User:Scribelibre53/sandbox: Difference between revisions
No edit summary |
No edit summary |
||
| Line 13: | Line 13: | ||
{{Infobox artist |
{{Infobox artist |
||
| name = MC Coble |
| name = MC Coble |
||
| ⚫ | |||
| image = Andy Warhol 1975.jpg |
|||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
| works = </br>Note to Self (2005) </br>Blood Script (2008) </br>Deferral (2013) |
|||
| ⚫ | |||
| website = https://mccoble.com/ |
|||
| movement = [[Pop art]] |
|||
| works = Note to Self (2005 Performance)<br />''[[Exploding Plastic Inevitable]]'' (1966 event)<br />''[[Campbell's Soup Cans]]'' (1962 painting)<br /> ''[[Marilyn Diptych]]'' (1962 painting) |
|||
}} |
}} |
||
'''MC Coble''' (born Mary Coble) is a queer American artist who works in Washington, DC and uses they/them pronouns<ref name=":1">Munteán László, Liedeke Plate, and Anneke Smelik. “Archives of Affect: Performance, Reenactment, and the Becoming of Memory.” Essay. In ''Materializing Memory in Art and Popular Culture''. New York: Routledge, Taylor & Francis Group, 2017.</ref>. Coble was born in 1978 and is from [[Julian, North Carolina]].<ref>Reilly, Maura, and Linda Nochlin. ''Global Feminisms: New Directions in Contemporary Art''. London: Merrell, 2007. [[ISBN (identifier)|ISBN]] [[Special:BookSources/9781858943909|<bdi>9781858943909</bdi>]].</ref> Coble received their Bachelor of Fine Arts from the [[University of North Carolina at Greensboro]] in 2001.<ref name=":0">{{Cite news|title='Deferral': Performance piece at Corcoran takes on blood donation, gay rights|url=https://www.washingtonpost.com/entertainment/museums/deferral-performance-piece-at-corcoran-takes-on-blood-donation-gay-rights/2013/08/01/7d4be034-f877-11e2-a954-358d90d5d72d_story.html}}</ref> They then went on to receive their Master of Fine Arts from [[The George Washington University]] in Washington, D.C. in 2004.<ref name=":0" /> They originally began their art career as a photographer but later turned their attention to performance art<ref name=":2">{{Cite journal|last=Talwar|first=Savneet K.|date=2010|title=Mary Coble: Performance Art and Poltics of an Archive|url=https://drum.lib.umd.edu/handle/1903/10311|language=en}}</ref><ref>{{cite journal|last=Samson|first=Judith|date=December 2010|title=Provocative and powerful: The performances of MC Coble|journal=Raffia|issue=4}}</ref>. Their most notable works are Note to Self (2005) and Blood Script (2008)<ref>Furtado, Teresa Veiga. “The Incorporation Of Violence By Women Video Artists.” ''IJASOS- International E-journal of Advances in Social Sciences'' 2, no. 5 (August 2016): 388. <nowiki>https://doi.org/10.18769/ijasos.89155</nowiki>.</ref>. |
|||
== Installations and performances == |
|||
An article about one of their works<ref>{{Cite web|last=|first=|date=|title=Graffiti Art with MC Coble — Konstellation|url=https://konstellationgbg.art/Graffiti-Art-with-MC-Coble|url-status=live|archive-url=|archive-date=|access-date=2020-11-23|website=konstellationgbg.art|language=en}}</ref> |
|||
''Note to Self'' was a performance piece by MC Coble which was performed September 2<sup>nd</sup>, 2005 at the Connor Contemporary Art Gallery in Washington D.C.<ref>ADD SOURCE FOR NOTE TO SELF</ref> The performance consisted of MC Coble sitting on a chair with their back turned to the audience while being tattooed with the names of victims of LGBTQ related hate crimes. For the solo performance, Coble collected 436 names of gay, lesbian, bi, and transgender individuals that died due to hate crimes. These tattoos were done without ink so each name was visible in blood. After each tattoo, the blood was imprinted on a sheet of paper<ref name=":2" />. The entire performance lasted 12 hours<ref name=":1" />. |
|||
