Lucie Rie: Difference between revisions
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In 1938, she fled [[Nazi]] Austria and emigrated to England, where she settled in London. Around this time she separated from Hans Rie, a businessman whom she had married in Vienna in 1926, and their marriage was dissolved in 1940.<ref>{{Cite web|title = OBITUARIES Dame Lucie Rie|url = http://www.independent.co.uk/news/people/obituaries-dame-lucie-rie-1614074.html|website = The Independent|accessdate = 2015-12-03|language = en-GB}}</ref> For a time she provided accommodation to another Austrian émigré, the physicist [[Erwin Schrödinger]]. During and after the war, to make ends meet, she made ceramic buttons and jewellery, some of which are displayed at London's [[Victoria and Albert Museum]] and as part of the Lisa Sainsbury Collection at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich. |
In 1938, she fled [[Nazi]] Austria and emigrated to England, where she settled in London. Around this time she separated from Hans Rie, a businessman whom she had married in Vienna in 1926, and their marriage was dissolved in 1940.<ref>{{Cite web|title = OBITUARIES Dame Lucie Rie|url = http://www.independent.co.uk/news/people/obituaries-dame-lucie-rie-1614074.html|website = The Independent|accessdate = 2015-12-03|language = en-GB}}</ref> For a time she provided accommodation to another Austrian émigré, the physicist [[Erwin Schrödinger]]. During and after the war, to make ends meet, she made ceramic buttons and jewellery, some of which are displayed at London's [[Victoria and Albert Museum]] and as part of the Lisa Sainsbury Collection at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich. |
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In 1946, she hired [[Hans Coper]],<ref>[http://www.ceramicstoday.com/articles/coper.htm Ceramics Today-Hans Coper]{{ |
In 1946, she hired [[Hans Coper]],<ref>[http://www.ceramicstoday.com/articles/coper.htm Ceramics Today-Hans Coper] {{wayback|url=http://www.ceramicstoday.com/articles/coper.htm |date=20071112203128 }}</ref> a young man with no experience in ceramics, to help her fire the buttons. Although Coper was interested in learning sculpture, she sent him to a potter named Heber Mathews, who taught him how to make pots on the wheel. Rie and Coper exhibited together in 1948. Coper became a partner in Rie's studio, where he remained until 1958.<ref name="24HM">[http://www.culture24.org.uk/art/craft/ceramics/art26175 24 Hour Museum November 2, 2005]</ref> Their friendship lasted until Coper's death in 1981. |
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===London=== |
===London=== |
Revision as of 00:56, 14 January 2016
Lucie Rie | |
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Born | Lucie Gomperz 16 March 1902 |
Died | 1 April 1995 | (aged 93)
Nationality | British |
Education | Kunstgewerbeschule |
Known for | Studio pottery |
Dame Lucie Rie, DBE (1902 – 1995) (German pronunciation: [lʊtsiː ʀiː]) [1] was an Austrian-born British studio potter.
Early life
Lucie Rie (nee Lucie Gomperz[2]) was born in Vienna, Lower Austria, Austria-Hungary the youngest child of Benjamin Gomperz, a Jewish medical doctor who was a consultant to Sigmund Freud. She had two brothers, Paul and Teddy. Paul was killed at the Italian front in 1917.
She studied pottery under Michael Powolny at the Vienna Kunstgewerbeschule, a school of arts and crafts associated with the Wiener Werkstätte, in which she enrolled in 1922.[3]
Career
She set up her first studio in Vienna in 1925 and exhibited the same year at the Paris International Exhibition.
In 1937, she won a silver medal at the Paris International Exhibition (the exhibition for which Pablo Picasso painted Guernica).
In 1938, she fled Nazi Austria and emigrated to England, where she settled in London. Around this time she separated from Hans Rie, a businessman whom she had married in Vienna in 1926, and their marriage was dissolved in 1940.[4] For a time she provided accommodation to another Austrian émigré, the physicist Erwin Schrödinger. During and after the war, to make ends meet, she made ceramic buttons and jewellery, some of which are displayed at London's Victoria and Albert Museum and as part of the Lisa Sainsbury Collection at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich.
In 1946, she hired Hans Coper,[5] a young man with no experience in ceramics, to help her fire the buttons. Although Coper was interested in learning sculpture, she sent him to a potter named Heber Mathews, who taught him how to make pots on the wheel. Rie and Coper exhibited together in 1948. Coper became a partner in Rie's studio, where he remained until 1958.[6] Their friendship lasted until Coper's death in 1981.
