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Since my use of the CN tag was reverted (don't we use those anymore?), I am instead removing the unsourced assertions about KW's state of mind.
→Comic performer: Various assertions in section call for citations but don't have them. I don't have the sources at my fingertips, nor do I want to strip the section of all this probably documentable content--thus using "improve section" template.
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=== Comic performer ===
=== Comic performer ===
{{More citations needed section|date=February 2020}}
Williams's professional career began in 1948 in [[repertory theatre]]. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the [[Dauphin of France|Dauphin]] in [[George Bernard Shaw|Bernard Shaw]]'s ''[[Saint Joan (play)|St Joan]]'' in the [[West End theatre|West End]], in 1954<ref>{{cite book|url=https://books.google.com/?id=3Qf8vhBh4JsC&pg=PT129&lpg=PT129&dq=kenneth+williams+saint+joan#v=onepage&q=kenneth%20williams%20saint%20joan&f=false |title=Kenneth Williams: Born Brilliant – Christopher Stevens – Google Books |date= 2010-10-14|accessdate=30 June 2014|isbn=9781848544604 |last1=Stevens |first1=Christopher }}</ref> by radio producer [[Dennis Main Wilson]]. Main Wilson was casting ''[[Hancock's Half Hour]]'', a radio series starring [[Tony Hancock]]. Playing mostly funny voice roles, Williams stayed in the series almost to the end, five years later. His nasal, whiny, [[Camp (style)|camp]]-cockney inflections (epitomised in his "Stop messing about&nbsp;... !" catchphrase) became popular with listeners.<ref>{{cite web|url=https://www.bbc.co.uk/comedy/thekennethwilliamsshow/ |title=Comedy – The Kenneth Williams Show |publisher=BBC |date= |accessdate=28 June 2014}}</ref> Despite the success and recognition the show brought him, Williams considered theatre, film and television to be superior forms of entertainment. In 1955 he appeared in [[Orson Welles]]'s London stage production ''[[Moby Dick—Rehearsed]]''. The pair fell out after Williams became annoyed with Welles's habit of continually changing the script.{{sfn|Stevens|2010|p=135}}
Williams's professional career began in 1948 in [[repertory theatre]]. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the [[Dauphin of France|Dauphin]] in [[George Bernard Shaw|Bernard Shaw]]'s ''[[Saint Joan (play)|St Joan]]'' in the [[West End theatre|West End]], in 1954<ref>{{cite book|url=https://books.google.com/?id=3Qf8vhBh4JsC&pg=PT129&lpg=PT129&dq=kenneth+williams+saint+joan#v=onepage&q=kenneth%20williams%20saint%20joan&f=false |title=Kenneth Williams: Born Brilliant – Christopher Stevens – Google Books |date= 2010-10-14|accessdate=30 June 2014|isbn=9781848544604 |last1=Stevens |first1=Christopher }}</ref> by radio producer [[Dennis Main Wilson]]. Main Wilson was casting ''[[Hancock's Half Hour]]'', a radio series starring [[Tony Hancock]]. Playing mostly funny voice roles, Williams stayed in the series almost to the end, five years later. His nasal, whiny, [[Camp (style)|camp]]-cockney inflections (epitomised in his "Stop messing about&nbsp;... !" catchphrase) became popular with listeners.<ref>{{cite web|url=https://www.bbc.co.uk/comedy/thekennethwilliamsshow/ |title=Comedy – The Kenneth Williams Show |publisher=BBC |date= |accessdate=28 June 2014}}</ref> Despite the success and recognition the show brought him, Williams considered theatre, film and television to be superior forms of entertainment. In 1955 he appeared in [[Orson Welles]]'s London stage production ''[[Moby Dick—Rehearsed]]''. The pair fell out after Williams became annoyed with Welles's habit of continually changing the script.{{sfn|Stevens|2010|p=135}}


Revision as of 22:17, 3 February 2020

For other people named Kenneth Williams, see Kenneth Williams (disambiguation).

