Grand Ole Opry: Difference between revisions
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==History== |
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The Grand Ole Opry started out as the ''WSM Barn Dance'' in the new fifth floor radio station studio of the [[National_Life_and_Accident_Insurance_Company|National Life & Accident Insurance Company]] in downtown Nashville on November 28, 1925. On October 18, 1925, management began a program featuring "Dr. Humphrey Bate and his string quartet of old-time musicians." On November 2, WSM hired long-time announcer and program director [[George D. Hay]], an enterprising pioneer from the ''[[National Barn Dance]]'' program at [[WLS (AM)|WLS]] Radio in [[Chicago]], who was also named the most popular radio announcer in America as a result of his radio work with both WLS in Chicago and WMC in Memphis. Hay launched the ''WSM Barn Dance'' with 77 year old fiddler Uncle Jimmy Thompson on November 28, 1925, which is celebrated as the birth date of the ''Grand Ole Opry''. |
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Some of the bands regularly featured on the show during its early days included the Possum Hunters (with Dr. Humphrey Bate), the Fruit Jar Drinkers, the Crook Brothers, the Binkley Brothers Clod Hoppers, Uncle Dave Macon, Sid Harkreader, Deford Bailey, Fiddling Arthur Smith, and the Gully Jumpers. |
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However, Judge Hay liked the Fruit Jar Drinkers and asked them to appear last on each show because he wanted to always close each segment with "red hot fiddle playing." They were the second band accepted on the "Barn Dance", with the Crook Brothers being the first. And, when the Opry began having square dancers on the show, the Fruit Jar Drinkers always played for them. |
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In 1926, Uncle Dave Macon, a Tennessee [[banjo]] player who had recorded several songs and toured the vaudeville circuit, became its first real star. The name ''Grand Ole Opry'' came about on December 10, 1927. The ''Barn Dance'' followed NBC Radio Network's ''Music Appreciation Hour'', which consisted of [[classical music]] and selections from grand [[opera]]. Their final piece that night featured a musical interpretation of an onrushing railroad locomotive. In response to this Judge Hay quipped, "Friends, the program which just came to a close was devoted to the classics. Doctor Damrosch told us that there is no place in the classics for realism. However, from here on out for the next three hours, we will present nothing but realism. It will be down to earth for the 'earthy'." He then introduced the man he dubbed the ''Harmonica Wizard'' — [[DeFord Bailey]] who played his classic train song "The Pan American Blues". After Bailey's performance Hay commented, "For the past hour, we have been listening to music taken largely from Grand Opera. From now on we will present the 'Grand Ole Opry.'" The name stuck and has been used for the program since then. |
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[[Image:Opry-house.jpg|thumb|Grand Ole Opry House|300px|right|The home of the Opry]] |
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As audiences to the live show increased, National Life & Accident Insurance's radio venue became too small to accommodate the hordes of fans. They built a larger studio, but it was still not large enough. After several months of no audiences, National Life decided to allow the Opry to move outside its home offices. The ''Opry'' moved, in October, 1934, into then-[[suburb]]an Hillsboro Theatre (now the [http://www.belcourt.org/ Belcourt]), then, on June 13, 1936 to the Dixie Tabernacle in East Nashville. The Opry then moved to the [http://www.tpac.org/facilities/warmemorial.asp War Memorial Auditorium], a downtown venue adjacent to the State Capitol. A twenty-five cent admission began to be charged, in part an effort to curb the large crowds, but to no avail. On June 5, 1943, the ''Opry'' moved to the [[Ryman Auditorium]]. |
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The very best in country music performed there during the Ryman years, including the [[King of Country Music]], Roy Acuff, and also Red Foley, Hank Williams, Sr., , Webb Pierce, Faron Young, Martha Carson, Lefty Frizzell, and so many others. If they were in the top ten charts across the country, more than likely you would see them at the Grand Ole Opry in this time period. |
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On October 2, 1954, a teenage [[Elvis Presley]] made his first (and only) performance there. Although the public reacted politely to his revolutionary brand of rockabilly music, after the show he was told by one of the organizers (Opry manager [[Jim Denny]]) that he ought to return to Memphis to resume his truck-driving career, prompting him to swear never to return. In an era when the Grand Ole Opry represented purely true country music, the audiences did not accept Elvis on the Opry because of his mix of rhythm and blues, and the gyrations he was responsible for, which most country folks that loved the Opry looked at as vulgar. |
On October 2, 1954, a teenage [[Elvis Presley]] made his first (and only) performance there. Although the public reacted politely to his revolutionary brand of rockabilly music, after the show he was told by one of the organizers (Opry manager [[Jim Denny]]) that he ought to return to Memphis to resume his truck-driving career, prompting him to swear never to return. In an era when the Grand Ole Opry represented purely true country music, the audiences did not accept Elvis on the Opry because of his mix of rhythm and blues, and the gyrations he was responsible for, which most country folks that loved the Opry looked at as vulgar. |
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Years later, [[Garth Brooks]] commented in a television interview that one of the greatest thrills of playing the Opry was that he got to play on the same stage Elvis had. |
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The Ryman was home to the ''Opry'' until [[March 16]], [[1974]], when the show moved to the 4,400-seat Grand Ole Opry House, located nine miles to the east of downtown Nashville on a former farm in the Pennington Bend of the [[Cumberland River]]. The ''Opry'' currently plays several times a week at the Grand Ole Opry House except for an annual winter run at the Ryman Auditorium. |
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==Impact and economics == |
==Impact and economics == |
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Revision as of 14:24, 7 March 2008
The Grand Ole Opry is a weekly country music radio program and concert broadcast live on WSM radio in Nashville, Tennessee every Friday and Saturday night, as well as Tuesdays from March through December. It is the oldest continuous radio program in the United States, having been broadcast on WSM since October 5, 1925.
