Marta Ptaszynska: Difference between revisions
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==External links== |
==External links== |
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* [http://www.usc.edu/dept/polish_music/composer/ptaszynska.html Marta Ptaszyńska at the Polish Music Center] |
* [http://www.usc.edu/dept/polish_music/composer/ptaszynska.html Marta Ptaszyńska at the Polish Music Center] |
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* [http://www.pwm.com.pl/Ptaszy%F1ska_Marta__szczegoly_283522__a0__gp6__pwd6_224404__grp__ssattr_83__g__ad1.html Marta Ptaszyńska at PWM Edition] |
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Revision as of 08:09, 17 February 2012
Marta Ptaszyńska (b. 1943 Warsaw, Poland) is a composer, percussionist and professor of music at the University of Chicago.[1] She has been described as "one of the best known Polish woman composers" as well as "a virtuoso percussionist specializing in performances of contemporary music."[2]
Works
Orchestral music
Title | Date Composed | Date Premiered | Premiering Orchestra | Conductor | Notes |
---|---|---|---|---|---|
Improvisations | (1968) | March 26, 1971 | The Cracow Philharmonic Orchestra | Renard Czajkowski | |
Spectri Sonori | (1973) | January 22, 1974 | The Cleveland Orchestra | Matthias Bamert | |
Crystallites | (1973–74) | January 24, 1975 | The Pomeranian Philharmonic Orchestra, Bydgoszcz, Poland | Antoni Wit | Commissioned by the Kościuszko Foundation in New York |
Concerto for Percussion Quartet and Orchestra | (1974) | October 10, 1974 | Sage City Symphony Orchestra, Bennington, Vermont | Louis Calabro | Commissioned by the Sage City Symphony Orchestra. |
Conductus - A Ceremonial for Winds | (1982) | March 18, 1983 | The Chicago Symphonic Band, Chicago | for symphonic band | |
La Novella D'Inverno (Winter's Tale) | (1984) | May 5, 1985 | The Polish Chamber Orchestra, Lisbon, Portugal | Jerzy Maksymiuk | For strings. Commissioned by and dedicated to Jerzy Maksymiuk and the Polish Chamber Orchestra, Second Prize at the International Rostrum of Composers in Paris, France, 1986. |
Concerto for Marimba and Orchestra | (1985) | May 8, 1986 | The Cracow Radio and TV Symphony Orchestra, Cracow | Szymon Kawalla | Dedicated to Keiko Abe. Recordings: CD, Muza Records, Poland, 1991 |
Charlie's Dream | (1988) | Concerto for Saxophone and Orchestra | |||
Ode to Praise All Famous Women | (1992) | March 22, 1992 | Orlando, Florida Space Coast Philharmonic Orchestra | Maria Tunicka, conductor. | Commissioned by the Florida Space Coast Philharmonic. |
Fanfare For Peace | (1993) | November 18, 1994 | Cincinnati, Cincinnati Symphony Orchestra | Jesús López-Cobos | Commissioned by Jesús López-Cobos and the Cincinnati Symphony Orchestra |
Concerto Grosso | (1996) | January 26, 1997 | Warsaw, Sinfonia Varsovia | Lord Yehudi Menuhin | for two violins and chamber orchestra |
Fanfare in Memoriam Frédéric Chopin | (1999) | June 12, 1999 | Chicago, Polish American Symphony Orchestra | Wojciech Niewzol | |
Drum of Orfeo - Concerto for Percussion | (1999–2001) | Written for and dedicated to Evelyn Glennie. |
Vocal and instrumental works
Title | Date Composed | Instrumentation | Premiere | Notes |
---|---|---|---|---|
A Tale of Nightingales | (1968) | for baritone and chamber ensemble | To the poetry of K.I. Gałczyński. | |
Vocalise | (1971) | for female voice and vibraphone. | July 18, 1971, Breukelen, Holland | Cornelia van der Horst, sop., Marta Ptaszyńska, vibes. |