Publicity photo of Williams in the early 1960s

Kenneth Charles Williams (22 February 1926 – 15 April 1988) was an English actor, best known for his comedy roles and in later life as a raconteur and diarist. He was one of the main ensemble in 26 of the 31 Carry On films, and appeared in many British television programmes and radio comedies, including series with Tony Hancock and Kenneth Horne.[1][2]

Williams grew up in Central London in a working-class family. He served in the Royal Engineers during World War II, where he first became interested in becoming an entertainer. After a short spell in repertory theatre as a serious actor, he turned to comedy and achieved national fame in Hancock's Half Hour. He sustained continued success throughout the 1960s and '70s with his regular appearances in Carry On films, and subsequently kept himself in the public eye with chat shows and other television work.

Though Williams was fondly regarded in the entertainment industry, he suffered from depression. He kept a series of diaries throughout his life that achieved posthumous acclaim.

Life and career

Williams was born in Bingfield Street, Kings Cross, London.[3]

Between 1935 and 1956, Williams lived with his parents in a flat above his father's barber shop at 57 Marchmont Street, Bloomsbury.[4]

Kenneth Williams stated in his diaries that he believed he had Welsh ancestors due to his parents' surnames. Williams had a half-sister, Alice Patricia "Pat", born in 1923 before Louie had met Charlie Williams, and three years before Kenneth was born.[citation needed] He was educated at The Lyulph Stanley Boys' Central Council School,[5][6] a state-owned Central school on the corner of Camden Street and Plender Street,[7] near Mornington Crescent in Camden Town in north west London, later becoming apprenticed as a draughtsman to a mapmaker. His apprenticeship was interrupted by the Blitz, and he was evacuated to Bicester, and the home of a bachelor veterinary surgeon. It provided his first experience of an educated, middle-class life, and he loved it. He returned to London with a new accent.[8]

Comic performer

Williams's professional career began in 1948 in repertory theatre. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the Dauphin in Bernard Shaw's St Joan in the West End, in 1954[9] by radio producer Dennis Main Wilson. Main Wilson was casting Hancock's Half Hour, a radio series starring Tony Hancock. Playing mostly funny voice roles, Williams stayed in the series almost to the end, five years later. His nasal, whiny, camp-cockney inflections (epitomised in his "Stop messing about ... !" catchphrase) became popular with listeners.[10] Despite the success and recognition the show brought him, Williams considered theatre, film and television to be superior forms of entertainment. In 1955 he appeared in Orson Welles's London stage production Moby Dick—Rehearsed. The pair fell out after Williams became annoyed with Welles's habit of continually changing the script.[11]

When Hancock steered his show away from what he considered gimmicks and silly voices, Williams found he had less to do. Tiring of this reduced status, he joined Kenneth Horne in Beyond Our Ken (1958–64), and its sequel, Round the Horne (1965–68). His roles in Round the Horne included Rambling Syd Rumpo, the eccentric folk singer; Dr Chou En Ginsberg, MA (failed), Oriental criminal mastermind; J. Peasemold Gruntfuttock, telephone heavy breather and dirty old man; and Sandy of the camp couple Julian and Sandy (Julian was played by Hugh Paddick). Their double act was characterised by double entendres and Polari, the homosexual argot.

Williams also appeared in West End revues including Share My Lettuce with Maggie Smith, written by Bamber Gascoigne, and Pieces of Eight with Fenella Fielding. The latter included material specially written for him by Peter Cook, then a student at Pembroke College, Cambridge.[12] Cook's "One Leg Too Few" and "Interesting Facts" were part of the show and became routines in his own performances. Williams's last revue, in 1960, was One Over The Eight at the Duke of York's Theatre, with Sheila Hancock.[13][14]

Carry On

Williams worked regularly in British film during the late 1950s, '60s and '70s, mainly in the Carry On series (1958–78) with its double entendre humour; and appearing in the series more than any other actor.[15] The films were commercially successful but Williams claimed the cast were poorly paid. In his diaries, Williams wrote that he earned more in a St Ivel advert than for any Carry On film, although he was still earning the average Briton's annual salary in a month for the latter. He often privately criticised and "dripped vitriol" upon the films, considering them beneath him, even though he continued to appear in them.[16] This became the case with many of the films and shows in which he appeared. He was quick to find fault with his own work, and also that of others. Despite this, he spoke fondly of the Carry Ons in interviews. Peter Rogers, producer of the series, recollected, "Kenneth was worth taking care of because, while he cost very little—£5,000 a film, he made a great deal of money for the franchise."[17]