The Opry can also be heard on Nashville! XM Radio channel 11, and is televised on Great American Country network as Opry Live on Saturdays.
On October 2, 1954, a teenage Elvis Presley made his first (and only) performance there. Although the public reacted politely to his revolutionary brand of rockabilly music, after the show he was told by one of the organizers (Opry manager Jim Denny) that he ought to return to Memphis to resume his truck-driving career, prompting him to swear never to return. In an era when the Grand Ole Opry represented purely true country music, the audiences did not accept Elvis on the Opry because of his mix of rhythm and blues, and the gyrations he was responsible for, which most country folks that loved the Opry looked at as vulgar.
Impact and economics
In many ways, the artists and repertoire of the Opry defined American country music. Hundreds of performers have entertained as cast members through the years, including new stars, superstars and legends. Being made a member of the Grand Ole Opry, country music's longest, most endurable "Hall of Fame" is to be identified as a member of the most elite of country music. Many linked the stripping of Hank Williams' Opry membership in 1952 to his death soon afterward, although it more plausible that his death and his loss of membership were both due to his alcoholism.
The Opry's status as an elite fraternity of country music performers has created confusion about its lasting membership, particularly the controversy surrounding Hank Williams' untimely death. Opry membership is not only earned, but must be maintained throughout the artist's career. After artists die, they are no longer considered standing members of the Grand Ole Opry. However, their impact is often celebrated at special events, such as the 50th anniversary commemorating the death of Hank Williams in 2003, which featured performances from Hank Williams Jr. and Hank Williams III.
In the mid-1960s management decided to enforce strictly the requirement that members had to perform on at least twenty-six shows a year in order to keep their membership active. This imposed a tremendous financial hardship on members who made much of their income from touring and could not afford to be in or near Nashville every other weekend. This was aggravated by the fact that the Opry's appearance fee paid to the artist was essentially a token ($44 at the time). This requirement has been lessened over the years, but artists offered membership are expected to show a dedication to the Opry with frequent attendance.
Another controversy that raged for years was over allowable instrumentation, especially the use of drums and electrically amplified instruments. Some purists were appalled at the prospect; traditionally a string bass provided the rhythm component in country music and percussion instruments were generally little used. Electric amplification was regarded as the province of rock and roll, anathema to many country fans, especially older ones. These restrictions are reported to have kept Bob Wills from being invited into the Opry. The restrictions chafed many artists, such as Waylon Jennings, who were popular with the newer and younger fans. These restrictions were largely eliminated over time, alienating many older and traditionalist fans, but probably saving the Opry long-term as a viable ongoing enterprise.
Management has been very conscious of the need to enforce its trademark on the term Grand Ole Opry and limit use to members of the Opry and products associated with or licensed by it. However, it lost a legal case against the owners of a small, now-defunct Nashville record label calling itself Opry Records. The record company's attorneys successfully argued that WSM's management indeed owned the rights to the words Grand Ole Opry, but only in that order and combination, and no more owned the word Opry in isolation than they owned Grand or Ole. It has also allowed a plethora of small-time country music shows to label themselves as Oprys of one sort or another, such as the Bell Witch Opry; Carolina Opry; Ozark Opry, Current River Opry, Kentucky Opry, etc. (Much the same thing happened when the Coca-Cola company failed to trademark the term "cola.") The Grand Ole Opry has no association with any other Opry establishment.
In September 2004, it was announced that the Grand Ole Opry had contracted for the first time with a "presenting sponsor" and would henceforth be known as "the Grand Ole Opry presented by Cracker Barrel." Cracker Barrel, a long-time Opry sponsor headquartered in nearby Lebanon, Tennessee, is a chain of country-themed restaurants and gift shops whose market overlaps with that of the Opry to a great extent. Show Choir Nationals is held every year at the Grand Ole Opry Stage.
Grand Ole Opry Members
See also
References
- Hay, George D. A Story of the Grand Ole Opry. 1945.
- Kingsbury, Paul (1998). "Grand Ole Opry". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 208-9.
- Wolfe, Charles K. A Good-Natured Riot: The Birth of the Grand Ole Opry. Nashville: Country Music Foundation Press, 1999. ISBN 0-8265-1331-X.