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| death_place = [[Memphis, Tennessee]], United States
| death_place = [[Memphis, Tennessee]], United States
| origin =
| origin =
| instrument = [[Human voice|Vocals]], [[guitar]], [[harmonica]], [[drum]]s
| instrument = [[Singing|Vocals]], [[guitar]], [[electric guitar]], [[harmonica]], [[drum]]s
| genre = [[Blues]], [[Delta blues]], [[electric blues]],<ref name="Allmusic"/> {{nowrap|[[Memphis blues]]}}, {{nowrap|[[rock and roll]]}}, {{nowrap|[[hard rock|proto-heavy rock]]}}<ref name="rolling_memphis"/>
| genre = [[Blues]]
| occupation =
| occupation =
| years_active = 1940s–1957
| years_active = 1940s–1957
| label = [[Sun Records|Sun]], [[Checker Records|Checker]], [[Modern Records|Modern]], [[Columbia Records|Columbia]].<ref name="russell">{{cite book
| label = [[Sam Phillips|Phillips]],<ref name="decurtis_phillips"/> [[Sun Records|Sun]], [[Checker Records|Checker]], [[Modern Records|Modern]], [[Columbia Records|Columbia]].<ref name="russell">{{cite book
| first= Tony
| first= Tony
| last= Russell
| last= Russell
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}}
}}


'''Joe Hill Louis''' (September 23, 1921 – August 5, 1957), born '''Lester Hill''', was an [[United States|American]] [[singing|singer]], [[guitar]]ist, [[harmonica]] player and [[one-man band]]. He is significant, along with fellow [[Memphis, Tennessee|Memphis]] bluesman [[Doctor Ross]] as one of only a small number of one-man blues bands to have recorded commercially in the 1950s, and as a session musician for [[Sun Records]].
'''Joe Hill Louis''' (September 23, 1921 – August 5, 1957), born '''Lester Hill''', was an [[United States|American]] [[singing|singer]], [[guitar]]ist, [[harmonica]] player and [[one-man band]]. He is significant, along with fellow [[Memphis, Tennessee|Memphis]] [[Memphis blues|bluesman]] [[Doctor Ross]], as one of only a small number of one-man [[blues]] bands to have recorded commercially in the 1950s, and as a session musician for [[Sun Records]].


==Early life==
==Early life==
Line 36: Line 36:
==Recording and radio career==
==Recording and radio career==


Louis’ recording debut was made for Columbia in 1949, and his music was released on a variety of independent labels through the 1950s, most notably recording for [[Sam Phillips]]’ Sun Records,<ref name="Allmusic"/> for whom he recorded extensively as a backing musician for a wide variety of other singers as well as under his own name.<ref name="Turner, 1985, p. 24">Turner, 1985, p. 24</ref> His most notable recording was probably as guitarist on [[Rufus Thomas]]’s “Bear Cat”, recorded as an answer record to [[Big Mama Thornton]]’s “[[Hound Dog (song)|Hound Dog]]”, which reached No. 3 on the R&B chart<ref>Turner, 1985, p. 37</ref> and resulted in legal action for copyright infringement. He also shared writing credit for the song “Tiger Man”, which has been recorded by [[Elvis Presley]], among others.
Louis’ recording debut was made for Columbia in 1949, and his music was released on a variety of independent labels through the 1950s, most notably recording for [[Sam Phillips]]’ Sun Records,<ref name="Allmusic"/> for whom he recorded extensively as a backing musician for a wide variety of other singers as well as under his own name.<ref name="Turner, 1985, p. 24">Turner, 1985, p. 24</ref>

{{Listen
| filename = Joe Hill Louis - Boogie in the Park.ogg
| title = Joe Hill Louis - "Boogie in the Park" (1950)
| description = "Boogie in the Park" (1950) by Joe Hill Louis. It featured Louis playing an overdriven, [[distortion (music)|distorted]] [[electric guitar]] solo while playing on a [[drum kit]] at the same time.
| pos = right
}}