Oscar of Alva opera in 6 scenes | (1971–72, revised in 1986) | for 5 soloists (soprano, mezzo, tenore, baritone, bass) mixed choir, and orchestra | A TV production: 1988, Cracow, Poland, Polish Radio and Television. | in Polish with English subtitles.Libretto based on Lord Byron's poem by Z. Kopalko. Stanisław Zajączkowski, director, Cracow Radio and TV Orchestra and Chorus, Szymon Kawalla, conductor. |
Epigrams | (1976–77) | for women's choir, flute, harp, piano and percussion | May 8, 1977, Santa Barbara, California, Dorians Choir, Michael Ingham, conductor. | To ancient Greek poetry; in English. Commissioned by the Dorians Choir of the University of California at Santa Barbara. |
Un Grand Sommeil Noir (A Great Dark Sleep) | (1977) | for soprano, flute and harp | June 22, 1979, Pontino, Italy, XV Festival di Musica Contemporanea | To Paul Verlaine's poem (French/English). |
Die Sonette an Orpheus (Sonnets to Orpheus) | (1980–81) | for middle voice and chamber orchestra | October, 1989, Warsaw, Poland, Sinfonia Varsovia, Jerzy Maksymiuk, conductor, Ewa Podleś, mezzosoprano. | To Rainer Maria Rilke's poems; in German. |
Ave Maria | (1982 version) | for four men's voices, brass, percussion and organ. | October 10, 1982, Boston Cathedral, New England Conservatory New Music Ensemble | Commissioned by the S. Moniuszko Musical Society of Boston. |
Ave Maria | (1987 version) | for men's choir and orchestra. | April 18, 1988, Cracow, Poland, | |
Polish Letters (Listy Polskie) | (1988) | for percussion, piano, string quartet, soprano, mezzo, baritone soli. | July 15, 1989, Royal Castle in Warsaw, Poland, Warsaw Academy of Music chamber Choir and Instrumental Ensemble, Varsovia String Quartet, Ryszard Zimak, conductor, VHS recording: Polish TV Poltel, Warsaw, 1984. | Cantata to commemorate Poland's Independence. To the poetry of Polish and other European poets; in Polish. |
Songs of Despair and Loneliness (Pieśni rozpaczy i samotności) | (1988–89) | for mezzosoprano and piano. | October 3, 1989, Warsaw Philharmonic, Poland, E. Podleś and J. Marchwiński. Recordings: CD, Muza Records, Poland, 1991 | Poems by Rilke, Verlaine, Shakespeare, Staff, and Lorca in original languages. Commissioned by Jerzy Marchwiński for Ewa Podleś, contralto. |
Holocaust Memorial Cantata | (1992) | for three solo voices, mixed choir and orchestra (percussion, harp, strings). | April 5, 1992, Glencoe, Illinois, Lira Singers, Lucy J. Ding conductor. Score and piano reduction. Recordings: CD, POLYGRAM CD ACCORD, Poland, 1996 | To the poetry of Leslie Woolf Hedley "Chant for All the People on Earth" (English/Hebrew/Yiddish/Polish). Commissioned by the Lira Singers of Chicago. |
Liquid Light for Mezzosoprano | (1994–1995) | Piano and Percussion | Warsaw Autumn Festival 1997 and in the unabridged version at the Huddersfield Contemporary Music Festival, November 25, 1997. Patricia Adkins-Chiti, Mezzo soprano, Ian Buckle, piano, Marta Ptaszynska, percussion. | To the poetry of Modene Duffy. Commissioned by and written for Patricia Adkins-Chiti. |
Cantiones Jubilationis | (1995) | for Women's Choir and Percussion | March 19, 1995, Chicago, The Lira Singers, Lucy Ding, conductor. | To the poetry of Modene Duffy. Commissioned by the Lira Singers of Chicago. |
Silver Echos of Distant Bells | (1995) | for Mezzosoprano and String Quartet | December 10, 1995 in New York at the Kościuszko Foundation by Mary Henderson-Stuckey, mezzosoprano and the Halycon String Quartet. | To the poetry of Lord Tennyson, Laslie Woolf Hedley, Donald Bogan, Krzysztof Koehler and Stanislaw Wyspiański; in English. Commissioned by the Kosciuszko Foundation. |
