The Colour and the Shape: Difference between revisions
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The album was the debut of Foo Fighters as a band, as frontman [[Dave Grohl]] had recorded all of the first Foo Fighters album by himself with the exception of one guitar part by [[Greg Dulli]]. ''The Colour and the Shape'' was produced by [[Gil Norton]], who was perhaps best known for his work with the [[Pixies]]. It was loosely conceived by Grohl as a concept album which documented the beginning and end of a romantic relationship. Over the course of the making of the album, Grohl's own marriage to photographer [[Jennifer Youngblood]] ultimately ended in divorce. |
The album was the debut of Foo Fighters as a band, as frontman [[Dave Grohl]] had recorded all of the first Foo Fighters album by himself with the exception of one guitar part by [[Greg Dulli]]. ''The Colour and the Shape'' was produced by [[Gil Norton]], who was perhaps best known for his work with the [[Pixies]]. It was loosely conceived by Grohl as a concept album which documented the beginning and end of a romantic relationship. Over the course of the making of the album, Grohl's own marriage to photographer [[Jennifer Youngblood]] ultimately ended in divorce. |
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After six weeks of work at Bear Creek Studios in Woodinville, Washington, the band took two weeks off from recording. Grohl returned to Virginia and wrote several new songs, recording one of them, "Walking After You", by himself at [[WGNS Studios]] in Washington, DC. The band (minus drummer [[William Goldsmith]]) relocated to Grandmaster Recorders in Hollywood, California, and re-recorded |
After six weeks of work at Bear Creek Studios in Woodinville, Washington, the band took two weeks off from recording. Grohl returned to Virginia and wrote several new songs, recording one of them, "Walking After You", by himself at [[WGNS Studios]] in Washington, DC. The band (minus drummer [[William Goldsmith]]) relocated to Grandmaster Recorders in Hollywood, California, and re-recorded the album with Grohl performing the drum tracks. |
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The album reached number three in the UK and number ten in the United States. As of June 2005, ''The Colour and the Shape'' remained the Foo Fighters' biggest U.S. seller, with over 2 million units sold, although it remains certified platinum. |
The album reached number three in the UK and number ten in the United States. As of June 2005, ''The Colour and the Shape'' remained the Foo Fighters' biggest U.S. seller, with over 2 million units sold, although it remains certified platinum. |
Revision as of 21:02, 8 February 2008
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The Colour and the Shape is the Foo Fighters' second album. It was released May 20, 1997 through Roswell/Capitol Records.
The album was the debut of Foo Fighters as a band, as frontman Dave Grohl had recorded all of the first Foo Fighters album by himself with the exception of one guitar part by Greg Dulli. The Colour and the Shape was produced by Gil Norton, who was perhaps best known for his work with the Pixies. It was loosely conceived by Grohl as a concept album which documented the beginning and end of a romantic relationship. Over the course of the making of the album, Grohl's own marriage to photographer Jennifer Youngblood ultimately ended in divorce.
After six weeks of work at Bear Creek Studios in Woodinville, Washington, the band took two weeks off from recording. Grohl returned to Virginia and wrote several new songs, recording one of them, "Walking After You", by himself at WGNS Studios in Washington, DC. The band (minus drummer William Goldsmith) relocated to Grandmaster Recorders in Hollywood, California, and re-recorded the album with Grohl performing the drum tracks.
The album reached number three in the UK and number ten in the United States. As of June 2005, The Colour and the Shape remained the Foo Fighters' biggest U.S. seller, with over 2 million units sold, although it remains certified platinum.
Even though the Foo Fighters are an American band, the word 'Colour' in the album title is always spelled with the British spelling. This was a nod to producer Norton, who is British. To commemorate the album's tenth anniversary, it was re-released on July 10, 2007. The re-release includes six previously released B-sides, consisting of "Dear Lover", "The Colour and the Shape", and four covers, including "Baker Street".
The album was in total nominated for 5 VMAs in 1997 and 1998, for the videos "Monkey Wrench" and "Everlong." In addition to this, it was also a Grammy nominee for Best Rock Album in 1998.
"Walking After You" was re-recorded in 1998 by the full band (with recent additions Taylor Hawkins and Franz Stahl) and released as a single as part of the soundtrack to the X-Files movie.
This would be the band's last collaboration with Gil Norton for 10 years, until the release of Echoes, Silence, Patience & Grace in 2007.
