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'''Gerd Albrecht''' (born [[July 19]], [[1935]], [[Essen]]) is a [[Germany|German]] [[Conducting|conductor]]. He was a first-prize winner at the International Conductors Competition in Besançon at age 22. His first post was as a repetiteur at the Stuttgart State Opera. Later, he became Senior Kapellmeister at the [[Mainz Municipal Theatre]], and ''Generalmusikdirector'' in [[Lübeck]]. He has also held posts at the [[Deutsche Oper Berlin]], the [[Tonhalle-Orchester Zürich]], and the [[Hamburg State Opera]]. |
'''Gerd Albrecht''' (born [[July 19]], [[1935]], [[Essen]]) is a [[Germany|German]] [[Conducting|conductor]]. He was a first-prize winner at the International Conductors Competition in Besançon at age 22. His first post was as a repetiteur at the Stuttgart State Opera. Later, he became Senior Kapellmeister at the [[Mainz Municipal Theatre]], and ''Generalmusikdirector'' in [[Lübeck]]. He has also held posts at the [[Deutsche Oper Berlin]], the [[Tonhalle-Orchester Zürich]], and the [[Hamburg State Opera]]. |
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Revision as of 02:07, 23 September 2008
Gerd Albrecht (born July 19, 1935, Essen) is a German conductor. He was a first-prize winner at the International Conductors Competition in Besançon at age 22. His first post was as a repetiteur at the Stuttgart State Opera. Later, he became Senior Kapellmeister at the Mainz Municipal Theatre, and Generalmusikdirector in Lübeck. He has also held posts at the Deutsche Oper Berlin, the Tonhalle-Orchester Zürich, and the Hamburg State Opera.
Biography
His work in contemporary opera has included conducting Aribert Reimann's Lear in both its world premiere and its US premiere, as well as making the commercial recording of the opera.[1] [2] [3] His other commercial recordings include Robert Schumann's Genoveva and Manfred.[4]
Czech Philharmonic controversy
In 1991, the musicians of the Czech Philharmonic had chosen Albrecht as its principal conductor, for a tenure scheduled to last seven years beginning in 1994. The orchestra had played a part in protesting the Soviet domination of their country and reorganized as a self-governing entity. Their selection of Albrecht effectively meant replacing Czech conductor Jiří Bělohlávek, who then resigned early, in 1992. Consequently, by the time that he took up the post, the orchestra was already somewhat riven.[5] Albrecht proved effective in improving the Czech Philharmonic's finances and at raising its international profile with foreign tours. He is also acknowledged to have been a musical success, and his recordings with the orchestra included music of Ervin Schulhoff.[6] However, a series of political conflicts led to his early resignation.[7]
In 1994, the Czech Philharmonic was invited to perform at the Vatican in a concert celebrating reconciliation between Roman Catholics and Jews. However, the invitation was to play under the American conductor Gilbert Levine, already known for his close relationship with the Vatican under Pope John Paul II and subsequently for the widely-telecast, Papal Concert to Commemorate the Holocaust. Albrecht vetoed the engagement, ostensibly because the orchestra was too busy. However many suspected that the real reason for the refusal was that Albrecht was not invited to conduct the concert himself.
Czech president Václav Havel became involved, telling Albrecht that his actions were damaging the orchestra. The situation steadily deteriorated, with Albrecht painting himself in press interviews as a victim of racism and anti-German feeling and for being expected personally to atone for all past German misdeeds. He also claimed that his phone was bugged. Havel retaliated in the media with his own claims. Albrecht and Bělohlávek collaborated for the 100th anniversary concert, each conducting half of it, on January 4, 1996, but Havel was conspicuously absent and members of the orchestra showed their allegiances when the time came for applause. Albrecht resigned from this post a month later asserting that his musical authority had been undermined.
Other conducting work
Albrecht has continued to conduct, such as in Japan and Denmark. From 2000-2004, he was principal conductor of the Danish National Symphony Orchestra. In 2003, he caused controversy when he spoke, unannounced, from the podium at one concert to protest the US invasion of Iraq. He later apologized for the incident.[8]
References
- ^ Graeme, Roland (2001). "Lear. Aribert Reimann". The Opera Quarterly. 17 (1): 158–161. Retrieved 2007-09-13.
- ^ John Rockwell (17 June 1981). "Lear by Aribert Reimann". New York Times. Retrieved 2007-09-06.
{{cite news}}: Check date values in:|date=(help); Italic or bold markup not allowed in:|publisher=(help) - ^ Michael Walsh (29 June 1981). "Three Premieres, Three Hits". Time. Retrieved 2007-09-13.
{{cite news}}: Check date values in:|date=(help); Italic or bold markup not allowed in:|publisher=(help) - ^ Franklin, Peter, "CD Reviews" (March 1994). The Musical Times, 135 (1813): pp. 166-167.
- ^ John Rockwell (30 December 1992). "Czech Philharmonic Faces Perilous Times In Dividing Country". New York Times. Retrieved 2007-10-25.
{{cite news}}: Check date values in:|date=(help) - ^ Rickards, Guy, Review of recordings of music of Ervin Schulhoff (July 1995). Tempo (New Ser.), 193: pp. 53-55.
- ^ Alan Levy (31 January 1996). "Storm at Czech Philharmonic". International Herald Tribune. Retrieved 2007-05-28.
{{cite news}}: Check date values in:|date=(help) - ^ Brian Wise (2003). "Conductor Gerd Albrecht Forced to Apologize for Anti-War Statement". WNYC.org. Retrieved 2007-09-13.
External links
Principal conductors of the Tonhalle-Orchester Zürich | ||
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