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===Origins===
===Origins===
During the late 1960s and early 1970s, producer/composer [[Norman Whitfield]] and lyricist [[Barrett Strong]] crafted a string of "[[psychedelic soul]]" tracks for the Temptations. After the success of [[Sly & the Family Stone]]'s fusions of [[psychedelic rock]] and [[soul music]], particularly their 1968 hit single "[[Dance to the Music (song)|Dance to the Music]]", several soul acts, including the Temptations, [[The Isley Brothers]], and [[The Four Tops]], began releasing similar records. By 1970, the Temptations had released three albums of psychedelic soul material (''[[Cloud Nine (Temptations album)|Cloud Nine]]'', ''[[Puzzle People]]'', and ''[[Psychedelic Shack (album)|Psychedelic Shack]]''), which also showed heavy influence from rock acts such as [[The Beatles]], [[The Rolling Stones]], and [[Jimi Hendrix]]. During this period, the Temptations released psychedelic-based hits such as "[[I Can't Get Next to You]]", "[[Psychedelic Shack (song)|Psychedelic Shack]]", "[[Ball of Confusion (That's What the World Is Today)]]", and the [[Grammy Award]]-winning "[[Cloud Nine (song)|Cloud Nine]]".
During the late 1960s and early 1970s, producer/composer [[Norman Whitfield]] and lyricist [[Barrett Strong]] crafted a string of "[[psychedelic soul]]" tracks for the Temptations.<ref name="Eder">{{cite web|last=Eder|first=Bruce|title=Norman Whitfield > Biography|url=http://allmusic.com/cg/amg.dll?p=amg&sql=11:hzfoxqygldse~T1|publisher=allmusic|accessdate=2008-11-13}}</ref> By 1970, the Temptations had released psychadecially-influenced hits such as "Runaway Child, Running Wild", "[[Psychedelic Shack (song)|Psychedelic Shack]]", "[[Ball of Confusion (That's What the World Is Today)]]", and the [[Grammy Award]]-winning "[[Cloud Nine (song)|Cloud Nine]]".<ref>{{cite web|last=Ankeny|first=Jason|title=The Temptations > Biography|url=http://allmusic.com/cg/amg.dll?p=amg&sql=11:kifqxqr5ldse~T1|publisher=allmusic|accessdate=2008-11-13}}</ref>


However, the Temptations themselves, particularly Eddie Kendricks, preferred to record in the style of earlier hits such as "[[My Girl (song)|My Girl]]", and constantly pressured Whitfield to produce something similar to those songs. In a 1991 interview, Eddie Kendricks recalled that many of the Temptations' fans were "screaming bloody murder" after the group delved into psychedelia, and demanded a return to their original soul sound.<ref>[http://www.soul-patrol.com/soul/temps.htm Audio interview with Eddie Kendricks and David Ruffin], recorded in 1991 in the United Kingdom. Retrieved on September 28, 2005. When asked several times about the Temptations' psychedelic records, Kendricks asserts that having the group record psychedelic soul was wholly "the producer's [Norman Whitfield's] idea", and that by 1970, "the fans were screaming bloody murder", and demanding a return "to what we do best".</ref> During this period of Motown's existence, producers, not artists, held the decision-making power, and the Temptations were forced to record Whitfield's psychedelic soul songs, especially since the records were pop hits.
However, the Temptations themselves, particularly Eddie Kendricks, preferred to record in the style of earlier hits such as "[[My Girl (song)|My Girl]]", and constantly pressured Whitfield to produce something similar to those songs. In a 1991 interview, Eddie Kendricks recalled that many of the Temptations' fans were "screaming bloody murder" after the group delved into psychedelia, and demanded a return to their original soul sound.<ref>[http://www.soul-patrol.com/soul/temps.htm Audio interview with Eddie Kendricks and David Ruffin], recorded in 1991 in the United Kingdom. Retrieved on September 28, 2005. When asked several times about the Temptations' psychedelic records, Kendricks asserts that having the group record psychedelic soul was wholly "the producer's [Norman Whitfield's] idea", and that by 1970, "the fans were screaming bloody murder", and demanding a return "to what we do best".</ref> During this period of Motown's existence, producers, not artists, held the decision-making power, and the Temptations were forced to record Whitfield's psychedelic soul songs, especially since the records were pop hits.


