Jump to content

Sajan Mani: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
Filled in 0 bare reference(s) with reFill 2
Wayanadan (talk | contribs)
40 edits
Major rewrite
Line 1: Line 1:
{{AFC submission|d|adv|u=Patron of anxiety|ns=118|decliner=HitroMilanese|declinets=20191016070234|ts=20190705152323}} <!-- Do not remove this line! -->
{{AFC submission|d|adv|u=Patron of anxiety|ns=118|decliner=HitroMilanese|declinets=20191016070234|ts=20190705152323}}
<!-- Do not remove this line! -->{{Infobox person

{{Hatnote|For other possible meanings see [[Mani (disambiguation)]]}} <!-- For subjects with only a single name, use if necessary. -->

'''Sajan Mani''' (born 1982 in Kunnoth, India) is an Indian contemporary artist based out of Kannur, Kerala. Mani’s artistic oeuvre includes performance pieces drawing on his post-colonial black Dalit identity to highlight issues faced by marginalised societies across India. Mani has exhibited his work across the world, including the Vancouver Biennale, Kampala Art Biennale, Dhaka Art Summit, Kolkata International Performance Arts Festival, Sensorium- Sunaparanta Center for Arts, Goa, Musrara Mix Festival, Jerusalem and in various residencies including New Art Exchange, Nottingham and Delfina Foundation in London,Heritage Hotel Art Spaces, Goa.<ref>{{Cite web | url=https://hausderkunst.de/en/notes/sajan-mani |title = Presence}}</ref>. Mani now lives in Berlin, Germany.

{{Infobox person
| name = Sajan Mani
| name = Sajan Mani
| image = Sajan Mani.jpg
| image = Sajan Mani.jpg
| native_name =
| native_name = സാജൻ മണി
| native_name_lang = Malayalam
| native_name_lang = [[Malayalam]]
| birth_name = Sajan Mani
| birth_name = Sajan Mani
| birth_date= 1982
| birth_date= 1982
| birth_place = Kunnoth, Kannur
| birth_place = [[Iritty|Kunnoth, Kannur]]
| citizenship = Indian
| citizenship = [[India|Indian]]
| occupation = Artist, Contemporary Artist, Performance Artist
| occupation = Artist, [[Contemporary Artist]], [[Performance Artist]]
| known_for = Contemporary Art, Performance Art
| known_for = [[Contemporary Art]], [[Performance Art]]
}}
}}
'''Early Life'''


Sajan Mani was born in 1982 in Kunnoth, near Iritty in Kannur District, Kerala, India, to a family of rubber tappers. His dark complexion also led people to label him “African” as a racial and caste slur <ref>{{Cite web | url=https://www.deccanchronicle.com/lifestyle/viral-and-trending/171016/black-beauty-sajan-mani-talks-about-his-performance.html |title = Black beauty: Sajan Mani talks about his performance|date = 16 October 2016}}</ref>, experiences which were later to inform his artistic practice.


