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William Villiers, 2nd Viscount Grandison

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The Viscount Grandison
Personal details
Born
William Villiers

1614
London
Died23 September 1643(1643-09-23) (aged 29)
Oxford
Resting placeChrist Church Cathedral, Oxford
NationalityEnglish
SpouseMary Bayning (1639–his death)
ChildrenBarbara Villiers (1640–1709)
Parent
OccupationCourtier and soldier
Military service
RankColonel
Battles/warsBishops' Wars
First English Civil War
Edgehill; Bristol

William Villiers, 2nd Viscount Grandison (1614 – 23 September 1643) was an Irish peer and Royalist soldier who was fatally wounded during the First English Civil War in 1643.

Personal details

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Sir Edward Villiers (1585–1626)

William Villiers was born in 1614, eldest son of Sir Edward Villiers (1585–1626) and Barbara St. John (ca 1592–1672). His father was the older half-brother of George Villiers, 1st Duke of Buckingham, favourite of both James VI and I and Charles I, a relationship from which he greatly benefitted. Appointed Lord President of Munster, he died in Cork in 1626, leaving enormous debts; his wife was still repaying them in the 1660s.[1]

One of ten children, Villiers' siblings included Anne (1610–1654), John (1616–1659), George (1618–1699), Barbara (1618–1681) and Edward (1620–1689). The Villiers were a powerful and well connected family; William's relatives included John Villiers, 1st Viscount Purbeck, Christopher Villiers, 1st Earl of Anglesey, and Susan Feilding, who was Lady of the Bedchamber to Queen Henrietta Maria.[2]

In 1639, Grandison married Mary Bayning (1623–1672), heiress to a fortune of £180,000; they had one daughter, Barbara Villiers (1640–1709), who was later mistress to Charles II.[3] After his death, Mary married his cousin Christopher Villiers, Second Earl of Anglesey (1625–1661).[4]

Career

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Villiers grew up mostly in London, where his father was Master of the Mint, a post which gave him rooms at the Tower of London.[1] On 23 June 1623, when his childless great-uncle Oliver St John (1559–1630) was created Viscount Grandison in the peerage of Ireland, the honour was made subject to a special remainder that it would be inherited by the heirs male of St John's niece Barbara Villiers. This meant when St John died in December 1630, Villiers inherited his title.[5]

Grandison by Pieter van Gunst, c. 1714

In 1638 Charles I knighted Grandison at Windsor, together with the Prince of Wales and Thomas Bruce, 1st Earl of Elgin.[6] During the 1639 and 1640 Bishops' Wars, he was commissioned as Colonel but does not appear to have seen action.[7] When the First English Civil War began in August 1642, Grandison raised a regiment of cavalry, which formed part of the Royalist left wing at Edgehill on 23 October. During the fighting, Sir Edmund Verney was killed and the Royal Standard captured but then recovered by three men led by John Smith, an officer in Grandison's regiment. Smith was knighted on the field, becoming the last knight banneret created in England, and promoted to major by Grandison; he was later killed at Cheriton in 1644.[8]

At the Storming of Bristol on 26 July 1643, Grandison led one of three brigades or "tertia" commanded by Prince Rupert of the Rhine. His unit made a series of attacks on Prior's Hill Fort and a redoubt at Stokes Croft, in the third of which he was wounded in the right leg.[9] together with his cousin Edward St John, a son of his uncle Sir John St John.[10] Grandison was taken to Oxford where he died on 29 September, presumably of a fever related to the injury, since Hyde explicitly states the wound caused his death.[11] [a]

As Grandison had no son, he was succeeded by a younger brother, John Villiers. After the Restoration, Grandison's only child, Barbara Villiers, became a royal mistress of King Charles II, in 1670 was created Duchess of Cleveland, and became the ancestor of several noble families, including the Dukes of Grafton. Grandison's mother, Barbara Lady Villiers, born about 1592, lived into her eighties and saw the Restoration and the early years of her great-grandchildren.[12]

Lord Grandison's youngest brother, Edward, was the father of Edward Villiers, 1st Earl of Jersey,[12] and the present-day Viscount Grandison is his descendant, William Villiers (born 1976), a film executive.[13]

