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'''Dorothy Tuttle''' (born Dorothy Polk Tuttle; April 21, 1918-August 12, 1998) was an American dancer and performer, primarily working at [[Metro-Goldwyn-Mayer|Metro-Goldwyn-Mayer]] in film musicals of the 1940s.
'''Dorothy Tuttle''' (born Dorothy Polk Tuttle; April 21, 1918-August 12, 1998) was an American dancer and performer, primarily working at [[Metro-Goldwyn-Mayer|Metro-Goldwyn-Mayer]] in film musicals of the 1940s.


A familiar face in popular MGM musicals, Tuttle showcased her talent and artistry in many classic films: playing a waitress in the [[Judy Garland]] musical ''[[The Harvey Girls]]''; a trolley passenger whom Judy Garland sings to in the classic "[[The Trolley Song]]" in ''[[Meet Me in St. Louis]]''; and as [[Gene Kelly]]’s dance partner for the song "Niña" in ''[[The Pirate (1948 film)|The Pirate]]'', in which Kelly famously grabs her lit cigarette from her lips, places it in his mouth, turns it inward, and then kisses Tuttle with the lit cigarette still inside his mouth.{{Citation needed|date=June 2024}}
A familiar face in popular MGM musicals, Tuttle showcased her talent and artistry in many classic films: playing a waitress in the [[Judy Garland]] musical ''[[The Harvey Girls]]''; a trolley passenger whom Judy Garland sings to in the classic "[[The Trolley Song]]" in ''[[Meet Me in St. Louis]]''; and as [[Gene Kelly]]’s dance partner for the song "Niña" in ''[[The Pirate (1948 film)|The Pirate]]'', in which Kelly famously grabs her lit cigarette from her lips, places it in his mouth, turns it inward, and then kisses Tuttle with the lit cigarette still inside his mouth.CITATION NEEDED


Born in [[Los Angeles]] to Walter and Estrella Tuttle, Dorothy was trained in [[ballet]] from a young age. To help supplement the household income, Tuttle sought work as a dancer. She was urged by a friend to audition for MGM studios in 1937 and was hired for the film ''[[Rosalie (1937 film)|Rosalie]]'' as a background dancer. She continued to work at MGM until the early 1950s.<ref name=":1">{{Cite web |last=Pesselnick |first=Jill |date=1998-12-04 |title=Dorothy Tuttle Nitch |url=https://variety.com/1998/scene/people-news/dorothy-tuttle-nitch-1117882610/ |access-date=2024-05-01 |website=Variety |language=en-US}}</ref> Since she was still a teenager, she attended the studio school.<ref name=":2">{{Cite web |last=Archives |first=L. A. Times |date=1998-08-21 |title=Harry H. Shorey; Entomologist Combated Crop-Imperilling Insects |url=https://www.latimes.com/archives/la-xpm-1998-aug-21-mn-15232-story.html |access-date=2024-05-01 |website=Los Angeles Times |language=en-US}}</ref>
Born in [[Los Angeles]] to Walter and Estrella Tuttle, Dorothy was trained in [[ballet]] from a young age. To help supplement the household income, Tuttle sought work as a dancer. She was urged by a friend to audition for MGM studios in 1937 and was hired for the film ''[[Rosalie (1937 film)|Rosalie]]'' as a background dancer. She continued to work at MGM until the early 1950s.<ref name=":1">{{Cite web |last=Pesselnick |first=Jill |date=1998-12-04 |title=Dorothy Tuttle Nitch |url=https://variety.com/1998/scene/people-news/dorothy-tuttle-nitch-1117882610/ |access-date=2024-05-01 |website=Variety |language=en-US}}</ref> Since she was still a teenager, she attended the studio school.<ref name=":2">{{Cite web |last=Archives |first=L. A. Times |date=1998-08-21 |title=Harry H. Shorey; Entomologist Combated Crop-Imperilling Insects |url=https://www.latimes.com/archives/la-xpm-1998-aug-21-mn-15232-story.html |access-date=2024-05-01 |website=Los Angeles Times |language=en-US}}</ref>


