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| writer = John Huston
| writer = John Huston
| released = {{Film date|1945|05|03}}
| released = {{Film date|1945|05|03}}
| runtime = 32 min.
| runtime = 32 minutes
| country = United States
| country = [[United States]]
| language = English
| language = [[English language|English]]
}}
}}


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Because it showed dead GIs wrapped in mattress covers, some officers tried to prevent soldiers in training from seeing it, for fear of damaging morale.<ref name="oneill258">William L. O'Neill, ''A Democracy At War: America's Fight At Home and Abroad in World War II'', p. 258 ISBN 0-02-923678-9</ref> General [[George Marshall]] came to Huston and the film's defense, stating that because of the film's gritty realism, it would make a good [[training film]]. The depiction of death would inspire soldiers to take their training more seriously.<ref name="oneill258"/>
Because it showed dead GIs wrapped in mattress covers, some officers tried to prevent soldiers in training from seeing it, for fear of damaging morale.<ref name="oneill258">William L. O'Neill, ''A Democracy At War: America's Fight At Home and Abroad in World War II'', p. 258 ISBN 0-02-923678-9</ref> General [[George Marshall]] came to Huston and the film's defense, stating that because of the film's gritty realism, it would make a good [[training film]]. The depiction of death would inspire soldiers to take their training more seriously.<ref name="oneill258"/>


Huston quickly became unpopular with the Army, not only for the film but also for his response to the accusation that the film was anti-war. Huston responded that if he ever made a pro-war film, he should be shot.{{citation needed|date=August 2013}} The film was screened to U.S. troops in North Africa in 1944, where [[John Horne Burns]] described it in a letter as "almost more than any heart can stand".<ref>{{cite book|last=Margolick|first=David|title=Dreadful: The Short Life and Gay Times of John Horne Burns|year=2013 |publisher=Other Press|location=NY|page=108|url=http://books.google.com/books?id=3Bv5Ym9atTgC&pg=PT118&}}</ref> Huston was no longer considered a pariah; he was decorated and eventually promoted to major.{{citation needed|date=August 2013}}
Huston quickly became unpopular with the Army, not only for the film but also for his response to the accusation that the film was anti-war. Huston responded that if he ever made a pro-war film, he should be shot.<ref>{{Cite episode|title=TCM Spotlight: Five Came Back|url=http://www.tcm.com/this-month/article.html?isPreview=&id=1112957|1104934&name=San-Pietro |accessdate=15 September 2015|series= |series-link= |first=Ben|last=Mankiewicz|network=[[Turner Classic Movies]]|city= |date=8 September 2015|season= |series-no= |number= |minutes= |time= |transcript= |transcript-url= |language=English}}</ref> The film was screened to U.S. troops in North Africa in 1944, where [[John Horne Burns]] described it in a letter as "almost more than any heart can stand".<ref>{{cite book|last=Margolick|first=David|title=Dreadful: The Short Life and Gay Times of John Horne Burns|year=2013|publisher=Other Press|location=NY|page=108|url=http://books.google.com/books?id=3Bv5Ym9atTgC&pg=PT118& }}</ref> Huston was no longer considered a pariah; he was decorated and eventually promoted to major.{{citation needed|date=August 2013}}


In 1991, ''The Battle of San Pietro'' was selected for preservation in the United States [[National Film Registry]] by the [[Library of Congress]] as being "culturally, historically, or aesthetically significant".
In 1991, ''The Battle of San Pietro'' was selected for preservation in the United States [[National Film Registry]] by the [[Library of Congress]] as being "culturally, historically, or aesthetically significant".

[[File:Battle of San Pietro.ogv|thumb|''The Battle of San Pietro'', documentary directed by John Huston for the U.S. Army, 1945.]]
[[File:Battle of San Pietro.ogv|thumb|''The Battle of San Pietro'', documentary directed by John Huston for the U.S. Army, 1945.]]