Radio and television shows

Williams was a regular on the BBC Radio panel game Just a Minute from its second season in 1968 until his death. He frequently got into arguments with host Nicholas Parsons and other guests on the show. (Russell Davies, editor of The Kenneth Williams Letters, explains that Williams's "famous tirades on the programme occurred when his desire to entertain was fuelled by his annoyance."[18]) He was also remembered for such phrases as "I've come all the way from Great Portland Street" (i.e. one block away) and "They shouldn't have women on the show!" (directed at Sheila Hancock, Aimi MacDonald and others).[19] He once talked for almost a minute about a supposed Austrian psychiatrist called Heinrich Swartzberg, correctly guessing that the show's creator, Ian Messiter, had just made the name up.[20]

On television, he co-hosted his own TV variety series on BBC2 with the Young Generation entitled Meanwhile On BBC2, which ran for 10 episodes from 17 April 1971.[21] He was a frequent contributor to the 1973–74 revival of What's My Line?, hosted the weekly entertainment show International Cabaret and was a regular reader on the children's storytelling series Jackanory on BBC1, hosting 69 episodes.[22]

Personal life and death

On 14 October 1962, Kenneth's father, Charlie Williams, was taken to hospital after drinking carbon tetrachloride that had been stored in a cough-mixture bottle. Kenneth, who had never got on well with his father, refused to visit him. The following day, Charlie died and, an hour after being given the news, Kenneth went on stage in the West End. The coroner's court recorded a verdict of accidental death due to corrosive poisoning by carbon tetrachloride. Kenneth believed his father had committed suicide as the circumstances leading to the poisoning seemed unlikely to have happened by bad luck.[23] Williams would later be denied a visa to the United States, when it emerged that Scotland Yard kept a file on him relating to his father's death - the suspicion that he had poisoned his father.[24]

Williams insisted that he was celibate and his diaries appear to substantiate his claims—at least from his early forties onwards. He lived alone all his adult life and had few close companions apart from his mother, and no significant romantic relationships. His diaries contain references to unconsummated or barely consummated homosexual dalliances, which he describes as "traditional matters" or "tradiola". He befriended gay playwright Joe Orton, who wrote the role of Inspector Truscott in Loot (1966) for him, and had holidays with Orton and his lover, Kenneth Halliwell, in Morocco. Other close friends included Stanley Baxter, Gordon Jackson and his wife Rona Anderson, Sheila Hancock and Maggie Smith and her playwright husband, Beverley Cross.[25] Williams was also fond of fellow Carry On regulars Barbara Windsor, Kenneth Connor, Hattie Jacques and Joan Sims.[26]

Williams lived in a succession of small rented flats in central London from the mid-1950s. After his father died, his mother Louisa lived near him, and then in the flat next to his. His last home was a flat on Osnaburgh Street, Bloomsbury,[27] which has now been demolished.[28]

Williams rarely revealed details of his private life, though he spoke openly to Owen Spencer-Thomas in 1977 about his loneliness, despondency, and sense of underachievement in two half-hour documentary programmes entitled Carry On Kenneth [29] on BBC Radio London.[30]

He died on 15 April 1988 in his flat; his last words (recorded in his diary) were "Oh, what's the bloody point?"[31] and the cause of death was an overdose of barbiturates.[15] An inquest recorded an open verdict, as it was not possible to establish whether his death was a suicide or an accident.[32] His diaries reveal that he had often had suicidal thoughts and some of his earliest diaries record periodic feelings that there was no point in living. His authorised biography argues that Williams did not take his own life but died of an accidental overdose. The actor had doubled his dosage of antacid without discussing this with his doctor; this, combined with the mixture of medication, is the widely accepted cause of death. He had a stock of painkilling tablets and it is argued that he would have taken more of them if he had been intending suicide.[33] He was cremated at East Finchley Cemetery; his ashes were scattered in the memorial gardens. Williams left an estate worth just under £540,000[34] (equivalent to £1,828,910 in 2023).