'''Sajan Mani''' (സാജൻ മണി born 1982 in [[Iritty|Kunnoth, India]]) is a Berlin-based [[Contemporary art|contemporary]] artist<ref>{{Cite web|url=https://www.deccanchronicle.com/lifestyle/viral-and-trending/171016/black-beauty-sajan-mani-talks-about-his-performance.html|title=Black beauty: Sajan Mani talks about his performance|access-date=2020-12-12|last=cris|date=2016-10-17|language=en}}</ref><ref name=":2">{{Cite web|url=http://web.archive.org/web/20201212104330/https://www.thehindu.com/features/friday-review/art/art-for-the-public/article5100753.ece|title=Art for the public - The Hindu|access-date=2020-12-12|date=2020-12-12}}</ref><ref>{{Cite web|url=https://nomegallery.com/artists/sajan-mani/|title=Nome {{!}} Sajan Mani|access-date=2020-12-12}}</ref><ref>{{Cite web|url=https://www.platform-mag.com/art/sajan-mani.html|title=Sajan Mani|access-date=2020-12-12}}</ref><ref>{{Cite web|url=https://www.appletimes.in/life-style/dalit-our-bodies-by-manus-legislation-didnt-have-the-fitting-to-listen-to-a-textual-content-artist-sajan-mani/|title=Dalit our bodies, by Manu’s legislation, didn’t have the fitting to listen to a textual content: Artist Sajan Mani|access-date=2020-12-12|date=2020-10-29|language=en-US}}</ref><ref>{{Cite web|url=http://www.newswould.com/india/dalit-our-bodies-by-manus-legislation-didnt-have-the-fitting-to-listen-to-a-textual-content-artist-sajan-mani/|title=Dalit our bodies, by Manu’s legislation, didn’t have the fitting to listen to a textual content: Artist Sajan Mani - NewsWould|access-date=2020-12-12}}</ref><ref name=":1">{{Cite web|url=http://web.archive.org/web/20201212142911/https://www.thehindu.com/society/body-of-evidence-the-art-of-sajan-mani/article32979693.ece|title=Through his performance pieces, Sajan Mani pushes his body to its limits to relive the pain of the Dalit life - The Hindu|access-date=2020-12-12|date=2020-12-12}}</ref><ref>{{Cite web|url=https://www.newindianexpress.com/cities/thiruvananthapuram/2015/apr/27/Body-Code-747555.html|title=Body Code|access-date=2020-12-13}}</ref>.. He has exhibited at various international venues, including the [[Vancouver Biennale]]<ref name=":0">{{Cite web|url=http://www.vancouverbiennale.com/artworks/citizen-ship-burn-it-down/|title=Citizen Ship Burn It Down! - Vancouver Biennale|access-date=2020-12-12|language=en-US}}</ref><ref>{{Cite web|url=https://www.vancouverbiennale.com/sajan-mani-at-a-performance/|title=Residency Sajan Mani in the studio - Vancouver Biennale|access-date=2020-12-13|language=en-US}}</ref>, the [http://kampalabiennale.org/ Kampala Art Biennale]<ref>{{Cite web|url=http://kampalabiennale.org/sajan-mani/|title=Sajan Mani|access-date=2020-12-13|language=en-US}}</ref>, the [[Dhaka Art Summit]] and the Kolkata International Art Festival<ref>{{Cite