She appeared as a dancer and background performer in dozens of MGM films, including ''[[Marie Antoinette (1938 film)|Marie Antoinette]]'' (1938), the [[Technicolor]] fashion show segment of ''[[The Women (1939 film)|The Women]]'' (1939), ''[[Ziegfeld Girl (film)|Ziegfeld Girl]]'' (1941), ''[[Ship Ahoy]]'' (1942), ''[[Du Barry Was a Lady (film)|Du Barry Was a Lady]]'' (1943), ''[[Ziegfeld Follies (film)|Ziegfeld Follies]]'' (1945), ''[[Two Sisters from Boston]]'' (1946), ''[[Till the Clouds Roll By]]'' (1946), ''[[Madame Bovary (1949 film)|Madame Bovary]]'' (1949), ''[[On the Town (film)|On the Town]]'' (1949), ''[[Summer Stock]]'' (1950), ''[[Royal Wedding]]'' (1951), and ''[[Show Boat (1951 film)|Show Boat]]'' (1951).{{Citation needed|date=June 2024}}
"Tut", a nickname Tuttle acquired while at MGM, was often seen alongside fellow dancer Dorothy Gilmore Raye in the musicals of the [[Arthur Freed]] Unit. She appeared as a dancer and background performer in dozens of MGM films, including ''[[Marie Antoinette (1938 film)|Marie Antoinette]]'' (1938), ''[[Ziegfeld Girl (film)|Ziegfeld Girl]]'' (1941), [[Born to Sing (1942 film)|Born to Sing]] (1942), [[Meet Me in St. Louis|Meet Me In St. Louis]] (1944), [[The Harvey Girls]] (1946) and ''[[Summer Stock]]'' (1950).<ref name=":1" />


She also worked for other studios during this time: [[20th Century Studios|20th Century Fox,]] in ''[[Tin Pan Alley (film)|Tin Pan Alley]]'' (1940), ''[[Call Me Mister (film)|Call Me Mister]]'' (1951); [[Warner Bros.|Warner Bros,]] in ''[[Tea for Two (film)|Tea for Two]]'' (1950) and ''[[Lullaby of Broadway (film)|Lullaby of Broadway]]'' (1951); and [[Columbia Pictures]], where she danced with [[Marilyn Monroe]] in ''[[Ladies of the Chorus]]'' (1948). Tuttle’s training as a ballet dancer made her adaptable to the different styles of dance required in a variety of musicals. Due to her versatility, she was heavily featured in these films and was one of the few of the "MGM chorus" who had a studio contract. <ref name=":1" /> Her ballet skills were also utilized when she worked on the set of various [[Esther Williams]] movies, teaching the swimmers ballets dance movements.<ref>{{Cite web |title=Dorothy Tuttle Nitch. - Free Online Library |url=https://www.thefreelibrary.com/Dorothy+Tuttle+Nitch.-a021250622 |access-date=2024-05-04 |website=www.thefreelibrary.com}}</ref> She was one of the [[Screen Actors Guild]] members who petitioned MGM in 1941 for a raise in weekly salary and were successful in their efforts.{{Citation needed|date=June 2024}}
She also worked for other studios during this time: [[20th Century Studios|20th Century Fox,]] in ''[[Tin Pan Alley (film)|Tin Pan Alley]]'' (1940), ''[[Call Me Mister (film)|Call Me Mister]]'' (1951); [[Warner Bros.|Warner Bros,]] in ''[[Tea for Two (film)|Tea for Two]]'' (1950) and ''[[Lullaby of Broadway (film)|Lullaby of Broadway]]'' (1951); and [[Columbia Pictures]], where she danced with [[Marilyn Monroe]] in ''[[Ladies of the Chorus]]'' (1948). Tuttle’s training as a ballet dancer made her adaptable to the different styles of dance required in a variety of musicals. Due to her versatility, she was heavily featured in these films and was one of the few of the "MGM chorus" who had a studio contract. <ref name=":1" /> Her ballet skills were also utilized when she worked on the set of various [[Esther Williams]] movies, teaching the swimmers ballets dance movements.<ref>{{Cite web |title=Dorothy Tuttle Nitch. - Free Online Library |url=https://www.thefreelibrary.com/Dorothy+Tuttle+Nitch.-a021250622 |access-date=2024-05-04 |website=www.thefreelibrary.com}}</ref>


