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firm history
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==History==
==History==
Cross and Cross was known as Old New York City Society's architectural firm of choice. <ref name="Hamptons.com Bayberry Land">[http://www.hamptons.com/hamptons_article_magazine_568.htm Hamptons.com Bayberry Land] </ref> John Cross studied architecture at [[Columbia University]] and the [[École des Beaux-Arts]] in [[Paris]] and served as the creative half of the partnership, while Eliot Cross focused on the development side of the business, particularly through his role as Chairman of the Board of the real estate development firm of [[Webb and Knapp]], which he organized in 1922. <ref name="nyc.gov">[http://nyc.gov/html/lpc/downloads/pdf/reports/citybankfarmers.pdf NYC Landmarks Preservation Commission, page 3] </ref> The two firms shared office space in [[The Knapp Building]] on Madison Avenue. <ref name="nyc.gov"/>
Cross and Cross was known as Old New York City Society's architectural firm of choice. <ref name="Hamptons.com Bayberry Land">[http://www.hamptons.com/hamptons_article_magazine_568.htm Hamptons.com Bayberry Land] </ref> John Cross studied architecture at [[Columbia University]] and the [[École des Beaux-Arts]] in [[Paris]] and served as the creative half of the partnership, while Eliot Cross focused on the development side of the business, particularly through his role as Chairman of the Board of the real estate development firm of [[Webb and Knapp]], which he organized in 1922. <ref name="nyc.gov">[http://nyc.gov/html/lpc/downloads/pdf/reports/citybankfarmers.pdf NYC Landmarks Preservation Commission, page 3] </ref> The two firms shared office space in [[The Knapp Building]] on Madison Avenue. <ref name="nyc.gov"/>


==History==
Cross and Cross was known as Old New York City Society's architectural firm of choice. <ref name="Hamptons.com Bayberry Land">[http://www.hamptons.com/hamptons_article_magazine_568.htm Hamptons.com Bayberry Land] </ref> John Cross studied architecture at [[Columbia University]] and the [[École des Beaux-Arts]] in [[Paris]] and served as the creative half of the partnership, while Eliot Cross focused on the development side of the business, particularly through his role as Chairman of the Board of the real estate development firm of [[Webb and Knapp]], which he organized in 1922. <ref name="nyc.gov">[http://nyc.gov/html/lpc/downloads/pdf/reports/citybankfarmers.pdf NYC Landmarks Preservation Commission, page 3] </ref> Both firms, Cross & Cross and Webb and Knapp, had offices in the Knapp Building, 385 Madison Avenue, previously two buildings combined into one and altered to designs by Cross & Cross in 1923. <ref name="nyc.gov"/>

The building commissions of Cross & Cross fell into three general categories: 1) smaller-scaled buildings including private residences, churches, clubs, neighborhood bank branches, and schools; 2) hotel and apartment buildings; and 3) tall office buildings. The firm’s early design work reflects John Cross’s architectural education in the French Beaux-Arts tradition, as at the Church of Notre Dame, at Morningside Drive and West 114th Street, designed in 1914 and modeled on the church of the Invalides, one of the most famous eighteenth-century buildings in Paris. Their designs for other small scale work, and for hotels and apartment buildings, tended to the eighteenth-century English style, either Georgian or Adamesque. Their designs for tall office buildings initially drew inspiration from Classical or Gothic ornamental patterns, but in the late 1920s moved in the general direction of Art Deco.

In the late 1920s, the office buildings of Cross & Cross began to show the influence of modern design. The first to begin to do so was the City Bank-Farmers Trust Company Building, begun in 1929 in a “Modern Classic” style. Two bank, office and storage buildings designed for the Centrum corporation, the real-estate arm of the Central Hanover Bank & Trust, at 271 Church Street and 335 Greenwich Street (both 1930), continued the evolution of their design in a modernist direction. The culmination of this tendency in the work of Cross & Cross came in the RCA Victor Building (1929-31, later known as the General Electric Building) at 570 Lexington Avenue, a designated New York City Landmark, which is one of New York’s finest Art Deco skyscrapers.



==Commissions==
==Commissions==

Revision as of 12:49, 5 September 2009

Cross and Cross (1907-1942) [1] was a New York City based architectural firm founded by brothers John Walter Cross and Eliot Cross.

History

Cross and Cross was known as Old New York City Society's architectural firm of choice. [2] John Cross studied architecture at Columbia University and the École des Beaux-Arts in Paris and served as the creative half of the partnership, while Eliot Cross focused on the development side of the business, particularly through his role as Chairman of the Board of the real estate development firm of Webb and Knapp, which he organized in 1922. [3] The two firms shared office space in The Knapp Building on Madison Avenue. [3]


History

Cross and Cross was known as Old New York City Society's architectural firm of choice. [2] John Cross studied architecture at Columbia University and the École des Beaux-Arts in Paris and served as the creative half of the partnership, while Eliot Cross focused on the development side of the business, particularly through his role as Chairman of the Board of the real estate development firm of Webb and Knapp, which he organized in 1922. [3] Both firms, Cross & Cross and Webb and Knapp, had offices in the Knapp Building, 385 Madison Avenue, previously two buildings combined into one and altered to designs by Cross & Cross in 1923. [3]

The building commissions of Cross & Cross fell into three general categories: 1) smaller-scaled buildings including private residences, churches, clubs, neighborhood bank branches, and schools; 2) hotel and apartment buildings; and 3) tall office buildings. The firm’s early design work reflects John Cross’s architectural education in the French Beaux-Arts tradition, as at the Church of Notre Dame, at Morningside Drive and West 114th Street, designed in 1914 and modeled on the church of the Invalides, one of the most famous eighteenth-century buildings in Paris. Their designs for other small scale work, and for hotels and apartment buildings, tended to the eighteenth-century English style, either Georgian or Adamesque. Their designs for tall office buildings initially drew inspiration from Classical or Gothic ornamental patterns, but in the late 1920s moved in the general direction of Art Deco.

In the late 1920s, the office buildings of Cross & Cross began to show the influence of modern design. The first to begin to do so was the City Bank-Farmers Trust Company Building, begun in 1929 in a “Modern Classic” style. Two bank, office and storage buildings designed for the Centrum corporation, the real-estate arm of the Central Hanover Bank & Trust, at 271 Church Street and 335 Greenwich Street (both 1930), continued the evolution of their design in a modernist direction. The culmination of this tendency in the work of Cross & Cross came in the RCA Victor Building (1929-31, later known as the General Electric Building) at 570 Lexington Avenue, a designated New York City Landmark, which is one of New York’s finest Art Deco skyscrapers.


Commissions

20 Exchange Place
General Electric Building from the southeast



Notes