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One day, a passenger suggested that Van Peebles should become a filmmaker. He shot his first short film, ''Pickup Men for Herrick'', in 1957.<ref name="DariusJames"/> He made two more short films during the same period. According to Van Peebles, "I thought they were features. Each one turned out to be eleven minutes long. I was trying to do features. I knew nothing."<ref name="DariusJames"/> As Van Peebles learned more about the filmmaking process, he found out that "I could make a feature for five hundred dollars. That was the cost of ninety minutes of film. I didn't know a thing about shooting a film sixteen to one or ten to one or none of that shit. Then I forgot you had to develop film. And I didn't know you needed a work print. All I can say is that after I did one thing he would say, 'Well, aren't you gonna put sound on it?' and I would go, 'Oh shit!' That's all I could say."<ref name="DariusJames"/>
One day, a passenger suggested that Van Peebles should become a filmmaker. He shot his first short film, ''Pickup Men for Herrick'', in 1957.<ref name="DariusJames"/> He made two more short films during the same period. According to Van Peebles, "I thought they were features. Each one turned out to be eleven minutes long. I was trying to do features. I knew nothing."<ref name="DariusJames"/> As Van Peebles learned more about the filmmaking process, he found out that "I could make a feature for five hundred dollars. That was the cost of ninety minutes of film. I didn't know a thing about shooting a film sixteen to one or ten to one or none of that shit. Then I forgot you had to develop film. And I didn't know you needed a work print. All I can say is that after I did one thing he would say, 'Well, aren't you gonna put sound on it?' and I would go, 'Oh shit!' That's all I could say."<ref name="DariusJames"/>


In 1959 he went to Europe and worked for the Dutch National Theater before being invited to Paris by Henry Langlois, founder of the Cinematheque Franceise, on the strength of his short films. During this time in Paris he wrote a number of novels and made another short film, Cinq cent balles (1965). It was here that he made his first feature length film, The Story of a Three-Day Pass (1968), which caught the attention of Hollywood producers who mistook him for a French auteur. It was after the resulting bad experience directing The Watermelon Man (1970) for Columbia Pictures that Van Peebles became determined to have complete control over his next production, which became the groundbreaking Sweet Sweetback's Baadasssss Song (1971), privately funded out of his own pocket and in part by a $50k loan from Bill Cosby. Van Peebles not only directed, scripted, and edited the film, but wrote the score and directed the marketing campaign. The film, which ended up grossing $10 million, was, among many others, acclaimed by the Black Panthers for its political resonance with the black struggle.
In 1959 he went to Europe and worked for the Dutch National Theater before being invited to Paris by Henry Langlois, founder of the [[Cinematheque Franceise]], on the strength of his short films. During this time in Paris he wrote a number of novels and made another short film, Cinq cent balles (1965). It was here that he made his first feature length film, The Story of a Three-Day Pass (1968), which caught the attention of Hollywood producers who mistook him for a French [[auteur]]. It was after the resulting bad experience directing The Watermelon Man (1970) for Columbia Pictures that Van Peebles became determined to have complete control over his next production, which became the groundbreaking Sweet Sweetback's Baadasssss Song (1971), privately funded out of his own pocket and in part by a $50k loan from [[Bill Cosby]]. Van Peebles not only directed, scripted, and edited the film, but wrote the score and directed the marketing campaign. The film, which ended up grossing $10 million, was, among many others, acclaimed by the [[Black Panthers]] for its political resonance with the black struggle.


===Career===
===Career===
After Van Peebles completed his first short films, he took them with him to [[Hollywood]] in order to try and find work, but was unable to find anyone who wanted to hire him as a director. In [[New York City]], Van Peebles met a man who saw his films and wanted to screen them in [[France]]. "And they said—'Jesus! This man's a genius! Where is he? He should be making films!'"<ref name="DariusJames"/> In France, Van Peebles learned the language and was hired to translate [[Mad magazine]] into French.<ref name="DariusJames"/> He began to write plays in French, utilizing the [[sprechgesang]] form of songwriting, where the lyrics were spoken over the music. This style carried over to Van Peebles' debut album, ''[[Brer Soul]]''.<ref name="DariusJames"/>
After Van Peebles completed his first short films, he took them with him to [[Hollywood]] in order to try and find work, but was unable to find anyone who wanted to hire him as a director. In [[New York City]], Van Peebles met a man who saw his films and wanted to screen them in [[France]]. In France, Van Peebles learned the language and was hired to translate [[Mad magazine]] into French.<ref name="DariusJames"/> He began to write plays in French, utilizing the [[sprechgesang]] form of songwriting, where the lyrics were spoken over the music. This style carried over to Van Peebles' debut album, ''[[Brer Soul]]''.<ref name="DariusJames"/>