web|url=https://www.artforum.com/diary/skye-arundhati-thomas-around-the-india-art-fair-78585|title=Skye Arundhati Thomas around the India Art Fair|access-date=2020-12-12|language=en-US}}</ref><ref>{{Cite web|url=https://www.telegraphindia.com/west-bengal/rabbit-to-chicken-earthen-glasses-to-mirrors-all-for-art/cid/1288898|title=Rabbit to chicken, earthen glasses to mirrors: all for art|access-date=2020-12-12}}</ref>, on issues of various lives of marginalized people of India<ref>{{Citation|last=Welle (www.dw.com)|first=Deutsche|title=The hard life of India's Dalits on display in Berlin art gallery {{!}} DW {{!}} 12.10.2020|url=https://www.dw.com/en/india-dalits-life-on-display-in-berlin/av-55241167|language=en-GB|access-date=2020-12-13}}</ref><ref>{{Cite web|url=https://www.art-agenda.com/announcements/184936/artasiapacific-november-december-2016|title=art-agenda|access-date=2020-12-13|language=en}}</ref><ref>Roberts, Cleo. Indian artivism [online]. ArtAsiaPacific, No. 101, Nov/Dec 2016: 59-60, 63-65. Availability: <<nowiki>https://search.informit.com.au/documentSummary;dn=418849005138675;res=IELHSS</nowiki>> ISSN: 1039-3625. [cited 13 Dec 20].</ref><ref name=":3">{{Cite web|url=https://theview.media/249-wcvvre/|title=മികവിന്റെ ജാതി|access-date=2020-12-13|date=2020-12-10|language=en-US}}</ref> and post-colonial [[Dalit]] lives<ref>{{Cite web|url=https://indianexpress.com/article/lifestyle/art-and-culture/dalit-bodies-by-manus-law-didnt-have-the-right-to-hear-a-text-artist-sajan-mani-6908511/|title=Dalit bodies, by Manu’s law, didn’t have the right to hear a text: Artist Sajan Mani|access-date=2020-12-12|date=2020-10-29|language=en}}</ref><ref>{{Cite web|url=https://www.platform-mag.com/art/sajan-mani.html|title=Sajan Mani|access-date=2020-12-13}}</ref>. He is working with drawing, [[performance art]]<ref>{{Cite web|url=https://www.vervemagazine.in/people/avant-garde-aesthetes-jagdip-jagpals-artists-to-watch-out-for|title=Avant-Garde Aesthetes: Jagdip Jagpal's Artists To Watch Out For|access-date=2020-12-12|date=2018-08-15|language=en-US}}</ref><ref>{{Cite web|url=https://www.vervemagazine.in/people/avant-garde-aesthetes-jagdip-jagpals-artists-to-watch-out-for|title=Avant-Garde Aesthetes: Jagdip Jagpal's Artists To Watch Out For|access-date=2020-12-12|date=2018-08-15|language=en-US}}</ref> and [[video installation|video installations]].
In 2004, Mani graduated with a Bachelor of Arts degree in English Literature and Journalism from Kannur University. In 2011, he earned a Bachelor of Fine Arts Degree in Applied Art at the Karnataka State Open University in Mysore, Karnataka. In 2019, after several years of practice as an artist, he graduated from the Weissensee School of Art in Berlin, Germany, with a Masters in Spatial Strategies.


