The Toast of New York

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The Toast of New York
The Toast of New York Film Poster.jpg
The Toast of New York theatrical release poster
Directed by Rowland V. Lee
Produced by Edward Small
Screenplay by
Based on The Book of Daniel Drew 
by Bouck White and "Robber Barons" 
by Matthew Josephson
Starring
Music by Nathaniel Shilkret
Cinematography Peverell Marley
Edited by George Hively
Samuel Beetley
Distributed by RKO Pictures
Release dates
  • July 30, 1937 (1937-07-30)
Running time 109 minutes
Country United States
Language English
Budget $1.07 million[1]
Box office $1.05 million[1]

The Toast of New York is a 1937 American biopic starring Edward Arnold, Cary Grant, Frances Farmer, and Jack Oakie. The film is a fictionalized account of the lives of financiers James Fisk and Edward S. Stokes.[2] The screenplay was based on the book The Book of Daniel Drew by Bouck White and the story "Robber Barons" by Matthew Josephson.

Plot summary[edit]

In post-Civil War America, unscrupulous, ambitious partners Jim Fisk (Arnold) and Nick Boyd (Grant) talk tight-fisted businessman Daniel Drew (Donald Meek) into selling them his shipping company, paying with worthless Confederate bonds. Later, worried that his longtime rival, Cornelius Vanderbilt (Clarence Kolb), is trying to take control of his railroad, Drew seeks help from Fisk, only to have him turn the situation to his own advantage. Fisk and Boyd eventually become powers to be reckoned with on Wall Street.

Meanwhile, both men fall in love with entertainer Josie Mansfield (Farmer). Mansfield agrees to marry Fisk out of gratitude, but really loves Boyd.

Fisk's greed grows beyond all reason and he tries to corner the market in gold. When Fisk ignores Boyd's warnings, Boyd turns against him, worried that the resulting panic threatens the financial system of the whole country. The federal government finally intervenes by releasing its gold reserves, bankrupting Fisk in the process.

Cast and characters[edit]

Production[edit]

The film was originally announced as The Robber Barons to star Robert Donat who had just made Count of Monte Cristo for producer Edward Small.[3]

Filming was meant to take four weeks but ended up taking fifteen with Arnold on $10,000 a week, half of which went to B.P. Schulberg who owned his contract. Costing Small this much money gave satisfaction to Arnold, who had been rejected by the producer seeking his representation as an agent in 1918.[4] Costs blew out on the production and there ended up being at least seven writers on the script.[5]

Reception[edit]

The film was a commercial disappointment, losing $530,000, making it RKO's biggest money loser of the year.[1] This led to Edward Small leaving RKO and returning to United Artists.

Reviews were mixed.[6]

References[edit]

  1. ^ a b c Richard Jewel, 'RKO Film Grosses: 1931-1951', Historical Journal of Film Radio and Television, Vol 14 No 1, 1994 p57
  2. ^ Turner Classic Movies: The Toast of New York Overview
  3. ^ Robert Donat, Jack Oakie and Other Stars to Glisten on R.-K.-O. Program: Small Closes Deal for Reliance Films Kiepura's Next European Feature in Charge of "Casta Diva" Director; Jean Arthur and Melvyn Douglas to Join Talents Schallert, Edwin. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 27 Jan 1936: A15.
  4. ^ HOLLYWOOD PICKET LINE: The Industry Watches the C. I. O.--Satisfaction--R. Halliburton Flynn By DOUGLAS W. CHURCHILL. New York Times (1923-Current file) [New York, N.Y] 18 Apr 1937: 169.
  5. ^ HOLLYWOOD ON THE ROAD By DOUGLAS W. CHURCHILL. New York Times (1923-Current file) [New York, N.Y] 21 Mar 1937: 173.
  6. ^ THE SCREEN: ' Toast of New York,' at the Music Hall, Celebrates Jim Fisk's Career-'Saratoga' at the Capitol At Loew's State At the Capitol By FRANK S. NUGENTT. M. P.J. T. M.. New York Times (1923-Current file) [New York, N.Y] 23 July 1937: 16.

External links[edit]