Chamber music
Title | Date Composed | Instrumentation | Notes |
---|---|---|---|
Four Preludes | (1965) | for vibraphone and piano | |
Scherzo | (1967) | for xylophone and piano | |
Jeu-Parti | (1970) | for harp and vibraphone | |
Madrigals "Canticum Sonarum" Igor Stravinsky in Memoriam | (1971) | for woodwind and string quartets, trumpet, trombone and gong. | First performance: March, 1972, Warsaw, Poland, Warsaw Philharmonic Chamber Players. Special Mention, Young Polish Composers Contest, 1971. |
Cadenza | (1972) | for flute and percussion. | |
Siderals | (1974) | for two percussion quintets and light projection | Commissioned and premiered by the University of Illinois Percussion Ensemble, Thomas Siwe, conductor. 1974 Percussive Arts Society Award. |
Mobile | (1976) | for two percussionists | First performance: November 10, 1976, Bennington College, Vermont, Louis Calabro, Marta Ptaszyńska. |
Classical Variations | (1976) | for timpani and string quartet | 1976 Award at the Percussive Arts Society Composition Contest. |
Synchrony | (1978) | for percussion trio | |
Dream Lands, Magic Spaces | (1979) | for violin piano and 6 percussion players | First performance: November 13, 1980, San Francisco Conservatory Percussion Ensemble, Daniel Kobialka, violin, Barry Jekowski, conductor. Percussive Arts Society International Conference, San Jose, California. |
Scintilla | (1984) | for two marimbas | First performance: 1985 by the duo Tavernier[disambiguation needed] in France. |
Moon Flowers (Kwiaty Księżyca) | (1986) | for cello and piano | Commissioned by the BBC in Bristol for the duo R. Jabłoński, cello, and K. Borucińska, piano. First broadcast performance: May 14, 1986, BBC, England. First live performance: September 27, 1986, Warsaw, Poland, 29th International Music Festival Warsaw Autumn. Recordings: Proviva - Teldec Germany, ISPN 152. |
Ajikan - Unfolding Light | (1989) | for flute and percussion | Commissioned by and dedicated to the Uroboros Ensemble in England. First performance: September 10, 1989, Southampton International Music Week. |
Poetic Impressions | (1991) | for wind quintet and piano | Commissioned by the Warsaw Wind Quintet. Recordings: CD, DUX Records, Poland (CD of the Year 1996) |
Concerto for saxophone and chamber orchestra | (1988–90) |
Solo alto and tenor saxophone. ||Written for David Pituch and Sinfonia Varsovia First performance: June 26, 1997, Festival European Cultural Month in Ljubljana, Slovenia. | |
Four Portraits | (1994) | for string quartet | Written for the Wilanów String Quartet. Premiered: April 22, 1994 at Bruno Walter Auditorium at Lincoln Center in New York. |
Concerto Grosso | (1996) | for 2 violins and chamber orchestra | Written as "A Birthday present for Lord Yehudi Menuhin" First performance: January 26, 1997, Warsaw, Poland, Sinfonia Varsovia and Lord Menuhin. VHS recording By Polish Television, Warsaw, 1997 |
Letter To The Sun | (1998–2000) | for frame drum, percussion quartet and narrator | To the poem by Julia Rafalska; in English. Written for Morris Lang and the Brooklyn College Percussion Ensemble. First performance: November 8, 2000, New York, USA, Brooklyn college Percussion Ensemble, Brian Willson, conductor. |
