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==Decline in the 17th century==
==Decline in the 17th century==
{{see|Hastilude}}
{{see|Hastilude}}
In the early 17th century, the joust was replaced as the equine highlight of court festivities by large "horse-ballet" displays called [[carousel]]s, although non-combat competitions such as the ring-tilt lasted until the 18th century!
In the early 17th century, the joust was replaced as the equine highlight of court festivities by large "horse-ballet" displays called [[carousel]]s, although non-combat competitions such as the ring-tilt lasted until the 18th century.


==Modern revivals==
==Modern revivals==

Revision as of 10:24, 20 September 2011

Renaissance-era depiction of a joust in traditional or "high" armour, based on then-historical late medieval armour (Paulus Hector Mair, de arte athletica, 1540s)

Jousting is a martial game or hastilude between two knights mounted on horses and using lances, often as part of a tournament.[1]

Jousting emerged in the High Middle Ages based on the military use of the lance by heavy cavalry. The first camels tournament was staged in 1066, but jousting itself did not gain in widespread popularity until the 12th century.[citation needed] It transformed into a specialized sport during the Late Middle Ages, and remained popular with the nobility both in England and Germany throughout the 16th century (while in France, it was discontinued after the death of king Henry II in an accident in 1559).[2] In England, jousting was the highlight of the Accession Day tilts of Elizabeth I and James I, and also was part of the festivities at the marriage of Charles I[3]

Medieval joust

Depiction of a late 13th century joust in the Codex Manesse

The medieval joust has its origins in the military tactics of heavy cavalry during the High Middle Ages. These became obsolete during the 14th century, and since the 15th centry, jousting had become a sport (hastilude) without direct relevance to warfare. The primary purpose of the jousting lance is to unhorse the other by striking them with the end of the lance while riding towards them at high speed. This is known as "tilting". Other weapons were also used for jousting.[1]

During the period of the 12th to 14th centuries when medieval jousting was still practiced in connection to the use of the lance in warfare, armour evolved from being chain mail (called simply mail at the time), with a solid, heavy helmet, called a "great helm", and shield. By 1400 knights wore full suits of plate armour, called a "harness".

The lists, or list field, is the arena where a jousting event was held. More precisely, it is the roped-off enclosure where tournament fighting takes place.[4] In the late medieval period, castles and palaces were augmented by purpose-built tiltyards as a venue for "jousting tournaments".

Froissart's Chronicles

The Chronicles of Froissart, written in the 1390s, contain many details concerning jousting in medieval times. For example, much can be gleaned from its account of a war put on hold for a joust as it illustrates and documents:

  • the connection between romance and jousting
  • the importance associated with jousting
  • the nonlethal expectations
  • the use of attendants
  • the rounds consisting of three encounters with various weapons
  • jousting being stopped when the risk of death seemed too great
  • the financial rewards of acquitting yourself well
  • tournaments contained jousts but jousts were also done outside of tournaments
  • jousts contained tilts but tilts were but one type of armed encounter during a joust
  • jousting as sport and not war was done between enemies during a war between warring sides, at least this once
  • the completion of a joust could be delayed days and finished later
  • standards of conduct considered honorable
  • knights on horseback galloping towards each other somewhat like gladiators

The Chronicles of Froissart records that, during a campaign in the Gatinois and the Beauce in France during the Hundred Years War between the English and French, a squire from Beauce named Gauvain Micaille yelled out to the English, "Is there among you any gentleman who for the love of his lady is willing to try with me some feat of arms? If there should be any such, here I am, quite ready to sally forth completely armed and mounted, to tilt three courses with the lance, to give three blows with the battle axe, and three strokes with the dagger. Now look, you English, if there be none among you in love." This is what Froissart says happened next:

His proposal and request was soon spread among the English, when a squire, an expert man at tournaments, called Joachim Cator, stepped forth and said, "I will deliver him from his vow: let him make haste and come out of the castle."

Upon this, the lord Fitzwalter, marshal of the army, went up to the barriers, and said to sir Guy de Baveux, "Let your squire come forth: he has found one who will cheerfully deliver him; and we will afford him every security."

