Scenography

Scenography relates to the study and practice of design for performance.

Usage

Whilst also aligned with the professional practice of the scenographer, it is important to distinguish the individual elements that comprise the 'design' of a performance event (such as light, environment, costume, etc.) from the term 'scenography' which is as an artistic perspective concerning the visual, experiential and spatial composition of performance. Influenced by the work of Modernist pioneers Adolphe Appia and Edward Gordon Craig, scenography proposes that design practices within performance are considered an equal partner, alongside other elements such as literary texts and performance technique, within the construction and reception of meaning. The practice of scenography is thereby a holistic approach to the composition of performance and can be applied to the design or curation of events within, and outside, of the conventional theatre environment. Or as Pamela Howard states in her book What is Scenography?:

"Scenography is the seamless synthesis of space, text, research, art, actors, directors and spectators that contributes to an original creation."

Joslin McKinney and Philip Butterworth expand upon this to suggest that:

"Scenography is not simply concerned with creating and presenting images to an audience; it is concerned with audience reception and engagement. It is a sensory as well as an intellectual experience, emotional as well as rational."

Etymology and Cultural Interpretations

The term scenography is of Greek origin (skēnē, meaning 'stage or scene building'; grapho, meaning 'to describe') originally detailed within Aristotle's Poetics as 'skenographia'. Nevertheless, within continental Europe the term has been closely aligned with the professional practice of scénographie and is synonymous with the English language term 'theatre design'. More recently, the term has been used in museography with regards the curation of museum exhibits.

Selected Bibliography

• Aronson, A. (2005) Looking into the Abyss: Essays on Scenography, Ann Arbor: University of Michigan Press
• Baugh, C. (2005) Theatre, Performance, and Technology: The Development of Scenography in the Twentieth Century, Basingstoke: Palgrave Macmillan
• Beacham, R. C. (1994) Adolphe Appia: Artist and Visionary of the Modern Theatre, Reading: Harwood Academic Publishers
• Brockett, O. G., Mitchell, M. and Hardberger, L. (2010) Making the Scene: A History of Stage Design and Technology in Europe and the United States, Austin (TX): University of Texas Press
• Craig, E. G. (1911) Towards a New Theatre, London: Heinemann. [Reprinted in 1962, London: Mercury Books]
• Hannah, D. and Harsløf, O. eds. (2008) Performance Design, Nijalsgade, Denmark: Museum Tusculanum Press
• Howard, P. (2002) What is Scenography?, London: Routledge [Second Edition 2009]
• McAuley, G. (1999) Space in Performance: Making Meaning in the Theatre, Ann Arbor: University of Michigan Press
• McKinney, J. and Butterworth, P. (2009) The Cambridge Introduction to Scenography, Cambridge: Cambridge University Press
• Svoboda, J. and Burian, J. ed. (1993) The Secret of Theatrical Space, New York: Applause Theatre Books

Journals

• 'Scene' published by Intellect [first issue expected 2012] http://www.intellectbooks.co.uk/journals/view-Journal,id=206/view,page=2/

External links

• Prague Quadrennial of Performance Design and Space - the largest scenography event in the world - presenting contemporary work in a variety of performance design disciplines and genres - costume, stage, light, sound design, and theatre architecture for dance, opera, drama, site specific, multi-media performances, and performance art, etc., Prague, CZ
• Master's Degree in Urban Scenography in Barcelona
• Scenography International Online Journal. ISSN 17436117
• Palatine Directory: Design / Scenography
• Scenography - The Theatre Design Website Theatre Design / Scenography
• Jaroslav Malina Biography