on the film is The Fall of the Roman Empire by Harry Whittington (Fawcett Publications, Inc. & Frederick Muller Ltd., 1964).

Home media[edit]

The first English-language DVD release was the basic theatrical release of the film, running for 2 hours 52 minutes, was first issued on DVD in 2004. A French DVD release, with sub-titles and/or French dubbing, and a full stereo soundtrack in both, had appeared in 2001. A deluxe edition containing two-disks and a limited collector's edition containing three disks were released on April 29, 2008, but they do not feature lost footage discovered too late to be included. This footage will be featured in an upcoming edition.[3] The most complete version of the film was released on Super 8mm in the early 1990s, extracted from a 16mm print.[4] The Blu-ray Disc was released in the United Kingdom on May 16, 2011.

See also[edit]

References[edit]

  1. ^ "Big Rental Pictures of 1964", Variety, January 6, 1965 p 39. Please note this figure is rentals accruing to distributors not total gross.
  2. ^ "The Fall of the Roman Empire: Limited Edition". La-La Land Records. Retrieved October 19, 2012. 
  3. ^ http://www.amazon.com/dp/B00125WAXM
  4. ^ Winkler, Martin M. (editor, 2009). The Fall of the Roman Empire: Film and History (p. XIII). West Sussex: John Wiley & Sons.

External links[edit]