London
Rie's small studio was at 18 Albion Mews, a narrow street of converted stables near Hyde Park. She invited many people to her studio and was renowned for giving her visitors tea and cake. The studio remained almost unchanged during the 50 years she occupied it and has been reconstructed in the Victoria and Albert Museum's ceramics gallery.
Rie was a friend of Bernard Leach, one of the leading figures in British studio pottery in the mid-20th century, and she was impressed by his views, especially concerning the "completeness" of a pot. [7] But despite his transient influence, her brightly coloured, delicate, modernist pottery stands apart from Leach's subdued, rustic, oriental work. She taught at Camberwell College of Arts from 1960 until 1972.
Death
She stopped making pottery in 1990, when she suffered the first of a series of strokes. She died at home in London on 1 April 1995, aged 93.[8]
Legacy
Rie's work has been described as cosmopolitan,[9] she is best remembered for her bowl and bottle forms. Her pottery is still displayed in collections around the world, including the Museum of Modern Art in New York, the York Art Gallery in the UK, and Paisley Museum in Scotland.[10] Her studio was moved and reconstructed in the new ceramics gallery at the Victoria and Albert Museum opened in 2009.
Awards and honours
- 1937 Silver medal at the Paris International Exhibition
- 1968 OBE[11]
- 1969 Honorary doctorate from the Royal College of Art[2]
- 1981 CBE
- 1991 DBE
References
- ^ Academic Dictionaries and Encyclopedias
- ^ a b the Visual Arts Data Service, Lucie Rie archive[dead link]
- ^ "OBITUARIES Dame Lucie Rie". The Independent. Retrieved 2015-12-03.
- ^ "OBITUARIES Dame Lucie Rie". The Independent. Retrieved 2015-12-03.
- ^ Ceramics Today-Hans Coper Archived 2007-11-12 at the Wayback Machine
- ^ 24 Hour Museum November 2, 2005
- ^ Gowing, Christopher, and Rice, Paul, British Studio Ceramics in the 20th Century, Barrie and Jenkins, 1989, p. 113; ISBN 0-7126-2042-7
- ^ "Lucie Rie". www.galeriebesson.co.uk. Retrieved 2015-12-03.
- ^ "Museum's ceramic collection boosted by £20,000 Art Fund bequest - News Releases - News - The Art Fund - national fundraising charity for works of art". artfund.org. 2012. Retrieved 11 June 2012.[dead link]
- ^ "Earthenware shallow bowl by Lucie Rie". Art Fund. Retrieved 2015-12-03.
- ^ "Lucie Rie". www.galeriebesson.co.uk. Retrieved 2015-12-03.
Sources
- Birks, Tony. Lucie Rie, Stenlake Publishing, 2009. ISBN 978-1-84033-448-7.
- Coatts, Margot (ed.). Lucie Rie and Hans Coper: Potters in Parallel, Herbert Press, 1997. ISBN 0-7136-4697-7.
- Cooper, Emmanuel (ed.). Lucie Rie: The Life and Work of Lucie Rie, 1902-1995, Ceramic Review Publishing Ltd., 2002. ISBN 4-86020-122-1.
- Frankel, Cyril. Modern Pots: Hans Coper, Lucie Rie & their Contemporaries, University of East Anglia Press, 2002. ISBN 0-946009-36-8.
- "Dame Lucie Rie, 93, Noted Ceramicist", New York Times, April 3, 1995, B10.
External links
- Obituary in The Independent
- BBC Woman's Hour, 15 March 2002
- "Bottle". Victoria and Albert Museum. Retrieved 2007-11-19.
- American Museum of Ceramic Art a select of her works is in AMOCA's Permanent Collection
- "Lucie Rie, 'Teapot & Jug'". Ceramics. Victoria and Albert Museum. Retrieved 2007-12-09.
- Lucie Rie: A New Zealand Connection, exhibition at The Dowse Art Museum, 16 May - 26 July 2015
- Justine Olsen, curator of Decorative and Applied Arts at Museum of New Zealand Te Papa Tongarewa, interviewed on Lucie Rie: Lucie Rie & New Zealand Modernism
- New Zealand ceramicist John Parker interviewed on working with Lucie Rie in London in the 1970s A New Zealand Connection