Gerald Hayes (artist): Difference between revisions
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==Early life and education== |
==Early life and education== |
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Hayes was born in Los Angeles and raised in various parts of the South |
Hayes was born in Los Angeles and raised in various parts of the South. Hayes obtained a Bachelor of Visual Arts degree at [[Auburn University]] in graphic design with an emphasis on painting. For the next two years he was employed as the Art and Staging Supervisor for Auburn University Educational Television. After moving to Champaign/Urbana, Illinois, Hayes earned a Master of Fine Arts degree in Painting and Printmaking at the [[University of Illinois]] in 1966.<ref>{{cite web|title=The Kingston Daily Freeman from Kingston, New Yor|url=https://www.newspapers.com/newspage/83941414/|publisher=The Daily Freeman|accessdate=31 January 2016}}</ref> |
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==Career== |
==Career== |
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Hayes was awarded a two year, full time position, teaching painting and drawing at the [[University of Illinois]]. He moved to New York City in August 1968. |
Hayes was awarded a two year, full time position, teaching painting and drawing at the [[University of Illinois]]. He moved to New York City in August 1968. |
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Hayes' academic career was at [[Pratt Institute]] in Brooklyn, New York (1971-2006). At Pratt Institute, Professor Hayes was full-time graduate faculty, teaching seminars in painting, drawing and printmaking. |
Hayes' academic career was at [[Pratt Institute]] in Brooklyn, New York (1971-2006). At Pratt Institute, Professor Hayes was full-time graduate faculty, teaching seminars in painting, drawing and printmaking. |
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==Artworks and Exhibitions== |
==Artworks and Exhibitions== |
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Hayes' first solo art exhibition in New York was in 1970 at Reese Palley Gallery in Soho. He exhibited his sculpture installations in 1971 at Bradford College |
Hayes' first solo art exhibition in New York was in 1970 at Reese Palley Gallery in Soho. He exhibited his sculpture installations in 1971 at [[Bradford College (United States)|Bradford College]] and his work was included in the "Lucht Kunst" ( Air Art ) exhibit at the [[Stedelijk Museum Amsterdam]]. |
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In 1972 his work was exhibited at the [[Everson Museum of Art]] in Syracuse, New York.<ref>{{cite web|title=The Post-Standard from Syracuse, New York · Page 38|url=https://www.newspapers.com/newspage/36618200/|publisher=The Post-Standard|accessdate=21 February 2016}}</ref> Sculpture and photo documentation pieces were included in an exhibit at the Museum of Fine Arts |
In 1972 his work was exhibited at the [[Everson Museum of Art]] in Syracuse, New York.<ref>{{cite web|title=The Post-Standard from Syracuse, New York · Page 38|url=https://www.newspapers.com/newspage/36618200/|publisher=The Post-Standard|accessdate=21 February 2016}}</ref> Sculpture and photo documentation pieces were included in an exhibit at the [[Museum of Fine Arts, Boston]], titled, "Earth, Air, Fire and Water : Elements of Art." Virginia Gunter, producer of "Elements" exhibit, wrote a feature article on Hayes' work for Artforum, (May 1973), titled "Gerald Hayes: The Creativity of the Psychological Eye".<ref name="Who2002">{{cite book|author=Marquis Who's Who|title=Who's who in American Art: 2001-2002|url=http://books.google.com/books?id=ZnLkU_TJ-TcC|date=1 February 2002|publisher=Marquis Who's Who, LLC|isbn=978-0-8379-6302-0|page=514}}</ref><ref>{{cite news|last1=Gunter|first1=Virginia|url=https://www.dropbox.com/s/dy8qtvo7v0sq2pd/img007.jpg?dl=0|title=Gerald Hayes: The Creativity of the Psychological Eye|accessdate=27 July 2014|publisher=Artforum Magazine|date=May 1973}}</ref>" Gerald's photo-documentation and para-sculpture ideas were made public at the [[City University of New York]]. A full page of photos of some of these works were featured in FLASH ART magazine in October 1973. |
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Hayes began a new series of art work from 1973 to 1976, in the form of drawing with an ink compass on large photographs, relating the arcs of curved shapes to the patterns of plant leaves. A selection of these photo drawings were shown at the 112 Green Street Gallery in Soho and related works of drawn circles and leaf collages were also exhibited in the Bevier Gallery of [[Rochester Institute of Technology]]. |
