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==Career==
==Career==
Forché's first poetry collection, ''Gathering the Tribes'' (1976), won the [[Yale Series of Younger Poets Competition]], leading to publication by Yale University Press.<ref>In 1991, the writer Steve Cannon named his newly-incorporated multicultural arts organization (which would eventually include a gallery and a literary magazine) A Gathering of the Tribes, acknowledging Forche's inspiration. See http://www.placematters.net/node/1789</ref> In 1977, she traveled to [[Spain]] to translate the work of Salvadoran-exiled poet [[Claribel Alegría]]. She has also translated the work of Georg Trakl and Mahmoud Darwish, as well as many others. Upon her return from Spain, she received a [[Guggenheim Fellowship]], which enabled her to travel to [[El Salvador]], where she worked as a human rights advocate. Her second book, ''The Country Between Us'' (1981), was published with the help of [[Margaret Atwood]]. It received the Poetry Society of America's Alice Fay di Castagnola Award, and was also the [[Lamont Poetry Selection]] of the [[Academy of American Poets]]. She won the 2006 Robert Creeley Award.<ref>{{cite web|url=http://www.robertcreeleyfoundation.org/about_carolyn_forch%C3%A9 |title=About Carolyn Forché |publisher=Robert Creeley Foundation |accessdate=2013-09-24}}</ref>
Forché's first poetry collection, ''Gathering the Tribes'' (1976), won the [[Yale Series of Younger Poets Competition]], leading to publication by Yale University Press.<ref>In 1991, the writer Steve Cannon named his newly-incorporated multicultural arts organization (which would eventually include a gallery and a literary magazine) A Gathering of the Tribes, acknowledging Forche's inspiration. See http://www.placematters.net/node/1789</ref> In 1977, she traveled to [[Spain]] to translate the work of Salvadoran-exiled poet [[Claribel Alegría]]. She has also translated the work of Georg Trakl and Mahmoud Darwish, as well as many others. Upon her return from Spain, she received a [[Guggenheim Fellowship]], which enabled her to travel to [[El Salvador]], where she worked as a human rights advocate. Her second book, ''The Country Between Us'' (1981), was published with the help of [[Margaret Atwood]]. It received the Poetry Society of America's Alice Fay di Castagnola Award, and was also the [[Lamont Poetry Selection]] of the [[Academy of American Poets]]. She won the 2006 Robert Creeley Award.<ref>{{cite web|url=http://www.robertcreeleyfoundation.org/about_carolyn_forch%C3%A9 |title=About Carolyn Forché |publisher=Robert Creeley Foundation |accessdate=2013-09-24 |deadurl=yes |archiveurl=https://web.archive.org/web/20120317123830/http://www.robertcreeleyfoundation.org/about_carolyn_forch%C3%A9 |archivedate=2012-03-17 |df= }}</ref>


Her articles and reviews have appeared in ''[[The New York Times]]'', ''[[The Washington Post]]'', ''[[The Nation]]'',<ref>{{cite web|url=http://www.thenation.com/authors/carolyn-forch%C3%A9 |title=Carolyn Forché |publisher=The Nation |accessdate=2013-09-24}}</ref> ''[[Esquire (magazine)|Esquire]]'', ''[[Mother Jones (magazine)|Mother Jones]]'', ''Boston Review'',<ref>[http://bostonreview.net/BR36.1/forche.php ] {{webarchive |url=https://web.archive.org/web/20110511155610/http://bostonreview.net/BR36.1/forche.php |date=May 11, 2011 }}</ref> and others. Forché has held three fellowships from the [[National Endowment for the Arts]], and in 1992 received a [[Lannan Literary Fellowship|Lannan Foundation Literary Fellowship]].<ref>{{cite news| url=http://select.nytimes.com/gst/abstract.html?res=F30614FF3C580C758DDDA00894D8494D81&scp=10&sq=carolyn%20forche&st=cse| title=Arts Foundation Awards $35,000 to 6 Authors| author=McDowell, Edwin| date= September 16, 1990| work=The New York Times }}</ref>
Her articles and reviews have appeared in ''[[The New York Times]]'', ''[[The Washington Post]]'', ''[[The Nation]]'',<ref>{{cite web|url=http://www.thenation.com/authors/carolyn-forch%C3%A9 |title=Carolyn Forché |publisher=The Nation |accessdate=2013-09-24}}</ref> ''[[Esquire (magazine)|Esquire]]'', ''[[Mother Jones (magazine)|Mother Jones]]'', ''Boston Review'',<ref>[http://bostonreview.net/BR36.1/forche.php ] {{webarchive |url=https://web.archive.org/web/20110511155610/http://bostonreview.net/BR36.1/forche.php |date=May 11, 2011 }}</ref> and others. Forché has held three fellowships from the [[National Endowment for the Arts]], and in 1992 received a [[Lannan Literary Fellowship|Lannan Foundation Literary Fellowship]].<ref>{{cite news| url=http://select.nytimes.com/gst/abstract.html?res=F30614FF3C580C758DDDA00894D8494D81&scp=10&sq=carolyn%20forche&st=cse| title=Arts Foundation Awards $35,000 to 6 Authors| author=McDowell, Edwin| date= September 16, 1990| work=The New York Times }}</ref>