Prior to entering [[Cinema of the United States|Hollywood]], Van Peebles directed the French film ''[[Story of a Three Day Pass]]'' (''La Permission''). His first Hollywood film was the 1970 comedy ''[[Watermelon Man (film)|Watermelon Man]]'', written by [[Herman Raucher]]. The movie told the story of a casually [[racism|racist]] but well meaning white man who suddenly wakes up black and finds himself alienated from his friends, family and job. In 1970 Van Peebles was also to direct filming of the [[Powder Ridge Rock Festival]] which was banned by court injunction.
Prior to entering [[Cinema of the United States|Hollywood]], Van Peebles directed the French film ''[[Story of a Three Day Pass]]'' (''La Permission''). His first Hollywood film was the 1970 comedy ''[[Watermelon Man (film)|Watermelon Man]]'', written by [[Herman Raucher]]. The movie told the story of a casually [[racism|racist]] but well meaning white man who suddenly wakes up black and finds himself alienated from his friends, family and job. In 1970 Van Peebles was also to direct filming of the [[Powder Ridge Rock Festival]] which was banned by court injunction.
Line 31: Line 31:
Van Peebles then wrote and directed the independent feature, ''[[Sweet Sweetback's Baadasssss Song]]''. His son Mario's 2004 film ''[[BAADASSSSS!]]'' tells the story behind his father's film. Despite the success of ''Sweet Sweetback's Baadasssss Song'', he has directed only a few other films.
Van Peebles then wrote and directed the independent feature, ''[[Sweet Sweetback's Baadasssss Song]]''. His son Mario's 2004 film ''[[BAADASSSSS!]]'' tells the story behind his father's film. Despite the success of ''Sweet Sweetback's Baadasssss Song'', he has directed only a few other films.


Melvin Van Peebles speaks English, [[French language|French]] and [[Dutch language|Dutch]]. He was educated at [[Ohio Wesleyan University]].
Melvin Van Peebles speaks English, [[French language|French]] and [[Dutch language|Dutch]].


In 2005, Van Peebles was the subject of a documentary entitled ''[[How to Eat Your Watermelon in White Company (and Enjoy It)]]''. Van Peebles' next project will be a double album with [[Madlib]], to be released on [[Stones Throw Records]]. The first disc of the album will be ''[[Brer Soul Meets Quasimoto]]'' and the second disc will be the Madlib Invazion remix. Madlib had previously sampled Van Peebles heavily on both of his albums under the [[Quasimoto]] moniker.<ref>[http://www.stonesthrow.com/news/2005/10/madlib-melvin-van-peebles-brer-soul-meets-lord-quas MELVIN VAN PEEBLES & MADLIB – BRER SOUL MEETS LORD QUAS]</ref> In 2008, Van Peebles completed the film ''[[Confessionsofa Ex-Doofus-ItchyFooted Mutha]]''.<ref>[http://suicidegirls.com/interviews/Melvin+Van+Peebles/ Melvin Van Peebles] interview from [[Suicide Girls]]</ref><ref>[[Village Voice]]: [http://www.villagevoice.com/film/0603,tate,71754,20.html The MVP of Black Cinema]</ref>
In 2005, Van Peebles was the subject of a documentary entitled ''[[How to Eat Your Watermelon in White Company (and Enjoy It)]]''. Van Peebles' next project will be a double album with [[Madlib]], to be released on [[Stones Throw Records]]. The first disc of the album will be ''[[Brer Soul Meets Quasimoto]]'' and the second disc will be the Madlib Invazion remix. Madlib had previously sampled Van Peebles heavily on both of his albums under the [[Quasimoto]] moniker.<ref>[http://www.stonesthrow.com/news/2005/10/madlib-melvin-van-peebles-brer-soul-meets-lord-quas MELVIN VAN PEEBLES & MADLIB – BRER SOUL MEETS LORD QUAS]</ref> In 2008, Van Peebles completed the film ''[[Confessionsofa Ex-Doofus-ItchyFooted Mutha]]''.<ref>[http://suicidegirls.com/interviews/Melvin+Van+Peebles/ Melvin Van Peebles] interview from [[Suicide Girls]]</ref><ref>[[Village Voice]]: [http://www.villagevoice.com/film/0603,tate,71754,20.html The MVP of Black Cinema]</ref>


He currently recurs on ABC's "All My Children" as his son Mario's character, Samuel Woods' father, Melvin Woods.
He currently recurs on ABC's "''[[All My Children]]''" as his son Mario's character's father, Melvin Woods.


== Bibliography ==
== Bibliography ==

Revision as of 16:54, 26 October 2008

Melvin Van Peebles
Van Peebles at the 2008 Tribeca Film Festival.
Born
Melvin Peebles
Other namesBrer Soul
Occupation(s)Actor, director, screenwriter, playwright, composer
Years active1955—present

Melvin Van Peebles (born August 21, 1932) is an American actor, director, screenwriter, playwright, novelist and composer.

