Jump to content

Robert Ballagh: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
broken links removed, info added
Line 1: Line 1:
'''Robert Ballagh''' (born [[22 September]], [[1943]]) is an Irish artist. He was born in [[Dublin]] and graduated from the [[Dublin Institute of Technology]]. He is both a painter and designer. His painting style was strongly influenced by [[pop art]] and his paintings are often playful and didactic.
'''Robert Ballagh''' (born [[22 September]], [[1943]]) is an [[Irish people|Irish]] artist. He was born in [[Dublin]] and graduated from the [[Dublin Institute of Technology]]. He is both a painter and designer. His painting style was strongly influenced by [[pop art]] and his paintings are often playful and didactic. He is a member of [[Aosdána]].


He began with an apprenticeship to the painter Michael Farrell and taught himself the rest. Ballagh made his first big splash with the ''People Looking At'' paintings, not least because his reproductions of [[Jackson Pollock|Pollock]], [[Roy Lichtenstein|Lichtenstein]], [[Mark Rothko|Rothko]] etc, were so convincing<ref name="TO">{{cite web | title=Art: Robert Ballagh | work=Times Online (15 October 2006) | url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article598963.ece | accessdate=2008-07-11}}</ref> Ballagh represented Ireland at the 1969 [[Biennale de Paris]]. In 1972, he splashed animal blood on the floor of the [[Project Arts Centre]] in Dublin, for an installation about [[Bloody Sunday (1972)|Bloody Sunday]]. He readily admits that his early output was limited by lack of aesthetic training. For instance, the reason his ''Portrait of Gordon Lambert'', features a silk-screened face is simply that he was not very good at painting faces back in 1972.<ref name="TO"/>
In [[1991]], he co-ordinated the 75th anniversary commemoration of the 1916 [[Easter Rising]]. Interviewed for a special feature that was published in the Irish Times on the 90th anniversary, he related that this had caused him to be harassed by the [[Special Branch#Ireland|Special Branch]] of the [[Garda Siochána]].


Ballagh represented Ireland at the 1969 [[Biennale de Paris]]. Among the theatre sets he has designed are sets for ''[[Riverdance]]'', [[Samuel Beckett]]'s ''[[Endgame (play)|Endgame]]'' (1991) and [[Oscar Wilde]]'s ''[[Salomé (play)|Salomé]]'' (1998). He has also designed over 70 Irish postage stamps and the last series of [[Irish banknotes]], "[[Series C Banknotes (Ireland)|Series C]]", before the introduction of the [[euro]]. He is a member of [[Aosdána]].
Among the theatre sets he has designed are sets for ''[[Riverdance]]'', [[Samuel Beckett]]'s ''[[Endgame (play)|Endgame]]'' (1991) and [[Oscar Wilde]]'s ''[[Salomé (play)|Salomé]]'' (1998). He has also designed over 70 Irish postage stamps and the last series of [[Irish banknotes]], "[[Series C Banknotes (Ireland)|Series C]]", before the introduction of the [[euro]].<ref>{{cite web | title=Robert Ballagh, Set Designer | work=Riverdance | url=http://www.riverdance.com/htm/theshow/thejourney/robert_ballagh.htm | accessdate=2008-07-11}}</ref> He has also painted polemical murals in west [[Belfast]].<ref name="TO"/>

He is the President of the Irish Institute, which promotes international republicanism. It is based at the new Pearse center in Pearce Street, Dublin.
In [[1991]], he co-ordinated the 75th anniversary commemoration of the 1916 [[Easter Rising]]. Interviewed for a special feature that was published in [[The Irish Times]] on the 90th anniversary, he related that this had caused him to be harassed by the [[Special Branch#Ireland|Special Branch]] of the [[Garda Siochána]]. He is the President of the Irish Institute, which promotes international republicanism.

The [[Royal Hibernian Academy]]’s Gallagher gallery, marked his career with a full-scale retrospective in 2006. He was the creative force behind the opening ceremonies for the [[2003 Special Olympics World Summer Games]] and the [[2006 Ryder Cup]], both held in Ireland.<ref name="TO"/> In 2006, The Gorry Gallery in Dublin had a major show of his work entitled: Robert Ballagh, Works from the Studio, 1959-2006.


==Work in Collections==
==Work in Collections==
*[[The National Gallery of Ireland]]
*[[National Gallery of Ireland]]
*[[The Ulster Museum]]
*[[Ulster Museum]]
*[[The Hugh Lane Municipal Gallery]]
*[[Hugh Lane Municipal Gallery]]
*[[The Albrecht Dürer House]], Nuremberg
*[[Albrecht Dürer House]], [[Nuremberg]]
*[[Trinity College, Dublin]]
*[[Trinity College, Dublin]]


==External links==
==References==
{{reflist}}
*[http://www.artscouncil.ie/aosdana/biogs/visualarts/robertballagh.html Aosdána short biography]

* [http://www.ireland.com/newspaper/weekend/2006/0415/3134458282WK15RISING.html 1916 - What does it mean to you?,] in the Weekend Review of the ''Irish Times'', 15 April 2006






Revision as of 22:05, 11 July 2008

Robert Ballagh (born 22 September, 1943) is an Irish artist. He was born in Dublin and graduated from the Dublin Institute of Technology. He is both a painter and designer. His painting style was strongly influenced by pop art and his paintings are often playful and didactic. He is a member of Aosdána.

He began with an apprenticeship to the painter Michael Farrell and taught himself the rest. Ballagh made his first big splash with the People Looking At paintings, not least because his reproductions of Pollock, Lichtenstein, Rothko etc, were so convincing[1] Ballagh represented Ireland at the 1969 Biennale de Paris. In 1972, he splashed animal blood on the floor of the Project Arts Centre in Dublin, for an installation about Bloody Sunday. He readily admits that his early output was limited by lack of aesthetic training. For instance, the reason his Portrait of Gordon Lambert, features a silk-screened face is simply that he was not very good at painting faces back in 1972.[1]

Among the theatre sets he has designed are sets for Riverdance, Samuel Beckett's Endgame (1991) and Oscar Wilde's Salomé (1998). He has also designed over 70 Irish postage stamps and the last series of Irish banknotes, "Series C", before the introduction of the euro.[2] He has also painted polemical murals in west Belfast.[1]

In 1991, he co-ordinated the 75th anniversary commemoration of the 1916 Easter Rising. Interviewed for a special feature that was published in The Irish Times on the 90th anniversary, he related that this had caused him to be harassed by the Special Branch of the Garda Siochána. He is the President of the Irish Institute, which promotes international republicanism.

The Royal Hibernian Academy’s Gallagher gallery, marked his career with a full-scale retrospective in 2006. He was the creative force behind the opening ceremonies for the 2003 Special Olympics World Summer Games and the 2006 Ryder Cup, both held in Ireland.[1] In 2006, The Gorry Gallery in Dublin had a major show of his work entitled: Robert Ballagh, Works from the Studio, 1959-2006.

Work in Collections

References

  1. ^ a b c d "Art: Robert Ballagh". Times Online (15 October 2006). Retrieved 2008-07-11.
  2. ^ "Robert Ballagh, Set Designer". Riverdance. Retrieved 2008-07-11.



Template:Persondata