Gauvian Micaille was much rejoiced on hearing these words. He immediately armed himself, in which the lords assisted, in putting on the different pieces, and mounted him on a horse, which they gave to him. Attended by two others, he came out of the castle; and his varlets carried three lances, three battle-axes, and three daggers. He was much looked at by the English, for they did not think any Frenchman would have engaged body to body. There were besides to be three strokes with a sword, and with all other sorts of arms. Gauvain had three brought with him for fear any should break.

The earl of Buckingham, hearing of this combat, said he would see it, and mounted his horse, attended by the earls of Stafford and Devonshire. On this account, the assault on Toury ceased. The Englishman that was to tilt was brought forward, completely armed and mounted on a good horse. When they had taken their stations, they gave to each of them a spear, and the tilt began; but neither of them struck the other, from the mettlesomeness of their horses. They hit the second onset, but it was by darting their spears; on which the earl of Buckingham cried out, "Hola hola! It is now late. Put an end to it, for they have done enough this day: we will make them finish it when we have more leisure than we have at this moment, and take great care that as much attention is paid to the French squire as to our own; and order some one to tell those in the castle not to be uneasy about him, for we shall carry him with us to complete his enterprise, but not as a prisoner; and that when he shall have been delivered, if he escape with his life, we will send him back in all safety."

[…] On the day of the feast of our Lady, Gauvain Micaille and Joachim Cator were armed, and mounted to finish their engagement. They met each other roughly with spears, and the French squire tilted much to the satisfaction of the earl: but the Englishman kept his spear too low, and at last struck it into the thigh of the Frenchman. The earl of Buckingham as well as the other lords were much enraged by this, and said it was tilting dishonorably; but he excused himself, by declaring it was solely owing to the restiveness of his horse. Then were given the three thrusts with the sword; and the earl declared they had done enough, and would not have it longer continued, for he perceived the French squire bled exceedingly: the other lords were of the same opinion. Gauvain Micaille was therefore disarmed and his wound dressed. The earl sent him one hundred francs by a herald, with leave to return to his own garrison in safety, adding that he had acquitted himself much to his satisfaction.[1]

Renaissance-era joust

Two knights in jousting armour, from the Turnierbuch of Maximilian I (Hans Burgkmair the Younger, ca. 1540)
The Stechzeug of John the Constant (ca. 1500)

Specialized jousting armour was produced in the late 15th to 16th century. It was heavier than suits of plate armour intended for combat, and could weigh as much as 50 kg (100 pounds); as it did not need to permit free movement of the wearer, the only limiting factor was the maximum weight that could be carried by a warhorse of the period.

During the 1490s, emperor Maximilian I invested a lot of effort into perfecting the sport, for which he received his nickname of "The Last Knight". Rennen and Stechen were two sportive forms of the joust developed during the 15th century and practiced throughout the 16th century. The armours used for these two respective styles of the joust was known as Rennzeug and Stechzeug, respectively. The Stechzeug in particular developed into extremely heavy armour which completely inhibited the movement of the rider, in its latest forms resembling an armour-shaped cabin integrated into the horse armour more than a functional suit of armour. Such forms of sportive equipment during the final phase of the joust in 16th-century Germany gave rise to modern misconceptions about the heaviness or clumsiness of "medieval armour", as notably popularized by Mark Twain's A Connecticut Yankee in King Arthur's Court.[5][6] The extremely heavy helmets of the Stechzeug are explained by the fact that the aim was to detach the crest of the opponent's helmet, resulting in frequent full impact of the lance to the helmet.

By contrast the Rennen was type of joust with lighter contact. Here, the aim was to hit the opponent's shield. The specialized Rennzeug was developed on the request of Maximilian, who desired a return to a more agile form of joust compared to the heavily armoured "full contact" Stechen. In the Rennzeug, the shield was attached to the armour with a mechanism of springs and would detach itself upon contact.