Her anthology, ''Against Forgetting: Twentieth-Century Poetry of Witness'', was published in 1993, and her third book of poetry, ''The Angel of History'' (1994), was chosen for The [[Los Angeles Times]] Book Award. Her works include the famed poem ''The Colonel (The Country Between Us)''. She is also a trustee for the [[Griffin Poetry Prize]].<ref>{{cite web|url=http://www.griffinpoetryprize.com/about/trustees/#forche |title=The Griffin Trust &#124; Trustees |publisher=Griffin Poetry Prize |date= |accessdate=2013-09-24}}</ref>
Her anthology, ''Against Forgetting: Twentieth-Century Poetry of Witness'', was published in 1993, and her third book of poetry, ''The Angel of History'' (1994), was chosen for The [[Los Angeles Times]] Book Award. Her works include the famed poem ''The Colonel (The Country Between Us)''. She is also a trustee for the [[Griffin Poetry Prize]].<ref>{{cite web|url=http://www.griffinpoetryprize.com/about/trustees/#forche |title=The Griffin Trust &#124; Trustees |publisher=Griffin Poetry Prize |date= |accessdate=2013-09-24 |deadurl=yes |archiveurl=https://web.archive.org/web/20130928162651/http://www.griffinpoetryprize.com/about/trustees/ |archivedate=2013-09-28 |df= }}</ref>


Although Forché is sometimes described as a political poet, she considers herself a poet who is politically engaged. After first acquiring both fame and notoriety for her second volume of poems, ''The Country Between Us'', she pointed out that this reputation rested on a limited number of poems describing what she personally had experienced in [[El Salvador]] during the [[Salvadoran Civil War]]. Her aesthetic is more one of rendered experience and at times of mysticism rather than one of ideology or agitprop. Forché is particularly interested in the effect of political trauma on the poet's use of language. The anthology ''Against Forgetting'' was intended to collect the work of poets who had endured the impress of extremity during the 20th century, whether through their engagements or force of circumstance. These experiences included warfare, military occupation, imprisonment, torture, forced exile, censorship, and house arrest. The anthology, composed of the work of one hundred and forty-five poets writing in English and translated from over thirty languages, begins with the Armenian Genocide and ends with the uprising of the pro-Democracy movement at Tiananmen Square. Although she was not guided in her selections by the political or ideological persuasions of the poets, Forché believes the sharing of painful experience to be radicalizing, returning the poet to an emphasis on community rather than the individual ego. In this she was strongly influenced by [[Terrence des Pres]].<ref>{{cite web|url=http://www.english.illinois.edu/maps/poets/a_f/forche/life.htm |title=Carolyn Forché's Life and Career |publisher=University of Illinois |work=Modern American Poetry |accessdate=2013-09-24}}</ref>
Although Forché is sometimes described as a political poet, she considers herself a poet who is politically engaged. After first acquiring both fame and notoriety for her second volume of poems, ''The Country Between Us'', she pointed out that this reputation rested on a limited number of poems describing what she personally had experienced in [[El Salvador]] during the [[Salvadoran Civil War]]. Her aesthetic is more one of rendered experience and at times of mysticism rather than one of ideology or agitprop. Forché is particularly interested in the effect of political trauma on the poet's use of language. The anthology ''Against Forgetting'' was intended to collect the work of poets who had endured the impress of extremity during the 20th century, whether through their engagements or force of circumstance. These experiences included warfare, military occupation, imprisonment, torture, forced exile, censorship, and house arrest. The anthology, composed of the work of one hundred and forty-five poets writing in English and translated from over thirty languages, begins with the Armenian Genocide and ends with the uprising of the pro-Democracy movement at Tiananmen Square. Although she was not guided in her selections by the political or ideological persuasions of the poets, Forché believes the sharing of painful experience to be radicalizing, returning the poet to an emphasis on community rather than the individual ego. In this she was strongly influenced by [[Terrence des Pres]].<ref>{{cite web|url=http://www.english.illinois.edu/maps/poets/a_f/forche/life.htm |title=Carolyn Forché's Life and Career |publisher=University of Illinois |work=Modern American Poetry |accessdate=2013-09-24}}</ref>