Legacy

Diaries and biographies

In April 2008 Radio 4 broadcast the two-part The Pain of Laughter: The Last Days of Kenneth Williams.[35] The programmes were researched and written by Wes Butters and narrated by Rob Brydon. Butters purchased a collection of Williams's personal belongings from the actor's godson, Robert Chidell, to whom they had been bequeathed.[36]

The first of the programmes said that, towards the end of his life and struggling with depression and ill health, Williams abandoned Christianity following discussions with the poet Philip Larkin. Williams had been a Methodist, though he spent much of his life struggling with Christianity's teachings on homosexuality.[35]

Kenneth Williams Unseen by Wes Butters and Russell Davies, the first Williams biography in 15 years, was published in October 2008.[37]

An authorised biography, Born Brilliant: The Life of Kenneth Williams, by Christopher Stevens,[38] was published in October 2010. This drew for the first time on the full Williams archive of diaries and letters, which had been stored in a London bank for 15 years following publication of edited extracts.[39] The biography notes that Williams used a variety of handwriting styles and colours in his journals, switching between different hands on the page.[40]

Portrayals

Williams' blue plaque at 57 Marchmont Street

David Benson's 1996 Edinburgh Fringe show, Think No Evil of Us: My Life with Kenneth Williams, saw Benson playing Williams; after touring, the show ran in London's West End. Benson reprised his performance at the 2006 Edinburgh Fringe and continues to tour.[41]

Recognition

A flat in the Osnaburgh Street block in which Williams had lived from 1972 until his death was bought by Rob Brydon and Julia Davis for the writing of their comedy series Human Remains. The building was demolished in May 2007.[42]

Williams is commemorated by a blue plaque at the address of his father's barber shop in Marchmont Street, London, where he lived from 1935 to 1956. The plaque was unveiled on 11 October 2009 by Leslie Phillips, Bill Pertwee and Nicholas Parsons, with whom Williams performed.[4]

On 22 February 2014—on what would have been Williams' 88th birthday—an English Heritage blue plaque was unveiled at Farley Court off Marylebone Road, where Williams lived between 1963 and 1970 in Flat 62. Speaking at the ceremony, his Carry On co-star Barbara Windsor said: "Kenny was a one off, a true original".[43][44]

Performances

Stage

The Newquay Repertory Players (1948) in order of performance:

  • The First Mrs Fraser
  • The Sacred Heart
  • Night Must Fall
  • This Blessed Plot
  • George and Margaret
  • Fools Rush In
  • The Bread Winner
  • Pink String and Sealing Wax
  • The Dover Road
  • The Long Mirror
  • Private Lives
  • Frieda
  • The Poltergeist
  • Jupiter Laughs
  • Grand National Night
  • The Sacred Flame
  • High Temperature
  • The Light of Heart
  • The Importance of Being Earnest

The Dolphin Players (1948) in order of performance:

  • On Approval
  • Candida
  • An Inspector Calls
  • Tobias and the Angel

Other plays:

  • Saint Joan at the Arts Theatre and New Theatre, London (1954)
  • Moby Dick—Rehearsed at the Duke of York's Theatre, London (1955)
  • The Buccaneer at the Apollo Theatre, London (1956)
  • Hotel Paradiso at the Winter Garden Theatre, London (1956)
  • Share My Lettuce (revue) at the Lyric Theatre, Hammersmith, Comedy Theatre and Garrick Theatre, London (1957)
  • Cinderella (pantomime) at the London Coliseum (1958)
  • Pieces of Eight (revue) at the Apollo Theatre, London (1959)
  • One Over the Eight (revue) at the Duke of York's Theatre, London (1961)
  • The Private Ear and The Public Eye at the Globe Theatre, London (1962)
  • Gentle Jack at the Queen's Theatre, London (1963)
  • Loot - UK Tour (1965)
  • The Platinum Cat - Wyndham's Theatre, London (1965)
  • Captain Brassbound's Conversion - Cambridge Theatre, London (1971)
  • My Fat Friend - Globe Theatre, London (1972)
  • Signed and Sealed - Comedy Theatre, London (1976)
  • The Undertaking - Fortune Theatre, London (1979)
  • Loot (directed) - Lyric Theatre, Hammersmith and Arts Theatre, London (1980)
  • Entertaining Mr Sloane (directed) - Lyric Theatre, Hammersmith, London (1981)