Track listing
All songs were written by Dave Grohl, Pat Smear and Nate Mendel, except where noted.
- "Doll" – 1:23
- "Monkey Wrench" – 3:51
- "Hey, Johnny Park!" – 4:08
- "My Poor Brain" – 3:33
- "Wind Up" – 2:32
- "Up in Arms" – 2:15
- "My Hero" – 4:20
- "See You" – 2:26
- "Enough Space" – 2:37
- "February Stars" – 4:49
- "Everlong" – 4:10
- "Walking After You" – 5:03
- "New Way Home" – 5:40
Japanese bonus tracks
- "Dear Lover" – 4:32
10th Anniversary Edition bonus tracks
- "Requiem" (Killing Joke cover) – 3:33
- "Drive Me Wild" (Vanity 6 cover) – 3:14
- "Down in the Park" (Gary Numan cover) – 4:07
- "Baker Street" (Gerry Rafferty cover) – 5:39
- "Dear Lover" – 4:32
- "The Colour and the Shape" – 3:22
- "See You" (acoustic, iTunes bonus track)
Australian Tour Pack bonus disc
- "Down in the Park" (Gary Numan cover) – 4:07
- "Drive Me Wild" (Vanity 6 cover) – 3:14
- "Baker Street" (Gerry Rafferty cover) – 5:39
- "Requiem" (Killing Joke cover) – 3:33
Track info
- "Down in the Park" was recorded in January 1996 at Bob Lang's Studio in Seattle, Washington. It was originally released on Songs in the Key of X in 1996. Early takes of "My Hero" and "Enough Space" were also recorded during the session.
- "The Colour and the Shape" was recorded during the sessions at Bear Creek Studios in Woodinville, Washington.
- "Dear Lover" was recorded during the sessions at Grandmaster Recorders in Hollywood, California.
- "Requiem", "Drive Me Wild", and "Baker Street" were recorded for BBC Radio 1 Evening Session on April 30, 1997.
Production
Foo Fighters
- Dave Grohl – vocals, guitar, drums
- Pat Smear – guitar
- Nate Mendel – bass
- William Goldsmith – drums on "Doll", the slow beginning of "Up In Arms", verses of "My Poor Brain" (uncredited), and "Down in the Park"[1]
- Taylor Hawkins – drums on "Requiem", "Drive Me Wild", and "Baker Street"
Additional personnel
- Lance Bangs – handclapping
- Chris Bilheimer – handclapping
- Ryan Boesch – handclapping
Production
- Gil Norton – production
- Bradley Cook, Geoff Turner – engineering
- Ryan Boesch, Todd Burke, Don Farwell, Ryan Hadlock, Jason Mauza – assistant engineering
- Chris Sheldon – mixing
- Bob Ludwig – mastering
- Bradley Cook, Geoff Turner – recording technicians
- Jeffery Fey, Foo Fighters, Tommy Steele – art direction
- Jeffery Fey, George Mimnaugh – design
- Andy Engel – logo design
- Josh Kessler – photography
Charts
Album
Chart (1997) | Peak position |
---|---|
Australian ARIA Albums Chart | 5 |
Austrian Albums Chart | 19 |
Canadian Albums | 8 |
Finland Albums Chart | 12 |
French Albums Chart | 24 |
German Albums Chart | 41 |
New Zealand Albums Chart | 10 |
Norwegian Albums Chart | 20 |
Swedish Albums Chart | 10 |
Swiss Albums Chart | 50 |
UK Albums Chart | 3 |
U.S. Billboard 200 | 10 |
Chart (2003) | Peak position |
Finland Albums Chart (re-entry) | 5 |
Singles
- "Monkey Wrench" (1997)
- "Everlong" (1997)
- "My Hero" (1998)
Accolades
- Kerrang! magazine "100 Albums You Must Hear Before You Die" - Readers Choice #10 (1998)
- Kerrang! magazine "100 Albums You Must Hear Before You Die" - Editors Choice #95 (1998)
Notes
- ^ Pinfield, Matt. Interview with Dave Grohl and William Goldsmith. 120 Minutes. June 1, 1996. Goldsmith: "I had always wanted to play ["Down in the Park"], since I was about sixteen years old, and then we hooked up, and it just so happened that [Grohl] had always wanted to play it too, so we decided to play it."