Statue of John Harvard

John Harvard
Following the statue's dedication, The Harvard Crimson described it, reporting, "He rests his hand on the open tome between his knees, and gazes for a moment into the future, so dim, so uncertain, yet so full of promise, promise which has been more than realized."
Artist	Daniel Chester French (sculptor) Henry-Bonnard Bronze Company (foundry)
Year	1884 (1884)
Type	Bronze
Dimensions	Figure: 71 by 38.6 by 65 in (180 by 98 by 165 cm) Plinth: 61 by 72 by 12 in (155 by 183 by 30 cm)
Location	Harvard Yard, Cambridge, Massachusetts, U.S.

John Harvard is a bronze sculpture by Daniel Chester French in Harvard Yard on the campus of Harvard University in Cambridge, Massachusetts, honoring Puritan clergyman John Harvard, who, on his deathbed, bequeathed a substantial portion of his life savings and book collection, which were used in founding present-day Harvard University. Massachusetts Bay Colony, one of the original Thirteen Colonies, subsequently ordered that the college be named in Harvard's honor.

The statue was dedicated in 1884, over two centuries after John Harvard's September 14, 1638 death. Since there was nothing at the time to indicate the appearance of John Harvard, French used a Harvard student descended from an early Harvard president as inspiration for the statue's development.

The statue's inscription states: JOHN HARVARD  • FOUNDER  • 1638

The inscription is the subject of an arch polemic traditionally recited for visitors to Harvard Yard, questioning whether John Harvard justly merits the honorific title of founder of the university. According to a Harvard official, Harvard's founding was not the act of one but the work of many, and John Harvard is therefore considered "a" founder of the university, but not "the" founder. The timeliness and generosity of John Harvard's contribution, however, and he is the most honored among those considered Harvard founders.

Tourists to Harvard Yard often rub the toe of John Harvard's left shoe for luck.

Composition

Hendrik Goltzius' Clio

A portrait of Edward Winslow

The statue's original site west of Memorial Hall}}

The Statue of John Harvard

On October 18, 1884, The New York Times described the statue at its unveiling:

The young clergyman is represented sitting, holding an open [book] on his knee. The costume is the simple clerical garb of the seventeenth century ... low shoes, long, silk hose, loose knee breeches, and a tunic belted at the waist, while a long cloak, thrown back, falls in broad, picturesque folds.

John Harvard's gift to the school was £780 and his 400-volume scholar's library:

Partly under the chair, within easy reach, lie a pile of books.

John Harvard died of tuberculosis at about 30 years old, but little else was known about him at the time of the statue's creation; at the statue's dedication, George Edward Ellis said:

Gently touched by the weakness which was wasting his immature life, he rests for a moment from his converse with wisdom on the printed page, and raises his contemplative eye to the spaces of all wisdom.

Historian Laurel Ulrich suggested that John Harvard's general composition may have been inspired by Hendrik Goltzius' engraving of Clio, whose collar, buttons, tassel, and mustache may have been taken from a portrait of Edward Winslow, the governor of Plymouth Colony.

History

19th century

Harvard student Sherman Hoar was the inspiration for John Harvard's face.

On June 27, 1883, at the Commencement Day dinner of Harvard alumni a letter was read^[M] from "a generous benefactor, General Samuel James Bridge, an adopted alumnus of the college":

To the President and Fellows of Harvard College.
Gentlemen, — I have the pleasure of offering you an ideal statue in bronze, representing your founder, the Rev. John Harvard, to be designed by Daniel C. French of Concord ... I am assured that the same can be in place by June 1, 1884.^[M]

Bridge specified an "ideal" statue because there was nothing to indicated John Harvard's appearance.{r|HMagJanFeb2000}} When French began work in September, he used Harvard student Sherman Hoar as inspiration for the figure's face. "In looking about for a type of the early comers to our shores," he wrote, "I chose a lineal descendant of them for my model in the general structure of the face. He has more of what I want than anybody I know."  (Through his father Ebenezer Rockwood Hoar‍—‌chairman^[M] of Harvard's Board of Overseers‍—‌Sherman Hoar was descended from a brother of Harvard's fourth president Leonard Hoar, and from Roger Sherman, a Founding Father who signed the Declaration of Independence and the United States Constitution.)

