Culture of Kazakhstan: Difference between revisions
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==Film== |
==Film== |
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In September 2006 the government announced that it is funding distribution of a multi million dollar movie called "[[Nomad (film)|Nomad]]" about the history of the nation. The movie started in 2003, and has been plagued with multiple development problems, though it is now 'on track' for a North American release in 2006-2007. News |
In September 2006 the government announced that it is funding distribution of a multi million dollar movie called "[[Nomad (film)|Nomad]]" about the history of the nation. The movie started in 2003, and has been plagued with multiple development problems, though it is now 'on track' for a North American release in 2006-2007. News agencies reported the Kazakhstan government was sponsoring this movie as an effort to combat negative international publicity, including the comedy character [[Borat]].<ref>{{cite news|author=Tom Birchenough|title=The Blood of a Nation: "Nomad," the most lavish film epic to come out of Central Asia, is a matter of national pride for Kazakhstan.|publisher=[[The Moscow Times]]|date=2006-09-15|url=http://context.themoscowtimes.com/print.php?aid=170807|accessdate=2006-10-12}}</ref> |
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==See also== |
==See also== |
Revision as of 23:17, 28 March 2007
![](http://upload.wikimedia.org/wikipedia/commons/thumb/4/48/Almaty_-_Kazakhstan.jpg/250px-Almaty_-_Kazakhstan.jpg)
Before the Russian conquest, the Kazaks had a well-articulated culture based on their nomadic pastoral economy. Although Islam was introduced to most of the Kazaks in the seventeenth and eighteenth centuries, the religion was not fully assimilated until much later. As a result, it coexisted with earlier elements of Tengriism. Traditional Kazak belief held that separate spirits inhabited and animated the earth, sky, water, and fire, as well as domestic animals. To this day, particularly honored guests in rural settings are treated to a feast of freshly killed lamb. Such guests are sometimes asked to bless the lamb and to ask its spirit for permission to partake of its flesh. Besides lamb, many other traditional foods retain symbolic value in Kazak culture.
Because animal husbandry was central to the Kazaks' traditional lifestyle, most of their nomadic practices and customs relate in some way to livestock. Traditional curses and blessings invoked disease or fecundity among animals, and good manners required that a person ask first about the health of a man's livestock when greeting him and only afterward inquire about the human aspects of his life.
The traditional Kazak dwelling is the yurt, a tent consisting of a flexible framework of willow wood covered with varying thicknesses of felt. The open top permits smoke from the central hearth to escape; temperature and draft can be controlled by a flap that increases or decreases the size of the opening. A properly constructed yurt can be cooled in summer and warmed in winter, and it can be disassembled or set up in less than an hour. The interior of the yurt has ritual significance; the right side generally is reserved for men and the left for women.
Although yurts are less used for their original purpose than they once were, they remain a potent symbol of "Kazakness." During demonstrations against Nazarbayev in the spring of 1992, demonstrators and hunger strikers erected yurts in front of the government building in Almaty. Yurts are also frequently used as a decorative motif in restaurants and other public buildings.
Literature
Kazak literary tradition is rich in oral histories. These histories were memorized and recited by the akyn, the elder responsible for remembering the legends and histories, and by jyrau, lyric poets who traveled with the high-placed khans. Most of the legends concern the activities of a batir , or hero-warrior. Among the tales that have survived are Koblandy-batir (fifteenth or sixteenth century), Er Sain (sixteenth century), and Er Targyn (sixteenth century), all of which concern the struggle against the Kalmyks; Kozy Korpesh and Bain sulu, both epics; and the love lyric Kyz-Zhibek. Usually these tales were recited in a song-like chant, frequently to the accompaniment of such traditional instruments as drums and the dombra, a mandolin-like string instrument.
Kazakh writers and poets: Akhmet Baitursynov, Bakhytzhan Kanapyanov, Mirjaqip Dulatuli, Bukhar-zhirau Kalmakanov, Abay Qunanbayuli, Makhambet Utemisov, Mukhtar Auezov, Gabit Musrepov, Abdilda Tazhibaev, Durnyam Mashurova and many others.
The Russian conquest wreaked havoc on Kazak traditional culture by making impossible the nomadic pastoralism upon which the culture was based. However, many individual elements survived the loss of the lifestyle as a whole. Many practices that lost their original meanings are assuming value as symbols of post-Soviet national identity.
For the most part, preindependence cultural life in Kazakstan was indistinguishable from that elsewhere in the Soviet Union. It featured the same plays, films, music, books, paintings, museums, and other cultural appurtenances common in every other corner of the Soviet empire. That Russified cultural establishment nevertheless produced many of the most important figures of the early stages of Kazak nationalist self-assertion, including novelist Anuar Alimzhanov, who became president of the last Soviet Congress of People's Deputies, and poets Mukhtar Shakhanov and Olzhas Suleymenov, who were copresidents of the political party Popular Congress of Kazakstan. Shakhanov also chaired the commission that investigated the events surrounding the riots of December 1986 (Zheltoksan).
An even more powerful figure than Shakhanov, Suleymenov in 1975 became a pan-Central Asian hero by publishing a book, Az i Ia, examining the Lay of Igor's Campaign, a medieval tale vital to the Russian national culture, from the perspective of the Turkic Pechenegs whom Igor defeated. Soviet authorities subjected the book to a blistering attack. Later Suleymenov used his prestige to give authority to the Nevada-Semipalatinsk anti-nuclear movement, which performed the very real service of ending nuclear testing in Kazakstan. He and Shakhanov originally organized their People's Congress Party as a pro-Nazarbayev movement, but Suleymenov eventually steered the party into an opposition role. In the short-lived parliament of 1994-95, Suleymenov was leader of the Respublika opposition coalition, and he was frequently mentioned as a possible presidential candidate.
Sports
Cultivated a strong interest in sports, physical education and extra-curricular activities. Kazakhstan has achieved some success in international competitions in weightlifting, ice hockey, and boxing. Kazakhstan won 8 medals in the 2004 Summer Olympics - the largest tally for any nation in Western Asia.
Football is also popular, with the Kazakhstan Super League being the top-level competition for the sport in the country.
A lot of professional cyclists that compete on the European circuit come from Kazakhstan. Most notable is Alexander Vinokourov whose achievements include 2 Paris-Nice's and 3rd place in the 2003 Tour de France and the Amstel Gold Race.
Film
In September 2006 the government announced that it is funding distribution of a multi million dollar movie called "Nomad" about the history of the nation. The movie started in 2003, and has been plagued with multiple development problems, though it is now 'on track' for a North American release in 2006-2007. News agencies reported the Kazakhstan government was sponsoring this movie as an effort to combat negative international publicity, including the comedy character Borat.[1]
See also
Reference
- KazakhstanThis image is available from the United States Library of Congress Prints and Photographs Division under the digital ID {{{id}}}
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External link
- ^ Tom Birchenough (2006-09-15). "The Blood of a Nation: "Nomad," the most lavish film epic to come out of Central Asia, is a matter of national pride for Kazakhstan". The Moscow Times. Retrieved 2006-10-12.