Scherzo Di Fantasia | (1997) | for euphonium and piano | Commissioned by the National Brass Society for the International Brass Conference in St. Louis. First performance: June 29, 1997, St. Louis, USA, Gail Robertson, euphonium. |
Mancala | (1997) | for 2 violins | Written for Hanna Lachert, violinist of the New York Philharmonic. First performance: April 18, 1997, New York, USA. |
Instrumental and solo works
Title | Date Composed | Notes |
---|---|---|
Variations for flute | (1967) | |
Space Model for percussion | (1971–75) | |
Stress for percussion & tape | (1972) | |
Arabesque for harp | (1972) | |
Touracou for harpsichord | (1974) | |
Farewell Souvenir for piano | (1975) | |
Recitativo, Arioso and Toccata for Violin | (1969–75) | |
Two Poems for tuba | (1975) | |
Quodlibet for double-bass and prerecorded tape | (1976) | |
Six Bagatelles for harp | (1979) | |
Graffito for marimba | (1988) | Commissioned by Nebojsa Jovan Zivkovic. Premiered: European Percussion Congress, Germany. Recordings: CD, "Nebojsa Zivkovic, "Percussion made in Europe, VOlume 1" Edition Musica Europea, Germany. |
Hommage a I.J. Paderewski for piano | (1992) | Premiered: 1992, Washington, D.C., Jerzy Stryjniak. |
Spider Walk for percussion | (1993) | Dedicated to Stanisław Skoczyński. Premiered: November 10, 1993, Columbus, Ohio, USA, Stanisław Skoczyński |
Multimedia works
Title | Date Composed | Notes |
---|---|---|
Soirée Snobe Chez La Princesse Instrumental Theatre | (1979) | for 2 keyboard instruments, prerecorded tape, mimes and lighting. Commissioned and premiered in 1979 by Annette Sachs and Piotr Lachert, Théâtre European de Musique Vivante, Brussels, Belgium. |
Music for children
Title | Date Composed | Notes |
---|---|---|
Suite Variée for percussion (4) and piano | (1965) | |
Little Mosaic for percussion ensemble | (1968) | |
Little Mexican Fantasy for percussion and piano | (1971) | Arrangement of a Mexican folk tune. |
Tunes from Many Countries of the World | (1977) | Children's songs arrangement for percussion and instruments. |
Journeys into Space for Piano in two volumes | (1978) | A set of 19 miniatures. |
Music of Five Steps for two flutes and percussion ensemble | (1979) | Commissioned by the International Society for Musical Education. First performance: July 12, 1980 by the pupils of E. Mlynarski Elementary School of Music in Warsaw, Poland, during the XIV World Congress of ISME. |
Miniatures for piano | (1982) | 14 miniatures. |
Four Seasons for Four Hands | (1984) | 12 pieces for Piano 4 hands. |
Silver Threads and Other Songs for Children | (1986) | for voice, chorus, and percussion in various combinations, to the poetry of Josef Czechowicz, in Polish. |
Musical Alphabet for two pianos | (1985–86) | A set of 22 pieces, mainly dances from A to Z. |
Mister Marimba- children's opera in 3 acts | (1992–95) | Soloists, children's choir and orchestra. To the libretto of Polish lyricist Agnieszka Osiecka; in Polish and also in English. Written for the National Opera in Warsaw, Poland. First performance: November 1997, National Opera in Warsaw. |
Magic Doremik- children's opera in 2 acts | (2007) | Soloists, children choir and orchestra. To the libretto of the composer.
Written for the National Opera in Warsaw, Poland. First performance: 2008, National Opera in Warsaw. |
Books
- Ptaszynska, Marta & Niewiadomska, Barbara; Colorful World of Percussion (1978) A book for percussion training in 5 volumes.
- about Ptaszyńska Template:Pl icon:
Muzyka to język najdoskonalszy. Rozmowy z Martą Ptaszyńską, Kraków/Cracow PWM 2001
Notes
External links