He is most famous for creating the acclaimed film, Sweet Sweetback's Baadasssss Song, which heralded a new era of African American focused films. He is the father of actor and director Mario Van Peebles.

Biography

Early life

Van Peebles was born Melvin Peebles in Chicago, Illinois. He joined the Air Force thirteen days after graduating from Ohio Wesleyan University, staying for three and a half years.[1] He lived in Mexico for a brief period, earning a living by painting portraits,[1] before coming back to the United States, where he started driving cable cars in San Francisco. He began writing about his experiences as a cable car driver. What evolved from an initially small article and a series of photographs was Van Peebles' first book, The Big Heart.[1]

One day, a passenger suggested that Van Peebles should become a filmmaker. He shot his first short film, Pickup Men for Herrick, in 1957.[1] He made two more short films during the same period. According to Van Peebles, "I thought they were features. Each one turned out to be eleven minutes long. I was trying to do features. I knew nothing."[1] As Van Peebles learned more about the filmmaking process, he found out that "I could make a feature for five hundred dollars. That was the cost of ninety minutes of film. I didn't know a thing about shooting a film sixteen to one or ten to one or none of that shit. Then I forgot you had to develop film. And I didn't know you needed a work print. All I can say is that after I did one thing he would say, 'Well, aren't you gonna put sound on it?' and I would go, 'Oh shit!' That's all I could say."[1]

In 1959 he went to Europe and worked for the Dutch National Theater before being invited to Paris by Henry Langlois, founder of the Cinematheque Franceise, on the strength of his short films. During this time in Paris he wrote a number of novels and made another short film, Cinq cent balles (1965). It was here that he made his first feature length film, The Story of a Three-Day Pass (1968), which caught the attention of Hollywood producers who mistook him for a French auteur. It was after the resulting bad experience directing The Watermelon Man (1970) for Columbia Pictures that Van Peebles became determined to have complete control over his next production, which became the groundbreaking Sweet Sweetback's Baadasssss Song (1971), privately funded out of his own pocket and in part by a $50k loan from Bill Cosby. Van Peebles not only directed, scripted, and edited the film, but wrote the score and directed the marketing campaign. The film, which ended up grossing $10 million, was, among many others, acclaimed by the Black Panthers for its political resonance with the black struggle.

Career

After Van Peebles completed his first short films, he took them with him to Hollywood in order to try and find work, but was unable to find anyone who wanted to hire him as a director. In New York City, Van Peebles met a man who saw his films and wanted to screen them in France. In France, Van Peebles learned the language and was hired to translate Mad magazine into French.[1] He began to write plays in French, utilizing the sprechgesang form of songwriting, where the lyrics were spoken over the music. This style carried over to Van Peebles' debut album, Brer Soul.[1]

Prior to entering Hollywood, Van Peebles directed the French film Story of a Three Day Pass (La Permission). His first Hollywood film was the 1970 comedy Watermelon Man, written by Herman Raucher. The movie told the story of a casually racist but well meaning white man who suddenly wakes up black and finds himself alienated from his friends, family and job. In 1970 Van Peebles was also to direct filming of the Powder Ridge Rock Festival which was banned by court injunction.

Van Peebles then wrote and directed the independent feature, Sweet Sweetback's Baadasssss Song. His son Mario's 2004 film BAADASSSSS! tells the story behind his father's film. Despite the success of Sweet Sweetback's Baadasssss Song, he has directed only a few other films.

Melvin Van Peebles speaks English, French and Dutch.

In 2005, Van Peebles was the subject of a documentary entitled How to Eat Your Watermelon in White Company (and Enjoy It). Van Peebles' next project will be a double album with Madlib, to be released on Stones Throw Records. The first disc of the album will be Brer Soul Meets Quasimoto and the second disc will be the Madlib Invazion remix. Madlib had previously sampled Van Peebles heavily on both of his albums under the Quasimoto moniker.[2] In 2008, Van Peebles completed the film Confessionsofa Ex-Doofus-ItchyFooted Mutha.[3][4]

He currently recurs on ABC's "All My Children" as his son Mario's character's father, Melvin Woods.

Bibliography

  • (As "Melvin Van".) The Big Heart. San Francisco: Fearon, 1957. With photographs by Ruth Bernhard, a book about life on San Francisco's cable cars. "A cable car is a big heart with people for blood. The people pump on and off — if you think of it like that it is pretty simple" (p. 21).
  • La Permission, (1967)

Filmography

As director

Other credits

Discography

References

  1. ^ a b c d e f g h James, Darius (1995). That's Blaxploitation!: Roots of the Baadasssss 'Tude (Rated X by an All-Whyte Jury. ISBN 0312131925. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
  2. ^ MELVIN VAN PEEBLES & MADLIB – BRER SOUL MEETS LORD QUAS
  3. ^ Melvin Van Peebles interview from Suicide Girls
  4. ^ Village Voice: The MVP of Black Cinema
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