The Stud (film)
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| The Stud | |
|---|---|
 Theatrical Release Poster | |
| Directed by | Quentin Masters |
| Written by | Dave Humphries Christopher Stagg |
| Based on | The Stud (novel) by Jackie Collins |
| Produced by | Ron Kass |
| Starring | Joan Collins Oliver Tobias Sue Lloyd Walter Gotell |
| Cinematography | Peter Hannan |
| Music by | Biddu (original score) Various (soundtrack) |
Production companies | Artoc Films Stud Productions |
| Distributed by | Brent Walker Film Distributing |
Release dates | 30 April 1978 (UK) 28 September 1979 (U.S.) |
Running time | 95 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $600,000 |
| Box office | $20 million |
The Stud is a 1978 British drama film directed by Quentin Masters and starring Joan Collins and Oliver Tobias. It is based on the 1969 novel of the same name by Collins' younger sister Jackie Collins.
Joan had asked her sister Jackie for the film rights for free and Jackie agreed whilst contributing to the screenplay. Joan met producer Brent Walker at the Cannes Film festival in 1977. He became excited by the project as it was proposed as a British alternative to Saturday Night Fever. Both Joan Collins' husband, Ron Kass, and Jackie Collins' husband, Oscar Lerhman, also acted as producers on the project.
Plot
Fontaine Khaled (Joan Collins) is the London wife of a wealthy Arab businessman. She spends his money on her nightclub, Hobo, and her rather hedonistic partying lifestyle. She hires a handsome manager, Tony (Oliver Tobias), to run her club, but it is understood that his job security is dependent on his satisfying her nymphomaniac demands. Tony loses interest in Fontaine, as she treats him like a plaything, and turns his attention to her young stepdaughter Alexandra Khaled (Emma Jacobs), who uses him to get back at Fontaine after she discovers a video tape of Fontaine and Tony having sex in the Khaleds' private elevator, cheating on her father. Fontaine then dumps Tony and is divorced by her husband for adultery.
Cast
- Joan Collins as Fontaine Khaled
- Oliver Tobias as Tony Blake
- Sue Lloyd as Vanessa Grant
- Walter Gotell as Benjamin Khaled
- Mark Burns as Leonard Grant
- Doug Fisher as Sammy
- Emma Jacobs as Alex Khaled
- Peter Lukas as Ian Thane
- Natalie Ogle as Maddy
- Constantin De Goguel as Lord Newton
- Guy Ward as Peter
- Sarah Lawson as Anne Khaled
- Jeremy Child as Lawyer
- Peter Dennis as Marc
- Chris Jagger as Rock star
- Peter Bourke as Gordon
- Tania Rogers as Janine
- Felicity Buirski as Deborah
- Minah Bird as Molly
- Sharon Fussey as Denise
- Hilda Fenemore as Mrs Blake
- Bernard Stone as Mr Blake
- John Conteh as Himself
- Milo Sperber as Kamara (uncredited)
- Suzanne Danielle as Disco dancer (uncredited)
- Susie Silvey as Girl in shower (uncredited)
Production
Joan Collins said she was drunk during the orgy scene.[1]
Reception
Box Office
Made for $600,000 (US), the film netted over $20,000,000 internationally.[2] The film was one of the most popular movies of 1978 at the British box office.[3]
Legacy
The film helped to revitalise Joan Collins' career and she credits The Stud and its sequel The Bitch (1979) with bringing her to the attention of Aaron Spelling and Esther Shapiro, the producers of Dynasty in 1981. However, Tobias later claimed that his part in the film led to typecasting and ruined his career.
Soundtrack
A successful soundtrack album was released on Ronco Records to tie-in with the film. The album contained twenty tracks, including original material penned by Biddu specifically for the film, as well as a number of major British chart hits which were licensed for use in the film. The majority of the tracks were disco flavoured, although some non-disco tracks were also included. The album rose to number 2 on the UK albums chart, kept off the top spot by the Saturday Night Fever soundtrack album.[4] Tracks featured in the film and on the album included:
- Biddu Orchestra – "The Stud"
- The Real Thing & Biddu – "Let's Go Disco"
- Roxy Music – "Love Is the Drug"
- Linda Lewis – "It's Good"
- Space – "Deliverance"
- Sweet – "Love Is Like Oxygen"
- Smokie – "For a Few Dollars More"
- El Coco[5][6][7] – "Cocomotion"[8]
- 10cc – "I'm Not in Love"
- Baccara – "Sorry, I'm a Lady"
- Tina Charles & Biddu – "Fire Down Below"
- Goldie – "Making Up Again"
- Heatwave – "Boogie Nights"
- Hot Chocolate – "Every 1's a Winner"
- K.C. and the Sunshine Band – "That's the Way (I Like It)"
- Manfred Mann's Earth Band – "Blinded by the Light"
- Odyssey – "Native New Yorker"
- Rose Royce – "Car Wash"
- Samantha Sang – "Emotion"
- Leo Sayer – "Moonlighting"
- Michael Zager Band – "Let's All Chant"
- Bill Fredericks – "Almost"
- Cameron – "Close Encounters of the Third Kind"
- Sally Sagoe – "Deep Down"
References
- ^ "An audience with Joan Collins: A simply riotous chat with her friend Piers Morgan". www.you.co.uk. Retrieved 23 April 2022.
- ^ Gritten, David (26 November 1979). "Imperfect Past Behind Her, Joan Collins Says She Likes Turning Homebody". People. Retrieved 13 March 2018.
- ^ Harper, Sue (2011). British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure. Edinburgh University Press. p. 273. ISBN 9780748654260.
- ^ "Week ending 27-05-1978". Official Charts Company. Retrieved 16 August 2011.
- ^ "El Coco: Biography". AllMusic. Retrieved 5 September 2022.
- ^ "El Coco". Discogs. Retrieved 5 September 2022.
- ^ "Laurin Rinder & Michael Lewis". Discomuseum.com. Archived from the original on 24 July 2008. Retrieved 8 May 2013.
- ^ Universal Music Group. "'Cocomotion' · El Coco". YouTube. Retrieved 5 September 2022.
Bibliography
- Simon Sheridan Keeping the British End Up: Four Decades of Saucy Cinema, Titan Books (fourth edition, 2011)