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In 1980 he exhibited a small self portrait in the [[Royal Academy Summer Exhibition]]. The painting was bought by the eminent collector, Sir Brinsley Ford.<ref>{{cite news| url=http://www.independent.co.uk/arts-entertainment/obituary-sir-brinsley-ford-1092134.html | location=London | work=The Independent | first=George | last=Ireland | title=Obituary: Sir Brinsley Ford | date=1999-05-08}}</ref> With the money from this sale he stayed for a week in the Cromwell Road, [[Belfast]] digs of his [[Cheltenham]] art-school friend (Malcolm) [[Sensation (art exhibition)|James Reilly]]. He attended Reilly's lectures on the [[Post-graduate education|Post' Graduate]]' course at Belfast Art School by day, and the [[bohemian]] and [[Punk subculture|punk]] [[underworld]] by night. He particularly remembers talking with [[Rita Donagh]] who was there as a visiting lecturer.
In 1980 he exhibited a small self portrait in the [[Royal Academy Summer Exhibition]]. The painting was bought by the eminent collector, Sir Brinsley Ford.<ref>{{cite news| url=http://www.independent.co.uk/arts-entertainment/obituary-sir-brinsley-ford-1092134.html | location=London | work=The Independent | first=George | last=Ireland | title=Obituary: Sir Brinsley Ford | date=1999-05-08}}</ref> With the money from this sale he stayed for a week in the Cromwell Road, [[Belfast]] digs of his [[Cheltenham]] art-school friend (Malcolm) [[Sensation (art exhibition)|James Reilly]]. He attended Reilly's lectures on the [[Post-graduate education|Post' Graduate]]' course at Belfast Art School by day, and the [[bohemian]] and [[Punk subculture|punk]] [[underworld]] by night. He particularly remembers talking with [[Rita Donagh]] who was there as a visiting lecturer.
Through the 1980s he continued to exhibit at the Royal Academy and began exhibiting in the National Portrait Gallery's Portrait Award. A career breakthrough was the purchase in 1986 of The [[Liverpool Poets]] by the [[NPG]]. His continuing involvement with the gallery and Robin Gibson<ref>{{cite news|author=Charles Saumarez Smith |url=http://www.guardian.co.uk/artanddesign/2010/aug/16/robin-gibson-obituary |title=Robin Gibson obituary &#124; Art and design |publisher=The Guardian |date= 2010-08-16|accessdate=2011-01-18 |location=London}}</ref> then 20th Century Curator (later Chief Curator) led to a major one-man exhibition and tour in the Gallery in April 1990 "'''Contemporary Poets'''", which consisted of 17 large canvasses of 20 poets, alongside a poem from each poet, numerous studies, and a series of Saturday morning readings from [[Seamus Heaney]], [[Douglas Dunn]], [[Charles Causley]], [[Wendy Cope]], and [[Craig Raine]] <ref>http://archivecatalogue.npg.org.uk/Public/dserve.exe?dsqIni=Dserve.ini&dsqApp=Archive&dsqDb=Catalog&dsqCmd=show.tcl&dsqSearch=(RefNo==%22NPG32/187%22)</ref>.
Through the 1980s he continued to exhibit at the Royal Academy and began exhibiting in the National Portrait Gallery's Portrait Award. A career breakthrough was the purchase in 1986 of The [[Liverpool Poets]] by the [[NPG]]. His continuing involvement with the gallery and Robin Gibson<ref>{{cite news|author=Charles Saumarez Smith |url=http://www.guardian.co.uk/artanddesign/2010/aug/16/robin-gibson-obituary |title=Robin Gibson obituary &#124; Art and design |publisher=The Guardian |date= 2010-08-16|accessdate=2011-01-18 |location=London}}</ref> then 20th Century Curator (later Chief Curator) led to a major one-man exhibition and tour in the Gallery in April 1990 "'''Contemporary Poets'''", which consisted of 17 large canvasses of 20 [[British Isles|Britsh Isles]] poets, alongside a poem from each poet, numerous studies, and a series of Saturday morning readings from [[Seamus Heaney]], [[Douglas Dunn]], [[Charles Causley]], [[Wendy Cope]], and [[Craig Raine]].


