The Meteors: Difference between revisions
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==Biography== |
==Biography== |
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The Meteors were started in 1980 by P. Paul Fenech ([[guitar]] and [[vocals]]), Nigel Lewis ([[upright bass]]/[[electric bass]]) and [[vocals]]), and Mark Robertson ([[Drum kit|drums]]). Fenech and Lewis had played in [[rockabilly]] bands before, but left their former band, Raw Deal, in order to experiment with a new sound that mixed [[horror fiction|horror]] and [[science fiction]] lyrics with a [[punk rock]] / [[rockabilly]] crossover (as distinct from the slower, psychedelic rockabilly sound of [[the Cramps]]. This sound would later be called psychobilly. What made them unique was that Fenech and Lewis each sang lead vocals on their own tracks. |
The Meteors were started in 1980 by P. Paul Fenech ([[guitar]] and [[vocals]]), Nigel Lewis ([[upright bass]]/[[electric bass]]) and [[vocals]]), and Mark Robertson ([[Drum kit|drums]]). Fenech and Lewis had played in [[rockabilly]] bands before, but left their former band, Raw Deal, in order to experiment with a new sound that mixed [[horror fiction|horror]] and [[science fiction]] lyrics with a [[punk rock]] / [[rockabilly]] crossover (as distinct from the slower, psychedelic rockabilly sound of [[the Cramps]]). This sound would later be called psychobilly. What made them unique was that Fenech and Lewis each sang lead vocals on their own tracks. |
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The Meteors played their first show during Rockabilly Night at The Sparrow Hawk in north [[London]], but, after being heckled due to their cross between rockabilly and punk attitudes, decided to begin playing shows beyond just rockabilly clubs. They developed a loyal following known as "the Crazies" or "Zorchmen", who invented their own dance style then called "going mental," a cross between fighting, dancing, and [[moshing]]. This would later be renamed "wrecking," and is still a staple of the psychobilly scene. This, coupled with Fenech's ritual of spitting (chicken) blood during performances, led many clubs into believing the band was dangerous and refusing to book them. The band began playing at punk rock clubs alongside UK punk bands such as [[The Clash]], [[The Damned (band)|The Damned]], and later [[Anti-Nowhere League]] and the [[UK Subs]]. However, unlike many punk bands, The Meteors would (and still very much do) insist that their shows be "a politics and religion free zone" in order to focus on having a good time instead of allowing disputes between fans to break out. |
The Meteors played their first show during Rockabilly Night at The Sparrow Hawk in north [[London]], but, after being heckled due to their cross between rockabilly and punk attitudes, decided to begin playing shows beyond just rockabilly clubs. They developed a loyal following known as "the Crazies" or "Zorchmen", who invented their own dance style then called "going mental," a cross between fighting, dancing, and [[moshing]]. This would later be renamed "wrecking," and is still a staple of the psychobilly scene. This, coupled with Fenech's ritual of spitting (chicken) blood during performances, led many clubs into believing the band was dangerous and refusing to book them. The band began playing at punk rock clubs alongside UK punk bands such as [[The Clash]], [[The Damned (band)|The Damned]], and later [[Anti-Nowhere League]] and the [[UK Subs]]. However, unlike many punk bands, The Meteors would (and still very much do) insist that their shows be "a politics and religion free zone" in order to focus on having a good time instead of allowing disputes between fans to break out. |
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The Meteors | |
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 The Meteors performing in Pordenone, Italy in 2006. | |
| Background information | |
| Origin | United Kingdom |
| Genres | Psychobilly |
| Years active | 1980–present |
| Labels | People Like You |
| Members | P. Paul Fenech Wolfgang Hordemann Hennes |
| Website | http://www.yendor71.com/ |
The Meteors are an English psychobilly band formed in 1980. Originally from London, England, they are often credited with giving the psychobilly subgenre—which fuses punk rock with rockabilly—its distinctive sound and style. Though the origins of psychobilly are debated, The Meteors are the first band to self-identify as psychobilly, and are often credited with the distinction of being the only "pure" psychobilly band among fans of the subgenre.