== Education ==
'''Career'''
Graduated in English Literature from [[Kannur University]] in 2004. Graduated in Fine Arts from [[Karnataka State Open University]] in 2011. He later earned a master's degree in Spatial Strategies<ref>{{Cite web|url=https://kh-berlin.de/en/people/show/sajan-mani-3690.html|title=People {{!}} Weißensee Kunsthochschule Berlin|access-date=2020-12-13}}</ref> in 2019 from [[Weißensee Academy of Art Berlin]].


⚫
== Biography ==
After graduating with multiple degrees, Mani left for the Middle East and took up different jobs, including a migrant labourer, and travelled extensively. His break as an artist occurred with the launch of the first Kochi-Muziris Biennale in 2012, where he worked with Bose Krishnamachari, whom he referred to as his “mentor”, and Nikhil Chopra. “The 2012 Biennale was like a university for me, where Bose Krishnamachari mentored me and Nikhil Chopra guided me in the nuances of performance art,<ref name="auto1">{{Cite web | url=http://www.vervemagazine.in/people/avant-garde-aesthetes-jagdip-jagpals-artists-to-watch-out-for | title=Avant-Garde Aesthetes: Jagdip Jagpal's Artists to Watch Out for| date=15 August 2018}}</ref>” he would later say. Mani later worked on the editorial board of the Kochi-Muziris Biennale.
He was the Editorial Board Member for the [[Kochi-Muziris Biennale#First_Kochi-Muziris_Biennale|first edition]] of the [[Kochi-Muziris Biennale]]<ref>{{Cite web|url=https://malayal.am/node/15754|title=അമൂർത്തതയുടെ അപനിർമ്മാണം അഥവാ ആരിയൽ ഹസ്സൻ|access-date=2020-12-12|last=Follow|first=Sajan Mani|language=ml}}</ref><ref>{{Cite web|url=https://malayal.am/node/22598|title=ഇത് ജനങ്ങളുടെ ബിനാലെ|access-date=2020-12-12|last=Follow|first=Sajan Mani|language=ml}}</ref><ref>{{Cite web|url=http://www.mumbaikaakka.com/?p=2306|title=മലയാളി / മനുഷ്യൻ/ രഘുനാഥ്|access-date=2020-12-12|date=2013-10-07|language=en-US}}</ref>[[Kochi-Muziris Biennale|.]] He Performed at the [[Vancouver Biennale]], Kampala Art Biennale, [[Dhaka Art Summit]], Kolkata International Performance Art Festival, [[Sunaparanta,_Goa_Centre_for_the_Arts|Sensorium-Sunaparanta]] Art Festival, Goa and Musrara Mix Festival<ref>{{Cite web|url=https://www.jpost.com/in-jerusalem/creature-discomfort-494545|title=Creature discomfort|access-date=2020-12-13|language=en-US}}</ref>. Sajan got critically acclaimed<ref>{{Cite web|last=Bhuyan|first=Avantika|date=2020-09-18|title=Sajan Mani’s Dalit protest art|url=https://www.livemint.com/mint-lounge/features/sajan-mani-s-dalit-protest-art-11600403240951.html|access-date=2021-01-16|website=mint|language=en}}</ref><ref>{{Cite web|title=Dalit Bodies, By Manu’s Law, Didn’t Have The Right To Hear A Text: Artist Sajan Mani -|url=https://internationalnewsheadline.com/dalit-bodies-by-manus-law-didnt-have-the-right-to-hear-a-text-artist-sajan-mani/|access-date=2021-01-16|website=International News Headline 24X7|language=en-US}}</ref> for the solo exhibition 'Alphabet of Touch> <Overseas Stretched Bodies and Muted Howls for Songs' exhibited at the Nome Gallery in Berlin<ref>{{Cite web|title=Nome {{!}} Alphabet of Touch >< Overstretched Bodies and Muted Howls for Songs|url=https://nomegallery.com/exhibitions/alphabet-of-touch-overstretched-bodies-and-muted-howls-for-songs/|access-date=2021-01-16|website=nomegallery.com}}</ref>.