"Just My Imagination" was the result of one of the few times that Whitfield relented and produced a ballad as a single for the group. Whitfield and Strong wrote the song in 1969, but with the Temptations' psychedelic soul singles consistently keeping them in the US Top 20, Whitfield and Strong decided to shelve the composition and wait for the right time to record it. In late 1970, the Temptations' single "Ungena Za Ulimwengu (Unite the World)", a psychedelic soul song about world peace, failed to reach the Top 30, and Whitfield decided to record and release "Just My Imagination" as the next single. He approached Barrett Strong, and asked him to pull out "that song we were messing around with a year ago...because I'm going to record it today."<ref>{{harvnb|Bronson|2003}}</ref> Excepting their late 1960s duets with [[The Supremes|Diana Ross & the Supremes]], the Temptations had not released a single that was not based in psychedelia since "[[Please Return Your Love to Me]]" from ''[[The Temptations Wish It Would Rain]]'' in 1968.
"Just My Imagination" was the result of one of the few times that Whitfield relented and produced a ballad as a single for the group. Whitfield and Strong wrote the song in 1969, but with the Temptations' psychedelic soul singles consistently keeping them in the US Top 20, Whitfield and Strong decided to shelve the composition and wait for the right time to record it. In late 1970, the Temptations' single "Ungena Za Ulimwengu (Unite the World)", a psychedelic soul song about world peace, failed to reach the Top 30, and Whitfield decided to record and release "Just My Imagination" as the next single. He approached Barrett Strong, and asked him to pull out "that song we were messing around with a year ago...because I'm going to record it today."<ref name="Bronson">{{harvnb|Bronson|2003}}</ref> Excepting their late 1960s duets with [[The Supremes|Diana Ross & the Supremes]], the Temptations had not released a single that was not based in psychedelia since "[[Please Return Your Love to Me]]" from ''[[The Temptations Wish It Would Rain]]'' in 1968.


===Recording the song===
===Recording the song===
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<blockquote>But there was such a bittersweet feeling. Eddie had really changed. Paul was on his last legs. Watch the clip of us doing the song on ''Ed Sullivan'' we're not together. Eddie is off by himself. There was no more group. Sure enough, when we played the Copa that week, Eddie left between shows. He didn't come back.<ref>Williams, Otis and Weinger, Harry (2002). ''My Girl: The Very Best of the Temptations'' [CD liner notes]. New York: Motown/Universal Records.</ref></blockquote>
<blockquote>But there was such a bittersweet feeling. Eddie had really changed. Paul was on his last legs. Watch the clip of us doing the song on ''Ed Sullivan'' we're not together. Eddie is off by himself. There was no more group. Sure enough, when we played the Copa that week, Eddie left between shows. He didn't come back.<ref>Williams, Otis and Weinger, Harry (2002). ''My Girl: The Very Best of the Temptations'' [CD liner notes]. New York: Motown/Universal Records.</ref></blockquote>


The ''Ed Sullivan'' broadcast was Kendricks' last televised appearance with the Temptations. "Just My Imagination" became the Temptations' best-selling single since "My Girl", hitting number one on both the U.S. Billboard Hot 100 and the U.S. Billboard R&B Singles charts, and number eight in the United Kingdom. It also became the group's first entry on the [[Hot Adult Contemporary Tracks|adult contemporary]] chart, reaching #33; the group would not return to that chart until 1984.<ref>{{citation|last= Bronson |first= Fred |url= http://www.billboard.com/bbcom/chart_beat/bonus_display.jsp?vnu_content_id=1003872634 |chapter= Chart Beat |title= Billboard |date= October 9, 2008 |accessdate= 2008-11-07 }}.</ref>
The ''Ed Sullivan'' broadcast was Kendricks' last televised appearance with the Temptations. "Just My Imagination" entered the U.S. ''Billboard'' Hot 100 chart at the 71st spot on February 7<ref name="Bronson"/> and later number one on both the Hot 100 and the U.S. Billboard R&B Singles charts, and number eight in the United Kingdom. It also became the group's first entry on the [[Hot Adult Contemporary Tracks|adult contemporary]] chart, reaching #33; the group would not return to that chart until 1984.<ref>{{citation|last= Bronson |first= Fred |url= http://www.billboard.com/bbcom/chart_beat/bonus_display.jsp?vnu_content_id=1003872634 |chapter= Chart Beat |title= Billboard |date= October 9, 2008 |accessdate= 2008-11-07 }}.</ref>