His most notable [[electric blues]] single "Boogie in the Park" (recorded July 1950 and released August 1950) featured Louis performing "one of the loudest, most overdriven, and [[distortion (music)|distorted]] guitar stomps ever recorded" while playing on a rudimentary [[drum kit]] at the same time. It was the only record ever released on [[Sam Phillips]]' early Phillips label before founding Sun Records.<ref name="decurtis_phillips">{{cite book|last=DeCurtis|first=Anthony|title=Present Tense: Rock & Roll and Culture|year=1992|publisher=[[Duke University Press]]|location=Durham, N.C.|isbn=0822312654|url=http://books.google.co.uk/books?id=bsT3RQ9e58kC|edition=4. print.|quote=His first venture, the Phillips label, issued only one known release, and it was one of the loudest, most overdriven, and distorted guitar stomps ever recorded, "Boogie in the Park" by Memphis one-man-band Joe Hill Louis, who cranked his guitar while sitting and banging at a rudimentary drum kit.}}</ref> Louis' [[electric guitar]] work is also considered a distant ancestor of [[heavy metal music]].<ref name="rolling_memphis">{{cite book|last=Miller|first=Jim|title=The Rolling Stone illustrated history of rock & roll|year=1980|publisher=''[[Rolling Stone]]''|location=New York|isbn=0394513223|url=http://books.google.co.uk/books?id=3ZEUAQAAIAAJ|accessdate=5 July 2012|quote=Black country bluesmen made raw, heavily amplified boogie records of their own, especially in Memphis, where guitarists like Joe Hill Louis, Willie Johnson (with the early Howlin' Wolf band) and Pat Hare (with Little Junior Parker) played driving rhythms and scorching, distorted solos that might be counted the distant ancestors of heavy metal.}}</ref>

His most notable recording at Sun Records was probably as guitarist on [[Rufus Thomas]]’s “Bear Cat”, recorded as an answer record to [[Big Mama Thornton]]’s “[[Hound Dog (song)|Hound Dog]]”, which reached No. 3 on the R&B chart<ref>Turner, 1985, p. 37</ref> and resulted in legal action for copyright infringement. He also shared writing credit for the song “[[Tiger Man (album)|Tiger Man]]”, which has been recorded by [[Elvis Presley]], among others.


Around 1950 he took over the “Pepticon Boy” radio program on [[WDIA]] from [[B. B. King]].<ref>Harris 1989, p. 337</ref>
Around 1950 he took over the “Pepticon Boy” radio program on [[WDIA]] from [[B. B. King]].<ref>Harris 1989, p. 337</ref>
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| PLACE OF DEATH = [[Memphis, Tennessee]], United States
| PLACE OF DEATH = [[Memphis, Tennessee]], United States
}}
}}

{{DEFAULTSORT:Louis, Joe Hill}}
{{DEFAULTSORT:Louis, Joe Hill}}
[[Category:1921 births]]
[[Category:1921 births]]
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[[Category:American male singers]]
[[Category:American male singers]]
[[Category:American blues guitarists]]
[[Category:American blues guitarists]]
[[Category:African-American guitarists]]
[[Category:African-American singers]]
[[Category:African-American rock musicians]]
[[Category:People from Tennessee]]
[[Category:People from Tennessee]]
[[Category:Deaths from tetanus]]
[[Category:Deaths from tetanus]]

Revision as of 08:54, 5 July 2012

Joe Hill Louis
Birth nameLester Hill
Also known asThe Be-Bop Boy, The Pepticon Boy
Born(1921-09-23)September 23, 1921
Raines, Tennessee, United States
DiedAugust 5, 1957(1957-08-05) (aged 35)
Memphis, Tennessee, United States
GenresBlues, Delta blues, electric blues,[1] Memphis blues, rock and roll, proto-heavy rock[2]
Instrument(s)Vocals, guitar, electric guitar, harmonica, drums
Years active1940s–1957
LabelsPhillips,[3] Sun, Checker, Modern, Columbia.[4]

Joe Hill Louis (September 23, 1921 – August 5, 1957), born Lester Hill, was an American singer, guitarist, harmonica player and one-man band. He is significant, along with fellow Memphis bluesman Doctor Ross, as one of only a small number of one-man blues bands to have recorded commercially in the 1950s, and as a session musician for Sun Records.