Lydiard portrait

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A portrait of Grandison survived at Lydiard House, his mother's family home in Wiltshire, as of 2006. It is catalogued as by the school of Anthony van Dyck. At the bottom right of the canvas is the name "LD. GRANDISSON".[14][15] This painting was engraved about 1714 by Pieter van Gunst, who identified it as "William Villiers, Vicount Grandisson, Father to ye Late Duchesse of Cleaveland", with the attribution "A v. Dyk pinx".[16] Theresa Lewis, in her Lives of the Friends and Contemporaries of Lord Chancellor Clarendon (1852), gives an unmistakable description of this portrait and reports that two copies of it then existed, one owned by the Duke of Grafton, a direct descendant of Grandison's, and the other by Earl Fitzwilliam.[17]

Another portrait

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The Whitney Van Dyck

A similar but more sumptuous portrait of a young man, also known as Viscount Grandison, said to have belonged to George Villiers, 2nd Duke of Buckingham, was at Stocks Park, Hertfordshire,[18] before being exhibited at the Royal Academy in 1893 as the property of Arthur Kay, Esq. After that it was sold to H. O. Miethke, who quickly sold it to Jacob Herzog of Vienna. Exhibited as "William Villiers, Viscount Grandison", this had a great impact at a Van Dyck Tercentenary Exhibition at Antwerp in 1899, and in 1901 the portrait was bought by William Collins Whitney,[19] who paid $125,000 for it. This was the second-highest price ever attached to a painting at the time, defeated only by Millet's Angelus.[20] Still named as a portrait of Grandison, it went on to create a sensation at the Van Dyck Loan Exhibition at Detroit in 1929, and in 1932, on the death of H. P. Whitney, was inherited by his widow Gertrude Vanderbilt Whitney.[21] In 1948 Cornelius Vanderbilt Whitney gave it to the National Gallery of Art in Washington, D.C.[22]

The art historian Lionel Cust, Director of the National Portrait Gallery, suggested in 1905 that the Whitney portrait was of another man, and might be a likeness of the younger brother of Grandison, John Villiers, who became the third Viscount in 1643.[18] A more powerful identification was made in the 1940s, when an early 18th century drawing of the painting by Louis Boudan was found, marked as Henry de Lorraine, duc de Guise.[23] The National Gallery of Art now attaches that name to it.[24]

Notes

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  1. ^ "Lord Grandison, whose loss can never be enough lamented. He was a young Man of so virtuous a habit of mind that no temptation or provocation could corrupt him; so great a Lover of Justice and integrity, that no example, necessity, or even the barbarity of this War, could make him swerve from the most precise Rules of it; and of that rare Piety and Devotion, that the Court, or Camp, could not shew a more faultless Person, or to whose example young Men might more reasonably conform themselves".[11]