''Deferral'', performed and installed at the [[Corcoran Gallery of Art]] in Washington DC in 2013, addressed [[Food and Drug Administration|FDA]] regulations banning men who have had sex with other men from donating blood since 1977. Coble collected slogans for blood donation campaigns and printed them on separation screens. Coble had blood drawn on site and then used it to paint the word deferral in [[Morse code]] on the screens. When asked in an interview with [[The Huffington Post]] about why they chose to do a performance on this topic, Coble responded that it is "...an interest in queer issues of social injustice threads throughout my work. The [[White House]] is across from The [[Corcoran Gallery of Art|Corcoran]] as is the [[International Red Cross and Red Crescent Movement|Red Cross]]-- and so everything just came together." Coble says of their performances,"It is not about hurting myself. It's the only way I can think to express these ideas that my audience will have a strong enough connection to."<ref>Beckman, Rachel. "'Aversion': A Jolt of an Experience". ''Washington Post''. Retrieved 22 April 2014.</ref> |
|||
| ⚫ | |||
<references /> |
|||
Blood Script was a performance piece by MC Coble which was performed in 2008 at the PULSE art fair in New York City<ref>{{Cite journal|last=Talwar|first=Savneet K.|date=2010|title=Mary Coble: Performance Art and Poltics of an Archive|url=https://drum.lib.umd.edu/handle/1903/10311|language=en}}</ref>. MC Coble had 75 hateful words tattooed onto their body without ink. These 75 words were taken from over 200 words used previously in other performances. These performances were titled MARKER and were performed in New York in 2006, in Washington D.C. in 2007, and Madrid in 2008<ref>https://www.researchgate.net/figure/Mary-Coble-Untitled-3-from-Blood-Script-Portfolio-2008-Photograph-by-Kenny-George_fig4_334731935</ref>. The words were tattooed in a decorative font and appeared on their body in blood<ref><nowiki>https://drum.lib.umd.edu/handle/1903/10311</nowiki></ref>. After being tattooed, each insult was captured by placing a sheet of paper over the blood, creating an imprint which was then displayed on the gallery wall<ref>https://onlinelibrary.wiley.com/doi/full/10.1111/j.2151-6952.2012.00159.x</ref> |
|||
| ⚫ | |||
<references group="" responsive="1"></references> |
|||
== External links == |
|||
* [http://mccoble.com/ Official Website] |
|||
* [http://gesturesofdefiance.blogspot.se/ Gestures of Defiance: Official Blog] |
|||
* [https://hirshhorn.si.edu/explore/a-conversation-with-mary-coble/ Hirshorn: A Conversation with Mary Coble] |
|||
* [https://www.youtube.com/watch?v=AbdhRVfPM9k Global Feminisms: Mary Coble] |
|||
* [https://www.google.com/books/edition/Materializing_Memory_in_Art_and_Popular/SWCuDQAAQBAJ?hl=en&gbpv=0 Materializing Memory in Art and Popular Culture 2016] |
|||
{{authority control}} |
|||
Revision as of 19:14, 17 December 2020
.png){kind=link}
This is a Header
This is a sentence with italics.
Person A has two Welsh Corgis and a cat
Person B lives in New Zealand (https://www.newzealand.com/us/)
MC Coble Edits
Information to Add
MC Coble | |
|---|---|
| Born | 1978 (age 45–46) |
| Nationality | American |
| Education | The University of North Carolina at Greensboro (University of North Carolina at Greensboro) |
| Known for | Performance art, Queer art |
| Notable work | Note to Self (2005) Blood Script (2008) Deferral (2013) |
| Website | https://mccoble.com/ |
MC Coble (born Mary Coble) is a queer American artist who works in Washington, DC and uses they/them pronouns[1]. Coble was born in 1978 and is from Julian, North Carolina.[2] Coble received their Bachelor of Fine Arts from the University of North Carolina at Greensboro in 2001.[3] They then went on to receive their Master of Fine Arts from The George Washington University in Washington, D.C. in 2004.[3] They originally began their art career as a photographer but later turned their attention to performance art[4][5]. Their most notable works are Note to Self (2005) and Blood Script (2008)[6].
