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Trilok Gurtu (born in Bombay on 30 October 1951) is an Indian percussionist and composer who has also "crossed over" into jazz-rock fusion and world music genres. He has released his own albums and has collaborated with such artists as Terje Rypdal, John McLaughlin, Joe Zawinul, Bill Laswell, and Robert Miles.

Trilok Gurtu's mother, the singer Shobha Gurtu, started him on the tabla and he later studied the instrument with Abdul Karim. He began playing the Western drum kit in the 1970s and became interested in jazz. In a 1995 television special on Jimi Hendrix, Gurtu discussed having initially learned Western music without being aware of overdubbing, which forced him to learn multiple parts most musicians would have never attempted. In the 1970s he played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry.

One of his earliest recordings was around 1977 on an album by the German ethnic fusion band, Embryo on their record Apo-Calypso. His mother also sang on this record and later joined him on his first solo CD, Usfret.

In the 1980s he played with John McLaughlin in McLaughlin's trio, accompanied variously by bassists Jonas Hellborg, Kai Eckhardt, and Dominique DiPiazza. The line-up with Hellborg performed at least one concert opening for Miles Davis in Berkeley, California in 1988.

The close communication between Gurtu and McLaughlin included vocal improvisations using the Indian "tala talk" method of oral drumming notation used to teach drum patterns. In some cases, Eckhardt would join in with hip-hop beat-box vocals for a three-way vocal percussion jam, while Gurtu and McLaughlin threw in some humorous words such as Japanese brand names mixed with the Indian words.

Some of the unusual aspects of his kit and playing style include playing without a drum stool in a half-kneeling position on the floor, use of a non-traditional kick drum that resembles a large drum head with a kick-pedal, and a mix of tablas and western drums. A unique percussion signature involves dipping cymbals and strings of shells into a bucket of water to create a shimmering effect.

He joined the Oregon jazz group after the death of drummer Collin Walcott. He appears on three records produced with this band, Ecotopia (1987), 45th Parallel (1989) and Always, Never and Forever (1991).

In the early 1990s he resumed his career as a solo artist and band leader, and has been backed by various musicians on a number of CD releases.

In 1999, Zakir Hussain and Bill Laswell founded a musical group called Tabla Beat Science which played a mixture of Hindustani music, Asian underground, ambient, Drum and Bass, and Electronica. Gurtu joined the group, together with Karsh Kale and Talvin Singh. The group released three albums before going dormant late in 2003.[1]

In 2004 he co-created an album with Robert Miles entitled Miles Gurtu. The beginning of a new collaboration with the Arkè String Quartet began in 2007 with the release of the album Arkeology.

Discography

Solo and collaborative albums

1987: Usfret
1987: Ecotopia - with Oregon
1989: 45th Parallel - with Oregon
1990: Living Magic
1991: Always, Never and Forever - with Oregon
1993: Crazy Saints
1995: Believe
1995: Bad Habits Die Hard
1997: The Glimpse
1998: Kathak
2000: African Fantasy
2001: The Beat of Love
2002: Remembrance
2004: Miles Gurtu - with Robert Miles
2004: Broken Rhythms
2006: Farakala
2007: Arkeology

Awards

Trilok Gurtu has garnered a number of prestigious awards and nominations, including Best Overall Percussionist winner, Drum Magazine, 1999; Best Overall Percussionist winner, Carlton Television Multicultural Music Awards, 2001; Best Percussionist winner, Down Beat's Critics Poll for 1994, 1995, 1996, 1999 [2], 2000, 2001, and 2002 [3]; and Best Asia/Pacific Artist nominee, BBC Radio 3 World for 2002, 2003, and 2004.

External links

Trilok Gurtu.net - Official website
Web-article at Scaruffi.com
Article in India Today
Trilok Gurtu at Worldmusic.net
Trilok Gurty at All Music Guide - Overview, biography, discography

Multimedia

Trilok Gurtu, 1993 Zildjian Day at YouTube

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@@ Line 5: / Line 5: @@
 One of his earliest recordings was around 1977 on an album by the German ethnic fusion band, [[Embryo (jazz band)|Embryo]] on their record ''Apo-Calypso''. His mother also sang on this record and later joined him on his first solo CD, ''Usfret''.
-In the 1980s he played with [[John McLaughlin (musician)|John McLaughlin]] in McLaughlin's trio, accompanied variously by bassists [[Jonas Hellborg]], [[Kai Eckhardt]], and [[Dominique Dipiazza]]. The line-up with Hellborg performed at least one concert opening for Miles Davis in Berkeley, California in 1988.
+In the 1980s he played with [[John McLaughlin (musician)|John McLaughlin]] in McLaughlin's trio, accompanied variously by bassists [[Jonas Hellborg]], [[Kai Eckhardt]], and [[Dominique DiPiazza]]. The line-up with Hellborg performed at least one concert opening for Miles Davis in Berkeley, California in 1988.
 The close communication between Gurtu and McLaughlin included vocal improvisations using the Indian "tala talk" method of oral drumming notation used to teach drum patterns. In some cases, Eckhardt would join in with hip-hop beat-box vocals for a three-way vocal percussion jam, while Gurtu and McLaughlin threw in some humorous words such as Japanese brand names mixed with the Indian words.