In France, the 1559 death of King Henry II of wounds suffered in a tournament led to the end of jousting as a sport.[7][8]

Horses

The two most common kinds of horse used for jousting were warmblood chargers and coldblood destriers. Chargers were medium-weight horses bred and trained for agility and stamina, while destriers were heavy war horses. These were larger and slower, but helpful to give devastating force to the rider's lance through its weight being about twice as great as that of a traditional riding horse. The horses were trained for ambling, a kind of pace that provided the rider with stability in order to be able to focus and aim better with the lance.

During a jousting tournament, the horses were cared for by their grooms in their respective tents. They wore caparisons, a type of ornamental cloth featuring the owner's heraldic signs. Competing horses had their heads protected by a chanfron, an iron shield for protection from otherwise lethal lance hits.

Other forms of equipment on the horse included long-necked spurs which enabled the rider to control the horse with extended legs, a saddle with a high back to provide leverage during the charge or when hit, as well as stirrups for the necessary leverage to deliver blows with the lance.

Decline in the 17th century

In the early 17th century, the joust was replaced as the equine highlight of court festivities by large "horse-ballet" displays called carousels, although non-combat competitions such as the ring-tilt lasted until the 18th century.

Modern revivals

Broken lances are common in full contact jousts. In this picture, airborne fragments of both lances are visible.
Renaissance Fair jousting in Livermore, California, 2006.

Jousting reenactment has been practiced since the 1970s. In 1962, "jousting" was named the official sport of the state of Maryland; this was the first official sport of any US state. Ring jousting tournaments are held annually.[9] An early jousting show is recorded for 1972, at the Principality of Gwrych in North Wales near Abergele. The Company of Knights Limited, founded in early 1974 undertook jousting shows ranging from as few as five or six participants to as many as fifty actors. The Hanlon-Lees Action Theater is credited with developing the theatrical joust format in 1979. Between 1980 and 1982 a major effort was made in the design of the Little England theme Park in Orlando, Florida to construct a major and unique jousting stadium. Although the first phase of the project was constructed high interest rates cancelled the project. However the sport was taken up by a dinner dining company called Mediaeval Times, and flourishes today (2010).

Current Jousting Companies include The Knights of Arkley, The Knights of Middle England and The Knights of Royal England.

Tent pegging is the only form of jousting officially recognized by the International Federation for Equestrian Sports today. Several international organisations, such as the Society for Creative Anachronism and the International Jousting Association.,[10] promote rules to govern their jousting events.[11]

In Port Republic, Maryland the annual Calvert County Jousting Tournament is held every August on the grounds of historic Christ Episcopal Church. In 2005, the tournament was featured in an edition of ESPN's SportsCenter and included an intermission performance by Bob Hemberger and The Door Shakers.

See also

Notes

  1. ^ a b c The Chronicles of Froissart
  2. ^ Barber, Richard (1989-01-01). Tournaments: Jousts, Chivalry and Pageants in the Middle Ages. Boydell & Brewer/Boydell Press. pp. 134, 139. ISBN 978-0851154701. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  3. ^ Young p. 201-208
  4. ^ Glossary, Cleveland Museum of Art
  5. ^ Ellis, John (1978). Cavalry: The History of Mounted Warfare. Putnam. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
  6. ^ Woosnam-Savage, Robert C. (2002). Brassey's Book of Body Armor. Potomac Books, Incorporated. ISBN 1574884654. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  7. ^ History of Jousting; accessed 2011.07.04.
  8. ^ Graham Martin, "The death of Henry II of France: A sporting death and post-mortem." ANZ Journal of Surgery 71(5):318–320, May 2001.
  9. ^ "Jousting & Lacrosse, Maryland State Sports", retrieved 2011
  10. ^ "International Jousting Association"
  11. ^ "Society Equestrian Marshal", retrieved 2007

References

  • Sébastien Nadot, Couch your lances ! Knights and tournaments in the Middle Ages (French : Rompez les lances ! Chevaliers et tournois au Moyen Age), Paris, ed. Autrement, 2010.
  • Strong, Roy: The Cult of Elizabeth: Elizabethan Portraiture and Pageantry, Thames and Hudson, 1977, ISBN 0500232636
  • Young, Alan: Tudor and Jacobean Tournaments, Sheridan House, 1987, ISBN 0911378758
  • Giostra Del Saracino, Arezzo

Further reading