== Important works ==
Mani would later go on to showcase his work at the Vancouver Biennale, Kampala Art Biennale, Dhaka Art Summit, Kolkata International Performance Arts Festival, Sensorium- Sunaparanta Center for Arts, Goa, Musrara Mix Festival, Jerusalem, Serendipity Arts Festival, Goa. Speaking of his art, India Art Fair director Jagdip Jagpal said, “I first saw Sajan perform at Chatterjee & Lal, Mumbai, and later, at the Dhaka Art Summit. I admire the simplicity and bravery with which he is able to make strong social statements about modern India.<ref name="auto1"/> ”


* Citizen Ship Burn It Down!<ref name=":02">{{Cite web|url=http://www.vancouverbiennale.com/artworks/citizen-ship-burn-it-down/|title=Citizen Ship Burn It Down! - Vancouver Biennale|access-date=2020-12-12|language=en-US}}</ref><ref>{{Cite web|url=https://www.insidevancouver.ca/2014/09/16/citizen-ship-burn-it-down/|title=Citizen Ship Burn It Down!|access-date=2020-12-13|date=2014-09-16}}</ref>
Mani has also participated in several art residency programmes including the New Art Exchange, Nottingham and Delfina Foundation in London and Heritage Hotel Art Spaces, Goa.
* Liquidity Ar<ref>{{Cite web|url=https://www.theweek.in/theweek/cover/2018/12/29/creative-energies.html|title=Creative energies|access-date=2020-12-13|language=en}}</ref>
* Secular Meat<ref>{{Cite web|url=https://www.livemint.com/mint-lounge/features/india-art-fair-shouts-and-murmurs-1548412877181.html|title=India Art Fair: Shouts and murmurs|access-date=2020-12-12|last=Fernando|first=Radhika Iyengar,Benita|date=2019-01-26|language=en}}</ref><ref>{{Cite web|url=http://theconversation.com/how-indian-artists-are-fighting-against-the-modi-fication-of-history-53411|title=How Indian artists are fighting against the Modi-fication of history|access-date=2020-12-13|last=Roberts|first=Cleo|language=en}}</ref><ref>{{Cite web|url=https://goastreets.com/performing-art/|title=PERFORMING ART {{!}}|access-date=2020-12-13}}</ref>
* Caste-pital
* Politically Incorrect Bodies<ref>{{Cite web|url=http://web.archive.org/web/20201212104929/https://www.thehindu.com/entertainment/art/india-art-fair-in-capital-form/article26089876.ece|title=India Art Fair: In capital form? - The Hindu|access-date=2020-12-12|date=2020-12-12}}</ref>
* Specters of Communism<ref>{{Cite web|url=https://www.e-flux.com/announcements/94195/specters-of-communism-a-festival-on-the-revolutionary-century/|title="Specters of Communism. A Festival on the Revolutionary Century" - Announcements - e-flux|access-date=2020-12-12|language=en}}</ref>
⚫
* Art will Never Die, but COW?
* Alphabet of Touch> <Over Stretched Bodies and Muted Houses for Songs<ref>{{Cite web|url=https://nomegallery.com/exhibitions/alphabet-of-touch-overstretched-bodies-and-muted-howls-for-songs/|title=Nome {{!}} Alphabet of Touch >< Overstretched Bodies and Muted Howls for Songs|access-date=2020-12-12}}</ref><ref name=":12">{{Cite web|url=http://web.archive.org/web/20201212142911/https://www.thehindu.com/society/body-of-evidence-the-art-of-sajan-mani/article32979693.ece|title=Through his performance pieces, Sajan Mani pushes his body to its limits to relive the pain of the Dalit life - The Hindu|access-date=2020-12-12|date=2020-12-12}}</ref><ref>{{Cite web|url=https://issuu.com/nomeproject/docs/alphabet-of-touch_catalogue-03-web-single-h|title=Sajan Mani, Alphabet of Touch >< Overstretched Bodies and Muted Howls for Songs at NOME, 2020|access-date=2020-12-13|language=en}}</ref><ref name=":32">{{Cite web|url=https://theview.media/249-wcvvre/|title=മികവിന്റെ ജാതി|access-date=2020-12-13|date=2020-12-10|language=en-US}}</ref>


== Gallery ==
'''Works'''
<gallery>

File:Sajan mani.jpg|Secular Meat Senparanta Art Center, Goa
Sajan Mani’s artistic oeuvre is centred on the idea of caste as an everyday lived reality in India as well as part of the history. As the artist himself says, “I want to push the boundaries of performance art and prompt viewers to question the existing social norms."<ref>{{Cite web | url=https://indiaartfair.in/sajan-mani-this-silence-is-violence |title = Sajan Mani: "This Silence is Violence. It Cannot Go on Anymore" - Blog|date = 18 September 2018}}</ref>.
File:Goa performance sajan.jpg|Secular Meat
Mani insists that history is based on “fake information” and each of his performance pieces are based on extensive research relying on old police reports and visual encyclopaedias<ref>{{Cite web | url=https://theconversation.com/how-indian-artists-are-fighting-against-the-modi-fication-of-history-53411 | title=How Indian artists are fighting against the Modi-fication of history}}</ref>.
</gallery>

'''Citizen Ship Burn It Down!'''

Mani performed “Citizen Ship Burn it Down” for the 2014 Vancouver Biennale wearing a black dress covered with black paper boats and walking six kilometres from the Roundhouse Community Centre to Stanley Park. The performance, while sticking to the Biennale’s curatorial theme “Open Borders/Crossroads Vancouver”, is also a tribute to Martin Luther King’s “I have a dream” speech and commemorates the 1914 incident when a ship full of refugees from India was turned away at Vancouver<ref>{{Cite web | url=http://www.vancouverbiennale.com/artworks/citizen-ship-burn-it-down/ |title = Citizen Ship Burn It Down! - Vancouver Biennale}}</ref>.