Fans of the band (known as the Wrecking Crew) are known to use the slogan "Only The Meteors are Pure Psychobilly", (often shortened to "OTMAPP")
Biography
The Meteors were started in 1980 by P. Paul Fenech (guitar and vocals), Nigel Lewis (upright bass/electric bass) and vocals), and Mark Robertson (drums). Fenech and Lewis had played in rockabilly bands before, but left their former band, Raw Deal, in order to experiment with a new sound that mixed horror and science fiction lyrics with a punk rock / rockabilly crossover (as distinct from the slower, psychedelic rockabilly sound of the Cramps). This sound would later be called psychobilly. What made them unique was that Fenech and Lewis each sang lead vocals on their own tracks.
The Meteors played their first show during Rockabilly Night at The Sparrow Hawk in north London, but, after being heckled due to their cross between rockabilly and punk attitudes, decided to begin playing shows beyond just rockabilly clubs. They developed a loyal following known as "the Crazies" or "Zorchmen", who invented their own dance style then called "going mental," a cross between fighting, dancing, and moshing. This would later be renamed "wrecking," and is still a staple of the psychobilly scene. This, coupled with Fenech's ritual of spitting (chicken) blood during performances, led many clubs into believing the band was dangerous and refusing to book them. The band began playing at punk rock clubs alongside UK punk bands such as The Clash, The Damned, and later Anti-Nowhere League and the UK Subs. However, unlike many punk bands, The Meteors would (and still very much do) insist that their shows be "a politics and religion free zone" in order to focus on having a good time instead of allowing disputes between fans to break out.
The band made their first TV appearance on Thames TV afternoon show White Light in late 1980. Due to their large cult following, The Meteors made a short film in late 1980 with comedian Keith Allen called Meteor Madness. It was released as a double feature with 2 Tone ska film Dance Craze in March 1981. The movie featured four songs, which made it onto the band's first vinyl single first issued on Ace Records and later on Big Beat. To date, the film Meteor Madness] has never been released on video or DVD, although over the last few years poor quality copies have appeared on YouTube. The tracks were also issued as a rare 12" mini-album called The Meteors Meet Screaming Lord Sutch. Soon after that, they issued the double A-side anthems "Radioactive Kid" and "Graveyard Stomp". A session was recorded for the John Peel BBC radio show in June 1981. Again, to date, these tracks have never been officially released. In August 1981, the band were signed to Island Records and recorded their first full-length album, The Case Of The Meteors In Heaven, and 7" single, "The Crazed". The band were interviewed by No Class fanzine at The Marquee on the night of the live-recording of the track In Heaven. The original line-up also recorded an EP although, due to contract restraints, it was issued under the pseudonym of Clapham-South Escalators, which featured two vocal tracks by Lewis: "Get Me To The World On Time" and "Cardboard Cutouts"; plus one by Fenech: "Leave Me Alone". Not long after this, Mark Robertson left the band after an invitation to join Theatre Of Hate (although this never materialised). He was replaced by longtime Meteors fan/roadie Woodie. This line-up also recorded a single in early 1982 under another pseudonym; this time "The Tall Boys" was used. The single featured two vocal tracks from Lewis: "Another Half Hour Till Sunrise" and "Island Of Lost Souls". A rare live television appearance in Paris, France featuring three Lewis tracks has recently surfaced on YouTube. This was to be the last recording featuring Fenech and Lewis together as both Nigel and Woodie left soon after.
Lewis would later take part in The Escalators, The Tall Boys, The Johnson Family, and the Zorchmen.
The Meteors have gone through many line-up changes since, with Fenech being the only original member today. The current line-up includes Hendrik Corleone on bass and Wolfgang Hordemann (who, though not from the original line up, is the longest serving member by far after Fenech) on drums. They have 25 official albums, countless singles, and numerous re-issues and compilation appearances. They continue to record using their own In Heaven recording studios, based in an old church—Fenech is a fully qualified sound engineer and producer—and also Maddog Studios (a 58 metre high tower in Germany), both professional studios used by many bands from around the world. The Meteors have extensively toured Japan, Europe and Scandinavia, South America, and the Middle East. At the time of writing, they have completed well over 5500 live shows (occasionally two per night).