"Tut", a nickname Tuttle acquired while at MGM, was often seen alongside fellow dancer Dorothy Gilmore Raye in the musicals of the [[Arthur Freed]] Unit at MGM. They remained lifelong friends and later in life appeared together in two documentaries: MGM: When the Lion Roars (1992) and Judy Garland: Beyond the Rainbow (1997).{{Citation needed|date=June 2024}}
They remained lifelong friends and later in life appeared together in two documentaries: Judy Garland: Beyond the Rainbow (1997) and MGM: When the Lion Roars (1992).<ref>{{Cite web |title=Dorothy Tuttle |url=https://mubi.com/en/cast/dorothy-tuttle |access-date=2024-06-11 |website=MUBI |language=en}}</ref>


Her final screen appearances were in ''[[An American in Paris (film)|An American in Paris]]'' (1951) as a ballet dancer and ''[[Love Is Better Than Ever|Love is Better than Ever]]'' (1952), in which she was in the early stages of pregnancy with her first son. Tuttle retired from film that same year to raise a family.
Her final screen appearances were in ''[[An American in Paris (film)|An American in Paris]]'' (1951) as a ballet dancer and ''[[Love Is Better Than Ever|Love is Better than Ever]]'' (1952), in which she was in the early stages of pregnancy with her first son. Tuttle retired from film that same year to raise a family.
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She married Gene La Tour in 1950 and had 3 sons. She later became active in [[Santa Monica, California|Santa Monica]] civic groups working to preserve historic sites, in the Santa Monica Republican Women’s Club, and in the Santa Monica Presbyterian Church, where she was volunteer wedding director.<ref name=":2" />
She married Gene La Tour in 1950 and had 3 sons. She later became active in [[Santa Monica, California|Santa Monica]] civic groups working to preserve historic sites, in the Santa Monica Republican Women’s Club, and in the Santa Monica Presbyterian Church, where she was volunteer wedding director.<ref name=":2" />


Tuttle divorced La Tour in the early 1980s and married James Nitch in 1984, who published ''The Mysterious Chronicles of Oz'' under the pen name Onyx Madden in 1985. After her marriage, she moved to [[Encino, Los Angeles|Encino]] and was a volunteer at the Encino Women’s Club, the Old Treasures Club and the National Charity League of Los Angeles. Tuttle was an active member of the [[Daughters of the American Revolution]] (DAR). She was also active with [[The International Wizard of Oz Club]] in the 1980s and 1990s, making numerous appearances at conventions and events.{{Citation needed|date=June 2024}}
Tuttle divorced La Tour in the early 1980s and married James Nitch in 1984, who published ''The Mysterious Chronicles of Oz'' under the pen name Onyx Madden in 1985. She was also active with [[The International Wizard of Oz Club]] in the 1980s and 1990s, making numerous appearances at conventions and events. After her marriage, she moved to [[Encino, Los Angeles|Encino]] and was a volunteer at the Encino Women’s Club, the Old Treasures Club and the National Charity League of Los Angeles. Tuttle was an active member of the [[Daughters of the American Revolution]] (DAR) .<ref name="obituary1" />


Tuttle died on August 12, 1998 in [[Encino, Los Angeles]] of natural causes.<ref name="obituary1">{{cite news |title=Obituaries: Dorothy Tuttle La Tour Nitch |url=https://www.newspapers.com/article/the-los-angeles-times-obituaries-doroth/146652063/ |access-date=5 May 2024 |work=The Los Angeles Times |date=21 August 1998 |pages=32}} {{Open access}}</ref>
Tuttle died on August 12, 1998 in [[Encino, Los Angeles]] of natural causes.<ref name="obituary1">{{cite news |title=Obituaries: Dorothy Tuttle La Tour Nitch |url=https://www.newspapers.com/article/the-los-angeles-times-obituaries-doroth/146652063/ |access-date=5 May 2024 |work=The Los Angeles Times |date=21 August 1998 |pages=32}} {{Open access}}</ref>

Revision as of 18:16, 11 June 2024

  • Comment: The subject definitely meets notability, but there are still paragraphs that need references - all of them have been marked with (citation needed), so it should be clear what needs to be fixed for this to be accepted. Reconrabbit 19:12, 10 June 2024 (UTC)

Dorothy Tuttle in the 1940s.