'''Liquidity Ar'''

At the 2016 Kampala Art Biennale in Kampala, Uganda, Mani performed a 50-hour performance piece titled “Liquidity Ar” that showed him paddling a red boat on the grass, wearing a long red hat and a boiler suit made from a traditional kerala mundu with the word ‘Suspect’ written on the back. The performance was a comment on the state of limbo and dislocation prevalent among marginalised peoples<ref>{{Cite web | url=http://www.startjournal.org/2016/12/kampala-art-biennale-photo-essay-by-fiona-siegenthaler/ |title = Kampala Art Biennale – Photo essay by Fiona Siegenthaler|date = 14 December 2016}}</ref>.

'''Secular Meat'''

A two-hour performance piece probing the politics of food and its relationship with the body, Secular Meat was performed at the 2016 Sensorium Art Festival in Goa, India. Mani made use of 200 eggs, five whole grilled chicken and three colours of paint for the performance<ref name="auto">http://www.mart-stam.de/martstam/images/pdf_download/deutschland-stipendium/neu-27.11.2017--Mani-Sajan-Portfolio.pdf</ref>.

'''Politically Incorrect Bodies'''

“Politically Incorrect Bodies,” a 24-hour long performance piece at the Musrara Mix Festival, Jerusalem, in 2017, showed Mani exploring the politics of food, the connections between humans and animals and how certain types of animals and humans are considered impure and therefore derided<ref>{{Cite web | url=https://www.musraramixfest.org.il/2017/index.php?option=com_k2&view=item&layout=item&id=277&Itemid=189&lang=en |title = Politically in correct Bodies}}</ref>.

'''Specters of Communism'''

Mani also participated in “Specters of Communism: A Festival on the Revolutionary Century," held by the Haus der Kunst in 2017 to commemorate the hundredth anniversary of the October Revolution <ref>{{Cite web | url=https://www.e-flux.com/announcements/94195/specters-of-communism-a-festival-on-the-revolutionary-century/ | title="Specters of Communism. A Festival on the Revolutionary Century" - Announcements - e-flux}}</ref>. The program, conceptualised by Nigerian curator and then director of the Kunst Okwui Enwezor, also saw participation from Raqs Media Collective, an artists’ group based in Delhi.

⚫
'''Art will Never Die, but COW?'''

Performed at the 2019 edition of the Indian Art Fair, the two-hour performance installation showed Mani dressed as a human-cow hybrid tied to a noose. The piece was a comment on increasing violence and repression in India under the guise of protecting the cow, an animal venerated in Hinduism<ref>{{Cite web | url=https://www.artforum.com/diary/skye-arundhati-thomas-around-the-india-art-fair-78585 | title=Skye Arundhati Thomas around the India Art Fair}}</ref>.

Some of Mani’s pieces involve public intervention. In 2013, he stuck posters all over Fort Kochi and Mattancherry with the word “Missing”<ref>{{Cite news | url=https://www.thehindu.com/features/friday-review/art/art-for-the-public/article5100753.ece |title = Art for the public|newspaper = The Hindu|date = 6 September 2013|last1 = S|first1 = Priyadershini}}</ref>. The performance was later repeated in 2014 at The Kolkata International Performance Art Festival<ref>{{Cite web | url=https://www.telegraphindia.com/states/west-bengal/rabbit-to-chicken-earthen-glasses-to-mirrors-all-for-art/cid/1288898 |title = Rabbit to chicken, earthen glasses to mirrors: All for art}}</ref>. During the 2014 edition of the Kochi-Muziris Biennale, he poked fun at artists bragging about their artistic pedigree by putting up banners saying “my grandfather is not an artist” across Fort Kochi and Mattancherry<ref name="auto"/>


== References ==
== References ==
Line 67: Line 43:
{{reflist}}
{{reflist}}
{{draft categories|
{{draft categories|
{{DEFAULTSORT:Mani, Sajan}}
[[Category:1982 births]]
[[Category:1982 births]]
[[Category:Living people]]
[[Category:Living people]]
Line 73: Line 48:
[[:Category:Indian contemporary artists]]
[[:Category:Indian contemporary artists]]
}}
}}
[[User:Patron of anxiety|Patron of anxiety]] ([[User talk:Patron of anxiety|talk]]) 15:21, 5 July 2019 (UTC)