The commission weighed heavily on French even as the figure neared completion. "I am sometimes scared by the importance of this work. It is a subject that one might not have in a lifetime," wrote the sculptor‍—‌who thirty years later would create the statue of Abraham Lincoln for the Lincoln Memorial‍—‌"and a failure would be inexcusable. As a general thing, my model looks pretty well to me, but there are dark days."

French's final model was ready the following May and realized in bronze by the Henry-Bonnard Bronze Company over the next several months. The cost reportedly exceeded $20,000, equivalent to $700,000 in 2023.

The statue was installed "looking wistfully into the western sky", Harvard president Charles William Eliot said,{ran|M}} at the western end of Memorial Hall on the triangular city block then known as the Delta (see Memorial Hall). At its October 15, 1884 unveiling.^[M] Ellis gave "a singularly felicitous address, telling the story of the life of John Harvard, who passes so mysteriously across the page of our early history." 

20th century

In 1920, French wrote to Harvard president Abbott Lawrence Lowell desiring that the statue be relocated; in 1924 it was moved from Memorial Hall, then the college dining hall. Harvard Lampoon drawing showed John Harvard dismounting his plinth, chair in tow, and holding his nose because he "couldn't stand the smell of 'Mem' any longer" to its current location on the west side of Harvard Yard's University Hall, facing Harvard Hall, Massachusetts Hall, and the Johnston Gate.

Later that year, the Lampoon wrote of the frustrations of the metallic, immobile John Harvard surrounded by Harvard under­graduates—

Great men arise  /  Before my eyes  /  From yonder pile I founded
While I must sit    /  Quite out of it      /  My jealousy unbounded

—though twelve years later David McCord portrayed the founder as satisfied in his stationarity:

"Is that you, John Harvard?"  /    I said to his statue.
"Aye, that's me," said John,    /  "And after you're gone."

A photograph of the statue appeared on the cover of the May 5, 1941 issue of Life magazine.

In the 1990s, tour guides began encouraging visitors to emulate a "student tradition"‍—‌nonexistent‍—‌of rubbing the toe of John Harvard's left shoe for luck, so that while the statue as a whole is darkly weathered the toe now "gleams almost throbbingly bright, as though from an excruciating inflammation of the bronze."  It is, however, traditional for seniors, as they process to graduation exercises on Commencement Day (see History and traditions of Harvard commencements), to remove their caps as they pass.

The statue is depicted on the United States Postal Service's 1986 John Harvard stamp, part of its Great Americans series.

Harvard College
seal

Harvard's gift included his 400-volume scholar's library.

Tourists (if not students) rub John Harvard's toe for luck.

Emmanuel
College seal

Seals and inscriptions

John Harvard guarding the University Hall offices of the Dean of Harvard College, a location calculated, The Harvard Crimson reported, "according to one theory, in order to keep all light out of the Dean's office".​ The Harvard College seal is visible on the statue's plinth.

The facts as to John Harvard's relation to the found­ing of the Col­lege ... are entirely compati­ble with the inscription on John Harvard's statue. There is no myth to be destroyed.

Jerome Davis Greene

The monument's six-foot granite plinth is by Boston architect Charles Howard Walker. On its southern side (the side to the viewer's right), in bronze, is the seal of John Harvard's alma mater, the University of Cambridge's Emmanuel College; on the northern side is what Ellis called "that most felicitously chosen of all like devices, the three open books and the veritas of Harvard. The pupil of the one institution was the founder of the other, transferring learning from its foreign home to this once wilderness scene." On the rear are the words GIVEN BY  •   SAMUEL JAMES BRIDGE  •  JUNE 17, 1883.

The face of the plinth is inscribed (in letters originally gilt)^[M] JOHN HARVARD  •   FOUNDER  • 1638‍—‌words "hardly read before some smartass guide breezily informs the unsuspecting visitor that this is, after all, the 'Statue of the Three Lies'" (as Douglas Shand-Tucci put it) because, as is ritually related to freshmen and visitors):  :*the statue is not a likeness of JOHN HARVARD;

• it was the Great and General Court of the Massachu­setts Bay Colony‍—‌not John Harvard‍—‌which first voted "to give 400£ towards a schoale or Colledge", preempting any claim for John Harvard as FOUNDER; and

• the General Court's vote came in 1636, not in the inscription's 1638‍—‌the latter being merely the year of John Harvard's bequest to the school.