On 30 July 1991, [[Bobby Moore]] unveiled Edwards' portrait of [[Bobby Charlton]]<ref>{{cite news| url=http://www.independent.co.uk/arts-entertainment/the-sitters-tale-sir-bobby-charlton-1118666.html | location=London | work=The Independent | first=Andrew | last=MacPherson | title=THE SITTER'S TALE: Sir Bobby Charlton | date=1999-09-12}}</ref> in the National Portrait Gallery, Sponsored by [[British Gas plc]], it marked the 25th [[anniversary]] of [[England]] winning the [[FIFA World Cup]].<ref>{{cite web|url=http://www.npg.org.uk/collections/search/portrait.php?mkey=mw08122&LinkID=mp07914&role=art&rNo=4 |title=National Portrait Gallery - Portrait - NPG 6140; Sir Robert ('Bobby') Charlton |publisher=Npg.org.uk |date= |accessdate=2011-01-18}}</ref>
On 30 July 1991, [[Bobby Moore]] unveiled Edwards' portrait of [[Bobby Charlton]]<ref>{{cite news| url=http://www.independent.co.uk/arts-entertainment/the-sitters-tale-sir-bobby-charlton-1118666.html | location=London | work=The Independent | first=Andrew | last=MacPherson | title=THE SITTER'S TALE: Sir Bobby Charlton | date=1999-09-12}}</ref> in the National Portrait Gallery, Sponsored by [[British Gas plc]], it marked the 25th [[anniversary]] of [[England]] winning the [[FIFA World Cup]].<ref>{{cite web|url=http://www.npg.org.uk/collections/search/portrait.php?mkey=mw08122&LinkID=mp07914&role=art&rNo=4 |title=National Portrait Gallery - Portrait - NPG 6140; Sir Robert ('Bobby') Charlton |publisher=Npg.org.uk |date= |accessdate=2011-01-18}}</ref>

Revision as of 17:37, 19 April 2011

Peter Douglas Edwards, born 20 November 1955, British painter. Winner of the 1994 BP Portrait Award.

Early life and career

Peter Edwards was born in Chirk, North Wales, in the historic county of Denbighshire, which then became part of Clwyd, and most recently became attached to Wrexham County Borough, but he was brought up over the border in Ellesmere, Shropshire, in London House, a large Victorian building, the premises of a TV and electrical business, County TV Service Ltd, started by his father in 1954 in the centre of the market town. An ancestor was the map maker and engraver Robert Baugh [1] (1748–1832) of Llanymynech.

He attended Ellesmere Primary School 1960 - 1965, Bellan House School 1965 - 1967. and Oswestry School 1967 - 1974. After gaining A levels in Art and English, he attended an art foundation course at Shrewsbury School of Art, (part of what is now known as Shrewsbury College) 1974 - 1975. followed by a degree in Fine Art at Gloucestershire College of Art and Design, Cheltenham, Pittville Campus, 1975 - 1978. In his last term he brought out a small booklet of poems Brain's Acreage published by his complementary studies tutor Nick Wayte, and Nick's partner Gill Woodward. In October 1978 after an unsuccessful interview at the Royal College of Art, he set up a studio in the now unoccupied top floor of London House. He began to paint full time, (while helping when needed, delivering, and occasionally behind the counter, of the family business below) mainly self portraits, keeping in touch with the art scene by visiting friends who were still at art school in London, such as Tod Ramos (Royal Academy of Arts Schools) and Alistair Lockhart (St Martins).

In 1980 he exhibited a small self portrait in the Royal Academy Summer Exhibition. The painting was bought by the eminent collector, Sir Brinsley Ford.[2] With the money from this sale he stayed for a week in the Cromwell Road, Belfast digs of his Cheltenham art-school friend (Malcolm) James Reilly. He attended Reilly's lectures on the Post' Graduate' course at Belfast Art School by day, and the bohemian and punk underworld by night. He particularly remembers talking with Rita Donagh who was there as a visiting lecturer.

Through the 1980s he continued to exhibit at the Royal Academy and began exhibiting in the National Portrait Gallery's Portrait Award. A career breakthrough was the purchase in 1986 of The Liverpool Poets by the NPG. His continuing involvement with the gallery and Robin Gibson[3] then 20th Century Curator (later Chief Curator) led to a major one-man exhibition and tour in the Gallery in April 1990 "Contemporary Poets", which consisted of 17 large canvasses of 20 Britsh Isles poets, alongside a poem from each poet, numerous studies, and a series of Saturday morning readings from Seamus Heaney, Douglas Dunn, Charles Causley, Wendy Cope, and Craig Raine.