The single was included along with "Unite the World" on the Temptations' ninth regular studio album, ''[[Sky's the Limit]]'', which included the final Temptations recordings to feature Eddie Kendricks. In March 1971, while "Just My Imagination" was on its way to becoming the number-one song in the United States, Kendricks officially received his release from the Temptations and signed a solo deal with Motown's Tamla label.
The single was included along with "Unite the World" on the Temptations' ninth regular studio album, ''[[Sky's the Limit]]'', which included the final Temptations recordings to feature Eddie Kendricks. In March 1971, while "Just My Imagination" was on its way to becoming the number-one song in the United States, Kendricks officially received his release from the Temptations and signed a solo deal with Motown's Tamla label.
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===Cover versions===
===Cover versions===
A number of artists have since covered "Just My Imagination", often in different styles from the original.<ref name="erlewine" /> Among the most notable covers is a version by [[The Rolling Stones]], featured on their 1978 album ''[[Some Girls]]'', the 1982 live album ''[[Still Life (Rolling Stones album)|Still Life]]'', and the 2008 live album ''[[Shine a Light (album)|Shine a Light]]''. Unlike the Temptations' original, the Rolling Stones cover has a higher tempo, prominent electric guitars, and replaces the subdued tone of the original with a rougher feel. Mick Jagger also adds an improvised obscenity for comic effect after the words "in reality she doesn't".
A number of artists have since covered "Just My Imagination", often in different styles from the original.<ref name="erlewine" /> Among the most notable covers is a version by [[The Rolling Stones]], featured on their 1978 album ''[[Some Girls]]'', the 1982 live album ''[[Still Life (Rolling Stones album)|Still Life]]'', and the 2008 live album ''[[Shine a Light (album)|Shine a Light]]''. Unlike the Temptations' original, the Rolling Stones cover has a higher tempo, prominent electric guitars, and replaces the subdued tone of the original with a rougher feel.<ref name="erlewine" /> Other notable covers include a smooth-jazz version by [[Larry Carlton]],<ref name="erlewine" /> an acoustic cover by [[Ted Hawkins]],<ref name="erlewine" /> a mid-tempo pop interpretation by [[Bette Midler]],<ref>{{cite web|last=Ruhlmann|first=William|title="Bette" > Overview|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:kifuxq90ldse|publisher=allmusic|accessdate=2008-11-13}}</ref> and instrumental versions by both [[Booker T & the MG's]] and [[Donald Byrd]],<ref name="erlewine" /> who included his funk-influenced cover of "Just My Imagination" on his successful 1975 album ''Places and Spaces''.


Working from the original Motown session tapes, [[hip hop music|hip hop]] producer [[Easy Mo Bee]] produced a [[remix]] of "Just My Imagination" that adds modernized [[keyboard instrument|keyboard]] lines, bass, and [[drum machine|programmed drums]] to the the original mix. This remix was included on the 2005 compilation ''[[Motown Remixed]]'', along with several other reworked Motown hits.<ref>{{cite news|last=Moss|first=Corey|title=Easy Mo Bee Wants Alicia, D'Angelo For Miles Davis Tribute|url=http://www.mtv.com/news/articles/1504311/20050617/easy_mo_bee.jhtml|publisher=MTV News|date=2005-06-17|accessdate=2008-11-13}}</ref>
Other notable covers include a version by [[Larry Carlton]], and instrumental versions by both [[Booker T & the MG's]] and [[Donald Byrd]], who included his cover of "Just My Imagination" on his successful 1975 album ''Places and Spaces''. Musician [[Prince (artist)|Prince]] often performed "Just My Imagination" as part of his live concert setlist; at one of his recorded gigs he is seen passing the microphone to [[Mica Paris]] in the audience. The viewer does not recognise her at first, but her voice is heard and she receives a credit at the end. It is not known if this was a "set up," but it may well have been.