Installations and performances
Note to Self was a performance piece by MC Coble which was performed September 2nd, 2005 at the Connor Contemporary Art Gallery in Washington D.C.[7] The performance consisted of MC Coble sitting on a chair with their back turned to the audience while being tattooed with the names of victims of LGBTQ related hate crimes. For the solo performance, Coble collected 436 names of gay, lesbian, bi, and transgender individuals that died due to hate crimes. These tattoos were done without ink so each name was visible in blood. After each tattoo, the blood was imprinted on a sheet of paper[4]. The entire performance lasted 12 hours[1].
Deferral, performed and installed at the Corcoran Gallery of Art in Washington DC in 2013, addressed FDA regulations banning men who have had sex with other men from donating blood since 1977. Coble collected slogans for blood donation campaigns and printed them on separation screens. Coble had blood drawn on site and then used it to paint the word deferral in Morse code on the screens. When asked in an interview with The Huffington Post about why they chose to do a performance on this topic, Coble responded that it is "...an interest in queer issues of social injustice threads throughout my work. The White House is across from The Corcoran as is the Red Cross-- and so everything just came together." Coble says of their performances,"It is not about hurting myself. It's the only way I can think to express these ideas that my audience will have a strong enough connection to."[8]
Blood Script was a performance piece by MC Coble which was performed in 2008 at the PULSE art fair in New York City[9]. MC Coble had 75 hateful words tattooed onto their body without ink. These 75 words were taken from over 200 words used previously in other performances. These performances were titled MARKER and were performed in New York in 2006, in Washington D.C. in 2007, and Madrid in 2008[10]. The words were tattooed in a decorative font and appeared on their body in blood[11]. After being tattooed, each insult was captured by placing a sheet of paper over the blood, creating an imprint which was then displayed on the gallery wall[12]
References
- ^ a b Munteán László, Liedeke Plate, and Anneke Smelik. “Archives of Affect: Performance, Reenactment, and the Becoming of Memory.” Essay. In Materializing Memory in Art and Popular Culture. New York: Routledge, Taylor & Francis Group, 2017.
- ^ Reilly, Maura, and Linda Nochlin. Global Feminisms: New Directions in Contemporary Art. London: Merrell, 2007. ISBN 9781858943909.
- ^ a b "'Deferral': Performance piece at Corcoran takes on blood donation, gay rights".
- ^ a b Talwar, Savneet K. (2010). "Mary Coble: Performance Art and Poltics of an Archive".
{{cite journal}}: Cite journal requires|journal=(help) - ^ Samson, Judith (December 2010). "Provocative and powerful: The performances of MC Coble". Raffia (4).
- ^ Furtado, Teresa Veiga. “The Incorporation Of Violence By Women Video Artists.” IJASOS- International E-journal of Advances in Social Sciences 2, no. 5 (August 2016): 388. https://doi.org/10.18769/ijasos.89155.
- ^ ADD SOURCE FOR NOTE TO SELF
- ^ Beckman, Rachel. "'Aversion': A Jolt of an Experience". Washington Post. Retrieved 22 April 2014.
- ^ Talwar, Savneet K. (2010). "Mary Coble: Performance Art and Poltics of an Archive".
{{cite journal}}: Cite journal requires|journal=(help) - ^ https://www.researchgate.net/figure/Mary-Coble-Untitled-3-from-Blood-Script-Portfolio-2008-Photograph-by-Kenny-George_fig4_334731935
- ^ https://drum.lib.umd.edu/handle/1903/10311
- ^ https://onlinelibrary.wiley.com/doi/full/10.1111/j.2151-6952.2012.00159.x