On 30 July 1991, Bobby Moore unveiled Edwards' portrait of Bobby Charlton[4] in the National Portrait Gallery, Sponsored by British Gas plc, it marked the 25th anniversary of England winning the FIFA World Cup.[5]

In 1993 he exhibited in The Portrait Now show with, amongst others, Francis Bacon, Lucian Freud, Nam June Paik, and Tony Bevan. In 1994 he won the BP Portrait Award[6] with Portrait of an Artist's Model, which was cited in the last paragraph of Richard Ormond's obituary of Marguerite Kelsey,[7] who was the subject of the portrait. She had been the been the model of choice, in the inter-war years, for many leading artists, including Meredith Frampton.[8] This award led to his commission to paint Kazuo Ishiguro, which was unveiled the following summer in the National Portrait Gallery by Ismail Merchant.

Selected public collections

Bibliography

  • The National Portrait Gallery Collection, 1988. Page 203 colour illustration The Liverpool Poets Oil on canvass, 175.9 x 237.5 By Peter Edwards, 1985 (5853) ISBN 0 904017 89 3
  • Contemporary Poets, Portraits By Peter Edwards, A National portrait Gallery Exhibiion, 1990. Foreword by Robin Gibson Curator 20th Century Collection. ISBN 085514031 4
  • The Portrait Now, National Portrait Gallery, 1993. Page 52. ISBN 1 855 14 098 5
  • drawings paintings and sculptures, the catalogue. Published by the museums and galleries of northern ireland. ISBN 0 900761 38 5. Page 247 Portrait of Michael Longley b.1939 (1989–1990) U4825
  • Royal Academy Illustrated 1996, A Souvenir of the 228th Summer Exhibition. Page 10, Peter Edwards Self Portrait Oil 7 x 5 ins.

References

  1. ^ "The Gentleman's magazine". 103 (1). Retrieved 2011-02-20. {{cite journal}}: Cite journal requires |journal= (help)
  2. ^ Ireland, George (1999-05-08). "Obituary: Sir Brinsley Ford". The Independent. London.
  3. ^ Charles Saumarez Smith (2010-08-16). "Robin Gibson obituary | Art and design". London: The Guardian. Retrieved 2011-01-18.
  4. ^ MacPherson, Andrew (1999-09-12). "THE SITTER'S TALE: Sir Bobby Charlton". The Independent. London.
  5. ^ "National Portrait Gallery - Portrait - NPG 6140; Sir Robert ('Bobby') Charlton". Npg.org.uk. Retrieved 2011-01-18.
  6. ^ "National Portrait Gallery - Portrait - NPG 6332; Kazuo Ishiguro". Npg.org.uk. Retrieved 2011-01-18.
  7. ^ Ormond, Richard (1995-03-10). "OBITUARIES Marguerite Kelsey". The Independent. London.
  8. ^ http://www.tate.org.uk/servlet/ViewWork?cgroupid=-1&workid=4521&searchid=9300&roomid=3539&tabview=text&texttype=8
  9. ^ "National Portrait Gallery - Person - Peter Edwards". Npg.org.uk. Retrieved 2011-01-18.
  10. ^ "Work in Regress | Peter Edwards | Collection Database | Works of Art | The Metropolitan Museum of Art, New York". Metmuseum.org. Retrieved 2011-01-18.
  11. ^ "Art Collections Online | National Museum Wales". Museumwales.ac.uk. Retrieved 2011-01-18.
  12. ^ "National Museums Northern Ireland". Nmni.com. Retrieved 2011-01-18.
  13. ^ "Portrait of Principal Struther Arnott (1934-)". Scran. 1998-01-05. Retrieved 2011-01-18.
  14. ^ "History of the Collections". Rcc.bham.ac.uk. Retrieved 2011-01-18.
  15. ^ "University of Warwick Art Collection - Artists - Peter Edwards". .warwick.ac.uk. 2009-02-11. Retrieved 2011-01-18.
  16. ^ "Portrait of Douglas Dunn - Hull Museums Collections". Hullcc.gov.uk. Retrieved 2011-01-18.
  17. ^ http://www.momawales.org.uk/?p=643
  18. ^ http://www.momawales.org.uk/?p=641
  19. ^ http://www.sheffield.ac.uk/mediacentre/2010/1677.html