Hayes began a new series of art work from 1973 to 1976, in the form of drawing with an ink compass on large photographs, relating the arcs of curved shapes to the patterns of plant leaves. A selection of these photo drawings were shown at the 112 Green Street Gallery in Soho and related works of drawn circles and leaf collages were also exhibited in the Bevier Gallery of [[Rochester Institute of Technology]]. |
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===Hybrid Works=== |
===Hybrid Works=== |
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In 1978, Hayes' work combined photography with painting into a complex circular form. An article written by the painter and critic Craig Fisher for |
In 1978, Hayes' work combined photography with painting into a complex circular form. An article written by the painter and critic Craig Fisher for [[Arts Magazine]] (June 1980) discussed these works.<ref>{{cite journal|url=https://www.dropbox.com/s/p6b0nkxvo0im1eq/img015.jpg?dl=0|last1=Fisher|first1=Craig|title=Gerald Hayes' Hybrid Investigations|journal=Arts Magazine|date=June 1980|page=36|accessdate=27 July 2014}}</ref> Robert Pincus-Witten also discussed current and early works in his diary-style writing, "Entries: Styles of Artists and Critics" in [[Arts Magazine]], (November 1979). University of California Santa Barbara Art Museum curator Phyllis Plous included Hayes' leaf arc drawing, a new tondo painting and a wall installation in an exhibit titled "DARK/LIGHT" in 1980.<ref>{{cite web|title=Gerald Hayes|url=https://www.dropbox.com/s/1i2tfm3bslyk9cx/img016.jpg?dl=0|accessdate=4 March 2016}}</ref> The exhibit traveled to [[Scripps College]] in 1982 and was reviewed in Artweek and [[The Los Angeles Times]] which included a photo of his installation. |
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===Tondo Paintings=== |
===Tondo Paintings=== |
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A large scale tondo painting was exhibited at the Emily Lowe Gallery of Hofstra University "Abstract Painting, New York City: 1981".<ref>{{cite web|last1=SHIREY|first1=DAVID L.|title=ABSTRACTION WITH A RELAXED AIR|url=http://www.nytimes.com/1981/03/01/nyregion/abstraction-with-a-relaxed-air.html|publisher=The New York Times|accessdate=31 January 2016}}</ref> |
A large scale tondo painting was exhibited at the Emily Lowe Gallery of Hofstra University "Abstract Painting, New York City: 1981".<ref>{{cite web|last1=SHIREY|first1=DAVID L.|title=ABSTRACTION WITH A RELAXED AIR|url=http://www.nytimes.com/1981/03/01/nyregion/abstraction-with-a-relaxed-air.html|publisher=The New York Times|accessdate=31 January 2016}}</ref> |
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In March 1982 a show of Hayes' tondo and square paintings were exhibited at the [[Harm Bouckaert|Harm Bouckaert Gallery]]. A comprehensive monograph in ARTS Magazine (March 1982) by Robert Yoskowitz featured the paintings in the exhibit. |
In March 1982 a show of Hayes' tondo and square paintings were exhibited at the [[Harm Bouckaert|Harm Bouckaert Gallery]]. A comprehensive monograph in ARTS Magazine (March 1982) by Robert Yoskowitz featured the paintings in the exhibit.<ref>{{cite web|title=Gerald Hayes|url=https://www.dropbox.com/s/uyovnadpzy5z709/img014.jpg?dl=0|accessdate=4 March 2016}}</ref> |
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===Solo Shows=== |
===Solo Shows=== |
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Exhibitions of his paintings in 1990 were at the [[Stockton State College]] Gallery, Pomona, New Jersey and at the Calkins Gallery of [[Hofstra University]], Hempstead, New York. In 1997 an exhibit titled, "Drawing After the Arcade", was at [[Southern Cross University]] Art Museum in Lismore,<ref>{{cite web|title=Gerald Hayes Stockton state college|url=http://www.ghayesweb.com/pdf-reviews/TemaCeleste.pdf|accessdate=31 January 2016}}</ref> Australia. A catalog with an essay by Mario Naves documented the works in the exhibit.<ref>{{cite web|last1=Naves|first1=Mario|title=Drawings After the Arcade 1991-1996|url=http://www.ghayesweb.com/pdf-reviews/AfterTheArcade.pdf|publisher=Southern Cross University, Australia|accessdate=31 January 2016}}</ref> |
Exhibitions of his paintings in 1990 were at the [[Stockton State College]] Gallery, Pomona, New Jersey<ref>{{cite web|title=Gerald Hayes Stockton state college|url=https://www.dropbox.com/s/hv0boav4ukwzcfz/img013.jpg?dl=0|accessdate=4 March 2016}}</ref> and at the Calkins Gallery of [[Hofstra University]], Hempstead, New York. In 1997 an exhibit titled, "Drawing After the Arcade", was at [[Southern Cross University]] Art Museum in Lismore,<ref>{{cite web|title=Gerald Hayes Stockton state college|url=http://www.ghayesweb.com/pdf-reviews/TemaCeleste.pdf|accessdate=31 January 2016}}</ref> Australia. A catalog with an essay by Mario Naves documented the works in the exhibit.<ref>{{cite web|last1=Naves|first1=Mario|title=Drawings After the Arcade 1991-1996|url=http://www.ghayesweb.com/pdf-reviews/AfterTheArcade.pdf|publisher=Southern Cross University, Australia|accessdate=31 January 2016}}</ref> |