For film soundtracks, [[Pete Yorn]] covered the song for the 2005 movie ''[[Just Like Heaven (film)|Just Like Heaven]]'',<ref>{{cite web|last=Phares|first=Heather|title="Just Like Heaven [Soundtrack]" > Overview|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0jfexqwsldke|publisher=allmusic|accessdate=2008-11-13}}</ref> and [[Gwyneth Paltrow]] and [[Babyface]] performed a cover version for ''[[Duets]]''.<ref>{{cite web|last=Phares|first=Heather|title="Duets [Original Soundtrack]" > Overview|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:djfyxqykldse|publisher=allmusic|accessdate=2008-11-13}}</ref> In June 2008, [[Dianne Reeves]] covered the song for the JVC Jazz Festival at [[Carnegie Hall]] in [[New York City]]; Jon Pareles of ''[[The New York Times]]'' considered her version to be "easy-swaying".<ref>{{cite news|last=Pareles|first=Jon|title=Sweet-Talking a Crowd With Flirting and Flowers |url=http://www.nytimes.com/2008/06/30/arts/music/30gree.html|work=The New York Times|date=2008-06-30|accessdate=2008-11-13}}</ref>
A studio cover by [[Bette Midler]], from her 2000 covers album ''[[Bette (album)|Bette]]'', is stylistically similar to the original recording, with backing vocals from a group of male singers. It also contains an instrumental track which, while [[synthesized]] instead of performed with a live orchestra, has an arrangement very much like Norman Whitfield and Jerry Long's original.

Working from the original Motown session tapes, [[hip hop music|hip hop]] producer [[Easy Mo Bee]] produced a [[remix]] of "Just My Imagination" that adds modernized [[keyboard instrument|keyboard]] lines, bass, and [[drum machine|programmed drums]] to the the original mix. This remix was included on the 2005 compilation ''[[Motown Remixed]]'', along with several other reworked Motown hits.

[[Texas Roadhouse Music]] artists the Screamin' Armadillos often play "Just My Imagination" during their live shows in a manner similar to the [[Rolling Stones]] "[[Some Girls]]" version. They have never recorded the song in the studio, but an unreleased 2005 live recording has circulated amongst their fans.

"Just My Imagination" has been used by artists for various film soundtracks; [[Pete Yorn]] covered the song for the 2005 movie ''[[Just Like Heaven (film)|Just Like Heaven]]'' while [[Gwyneth Paltrow]] and [[Babyface]] did a cover version for ''[[Duets]]''.


==Credits==
==Credits==

Revision as of 21:32, 13 November 2008

"Just My Imagination"
Song
B-side"You Make Your Own Heaven and Hell Right Here on Earth"
"Just My Imagination"
Song

"Just My Imagination (Running Away with Me)" is a 1971 US number-one hit single released on the Gordy (Motown) label, recorded by The Temptations and produced by Norman Whitfield. The second single from their 1971 Sky's the Limit album, "Just My Imagination" was the third of four Temptations songs to go to number one on the Billboard Hot 100 in the United States. The single held the number-one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 27 to April 10. "Just My Imagination" also held the number-one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20. Rolling Stone magazine listed "Just My Imagination" as number 389 on its list of the 500 Greatest Songs of All Time.[1]

Today, "Just My Imagination" is considered one of the Temptations' signature songs, and is notable for recalling the sound of the group's 1960s recordings. It is also the final Temptations single to feature founding members Eddie Kendricks and Paul Williams. During the process of recording and releasing the single, Kendricks left the group to begin a solo career, while the ailing Williams was forced to retire from the act for health reasons.