Dorothy Tuttle (born Dorothy Polk Tuttle; April 21, 1918-August 12, 1998) was an American dancer and performer, primarily working at Metro-Goldwyn-Mayer in film musicals of the 1940s.

A familiar face in popular MGM musicals, Tuttle showcased her talent and artistry in many classic films: playing a waitress in the Judy Garland musical The Harvey Girls; a trolley passenger whom Judy Garland sings to in the classic "The Trolley Song" in Meet Me in St. Louis; and as Gene Kelly’s dance partner for the song "Niña" in The Pirate, in which Kelly famously grabs her lit cigarette from her lips, places it in his mouth, turns it inward, and then kisses Tuttle with the lit cigarette still inside his mouth.CITATION NEEDED

Born in Los Angeles to Walter and Estrella Tuttle, Dorothy was trained in ballet from a young age. To help supplement the household income, Tuttle sought work as a dancer. She was urged by a friend to audition for MGM studios in 1937 and was hired for the film Rosalie as a background dancer. She continued to work at MGM until the early 1950s.[1] Since she was still a teenager, she attended the studio school.[2]

"Tut", a nickname Tuttle acquired while at MGM, was often seen alongside fellow dancer Dorothy Gilmore Raye in the musicals of the Arthur Freed Unit. She appeared as a dancer and background performer in dozens of MGM films, including Marie Antoinette (1938), Ziegfeld Girl (1941), Born to Sing (1942), Meet Me In St. Louis (1944), The Harvey Girls (1946) and Summer Stock (1950).[1]

She also worked for other studios during this time: 20th Century Fox, in Tin Pan Alley (1940), Call Me Mister (1951); Warner Bros, in Tea for Two (1950) and Lullaby of Broadway (1951); and Columbia Pictures, where she danced with Marilyn Monroe in Ladies of the Chorus (1948). Tuttle’s training as a ballet dancer made her adaptable to the different styles of dance required in a variety of musicals. Due to her versatility, she was heavily featured in these films and was one of the few of the "MGM chorus" who had a studio contract. [1] Her ballet skills were also utilized when she worked on the set of various Esther Williams movies, teaching the swimmers ballets dance movements.[3]

They remained lifelong friends and later in life appeared together in two documentaries: Judy Garland: Beyond the Rainbow (1997) and MGM: When the Lion Roars (1992).[4]

Her final screen appearances were in An American in Paris (1951) as a ballet dancer and Love is Better than Ever (1952), in which she was in the early stages of pregnancy with her first son. Tuttle retired from film that same year to raise a family.

She married Gene La Tour in 1950 and had 3 sons. She later became active in Santa Monica civic groups working to preserve historic sites, in the Santa Monica Republican Women’s Club, and in the Santa Monica Presbyterian Church, where she was volunteer wedding director.[2]

Tuttle divorced La Tour in the early 1980s and married James Nitch in 1984, who published The Mysterious Chronicles of Oz under the pen name Onyx Madden in 1985. She was also active with The International Wizard of Oz Club in the 1980s and 1990s, making numerous appearances at conventions and events. After her marriage, she moved to Encino and was a volunteer at the Encino Women’s Club, the Old Treasures Club and the National Charity League of Los Angeles. Tuttle was an active member of the Daughters of the American Revolution (DAR) .[5]

Tuttle died on August 12, 1998 in Encino, Los Angeles of natural causes.[5]

References

  1. ^ a b c Pesselnick, Jill (1998-12-04). "Dorothy Tuttle Nitch". Variety. Retrieved 2024-05-01.
  2. ^ a b Archives, L. A. Times (1998-08-21). "Harry H. Shorey; Entomologist Combated Crop-Imperilling Insects". Los Angeles Times. Retrieved 2024-05-01.
  3. ^ "Dorothy Tuttle Nitch. - Free Online Library". www.thefreelibrary.com. Retrieved 2024-05-04.
  4. ^ "Dorothy Tuttle". MUBI. Retrieved 2024-06-11.
  5. ^ a b "Obituaries: Dorothy Tuttle La Tour Nitch". The Los Angeles Times. 21 August 1998. p. 32. Retrieved 5 May 2024. Open access icon

External links