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[[Category:British coming-of-age films]]
[[Category:British coming-of-age films]]
[[Category:2001 films]]
[[Category:2001 films]]
[[Category:Films shot in Wales]]
[[Category:Films set in Wales]]
[[Category:Films set in Wales]]
[[Category:Films produced by Graham Broadbent]]
[[Category:Films produced by Graham Broadbent]]

Revision as of 00:28, 26 November 2015

Very Annie Mary
Directed bySara Sugarman
Written bySara Sugarman
Produced byGraham Broadbent
Damian Jones
StarringRachel Griffiths
Jonathan Pryce
Ioan Gruffudd
Matthew Rhys
Joanna Page
CinematographyBarry Ackroyd[1]
Edited byRobin Sales
Music byStephen Warbeck
Distributed byFilmFour
Release date
25 May 2001
Running time
104 min.[2]
CountryWales
LanguageEnglish
Box office$46,352

Very Annie Mary is a 2001 comedy film and musical from the United Kingdom, written and directed by Sara Sugarman and starring Rachel Griffiths and Jonathan Pryce. It is a coming-of-age tale, set in south Wales, about a woman in her 30s who lives with her verbally abusive father. It was filmed on location in Bridgend and at Workingman's Institute and Memorial Hall, Newbridge, Wales.

Synopsis

After her father suffers a stroke, a woman is forced to take care of him but uses the circumstances to emancipate herself and find the courage to sing once again.[3]

Cast

Minor roles in the film are played by Ray Gravell, Mary Hopkin and Ruth Jones, among others.

Music

The film features the following songs:[4]

Production

The film was shot in summer 1999, with filming taking place in the Garw Valley in Bridgend, Wales, posing as the fictional village of "Ogw" (a play on the name of the Ogmore Valley's Welsh name of Ogwr). It was scheduled to be presented at the 2000 Sundance Film Festival and the Dinard Festival of British Cinema but failed to show at either event.[5]

Reception

Variety magazine called it a "half-klutzy, half-engaging eccentric comedy...bolstered by good turns from leads Rachel Griffiths and Jonathan Pryce" but "falling prey to a general disorganization in tone and structure.[5] The Guardian called it "a broad comedy with a very derivative Monty-ish plot, but likeable and good-natured."[6] The New York Times called the film "alternately mushy and farcical" with an "undertone of satire" that keeps the film from "choking on its own cuteness"; it "churns up a few genuinely funny bits" including a climax "that is almost worth waiting for."[7]

References

External links