History

Composition

A full orchestral arrangement with strings and French horns adorning a bluesy rhythm track and guitar line provides the instrumentals. Music critic Stephen Thomas Erlewine of allmusic interprets the song as describing the bittersweet story of a man who fantasizes about the woman he loves and imagines a relationship with her. The narrator is canny enough to realize that his daydreams are fiction and not fact, but nevertheless resigns himself to his fantasies. For Erlewine, "the Temptations' performance has a dream-like quality, quietly drifting through the singer's hopes and desires."[2]

The song's first two verses establish the song's theme and explore the narrator's daydreams. In his mind, the narrator and his unrequited love are lovers, prepared to be married, "raise a family", and "build a cozy little home / off in the country / with two children, maybe three". Then, in the bridge, the narrator prays to God that he will never lose the lady's love to another, or he will "surely die". The song's final line, however, reveals that he possesses her love only within the confines of his own imagination: "But in reality / she doesn't even know me."

Origins

During the late 1960s and early 1970s, producer/composer Norman Whitfield and lyricist Barrett Strong crafted a string of "psychedelic soul" tracks for the Temptations.[3] By 1970, the Temptations had released psychadecially-influenced hits such as "Runaway Child, Running Wild", "Psychedelic Shack", "Ball of Confusion (That's What the World Is Today)", and the Grammy Award-winning "Cloud Nine".[4]

However, the Temptations themselves, particularly Eddie Kendricks, preferred to record in the style of earlier hits such as "My Girl", and constantly pressured Whitfield to produce something similar to those songs. In a 1991 interview, Eddie Kendricks recalled that many of the Temptations' fans were "screaming bloody murder" after the group delved into psychedelia, and demanded a return to their original soul sound.[5] During this period of Motown's existence, producers, not artists, held the decision-making power, and the Temptations were forced to record Whitfield's psychedelic soul songs, especially since the records were pop hits.

"Just My Imagination" was the result of one of the few times that Whitfield relented and produced a ballad as a single for the group. Whitfield and Strong wrote the song in 1969, but with the Temptations' psychedelic soul singles consistently keeping them in the US Top 20, Whitfield and Strong decided to shelve the composition and wait for the right time to record it. In late 1970, the Temptations' single "Ungena Za Ulimwengu (Unite the World)", a psychedelic soul song about world peace, failed to reach the Top 30, and Whitfield decided to record and release "Just My Imagination" as the next single. He approached Barrett Strong, and asked him to pull out "that song we were messing around with a year ago...because I'm going to record it today."[6] Excepting their late 1960s duets with Diana Ross & the Supremes, the Temptations had not released a single that was not based in psychedelia since "Please Return Your Love to Me" from The Temptations Wish It Would Rain in 1968.

Recording the song

Norman Whitfield began the recording of "Just My Imagination" by preparing the song's instrumental track. Whitfield arranged and recorded the non-orchestral elements of the instrumental with Motown's studio band, The Funk Brothers, who for this recording included Eddie "Chank" Willis on guitar, Jack Ashford on marimba, Jack Brokensha on timpani, Andrew Smith on drums, and Bob Babbitt on bass. Jerry Long, an arranger who had previous experience with scoring films in Paris, worked on the orchestral arrangement and conducted several members of the Detroit Symphony Orchestra in performing the horns and strings for the recording. The Temptations had heard the Funk Brothers' tracks and loved them, but were "totally knocked out", according to Otis Williams, when they heard "the finished record with all the strings."[7]

The Temptations added their vocals at Motown's Hitsville USA headquarters. While all five Temptations usually sang lead on singles during the psychedelic soul era, "Just My Imagination" is primarily a showcase for Eddie Kendricks, who sang lead on Temptations hits such as "Get Ready", "The Way You Do the Things You Do", and "You're My Everything". The Temptations remained at Hitsville overnight recording "Just My Imagination", and while the other four members went home at six o'clock in the morning, Kendricks remained in the studio, spending several additional hours recording takes for his lead vocal.