References

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  1. ^ a b Thrush 2004.
  2. ^ Cokayne 1912, p. 37.
  3. ^ Andrews 1971, p. 6.
  4. ^ Pollard 2004.
  5. ^ Debrett 1837, p. 91.
  6. ^ Sites of Cultural Stress from Reformation to Revolution: The Masque (Folger Institute, 2004, |accessed 19 September 2018
  7. ^ BCW.
  8. ^ Carlton 1992, pp. 192–193.
  9. ^ Firth & Leslie 1925, p. 190.
  10. ^ David C. Wallace, Twenty-Two Turbulent Years 1639-1661, p. 28
  11. ^ a b Clarendon 1717, p. 299.
  12. ^ a b "The Oxford Dictionary of National Biography". Oxford Dictionary of National Biography (online ed.). Oxford University Press. 2004. doi:10.1093/ref:odnb/28288. ISBN 978-0-19-861412-8. (Subscription or UK public library membership required.)
  13. ^ Charles Mosley, ed., Burke's Peerage, Baronetage & Knighthood (107th edition, Burke's Peerage & Gentry (2003), pp. 2095–2097, ISBN 0-9711966-2-1
  14. ^ Christopher Wright, Catherine May Gordon, British and Irish Paintings in Public Collections: an Index (Yale University Press, 2006), p. 316
  15. ^ Lydiard Park and Church (Borough of Thamesdown), p. 10
  16. ^ William Villiers, Vicount Grandisson, Father to ye Late Duchesse of Cleveland, Anthony van Dyck at europeana.eu, accessed 9 January 2018
  17. ^ Theresa Lewis Lives of the Friends and Contemporaries of Lord Chancellor Clarendon: Illustrative of Portraits in His Gallery, Volume 3 (J. Murray, 1852), p. 316
  18. ^ a b Lionel Cust, Anthony Van Dyck: An Historical Study of His Life and Works, p. 138 : "A portrait of a young man in a similar dress, called Viscount Grandison, formerly at Stocks Park, Hertfordshire, and now in the possession of M. Hertzog at Vienna, evidently represents another young Cavalier, perhaps his brother, John Villiers, who succeeded as third Viscount Grandison.
  19. ^ The Living Age, Volume 233 (1902), p. 334: "Mr. Whitney's rich and ever-growing collection includes – to mention only his most enviable possession – the enchanting full length "Willlam Villiers, Viscount Grandison" by Van Dyck, which used to hang almost unnoticed in a quiet English country house; then suddenly not only took Van Dyck students but the world by storm when, as the property of Herr Hertzog of Vienna, it appeared at the Commemorative Van Dyck Exhibition."
  20. ^ Appletons' Annual Cyclopaedia and Register of Important Events (1902) : "The full-length portrait of William de Villiers, Viscount Grandison, by Van Dyck, which figured at the Antwerp exhibition of the works of the master in 1899, has been purchased by William C. Whitney, of New York, for $125,000, the highest price paid in America for a picture, excepting Millet's Angelus. It was originally in the possession of the Buckingham family, from whom it passed to Lady Grey and to Jacob Herzog, of Vienna, who exhibited it in 1899."
  21. ^ Apollo Volume 22 (1976), p. 91 : "ONE of the outstanding items in the great Van Dyck Loan Exhibition at Detroit, U.S.A., in 1929, was beyond question the sumptuous "William Villiers, Viscount Grandison," the property of Mr. Harry Payne Whitney, of New York (Fig. I). It seems to have created something of a sensation, as indeed it had already done in the Van Dyck Tercentenary Exhibition (Antwerp, 1899) and earlier in the Winter Exhibition of 1893 at our Royal Academy. And no wonder : for, while others of the master's portraits may excel in dignity, sublety or power, as a display of sheer bravura it is perhaps unrivalled. One is accordingly rather surprised to find that not a tittle of positive documentary evidence has been put forward hitherto as to either authorship or subject. Even the attribution to Van Dyck rests solely on aesthetic grounds ; but the best critical opinion seems unanimous in accepting the work unreservedly as an authentic masterpiece from his hand. Far otherwise is it with the proposed identification of the sitter : he has only been accepted as "Grandison" provisionally and with notable reservations... After being exhibited (according to the catalogue) at the Royal Academy in 1893 by " Arthur Kay, Esq.," it passed in rapid succession to H. O. Miethke and Jacob Herzog of Vienna. Thence, in 1901, it was acquired by Mr. W. C. Whitney of New York, and so came to Mr. H. P. Whitney, to whose widow it now belongs. I have been quite unable to locate it — in England — further back than the XIXth century."
  22. ^ Pallas: International Art and Archaeology News Bulletin (1948), p. 28
  23. ^ The Connoisseur Volumes 122-123 (1948), p. 42 : "The Whitney Van Dyck was, during its long ownership in England, known as the portrait of William Villiers, Viscount Grandison... The definite identification of the subject was made only recently when the late Mr. Francis M. Kelly discovered in the Bibliotheque Nationale in Paris a contemporary drawing of it by Louis Boudan inscribed in a contemporary hand : Henry de Lorraine, duc de Guise."
  24. ^ Huntington Cairns, John Walker, Treasures from the National Gallery of Art (1962), p. 84

Sources

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Peerage of Ireland
Preceded by Viscount Grandison
1630–1643 		Succeeded by
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