However, Shand-Tucci said, "the idea of the three lies is at best a fourth, and by far the greater falsehood,"  as detailed in a 1934 letter to the Harvard Crimson from the secretary of the Harvard Corporation and director of the school's then-upcoming Tercenten­ary Celebration:

The facts as to John Harvard's relation to the founding of the College are not at all in dispute nor can it be said that the statue in front of University Hall does any violence to them. No likeness of John Harvard having been preserved, the statue[is an "ideal" representation].

If the founding of a university must be dated to a split second of time, then the founding of Harvard should perhaps be fixed by the fall of the president's gavel in announcing the passage of the vote of October 28, 1636 [see History of Harvard University]. But if the founding is to be regarded as a process rather than as a single event [then John Harvard, by virtue of his bequest "at the very threshold of the College's existence and going further than any other contribution made up to that time to ensure its permanence"] is clearly entitled to be considered a founder. The General Court ... acknowledged the fact by bestowing his name on the College.

These are all familiar facts and it is well that they should be understood by the sons of Harvard. They are entirely compatible with the inscription on John Harvard's statue. There is no myth to be destroyed.

Pranks

The statue became the target of pranks soon after its unveiling.

1884 tarring

In 1884, The Harvard Crimson reported that, "Some ingenious persons covered the John Harvard statue last night with a coat of tar. The same persons presum­ably, marked a large '87 on the wall at the entrance of the chapel,"  and in 1886 the Crimson mentions a further incident: "A graduate contribu­tor to the Advocate suggests that the editors of the college papers ferret out the authors of the small disturbances, such as the painting of the John Harvard statue." 

1890 painting

Following a May 31, 1890 Harvard athletic victory, front-page headlines in the Boston Morning Globe declared: "Vandalism at Harvard; statue of John Harvard and college buildings daubed with red paint by drunken students; seniors and faculty indig­nant ... Riotous Mob Ruled the Campus." 

The next day the Globe further reported that a Harvard student observing graffiti-removal efforts "declared that no Harvard man ever daubed the impious phrase, 'To h—l with Yale.' He was of the opinion that a Harvard man would at least soften the profanity by varnishing it with Latin or Greek ... Two detectives who were requested to ferret out the perpetrators paid little heed to the discussion on swear words, but kept their eyes on several impressions that had been made on the paint when it was fresh. One thought they were made by a dog's paws, and as several students kept dogs the suspicion was magnified to the importance of a clue. A student, however, told the detectives that according to his view the impressions were made by barefoot boys walking on tip-toe." 

Out-of-state newspapers reporting the outrage, and to a greater or lesser degree following the subsequent investigation, included (among many others):

• The World (New York, New York; June 2, p. 2): "A Jocular Outrage — Harvard Students Exceed Decency in Celebrating."
• Evening Gazette (Sterling, Illinois; June 2, p. 4): "Harvard Students on an Outra­geous Tear. — Slathers of Red Paint Used. — The Fine Statue of the College Founder Ruined by the Crazy Scapegraces."
• Fort Wayne Sentinel (Fort Wayne, Indiana; June 2, p. 5): "The faculty will expel the criminals and persecute [sic] them if found."
• The Philadelphia Record: "Painted Harvard Red — Disgraceful Antics of Rum-Crazed Students. — Cambridge is Horri­fied. — The Faculty Bent on Venge­ance ... Last night the whole college celebrated a wild orgie [sic] ... There were suppers, bonfires, fish-horns and a general pandemo­ni­um; but, save the insane acts of two of the students, who, overcome with enthusi­asm, deliber­ately threw their dress coats into the bonfire while dancing around the blaze, no great overt act was then commit­ted ... It was during the small hours that the vandals were abroad ... [John Harvard's] face, hands, books, and shoes were bright crimson, and his clothes striped like a zebra." 

Despite a mass meeting of outraged Harvard men (who insisted the culprits must be outside­ers or, failing that, freshmen), the hiring of detec­tives, and an apparently facetious report that Harvard President Charles W. Eliot was unavaila­ble for comment because he had "gone out in the woods to cut switches" (all Globe, June 3), on June 22 an anonymous contribu­tor (Globe, p. 20) intimated that while "the faculty claim that they have not found out any of the men who did the 'fine art' work ... I saw the ringleader on class day showing two very pretty girls around the 'yard'."