⚫
== Artist's Biography for review ==

Revision as of 04:22, 16 January 2021

Sajan Mani
സാജൻ മണി
Born
Sajan Mani

1982
Kunnoth, Kannur
CitizenshipIndian
Occupation(s)Artist, Contemporary Artist, Performance Artist
Known forContemporary Art, Performance Art


Sajan Mani (സാജൻ മണി born 1982 in Kunnoth, India) is a Berlin-based contemporary artist[1][2][3][4][5][6][7][8].. He has exhibited at various international venues, including the Vancouver Biennale[9][10], the Kampala Art Biennale[11], the Dhaka Art Summit and the Kolkata International Art Festival[12][13], on issues of various lives of marginalized people of India[14][15][16][17] and post-colonial Dalit lives[18][19]. He is working with drawing, performance art[20][21] and video installations.

Education

Graduated in English Literature from Kannur University in 2004. Graduated in Fine Arts from Karnataka State Open University in 2011. He later earned a master's degree in Spatial Strategies[22] in 2019 from Weißensee Academy of Art Berlin.

Biography

He was the Editorial Board Member for the first edition of the Kochi-Muziris Biennale[23][24][25]. He Performed at the Vancouver Biennale, Kampala Art Biennale, Dhaka Art Summit, Kolkata International Performance Art Festival, Sensorium-Sunaparanta Art Festival, Goa and Musrara Mix Festival[26]. Sajan got critically acclaimed[27][28] for the solo exhibition 'Alphabet of Touch> <Overseas Stretched Bodies and Muted Howls for Songs' exhibited at the Nome Gallery in Berlin[29].

Important works

  • Citizen Ship Burn It Down![30][31]
  • Liquidity Ar[32]
  • Secular Meat[33][34][35]
  • Caste-pital
  • Politically Incorrect Bodies[36]
  • Specters of Communism[37]
  • Art will Never Die, but COW?
  • Alphabet of Touch> <Over Stretched Bodies and Muted Houses for Songs[38][39][40][41]
  • Secular Meat Senparanta Art Center, Goa
    Secular Meat Senparanta Art Center, Goa
  • Secular Meat
    Secular Meat

