Kosugi Tengai: Difference between revisions
add ref. delink dates |
Luibsasocer (talk | contribs) added links |
||
| Line 7: | Line 7: | ||
He was hired by the [[literary magazine]] ''Shincho gekan'' in 1897, but was transferred by the magazine to the newspaper [[Hochi Shimbun]]. |
He was hired by the [[literary magazine]] ''Shincho gekan'' in 1897, but was transferred by the magazine to the newspaper [[Hochi Shimbun]]. |
||
He published his first novel, ''Hatsusugata'', a story about a [[geisha]] and her relationship with men from different social strata in 1900. He followed with a sequel, ''Hayariuta'', in 1902, which was one of his most successful works. Kosugi attempted to write in a realistic and objective manner, without intruding the thoughts or comments of the author into the story narrative, which was considered rather revolutionary for the time. In the forward to ''Hatsusugata'', he commented that he "seeks to move the reader not by the unusual, but by what is normal and average." <ref>Hijiya-Kirschnereit. ''Rituals of Self-Revelation''. page 22. </ref>. Familiar with [[Émile Zola|Zola]] and other [[French literature|French authors]], his experimentation towards realism is considered a forerunner of a Japanese style of naturalism. Although often compared to his contemporary, [[Nagai Kafu]], Kosugi has been criticized for having two-dimensional characters who meet predictable fates based on family or environmental situations. |
He published his first novel, ''Hatsusugata'', a story about a [[geisha]] and her relationship with men from different social strata in 1900. He followed with a sequel, ''Hayariuta'', in 1902, which was one of his most successful works. Kosugi attempted to write in a realistic and objective manner, without intruding the thoughts or comments of the author into the story narrative, which was considered rather revolutionary for the time. In the forward to ''Hatsusugata'', he commented that he "seeks to move the reader not by the unusual, but by what is normal and average." <ref>Hijiya-Kirschnereit. ''Rituals of Self-Revelation''. page 22. </ref>. Familiar with [[Émile Zola|Zola]] and other [[French literature|French authors]], his experimentation towards realism is considered a forerunner of a Japanese style of [[naturalism]]. Although often compared to his contemporary, [[Nagai Kafu]], Kosugi has been criticized for having two-dimensional characters who meet predictable fates based on family or environmental situations. |
||
Kosugi was elected to the Japan Arts Academy in 1948. In his later years, he also turned towards the genre of [[historical fiction]]. |
Kosugi was elected to the [[Japan Arts Academy]] in 1948. In his later years, he also turned towards the genre of [[historical fiction]]. |
||
His grave is at his hometown of Misato in Akita. |
His grave is at his hometown of [[Misato]] in [[Akita]]. |
||
==See also== |
==See also== |
||
Revision as of 18:58, 29 July 2010
Kosugi Tengai (小杉天外, Kosugi Tengai, November 7, 1865 – September 1, 1952) was the pen-name of a novelist in Meiji, Taishō and Shōwa period Japan. His real name was Kosugi Tamezō. He is considered the founder of the naturalism movement in modern Japanese literature.
Kosugi was born in what is now Misato County, Akita Prefecture. He moved to Tokyo in 1886 to attend the English Law College (the forerunner of Chuo University, but soon dropped out to devote himself to writing full time. He associated himself briefly with Mori Ōgai and with Ozaki Koyo before becoming a disciple of literary critic and satirical author Saito Ryokuu.
He was hired by the literary magazine Shincho gekan in 1897, but was transferred by the magazine to the newspaper Hochi Shimbun.
He published his first novel, Hatsusugata, a story about a geisha and her relationship with men from different social strata in 1900. He followed with a sequel, Hayariuta, in 1902, which was one of his most successful works. Kosugi attempted to write in a realistic and objective manner, without intruding the thoughts or comments of the author into the story narrative, which was considered rather revolutionary for the time. In the forward to Hatsusugata, he commented that he "seeks to move the reader not by the unusual, but by what is normal and average." [1]. Familiar with Zola and other French authors, his experimentation towards realism is considered a forerunner of a Japanese style of naturalism. Although often compared to his contemporary, Nagai Kafu, Kosugi has been criticized for having two-dimensional characters who meet predictable fates based on family or environmental situations.
Kosugi was elected to the Japan Arts Academy in 1948. In his later years, he also turned towards the genre of historical fiction.
His grave is at his hometown of Misato in Akita.
See also
References
- Hijiya-Kirschnereit, Irmela. Rituals of self-revelation: shishōsetsu as literary genre and socio-cultural phenomenon. Harvard University Asia Center (1996). ISBN 0674773195
- ^ Hijiya-Kirschnereit. Rituals of Self-Revelation. page 22.
 | This article about a Japanese writer, poet, or screenwriter is a stub. You can help Wikipedia by expanding it. |