Early life

Louis was born Lester (or possibly Leslie) Hill[1] on September 23, 1921[5] in Raines, Tennessee.[6] His nickname “Joe Louis” arose as a result of a childhood fight with another youth.[1] At the age of 14 he left home to work as a servant for a wealthy Memphis family,[7] and also worked in the Peabody Hotel, Memphis, in the late 1930s. From the early 1940s onwards he worked as a musician and one-man band.[5]

Recording and radio career

Louis’ recording debut was made for Columbia in 1949, and his music was released on a variety of independent labels through the 1950s, most notably recording for Sam Phillips’ Sun Records,[1] for whom he recorded extensively as a backing musician for a wide variety of other singers as well as under his own name.[8]

Joe Hill Louis - "Boogie in the Park" (1950)
"Boogie in the Park" (1950) by Joe Hill Louis. It featured Louis playing an overdriven, distorted electric guitar solo while playing on a drum kit at the same time.
Problems playing this file? See media help.

His most notable electric blues single "Boogie in the Park" (recorded July 1950 and released August 1950) featured Louis performing "one of the loudest, most overdriven, and distorted guitar stomps ever recorded" while playing on a rudimentary drum kit at the same time. It was the only record ever released on Sam Phillips' early Phillips label before founding Sun Records.[3] Louis' electric guitar work is also considered a distant ancestor of heavy metal music.[2]

His most notable recording at Sun Records was probably as guitarist on Rufus Thomas’s “Bear Cat”, recorded as an answer record to Big Mama Thornton’s “Hound Dog”, which reached No. 3 on the R&B chart[9] and resulted in legal action for copyright infringement. He also shared writing credit for the song “Tiger Man”, which has been recorded by Elvis Presley, among others.

Around 1950 he took over the “Pepticon Boy” radio program on WDIA from B. B. King.[10]

He was also known as “The Pepticon Boy” and “The Be-Bop Boy”.[1]

Death

Louis died on August 5, 1957 in John Gaston Hospital, Memphis,[11] at the age of 35, from tetanus contracted as a result of an infected cut to his thumb, sustained while working as an odd job man.[8]

References

  1. ^ a b c d e Dahl, Bill: Joe Hill Louis biography, Allmusic.com
  2. ^ a b Miller, Jim (1980). The Rolling Stone illustrated history of rock & roll. New York: Rolling Stone. ISBN 0394513223. Retrieved 5 July 2012. Black country bluesmen made raw, heavily amplified boogie records of their own, especially in Memphis, where guitarists like Joe Hill Louis, Willie Johnson (with the early Howlin' Wolf band) and Pat Hare (with Little Junior Parker) played driving rhythms and scorching, distorted solos that might be counted the distant ancestors of heavy metal. {{cite book}}: Italic or bold markup not allowed in: |publisher= (help)
  3. ^ a b DeCurtis, Anthony (1992). Present Tense: Rock & Roll and Culture (4. print. ed.). Durham, N.C.: Duke University Press. ISBN 0822312654. His first venture, the Phillips label, issued only one known release, and it was one of the loudest, most overdriven, and distorted guitar stomps ever recorded, "Boogie in the Park" by Memphis one-man-band Joe Hill Louis, who cranked his guitar while sitting and banging at a rudimentary drum kit.
  4. ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. p. 138. ISBN 1-85868-255-X.
  5. ^ a b Harris, 1989 p. 337
  6. ^ Memphishistory.org: Joe Hill Louis
  7. ^ Turner, 1985 p. 24
  8. ^ a b Turner, 1985, p. 24
  9. ^ Turner, 1985, p. 37
  10. ^ Harris 1989, p. 337
  11. ^ Harris, 1989, p. 337

Bibliography

  • Harris, S (1989). Blues Who’s Who, 5th paperback edition. New York, Da Capo Press.
  • Turner, B (1985). "The Blues in Memphis". In Sun Records: The Blues Years 1950-1956 [album booklet]. London: Sun Records.

External links

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