Radio

Films

Television

Recordings

  • Kenneth Williams on Pleasure Bent 1967, Decca LK 4856. Music by Ted Dicks, lyrics by Myles Rudge. Arrangements and musical direction by Barry Booth, sound supervision by Roger Cameron.
  • The World of Kenneth Williams 1970, Decca SPA 64. Stereo edition of recordings from the 1950s and 1960s.
  • Williams also released several albums as Rambling Syd Rumpo.
  • Kenneth Williams read eight "Just William" stories for Argo in the early 1980s.

Books

  • Acid Drops
  • Back Drops
  • Just Williams
  • I Only Have To Close My Eyes
  • The Kenneth Williams Diaries
  • The Kenneth Williams Letters
  • The Kenneth Williams Companion

Notes

  1. ^ Born: 22 February 1926, London Died: 15 April 1988, London. "Kenneth Williams | BFI". Explore.bfi.org.uk. Archived from the original on 19 July 2014. Retrieved 30 June 2014.{{cite web}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  2. ^ "BFI Screenonline: Williams, Kenneth (1926–1988) Biography". Screenonline.org.uk. Retrieved 30 June 2014.
  3. ^ GRO Register of Births: March 1926 1b 408 Islington – Kenneth C. Williams
  4. ^ a b "Plaque for Carry On star Williams". BBC News. 11 October 2009. Retrieved 11 October 2009.
  5. ^ "Obituaries - Kenneth Williams". British Comedy.org.uk. April 1988. Archived from the original on 3 March 2016. Retrieved 9 June 2018.
  6. ^ "The National Archives - The Lyulph Stanley Boys' Central Council School". The National Archives. Archived from the original on 12 June 2018. Retrieved 9 June 2018.
  7. ^ "Collage - The London Picture Archive". City of London.gov.uk. Archived from the original on 12 June 2018. Retrieved 9 June 2018.
  8. ^ Kenneth Williams: Reputations, BBC TV
  9. ^ Stevens, Christopher (14 October 2010). Kenneth Williams: Born Brilliant – Christopher Stevens – Google Books. ISBN 9781848544604. Retrieved 30 June 2014.
  10. ^ "Comedy – The Kenneth Williams Show". BBC. Retrieved 28 June 2014.
  11. ^ Stevens 2010, p. 135. sfn error: multiple targets (3×): CITEREFStevens2010 (help)
  12. ^ Cook, Peter; Cook, William (31 August 2013). Tragically I Was An Only Twin: The Comedy of Peter Cook – Peter Cook, William Cook – Google Books. ISBN 9781446429624. Retrieved 30 June 2014.
  13. ^ "iTunes – Music – One Over the Eight (Original London Cast) by Various Artists". Itunes.apple.com. 7 December 2011. Retrieved 30 June 2014.
  14. ^ "Obituaries". Britishcomedy.org.uk. Archived from the original on 23 September 2015. Retrieved 30 June 2014.
  15. ^ a b "Kenneth Williams | Britmovie | Home of British Films". Britmovie. Archived from the original on 9 August 2014. Retrieved 28 June 2014.
  16. ^ "Review: Born Brilliant: The life of Kenneth Williams by Christopher Stevens". Daily Express. 23 October 2010. Retrieved 22 September 2014.
  17. ^ Kenneth Williams Unseen by Wes Butters and Russell Davies, HarperCollins 2008, p224
  18. ^ Davies, Russell (ed.) (1994). The Kenneth Williams Letters. HarperCollins. p. 101. {{cite book}}: |first1= has generic name (help)
  19. ^ Welcome to Just A Minute! ISBN 9781782112471
  20. ^ Ian Messiter, My Life and Other Games, 1990, ISBN 1-872180-61-2