The song was recorded in the midst of a bitter feud between Eddie Kendricks and the Temptations' de facto leader, Otis Williams. Dissatisfied and frustrated with Williams' leadership, Kendricks began to withdraw from the group, and picked several fights with either Williams or his best friend, bass singer Melvin Franklin. Kendricks told his friend, ex-Temptation David Ruffin, of his problems in the group, and Ruffin convinced Kendricks that he should begin a solo career. After a final altercation during a November 1970 Copacabana engagement, both Kendricks and Williams agreed that it would be best for Kendricks to leave the group. By the time "Just My Imagination" was recorded, Williams and Kendricks were no longer on friendly speaking terms. Nevertheless, Otis Williams was impressed by Kendricks' performance on the recording, and in his 1988 Temptations biography referred to "Just My Imagination" as "Eddie's finest moment."[8]

Paul Williams, the Temptations' original lead singer and Kendricks' lifelong best friend, sings the lead vocal during the first verse of "Just My Imagination's" bridge ("Every night, on my knees, I pray..."). For the last three years, Williams had suffered from health problems caused by both alcoholism and sickle-cell disease. By the time of "Just My Imagination's" recording, Paul Williams' contributions to the Temptations' recordings had been reduced, and the group had Otis Williams' old associate Richard Street lined up as Paul Williams' replacement.

Single release and Kendricks' departure

File:Tempts-edsullivan-january71.jpg
The Temptations' final performance on The Ed Sullivan Show, broadcast live on January 31, 1971,[verification needed] was also their final televised appearance with Eddie Kendricks. In the back is Dennis Edwards, seated in the middle row (bottom to top) are Paul Williams, Otis Williams, and Melvin Franklin. Kendricks is seated in front.

Motown released "Just My Imagination" as a single on their Gordy label on January 14, 1971, with the up-tempo psychedelic soul song "You Make Your Own Heaven and Hell Right Here on Earth", from the 1970 Psychedelic Shack LP, as the b-side. The Temptations performed "Just My Imagination" and "Get Ready" for their final appearance on The Ed Sullivan Show, broadcast live on January 31. On-screen, Kendricks stood several feet away from the other Temptations, and made little eye contact with them; Otis Williams later remarked that one could see the group was no longer a complete unit:

But there was such a bittersweet feeling. Eddie had really changed. Paul was on his last legs. Watch the clip of us doing the song on Ed Sullivan we're not together. Eddie is off by himself. There was no more group. Sure enough, when we played the Copa that week, Eddie left between shows. He didn't come back.[9]

The Ed Sullivan broadcast was Kendricks' last televised appearance with the Temptations. "Just My Imagination" entered the U.S. Billboard Hot 100 chart at the 71st spot on February 7[6] and later number one on both the Hot 100 and the U.S. Billboard R&B Singles charts, and number eight in the United Kingdom. It also became the group's first entry on the adult contemporary chart, reaching #33; the group would not return to that chart until 1984.[10]

The single was included along with "Unite the World" on the Temptations' ninth regular studio album, Sky's the Limit, which included the final Temptations recordings to feature Eddie Kendricks. In March 1971, while "Just My Imagination" was on its way to becoming the number-one song in the United States, Kendricks officially received his release from the Temptations and signed a solo deal with Motown's Tamla label.

The intended follow-up to "Just My Imagination" was "Smiling Faces Sometimes", on which Kendricks sang lead. After his departure, the group re-recorded "It's Summer", the b-side to "Ball of Confusion", as a last-minute replacement single, and Norman Whitfield had "Smiling Faces Sometimes" recorded as a hit for The Undisputed Truth. The Temptations and Norman Whitfield returned to psychedelic soul for their next album, Solid Rock, whose second single, "Superstar (Remember How You Got Where You Are)", was written by Whitfield and Barrett Strong as a criticism of both Kendricks and David Ruffin.