P. Paul Fenech has also released six highly regarded solo albums and plays in many side projects including The Legendary Raw Deal (rockabilly), The Surfing Dead (instrumental), Cherry and The Devil (rockabilly), The Outsiders (rockabilly). He is also a prolific and successful writer of horror film music and has written extensively for television and many other films (Under a pseudonym). Nigel Lewis and Mark Robertson went on to play together in the Escalators with Woodie (drums/guitar) and Bart Coles (vocals/bass), a psychedelic rock band (although with a similar sound to Nigel's Meteors vocal tracks), and released a couple of singles and an album on the Big Beat record label. However, a serious back injury to Nigel stopped the band in their tracks. Several months later, Nigel and Mark were to re-emerge as the Tall Boys, a band best known for recording the song "Take a Walk" for the Return of the Living Dead soundtrack.
Discography
 | This section may require cleanup to meet Wikipedia's quality standards. The specific problem is: formatting and non-use of wikitable(s). (December 2012) |
12" singles
- 1981 The Meteors Meet Screaming Lord Sutch
- 1983 "Johnny Remember Me"
- 1984 I’m Just A Dog
- 1985 Stampede
- 1985 Hogs & Cuties
- 1986 Wrecking Crew (Archive 4)
- 1986 Mutant Rock (#19)
- 1986 Surf City
- 1987 Go Buddy Go
- 1987 Don’t Touch The Bang Bang Fruit
- 1988 Somebody Put Something In My Drink
- 1988 Surfin’ On The Planet Zorch
- 1989 Please Don’t Touch
- 1991 Chainsaw Boogie
Albums
- 1981 In Heaven
- 1983 Wreckin’ Crew (#1)
- 1984 Stampede (#6)
- 1985 The Curse of the Mutants (#5)
- 1985 Live
- 1985 Monkey’s Breath (#4)
- 1986 Horrible Music for Horrible People by This Horrible Band (Live II) (#5)
- 1986 Teenagers from Outer Space (#6)
- 1986 Sewertime Blues (#9)
- 1987 Don’t Touch the Bang Bang Fruit (#8)
- 1987 Night of the Werewolf
- 1987 Live and Loud
- 1988 Only the Meteors Are Pure Psychobilly (#9)
- 1988 The Mutant Monkey and the Surfers from Zorch
- 1989 Undead, Unfriendly and Unstoppable
- 1990 Live Styles of the Sick and Shameless (Live III)
- 1991 Bad Moon Rising
- 1991 Madman Roll
- 1992 Demonopoly
- 1994 No Surrender (CD)
- 1995 Mental Instrumentals (CD)
- 1997 Bastard Sons of a Rock’n’Roll Devil
- 1999 John Peel Sessions 1983–1985 (CD)
- 1999 The Meteors vs. The World
- 2001 Psycho Down!
- 2002 The Final Conflict
- 2003 Psychobilly
- 2004 These Evil Things
- 2004 The Lost Album (CD)
- 2007 Hymns for the Hellbound
- 2009 Hell Train Rollin'
- 2012 Doing the Lord's Work
Live albums
- 1983 Live (#3)
- 1985 The Meteors Live (#19)
- 1986 Live II
- 1987 Live And Loud
- 1987 Night Of The Werewolf (#17)
- 1990 Live III
- 1991 Encores
- 1992 International Wreckers (CD)
- 1996 Welcome To The Wreckin’ Pit (CD)
- 1996 International Wreckers 2 (CD)
- 2000 Psychobilly Revolution (CD)
- 2002 The Final Conflict
- 2003 The Meteors From Beyond
- 2004 Hell In The Pacific (CD)
- 2012 Maniac Rockers From Hell (CD/DVD) - Secret Records
References
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| Other | |
