Till Eulenspiegel's Merry Pranks: Difference between revisions
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'''''Till Eulenspiegel's Merry Pranks''''' (German: '''''Till Eulenspiegels lustige Streiche''''', {{IPA-de|tɪl ˈoʏ̯lənʃpiːɡl̩s ˈlʊstɪɡə ˈʃtraɪçə|pron}}, 1894–95), Op. 28, is a [[tone poem]] by [[Richard Strauss]], chronicling the misadventures and pranks of the German peasant folk hero, [[Till Eulenspiegel]]. The two themes representing Till are played respectively by the [[horn (instrument)|horn]] and the [[D clarinet]]. The horn theme is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The clarinet theme is crafty and wheedling, suggesting a trickster doing what he does best. |
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==Analysis== |
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The work opens with a "Once upon a time" theme, with solo horn bursting in with two repetitions of the first Till theme. The theme is taken by the rest of the orchestra in a [[rondo]] form (which Strauss spelled in its original form, rondeau), and this beginning section concludes with the [[tutti]] orchestra repeating two notes. The clarinet theme is heard next, suggesting Till's laughter as he plots his next prank. The music follows Till throughout the countryside, as he rides a horse through a market, upsetting the goods and wares, pokes fun at the strict Teutonic clergy (represented by the violas), flirts and chases girls (the love theme is given to soli first violin), and mocks the serious academics (represented by the bassoons). |
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The music suggesting a horse ride returns again, with the first theme restated all over the orchestra, when the climax abruptly changes to a [[funeral march]]. Till has been captured by the authorities, and is sentenced to beheading for blasphemy. The funeral march of the headsman begins a dialogue with the desperate Till, who tries to wheedle and joke his way out of this predicament. Unfortunately, he has no effect on the stony executioner, who hangs him. The progress of Till being hauled up the gallows is graphically painted by the D Clarinet with the death rattle being audible on the flutes after he has reached the top. The [[D clarinet]] wails in a distortion of the first theme, signifying his death scream, and a pizzicato by the strings represents the actual execution. After a moment of silence, the "once upon a time" theme heard at the beginning returns, suggesting that someone like Till can never be destroyed, and the work ends with one last quotation of the musical joke. |
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==Instrumentation== |
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The work is scored for a "large" orchestra of the following: |
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*[[Woodwind instrument|woodwind]]: [[piccolo]], 3 [[flute]]s, 3 [[oboe]]s, [[English horn]], 2 [[clarinet]]s in B-flat, [[D clarinet]],<sup>1</sup> [[bass clarinet]], 3 [[bassoon]]s, [[contrabassoon]] |
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*[[Brass instrument|brass]]: 4 [[Horn (instrument)|horn]]s in F and E, 4 horns in D (ad libitum)<sup>2</sup>, 3 [[trumpet]]s in F and C, 3 trumpets in D (ad libitum)<sup>2</sup>, 3 [[trombone]]s, [[tuba]] |
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*[[Percussion instrument|percussion]]: [[timpani]], [[bass drum]], [[snare drum]], [[cymbal]]s, [[triangle (instrument)|triangle]], large [[ratchet (instrument)|ratchet]]; |
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*[[String section|strings]]: [[violin]]s I, II, [[viola]]s, [[violoncello]]s, [[double bass]]es |
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<small><sup>1</sup>Although the original score calls for a Clarinet in D, the part is usually played on Clarinet in E-flat due to the former being rendered obsolete during the twentieth century.</small> |
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<small><sup>2</sup>Strauss indicates four and three extra horns and trumpets respectively to be added ''ad libitum''. The parts are to be played by separate players from the original four horns and three trumpets.</small> |
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==Ballet== |
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The work was also presented as a [[ballet]] with choreography by [[Vaslav Nijinsky]] in 1916.<ref>[http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9A0DE6DB143BE633A25757C2A9669D946796D6CF "Portay in ballet – Strauss's gay tale"], ''[[The New York Times]]'' (October 24, 1916) (PDF [[File:Nuvola-inspired File Icons for MediaWiki-fileicon-pdf.png|15px]])</ref> |
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==References== |
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{{Reflist}} |
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*[http://www.slso.org/notes/0809/11-28-2008.htm Saint Louis Symphony Concert Notes. Concert Program for November 28 and 29, 2008] |
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*[http://www.musicweb-international.com/Programme_Notes/rstrauss_till.htm Strauss, R (1864–1949) – ''Till Eulenspiegels Lustige Streiche'', (nach alter Schelmenweise – In Rondeauform – für grosses Orchester gestetzt)]. Paul Serotsky, Music Web (n.d.) |
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*''Till Eulenspiegels lustige Streiche'', Symphonic Poem, Op. 28. Orchestra instrumentation study score; preface: [[Norman Del Mar]]. translation preface (German): Stefan de Haan ISBN 9783795766191 |
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== External links == |