  21. ^ "Search Results - BBC Genome". Genome.ch.bbc.co.uk. Retrieved 12 April 2018.
  22. ^ "BFI Screenonline: Jackanory (1965–96)". Screenonline.org.uk. Retrieved 30 June 2014.
  23. ^ Stevens 2010, p. 219. sfn error: multiple targets (3×): CITEREFStevens2010 (help)
  24. ^ "Barbara Windsor, Kenneth Williams, and the cast of Carry On: what happened next?". The Daily Telegraph. 10 May 2018. Retrieved 26 August 2018.
  25. ^ Davies, Russell (1993). The Kenneth Williams diaries. HarperCollins. ISBN 978-0-00-255023-9.
  26. ^ Williams, Kenneth. Just Williams.
  27. ^ "Kenneth Williams: The greatest diarist since Pepys?". The Daily Telegraph. 6 December 2015. Retrieved 28 June 2017.
  28. ^ "Putting one up for Kenneth Williams". Heritage Calling. 22 February 2014. Archived from the original on 23 April 2018. Retrieved 28 June 2017.
  29. ^ "Kenneth Williams - Interview by Owen Spencer Thomas - BBC London Radio". Video Curios. 27 April 2015. Retrieved 21 September 2019.
  30. ^ Radio Times (London edition) 23–29 July 1977
  31. ^ GRO Register of Deaths: JUN 1988 14 1873 CAMDEN – Kenneth Charles Williams, DoB = 22 February 1926 aged 62
  32. ^ "Open verdict recorded on Williams". The Guardian. London. 17 June 1988. Dr John Elliott, deputy coroner for inner north London said: "The cause of death was a barbiturate overdose. Where Mr Williams would have got these from we would not be able to establish. There is no indication given as to why he should have taken this overdose and therefore I record an open verdict."
  33. ^ Stevens, Christopher (2010). Born Brilliant: The Life Of Kenneth Williams. John Murray. ISBN 978-1-84854-195-5.
  34. ^ Michael Freeland (1993). Kenneth Williams: A Biography. Weidenfeld & Nicolson Ltd. ISBN 978-0297812258.
  35. ^ a b "The Pain of Laughter; The Last Days of Kenneth Williams". BBC. Retrieved 2 November 2009.
  36. ^ "The truth behind that famous smile", Radio Times 5–11 April 2008
  37. ^ Harper Collins [dead link]
  38. ^ "Author's information page". Bornbrilliant.info. 1 September 2011. Archived from the original on 13 January 2016. Retrieved 11 September 2011.
  39. ^ "index". johnmurray.co.uk. Archived from the original on 19 July 2011. Retrieved 22 September 2014.
  40. ^ Vanessa Thorpe (9 October 2010). "Kenneth Williams: secret loves behind the life of a tormented man". The Guardian. Retrieved 28 June 2014.
  41. ^ "David Benson – JAMES SEABRIGHT". Seabright.info. Retrieved 11 September 2011.
  42. ^ "Kenneth Williams lived here". Shady Old Lady's Guide to London. 3 March 2010. Retrieved 3 March 2010.
  43. ^ "Carry On star Kenneth Williams granted blue plaque". BBC News. BBC News London. 22 February 2014. Retrieved 22 February 2014.
  44. ^ "WILLIAMS, KENNETH (1926–1988)". English Heritage. Retrieved 4 May 2014.
  45. ^ "Diary Of A Madman". Britishcomedy.org.uk. Archived from the original on 5 September 2013. Retrieved 28 June 2014.

References

  • Stevens, Christopher (2010). Born Brilliant: The Life of Kenneth Williams. Hachette UK. ISBN 978-1-848-54460-4. {{cite book}}: Invalid |ref=harv (help)
  • Williams, Kenneth (1993). Davies, Russell (ed.). The Kenneth Williams Diaries. HarperCollins.
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