Other incidents

In March 1934, Harvard athletes were suspected in the disappearance of Handsome Dan, a dog that served as Yale University's mascot. The dog was recovered a few days later after the Harvard Lampoon photographed the dog licking John Harvard's boots, which had been smeared with hamburger. "Dog licks man", a Crimson headline read.

"Some years ago some students painted [the statue] crimson and our cops caught them red-handed", Harvard University Police Department's deputy chief told The Harvard Crimson in 1984, adding "I've been waiting a long time to use that."  Crimson is Harvard's school color.

As the statue's 100th anniversary approached, then Harvard Lampoon president Conan O'Brien predicted that "we'll probably stuff it with cottage cheese, maybe also with some chives."  "I think it’s creative but I wish students would direct their creative energies elsewhere," a Harvard maintenance official said in 2002.

Idealization dispute

"There is necessarily much that is unsatisfactory in a wholly idealized representation by art of an historical person of whose form, features, and lineaments there are no certifications," George Edward Ellis said of the statue.

"It seems to me of very questionable expediency to get up a fictitious likeness of him and make up a figure according to our ideas of the man," Massachusetts Historical Society president Robert Charles Winthrop said on the statue.

In October 1883, at a meeting of the Massachusetts Historical Society, George Edward Ellis, a Harvard Divinity School professor and historian, described the challenge of creating an idealized representation of John Harvard, saying:

A very exacting demand is to be made upon the genius and skill of the artist ... The work must be wholly ideal, guided by a few suggestive hints, all of which are in harmony with grace, delicacy, dignity, and reverential regard. There is necessarily much that is unsatisfactory in a wholly idealized representation by art of an historical person of whose form, features, and lineaments there are no certifications. But the few facts [known with certainty] concerning Harvard are certainly helpful to the artist.

But Robert Charles Winthrop, president of the society, disapproved, saying, "It must be altogether a fancy sketch, a 'counterfeit presentment,'‍—‌to use Shakespeare's phrase,‍—‌and in more senses of the word than one ... [S]uch attempts to make portrait statues of those of whom there are not only no portraits, but no records or recollections, are of very doubtful desireableness ... Such a course tends to the confusing and confounding of historic truth and leaves posterity unable to decide what is authentic and what is mere invention ... It seems to me of very questionable expediency to get up a fictitious likeness of him and make up a figure according to our ideas of the man."

A year later, Ellis answered Winthrop's criticism in his oration^[M] before the unveiling of what he called "a Simulacrum ...a conception of what (John) Harvard might have been in body and lineament, from what we know that he was in mind and in soul...This exquisite molding in bronze serves a purpose for the eye, the thought, and sentiment, through the ideal, in lack of the real ... It is by no means without allowed and approved precedent, that, in the lack of authentic portraitures of such as are to be commemorated, an ideal representation supplies the vacancy of a reality. It is one of the fair issues between poetry and prose. The wise, the honored, the fair, the noble, and the saintly, are never grudged some finer touches of the artist in tint or feature, which etherialize their beauty, or magnify their elevation, as expressed in the actual body,‍—‌the eye, the brow, the lip, the moulding of the mortal clay. To flatter is not always to falsify.some authentic portraiture of John Harvard, the pledge may here and now be ventured, that some generous friend, such as, to the end, shall never fail our Alma Mater, notwithstanding her chronic poverty, will provide that this bronze shall be liquified again, and made to tell the whole known truth so as by fire."

See also

• Public sculptures by Daniel Chester French
• Statue of John Bridge

Further reading

M.

Memorial of John Harvard: The gift to Harvard University of Samuel James Bridge. Ceremonies at the Unveiling of the Statue (1884)

External links

• Harvard: America's Great University Now Leads the World Life, vol. 10, no. 18 (May 5, 1941), cover (showing "John Harvard [statue] & Freshman") and pp. 22, 89–​99.
• Josiah Quincy, History of Harvard College (title page showing "Quincy seal")
• Smithsonian American Art Museum – Inventory of American Sculpture – John Harvard (sculpture) – Detailed technical inventory