==See also==
==See also==
*[[List of Allied propaganda films of World War II]]
* [[List of Allied propaganda films of World War II]]
*[[Treasures from American Film Archives]]
* [[Treasures from American Film Archives]]


==Notes==
==Notes==
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==Additional sources==
==Additional sources==
*[http://books.google.com/books?id=ay5rIWCXlLsC&pg=PA81& The Battle of San Pietro], ''The Concise Routledge Encyclopedia of the Documentary Film'', Ian Aitken ed., 2013
* [http://books.google.com/books?id=ay5rIWCXlLsC&pg=PA81& The Battle of San Pietro], ''The Concise Routledge Encyclopedia of the Documentary Film'', Ian Aitken ed., 2013


== External links ==
==External links==
{{wikiquote}}
{{wikiquote}}
* {{Internet Archive film
* {{Internet Archive film
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{{DEFAULTSORT:Battle Of San Pietro, The}}
{{DEFAULTSORT:Battle Of San Pietro, The}}

[[Category:1945 films]]
[[Category:1945 films]]
[[Category:American documentary films]]
[[Category:American documentary films]]

Revision as of 05:01, 15 September 2015

For the actual World War II battle, see Battle of San Pietro Infine.
For the 1734 battle of the War of Polish Succession, see Battle of San Pietro.
The Battle of San Pietro
Directed byJohn Huston
Written byJohn Huston
Release date
  • May 3, 1945 (1945-05-03)
Running time
32 minutes
CountryUnited States
LanguageEnglish

The Battle of San Pietro is a documentary film directed by John Huston about the Battle of San Pietro Infine sixty miles from Naples during World War II. It was shot by Jules Buck. It was released in the U.S. in 1945 but shown to U.S. troops earlier.

Huston and his crew were attached to the U.S. Army’s 143rd Regiment of the 36th Division. Unlike many other military documentaries, it was claimed Huston’s cameramen filmed alongside the infantrymen as they fought their way up the hills to reach San Pietro. Huston's claim that the film was made during the battle was proven false by the research of Peter Maslowski in his 1993 book, Armed With Cameras[1]

The film is unflinching in its realism. One scene includes close-up views of the faces of dead soldiers as they are being loaded into body bags, a level of realism unheard of in both fictional portrayals as well as newsreel footage of the time. The United States Army delayed its release to the public.

Because it showed dead GIs wrapped in mattress covers, some officers tried to prevent soldiers in training from seeing it, for fear of damaging morale.[2] General George Marshall came to Huston and the film's defense, stating that because of the film's gritty realism, it would make a good training film. The depiction of death would inspire soldiers to take their training more seriously.[2]

Huston quickly became unpopular with the Army, not only for the film but also for his response to the accusation that the film was anti-war. Huston responded that if he ever made a pro-war film, he should be shot.[3] The film was screened to U.S. troops in North Africa in 1944, where John Horne Burns described it in a letter as "almost more than any heart can stand".[4] Huston was no longer considered a pariah; he was decorated and eventually promoted to major.[citation needed]

In 1991, The Battle of San Pietro was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

The Battle of San Pietro, documentary directed by John Huston for the U.S. Army, 1945.

See also

Notes

  1. ^ Maslowski, Peter. Armed With Cameras: the American Military Photographers of World War II." New York: The Free Press, pp.83-94.
  2. ^ a b William L. O'Neill, A Democracy At War: America's Fight At Home and Abroad in World War II, p. 258 ISBN 0-02-923678-9
  3. ^ Mankiewicz, Ben (8 September 2015). "TCM Spotlight: Five Came Back". Turner Classic Movies. Retrieved 15 September 2015. {{cite episode}}: Cite has empty unknown parameter: |city= (help); Missing or empty |series= (help); Unknown parameter |1104934&name= ignored (help)
  4. ^ Margolick, David (2013). Dreadful: The Short Life and Gay Times of John Horne Burns. NY: Other Press. p. 108.

Additional sources

Wikiquote has quotations related to The Battle of San Pietro.
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