Cover versions

A number of artists have since covered "Just My Imagination", often in different styles from the original.[2] Among the most notable covers is a version by The Rolling Stones, featured on their 1978 album Some Girls, the 1982 live album Still Life, and the 2008 live album Shine a Light. Unlike the Temptations' original, the Rolling Stones cover has a higher tempo, prominent electric guitars, and replaces the subdued tone of the original with a rougher feel.[2] Other notable covers include a smooth-jazz version by Larry Carlton,[2] an acoustic cover by Ted Hawkins,[2] a mid-tempo pop interpretation by Bette Midler,[11] and instrumental versions by both Booker T & the MG's and Donald Byrd,[2] who included his funk-influenced cover of "Just My Imagination" on his successful 1975 album Places and Spaces.

Working from the original Motown session tapes, hip hop producer Easy Mo Bee produced a remix of "Just My Imagination" that adds modernized keyboard lines, bass, and programmed drums to the the original mix. This remix was included on the 2005 compilation Motown Remixed, along with several other reworked Motown hits.[12]

For film soundtracks, Pete Yorn covered the song for the 2005 movie Just Like Heaven,[13] and Gwyneth Paltrow and Babyface performed a cover version for Duets.[14] In June 2008, Dianne Reeves covered the song for the JVC Jazz Festival at Carnegie Hall in New York City; Jon Pareles of The New York Times considered her version to be "easy-swaying".[15]

Credits

Sample

Notes

  1. ^ Crandall 2004
  2. ^ a b c d e f Erlewine, Stephen Thomas, "Just My Imagination (Running Away with Me)", Allmusic, retrieved 2008-11-07.
  3. ^ Eder, Bruce. "Norman Whitfield > Biography". allmusic. Retrieved 2008-11-13.
  4. ^ Ankeny, Jason. "The Temptations > Biography". allmusic. Retrieved 2008-11-13.
  5. ^ Audio interview with Eddie Kendricks and David Ruffin, recorded in 1991 in the United Kingdom. Retrieved on September 28, 2005. When asked several times about the Temptations' psychedelic records, Kendricks asserts that having the group record psychedelic soul was wholly "the producer's [Norman Whitfield's] idea", and that by 1970, "the fans were screaming bloody murder", and demanding a return "to what we do best".
  6. ^ a b Bronson 2003
  7. ^ Williams & Romanowski 2002, p. 151
  8. ^ Williams & Romanowski 2002, p. 150
  9. ^ Williams, Otis and Weinger, Harry (2002). My Girl: The Very Best of the Temptations [CD liner notes]. New York: Motown/Universal Records.
  10. ^ Bronson, Fred (October 9, 2008), "Chart Beat", Billboard, retrieved 2008-11-07.
  11. ^ Ruhlmann, William. ""Bette" > Overview". allmusic. Retrieved 2008-11-13.
  12. ^ Moss, Corey (2005-06-17). "Easy Mo Bee Wants Alicia, D'Angelo For Miles Davis Tribute". MTV News. Retrieved 2008-11-13.
  13. ^ Phares, Heather. ""Just Like Heaven [Soundtrack]" > Overview". allmusic. Retrieved 2008-11-13.
  14. ^ Phares, Heather. ""Duets [Original Soundtrack]" > Overview". allmusic. Retrieved 2008-11-13.
  15. ^ Pareles, Jon (2008-06-30). "Sweet-Talking a Crowd With Flirting and Flowers". The New York Times. Retrieved 2008-11-13.

References

  • Bronson, Fred (2003), The Billboard Book of Number One Hits (5th ed.), New York: Billboard, ISBN 0-8230-7677-6.
  • Crandall, Bill (December 9, 2004), "500 Greatest Songs of All Time", Rolling Stone (963): 65–163, retrieved 2008-11-07 {{citation}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)CS1 maint: date and year (link). (EBSCO subscription required for online access.)
  • Williams, Otis; Romanowski, Patricia (2002), Temptations (Revised ed.), Lanham, MD: Cooper Square, ISBN 0-8154-1218-5.

Further reading

Preceded by Billboard Hot 100 number one single
April 3, 1971 (two weeks)
Succeeded by
Preceded by Billboard's Best Selling Soul Singles number one single
March 6–20, 1971
Succeeded by