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Veronika Voss

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Veronika Voss
Theatrical release poster by Vincent Topazio
Directed byRainer Werner Fassbinder
Written byRainer Werner Fassbinder
Pea Fröhlich
Peter Märthesheimer
Produced byThomas Schühly
StarringRosel Zech
Hilmar Thate
Cornelia Froboess
CinematographyXaver Schwarzenberger
Music byPeer Raben
Release date
18 February 1982
Running time
104 minutes
CountryWest Germany
LanguageGerman

Veronika Voss (German: Die Sehnsucht der Veronika Voss, "The Longing of Veronika Voss") is a 1982 West German black-and-white film directed by Rainer Werner Fassbinder.

Veronika Voss is the second film of his BRD Trilogy, but was chronologically made last, after The Marriage of Maria Braun and Lola. It is also the penultimate film of his career (preceding Querelle) and the last film released during Fassbinder's lifetime.

Plot

The film is loosely based on the career of actress Sybille Schmitz and is influenced by Billy Wilder’s Sunset Boulevard.

The film is set in Munich in 1955. Veronika Voss is a formerly popular UFA film star who is said to have slept with Joseph Goebbels but is now struggling to get roles. She meets a sports reporter named Robert Krohn and is impressed that he does not know who she is. The two begin a love affair, even though Robert already lives with his girlfriend Henriette, who nevertheless realizes that Veronika has an irresistible allure.

Veronika's behavior is erratic and sometimes desperate. Robert decides to do a story about aging movie stars that were once popular and now unnoticed, using Veronika as a case study. As Robert delves into her life he discovers that she is essentially a captive to a corrupt neurologist named Dr. Marianne Katz. Dr. Katz keeps Veronika addicted to opiates and uses her power to give or deny drugs as a means to bleed the actress of her wealth. To verify his suspicions, Robert has Henriette approach Dr. Katz and pretend to be a rich woman in need of psychiatric care. Dr. Katz writes Henriette a prescription for an opiate but afterward witnesses her making a phone call in the street outside the office. Dr. Katz then has Henriette killed and with Veronika's help covers up the crime when Robert arrives with the police.

The film ends tragically as Dr. Katz and her cohorts have Veronika sign over all that she owns and leave her with a fatal dose of pills. After Veronika's death, Robert observes the villains celebrating their victory and is unable to do a thing.

Comment

Fassbinder has a cameo role in the beginning of the film sitting behind Voss in a movie theatre and watching her old movie. Lilo Pempeit (also Liselotte Eder), who plays the manager of a jewelry store, was Fassbinder's mother. Günther Kaufmann, one of Fassbinder's former lovers, plays in all three films of the cycle. In this one he is an enigmatic African-American G.I. Juliane Lorenz, who's seen in the brief role of a secretary, was a close associate of Fassbinder and the editor of this film. Lorenz had spotted an article in Die Zeit about Schmitz's legal troubles and brought it to Fassbinder's attention.[1] She became the chief executive of Fassbinder's estate, the Rainer Werner Fassbinder Foundation.

Music

Several American country music songs appear on the soundtrack throughout the film, including Sanford Clark's version of Lee Hazlewood's "Run Boy Run"; Johnny Horton's "The Battle of New Orleans"; Tennessee Ernie Ford's "Sixteen Tons"; and Tommy Collins's "High on a Hilltop" performed by The Berlin Ramblers. Zech as Voss also performs a version of Dean Martin's "Memories Are Made of This" in the manner of Marlene Dietrich.

Cast

Reception and awards

The film was entered into the 32nd Berlin International Film Festival, where it won the Golden Bear.[2]

Roger Ebert added the film to his Great Movies collection.[3]

In 2012, filmmaker Ashim Ahluwalia included the film in his personal top ten (for The Sight & Sound Top 50 Greatest Films of All Time poll), writing: "Fassbinder’s opiated take on Sunset Boulevard, Veronika Voss makes Billy Wilder’s movie look like a children’s special. Voss’s drug overdose/suicide eerily foreshadows Fassbinder’s own later that same year infusing deep tragedy and new meaning to the term ‘a film about film’."[4]

See also

References

  1. ^ Rosel Zech and Juliane Lorenz interview in 2003 for the Criterion Collection DVD of the film. Also contained in the Artificial Eye Region 2 edition.
  2. ^ "Berlinale: 1982 Prize Winners". berlinale.de. Retrieved 2010-11-14.
  3. ^ "Veronika Voss : rogerebert.com : Great Movies". Retrieved 2013-01-08.
  4. ^ "BFI". www.bfi.org.uk.
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