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===Algus and MoMA=== |
===Algus and MoMA=== |
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Mitchell Algus curated an exhibit for his Soho gallery in May 2000 of art from the early 1970s which included Gerald Hayes, Judith Murray, [[Deborah Remington]] and [[Ted Stamm]].<ref>{{cite web|title=Painter's Journal by John Zinsser|url=http://www.artnet.com/Magazine/reviews/zinsser/zinsser6-6-00.asp|publisher=Artnet.com|accessdate=31 January 2016}}</ref> |
Mitchell Algus curated an exhibit for his Soho gallery in May 2000 of art from the early 1970s which included Gerald Hayes, Judith Murray, [[Deborah Remington]] and [[Ted Stamm]].<ref>{{cite web|title=Painter's Journal by John Zinsser|url=http://www.artnet.com/Magazine/reviews/zinsser/zinsser6-6-00.asp|publisher=Artnet.com|accessdate=31 January 2016}}</ref> |
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Paintings by Gerry Hayes and Scott Malbaurn were shown at Denise Bibro's Platform Gallery in Chelsea (2008). Hayes' paintings were reviewed by [[Mario Naves]] for [[The New York Observer]].<ref>{{cite web|last1=Naves|first1=Mario|title=Pennsylvania Cubist|url=http://observer.com/2008/04/pennsylvania-cubist/|accessdate=31 January 2016}}</ref> |
Paintings by Gerry Hayes and Scott Malbaurn were shown at Denise Bibro's Platform Gallery in Chelsea (2008). Hayes' paintings were reviewed by [[Mario Naves]] for [[The New York Observer]].<ref>{{cite web|last1=Naves|first1=Mario|title=Pennsylvania Cubist|url=http://observer.com/2008/04/pennsylvania-cubist/|accessdate=31 January 2016}}</ref> |
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On May 14, 2009, Gerry Hayes was one of 5 artists whose work in the "Compass in Hand: The Judith Rothschild Collection" exhibition discussed their work at a public forum at the [[Museum of Modern Art, New York]]. A biographical article on the work of Gerald Hayes (March 2011) was prepared by art historian, Helmut Kronthaler for a German art encyclopedia, "Allgemeines Kunsterlexikon". French art critic, [[Timothée Chaillou]], included Gerry's work in a group show in Paris in 2011, titled "No Color in Your Cheeks Unless the Wind Lashes Your Face". |
On May 14, 2009, Gerry Hayes was one of 5 artists whose work in the "Compass in Hand: The Judith Rothschild Collection" exhibition discussed their work at a public forum at the [[Museum of Modern Art, New York]]. A biographical article on the work of Gerald Hayes (March 2011) was prepared by art historian, Helmut Kronthaler for a German art encyclopedia, "Allgemeines Kunsterlexikon". |
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French art critic, [[Timothée Chaillou]], included Gerry's work in a group show in Paris in 2011, titled "No Color in Your Cheeks Unless the Wind Lashes Your Face". |
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==References== |
==References== |
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Revision as of 12:35, 4 March 2016
Gerry Hayes | |
|---|---|
.jpeg) Gerry Hayes (photo by Jared Charney) | |
| Born | Gerald Eugene Hayes April 9, 1940 |
| Nationality | American |
| Website | www |
Gerry Hayes (born April 9, 1940) is an American painter who in addition to his paintings, has created installation sculpture and conceptual ideas documented in photography.
Early life and education
Hayes was born in Los Angeles and raised in various parts of the South. Hayes obtained a Bachelor of Visual Arts degree at Auburn University in graphic design with an emphasis on painting. For the next two years he was employed as the Art and Staging Supervisor for Auburn University Educational Television. After moving to Champaign/Urbana, Illinois, Hayes earned a Master of Fine Arts degree in Painting and Printmaking at the University of Illinois in 1966.[1]
Career
Hayes was awarded a two year, full time position, teaching painting and drawing at the University of Illinois. He moved to New York City in August 1968.
Hayes' academic career was at Pratt Institute in Brooklyn, New York (1971-2006). At Pratt Institute, Professor Hayes was full-time graduate faculty, teaching seminars in painting, drawing and printmaking.
Artworks and Exhibitions
Hayes' first solo art exhibition in New York was in 1970 at Reese Palley Gallery in Soho. He exhibited his sculpture installations in 1971 at Bradford College and his work was included in the "Lucht Kunst" ( Air Art ) exhibit at the Stedelijk Museum Amsterdam.