References

  1. ^ cris (2016-10-17). "Black beauty: Sajan Mani talks about his performance". Retrieved 2020-12-12.
  2. ^ "Art for the public - The Hindu". 2020-12-12. Retrieved 2020-12-12.
  3. ^ "Nome | Sajan Mani". Retrieved 2020-12-12.
  4. ^ "Sajan Mani". Retrieved 2020-12-12.
  5. ^ "Dalit our bodies, by Manu's legislation, didn't have the fitting to listen to a textual content: Artist Sajan Mani". 2020-10-29. Retrieved 2020-12-12.
  6. ^ "Dalit our bodies, by Manu's legislation, didn't have the fitting to listen to a textual content: Artist Sajan Mani - NewsWould". Retrieved 2020-12-12.
  7. ^ "Through his performance pieces, Sajan Mani pushes his body to its limits to relive the pain of the Dalit life - The Hindu". 2020-12-12. Retrieved 2020-12-12.
  8. ^ "Body Code". Retrieved 2020-12-13.
  9. ^ "Citizen Ship Burn It Down! - Vancouver Biennale". Retrieved 2020-12-12.
  10. ^ "Residency Sajan Mani in the studio - Vancouver Biennale". Retrieved 2020-12-13.
  11. ^ "Sajan Mani". Retrieved 2020-12-13.
  12. ^ "Skye Arundhati Thomas around the India Art Fair". Retrieved 2020-12-12.
  13. ^ "Rabbit to chicken, earthen glasses to mirrors: all for art". Retrieved 2020-12-12.
  14. ^ Welle (www.dw.com), Deutsche, The hard life of India's Dalits on display in Berlin art gallery | DW | 12.10.2020, retrieved 2020-12-13
  15. ^ "art-agenda". Retrieved 2020-12-13.
  16. ^ Roberts, Cleo. Indian artivism [online]. ArtAsiaPacific, No. 101, Nov/Dec 2016: 59-60, 63-65. Availability: <https://search.informit.com.au/documentSummary;dn=418849005138675;res=IELHSS> ISSN: 1039-3625. [cited 13 Dec 20].
  17. ^ "മികവിന്റെ ജാതി". 2020-12-10. Retrieved 2020-12-13.
  18. ^ "Dalit bodies, by Manu's law, didn't have the right to hear a text: Artist Sajan Mani". 2020-10-29. Retrieved 2020-12-12.
  19. ^ "Sajan Mani". Retrieved 2020-12-13.
  20. ^ "Avant-Garde Aesthetes: Jagdip Jagpal's Artists To Watch Out For". 2018-08-15. Retrieved 2020-12-12.
  21. ^ "Avant-Garde Aesthetes: Jagdip Jagpal's Artists To Watch Out For". 2018-08-15. Retrieved 2020-12-12.
  22. ^ "People | Weißensee Kunsthochschule Berlin". Retrieved 2020-12-13.
  23. ^ Follow, Sajan Mani. "അമൂർത്തതയുടെ അപനിർമ്മാണം അഥവാ ആരിയൽ ഹസ്സൻ" (in Malayalam). Retrieved 2020-12-12.
  24. ^ Follow, Sajan Mani. "ഇത് ജനങ്ങളുടെ ബിനാലെ" (in Malayalam). Retrieved 2020-12-12.
  25. ^ "മലയാളി / മനുഷ്യൻ/ രഘുനാഥ്". 2013-10-07. Retrieved 2020-12-12.
  26. ^ "Creature discomfort". Retrieved 2020-12-13.
  27. ^ Bhuyan, Avantika (2020-09-18). "Sajan Mani's Dalit protest art". mint. Retrieved 2021-01-16.
  28. ^ "Dalit Bodies, By Manu's Law, Didn't Have The Right To Hear A Text: Artist Sajan Mani -". International News Headline 24X7. Retrieved 2021-01-16.
  29. ^ "Nome | Alphabet of Touch >< Overstretched Bodies and Muted Howls for Songs". nomegallery.com. Retrieved 2021-01-16.
  30. ^ "Citizen Ship Burn It Down! - Vancouver Biennale". Retrieved 2020-12-12.
  31. ^ "Citizen Ship Burn It Down!". 2014-09-16. Retrieved 2020-12-13.
  32. ^ "Creative energies". Retrieved 2020-12-13.
  33. ^ Fernando, Radhika Iyengar,Benita (2019-01-26). "India Art Fair: Shouts and murmurs". Retrieved 2020-12-12.{{cite web}}: CS1 maint: multiple names: authors list (link)
  34. ^ Roberts, Cleo. "How Indian artists are fighting against the Modi-fication of history". Retrieved 2020-12-13.
  35. ^ "PERFORMING ART |". Retrieved 2020-12-13.
  36. ^ "India Art Fair: In capital form? - The Hindu". 2020-12-12. Retrieved 2020-12-12.
  37. ^ ""Specters of Communism. A Festival on the Revolutionary Century" - Announcements - e-flux". Retrieved 2020-12-12.
  38. ^ "Nome | Alphabet of Touch >< Overstretched Bodies and Muted Howls for Songs". Retrieved 2020-12-12.
  39. ^ "Through his performance pieces, Sajan Mani pushes his body to its limits to relive the pain of the Dalit life - The Hindu". 2020-12-12. Retrieved 2020-12-12.
  40. ^ "Sajan Mani, Alphabet of Touch >< Overstretched Bodies and Muted Howls for Songs at NOME, 2020". Retrieved 2020-12-13.
  41. ^ "മികവിന്റെ ജാതി". 2020-12-10. Retrieved 2020-12-13.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Sajan_Mani&oldid=1000671418"