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* [http://www.archive.org/details/StraussTillEulenspiegelstrauss www.archive.org] Till Eulenspiegels lustige Streiche, 1931 recording, [[Staatskapelle Berlin|Berlin State Opera Orchestra]] conducted by the composer. |
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{{Strauss Tone Poems}} |
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[[Category:Tone poems by Richard Strauss]] |
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[[Category:1895 compositions]] |
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[[Category:Music based on European myths and legends]] |
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[[Category:Humor in classical music]] |
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[[de:Till Eulenspiegels lustige Streiche]] |
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[[es:Las alegres travesuras de Till Eulenspiegel]] |
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[[eu:Till Eulenspiegelen barrabaskeria dibertigarrak]] |
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[[fr:Till Eulenspiegels lustige Streiche]] |
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[[ko:틸 오일렌슈피겔의 유쾌한 장난]] |
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[[it:I tiri burloni di Till Eulenspiegel]] |
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[[nl:Till Eulenspiegels lustige Streiche]] |
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[[ja:ティル・オイレンシュピーゲルの愉快ないたずら]] |
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[[simple:Till Eulenspiegel's Merry Pranks]] |
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[[sl:Vesele potegavščine Tilla Eulenspiegla]] |
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[[th:Till Eulenspiegel's Merry Pranks, Op. 28]] |
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Revision as of 11:03, 16 February 2012
Till Eulenspiegel's Merry Pranks (German: Till Eulenspiegels lustige Streiche, pronounced [tɪl ˈoʏ̯lənʃpiːɡl̩s ˈlʊstɪɡə ˈʃtraɪçə], 1894–95), Op. 28, is a tone poem by Richard Strauss, chronicling the misadventures and pranks of the German peasant folk hero, Till Eulenspiegel. The two themes representing Till are played respectively by the horn and the D clarinet. The horn theme is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The clarinet theme is crafty and wheedling, suggesting a trickster doing what he does best.
Analysis
The work opens with a "Once upon a time" theme, with solo horn bursting in with two repetitions of the first Till theme. The theme is taken by the rest of the orchestra in a rondo form (which Strauss spelled in its original form, rondeau), and this beginning section concludes with the tutti orchestra repeating two notes. The clarinet theme is heard next, suggesting Till's laughter as he plots his next prank. The music follows Till throughout the countryside, as he rides a horse through a market, upsetting the goods and wares, pokes fun at the strict Teutonic clergy (represented by the violas), flirts and chases girls (the love theme is given to soli first violin), and mocks the serious academics (represented by the bassoons).
The music suggesting a horse ride returns again, with the first theme restated all over the orchestra, when the climax abruptly changes to a funeral march. Till has been captured by the authorities, and is sentenced to beheading for blasphemy. The funeral march of the headsman begins a dialogue with the desperate Till, who tries to wheedle and joke his way out of this predicament. Unfortunately, he has no effect on the stony executioner, who hangs him. The progress of Till being hauled up the gallows is graphically painted by the D Clarinet with the death rattle being audible on the flutes after he has reached the top. The D clarinet wails in a distortion of the first theme, signifying his death scream, and a pizzicato by the strings represents the actual execution. After a moment of silence, the "once upon a time" theme heard at the beginning returns, suggesting that someone like Till can never be destroyed, and the work ends with one last quotation of the musical joke.
Instrumentation
The work is scored for a "large" orchestra of the following:
- woodwind: piccolo, 3 flutes, 3 oboes, English horn, 2 clarinets in B-flat, D clarinet,1 bass clarinet, 3 bassoons, contrabassoon
- brass: 4 horns in F and E, 4 horns in D (ad libitum)2, 3 trumpets in F and C, 3 trumpets in D (ad libitum)2, 3 trombones, tuba
- percussion: timpani, bass drum, snare drum, cymbals, triangle, large ratchet;
- strings: violins I, II, violas, violoncellos, double basses
1Although the original score calls for a Clarinet in D, the part is usually played on Clarinet in E-flat due to the former being rendered obsolete during the twentieth century.
2Strauss indicates four and three extra horns and trumpets respectively to be added ad libitum. The parts are to be played by separate players from the original four horns and three trumpets.
Ballet
The work was also presented as a ballet with choreography by Vaslav Nijinsky in 1916.[1]
References
- ^ "Portay in ballet – Strauss's gay tale", The New York Times (October 24, 1916) (PDF
)
- Saint Louis Symphony Concert Notes. Concert Program for November 28 and 29, 2008
- Strauss, R (1864–1949) – Till Eulenspiegels Lustige Streiche, (nach alter Schelmenweise – In Rondeauform – für grosses Orchester gestetzt). Paul Serotsky, Music Web (n.d.)
- Till Eulenspiegels lustige Streiche, Symphonic Poem, Op. 28. Orchestra instrumentation study score; preface: Norman Del Mar. translation preface (German): Stefan de Haan ISBN 9783795766191
External links
- www.archive.org Till Eulenspiegels lustige Streiche, 1931 recording, Berlin State Opera Orchestra conducted by the composer.