Sam Rivers (jazz musician)

See Sam Rivers (bass guitarist) or Limp Bizkit for the bass guitarist.

Sam Rivers

Samuel Carthorne Rivers (born September 25, 1923, in El Reno, Oklahoma) is an American jazz musician and composer. He performs on soprano and tenor saxophones, bass clarinet, flute, harmonica and piano.

Though active in jazz since the early '50s, Rivers earned wider attention during the mid-'60s heyday of free jazz. With a thorough command of music theory, orchestration and composition, critic Chris Kelsey writes, "Rivers is as substantial a player as avant-garde jazz has produced."

Early life

Rivers's father was a gospel musician who had sung with the Fisk Jubilee Singers and the Silverstone Quartet, exposing Rivers to music from an early age. Rivers moved to Boston, Massachusetts in 1947, where he studied at the Boston Conservatory with Alan Hovhaness. He performed with Quincy Jones, Herb Pomeroy, Tadd Dameron and others.

Blue Note era

In 1959 Rivers began performing with 13-year-old drummer Tony Williams, who later went on to have an impressive career. Rivers did a brief stint with Miles Davis's quintet in 1964, partly at Williams's recommendation. This quintet was recorded on a single album, Miles in Tokyo. Unfortunately, Rivers' playing style was too free to be compatible with Davis's music at this point, and he was soon replaced by Wayne Shorter. Rivers was signed by Blue Note Records, for whom he recorded four albums as leader and made several sideman appearances. Among noted sidemen on his own Blue Note Records were Jaki Byard who appears on Fuchsia Swing Song, Herbie Hancock and Freddie Hubbard. He appeared on Blue Note recordings of Tony Williams, Andrew Hill and Larry Young.

Rivers's music is rooted in bebop, but he is an adventurous player, adept at free jazz. The first of his Blue Note albums, Fuchsia Swing Song, is widely regarded as a masterpiece of an approach sometimes called "inside-outside". The performer frequently obliterates the explicit harmonic framework ("going outside") but retains a hidden link so as to be able to return to it in a seamless fashion. Rivers brought the conceptual tools of bebop harmony to a new level in this process, united at all times with the ability to "tell a story" which Lester Young had laid down as a benchmark for the jazz improviser.

His powers as a composer were also in evidence in this period: the ballad "Beatrice" from Fuchsia Swing Song has become an important standard, particularly for tenor saxophonists. It is analysed in detail in The Jazz Theory Book by Mark Levine who notes how each of its four eight-bar elements has a distinct emotional identity.

Loft era

During the 1970s, Rivers and his wife, Bea, ran a noted jazz performance loft called Studio Rivbea in New York City's NoHo district. He continued to record for a variety of labels, including several albums for Impulse! (Streams, recorded live at Montreux, Hues - both recores contain different trio performances later collated on CD as Trio Live - the quartet album Sizzle and his first big-band disc, Crystals); perhaps his best-known work from this period, though, is his appearance on Dave Holland's Conference of the Birds, in the company of Anthony Braxton and Barry Altschul.

Recently

2007

Rivers currently lives near Orlando, Florida. He performs regularly with his Orchestra and Trio (with Doug Matthews and Rion Smith). In 1998 he recorded two big-band albums for RCA Victor with the RivBea All-Star Orchestra, Culmination and Inspiration (the title-track is an elaborate reworking of Dizzy Gillespie's "Tanga": Rivers was in Gillespie's band near the end of the trumpeter's life). Other recent albums of note include Portrait, a solo recording for FMP, and Vista, a trio with drummers Adam Rudolph and Harris Eisenstadt for Meta.

In 2006, he released Aurora, a third CD featuring compositions for his Rivbea Orchestra and the first CD featuring members of his working orchestra in Orlando.

Sam Rivers and the RivBea Orchestra are currently recording several new compositions at Sonic Cauldron Studios in Winter Springs, FL.

Discography

As leader

• Fuchsia Swing Song, Blue Note Records 1964.
• Contours, Blue Note Records 1965.
• Dimensions & Extensions, Blue Note Records 1967.
• Crystals, a large ensemble work, Impulse! Records, 1974.
• Streams (live at the Montreux Jazz Festival), Impulse! Records, 1973
• Involution (1967 Sam Rivers Sextet session plus 1967 session as sideman with the Andrew Hill Quartet), Blue Note Records, 1975.
• Sam Rivers/Dave Holland, Vol. 1, Improvising Artists, 1976.
• Sam Rivers/Dave Holland, Vol. 2, Improvising Artists, 1976.
• Sizzle, ABC Records, 1976.
• Waves, Tomato, 1978.
• Contrasts, ECM 1162, 1980.
• Crosscurrent, Blue Marge 1005, 1981.
• Inspiration, RCA Victor, 1999.

As sideman

• Torque — Brian Groder with Sam Rivers Trio, 2007
• Diaspora Blues -- Steven Bernstein with Sam Rivers Trio, Tzadik, 2002.
• Black Stars, with Jason Moran, Blue Note Records, 2001.
• Tangens ,with Alexander von Schlippenbach,FMP ,1998
• In the Name of..., with Music Revelation Ensemble, DIW, 1993.
• Conference Of The Birds, with the Dave Holland Quartet, ECM Records, 1973.
• The Great Concert, with Cecil Taylor, Prestige, 1969.
• Change, with Andrew Hill, Blue Note Records, 1966
• Dialogue with Bobby Hutcherson, Blue Note Records, 1965.
• Spring, with Tony Williams, Blue Note Records, 1965.
• Life Time, with Tony Williams, Blue Note Records, 1964.
• Miles in Tokyo --under leadership of Miles Davis, Columbia, 1964.
• Into Somethin, with Larry Young, Blue Note Records, 1964.

External links

• Sam Rivers Web Site
• The Sam Rivers Sessionography and Gigography
• Jazz at Lincoln Center - Chat With Sam Rivers
• FMP Releases
• High Octane Octogenerian