In 1972 his work was exhibited at the Everson Museum of Art in Syracuse, New York.[2] Sculpture and photo documentation pieces were included in an exhibit at the Museum of Fine Arts, Boston, titled, "Earth, Air, Fire and Water : Elements of Art." Virginia Gunter, producer of "Elements" exhibit, wrote a feature article on Hayes' work for Artforum, (May 1973), titled "Gerald Hayes: The Creativity of the Psychological Eye".[3][4]" Gerald's photo-documentation and para-sculpture ideas were made public at the City University of New York. A full page of photos of some of these works were featured in FLASH ART magazine in October 1973.
Hayes began a new series of art work from 1973 to 1976, in the form of drawing with an ink compass on large photographs, relating the arcs of curved shapes to the patterns of plant leaves. A selection of these photo drawings were shown at the 112 Green Street Gallery in Soho and related works of drawn circles and leaf collages were also exhibited in the Bevier Gallery of Rochester Institute of Technology.
Hybrid Works
In 1978, Hayes' work combined photography with painting into a complex circular form. An article written by the painter and critic Craig Fisher for Arts Magazine (June 1980) discussed these works.[5] Robert Pincus-Witten also discussed current and early works in his diary-style writing, "Entries: Styles of Artists and Critics" in Arts Magazine, (November 1979). University of California Santa Barbara Art Museum curator Phyllis Plous included Hayes' leaf arc drawing, a new tondo painting and a wall installation in an exhibit titled "DARK/LIGHT" in 1980.[6] The exhibit traveled to Scripps College in 1982 and was reviewed in Artweek and The Los Angeles Times which included a photo of his installation.
Tondo Paintings
A large scale tondo painting was exhibited at the Emily Lowe Gallery of Hofstra University "Abstract Painting, New York City: 1981".[7]
In March 1982 a show of Hayes' tondo and square paintings were exhibited at the Harm Bouckaert Gallery. A comprehensive monograph in ARTS Magazine (March 1982) by Robert Yoskowitz featured the paintings in the exhibit.[8]
Solo Shows
Exhibitions of his paintings in 1990 were at the Stockton State College Gallery, Pomona, New Jersey[9] and at the Calkins Gallery of Hofstra University, Hempstead, New York. In 1997 an exhibit titled, "Drawing After the Arcade", was at Southern Cross University Art Museum in Lismore,[10] Australia. A catalog with an essay by Mario Naves documented the works in the exhibit.[11]
Algus and MoMA
Mitchell Algus curated an exhibit for his Soho gallery in May 2000 of art from the early 1970s which included Gerald Hayes, Judith Murray, Deborah Remington and Ted Stamm.[12]
Paintings by Gerry Hayes and Scott Malbaurn were shown at Denise Bibro's Platform Gallery in Chelsea (2008). Hayes' paintings were reviewed by Mario Naves for The New York Observer.[13]
On May 14, 2009, Gerry Hayes was one of 5 artists whose work in the "Compass in Hand: The Judith Rothschild Collection" exhibition discussed their work at a public forum at the Museum of Modern Art, New York. A biographical article on the work of Gerald Hayes (March 2011) was prepared by art historian, Helmut Kronthaler for a German art encyclopedia, "Allgemeines Kunsterlexikon".
French art critic, Timothée Chaillou, included Gerry's work in a group show in Paris in 2011, titled "No Color in Your Cheeks Unless the Wind Lashes Your Face".
References
- ^ "The Kingston Daily Freeman from Kingston, New Yor". The Daily Freeman. Retrieved 31 January 2016.
- ^ "The Post-Standard from Syracuse, New York · Page 38". The Post-Standard. Retrieved 21 February 2016.
- ^ Marquis Who's Who (1 February 2002). Who's who in American Art: 2001-2002. Marquis Who's Who, LLC. p. 514. ISBN 978-0-8379-6302-0.
- ^ Gunter, Virginia (May 1973). "Gerald Hayes: The Creativity of the Psychological Eye". Artforum Magazine. Retrieved 27 July 2014.
- ^ Fisher, Craig (June 1980). "Gerald Hayes' Hybrid Investigations". Arts Magazine: 36. Retrieved 27 July 2014.
- ^ "Gerald Hayes". Retrieved 4 March 2016.
- ^ SHIREY, DAVID L. "ABSTRACTION WITH A RELAXED AIR". The New York Times. Retrieved 31 January 2016.
- ^ "Gerald Hayes". Retrieved 4 March 2016.
- ^ "Gerald Hayes Stockton state college". Retrieved 4 March 2016.
- ^ "Gerald Hayes Stockton state college" (PDF). Retrieved 31 January 2016.
- ^ Naves, Mario. "Drawings After the Arcade 1991-1996" (PDF). Southern Cross University, Australia. Retrieved 31 January 2016.
- ^ "Painter's Journal by John Zinsser". Artnet.com. Retrieved 31 January 2016.
- ^ Naves, Mario. "Pennsylvania Cubist". Retrieved 31 January 2016.