Revision as of 03:34, 16 November 2016

Carolyn Forché
Forché announcing the 2010 National Book Critics Circle award finalists in poetry.
Forché announcing the 2010 National Book Critics Circle award finalists in poetry.
Born (1950-04-28) April 28, 1950 (age 74)
Detroit, Michigan
United States
Occupationpoet, columnist, essayist, lyricist
NationalityAmerican
EducationMichigan State University
Bowling Green State University

Carolyn Forché (born April 28, 1950) is an American poet, editor, translator, and human rights advocate.[1] She has received awards for her literary work.

Biography

Forché was born in Detroit, Michigan to Michael Joseph and Louise Nada Blackford Sidlosky. Forché earned a Bachelor of Arts (B.A) in Creative Writing at Michigan State University in 1972, and MFA at Bowling Green State University in 1974.[2] She taught at a number of universities, including Bowling Green State University,[3] Michigan State University, the University of Virginia, Skidmore College, Columbia University, San Diego State University and in the Master of Fine Arts program at George Mason University. She is now Director of the Lannan Center for Poetry and Poetics and holds the Lannan Chair in Poetry at Georgetown University in Washington, D.C.[4][5] She lives in Maryland with her husband, Harry Mattison, a photographer, whom she married in 1984.

Career

Forché's first poetry collection, Gathering the Tribes (1976), won the Yale Series of Younger Poets Competition, leading to publication by Yale University Press.[6] In 1977, she traveled to Spain to translate the work of Salvadoran-exiled poet Claribel Alegría. She has also translated the work of Georg Trakl and Mahmoud Darwish, as well as many others. Upon her return from Spain, she received a Guggenheim Fellowship, which enabled her to travel to El Salvador, where she worked as a human rights advocate. Her second book, The Country Between Us (1981), was published with the help of Margaret Atwood. It received the Poetry Society of America's Alice Fay di Castagnola Award, and was also the Lamont Poetry Selection of the Academy of American Poets. She won the 2006 Robert Creeley Award.[7]

Her articles and reviews have appeared in The New York Times, The Washington Post, The Nation,[8] Esquire, Mother Jones, Boston Review,[9] and others. Forché has held three fellowships from the National Endowment for the Arts, and in 1992 received a Lannan Foundation Literary Fellowship.[10]

Her anthology, Against Forgetting: Twentieth-Century Poetry of Witness, was published in 1993, and her third book of poetry, The Angel of History (1994), was chosen for The Los Angeles Times Book Award. Her works include the famed poem The Colonel (The Country Between Us). She is also a trustee for the Griffin Poetry Prize.[11]

Although Forché is sometimes described as a political poet, she considers herself a poet who is politically engaged. After first acquiring both fame and notoriety for her second volume of poems, The Country Between Us, she pointed out that this reputation rested on a limited number of poems describing what she personally had experienced in El Salvador during the Salvadoran Civil War. Her aesthetic is more one of rendered experience and at times of mysticism rather than one of ideology or agitprop. Forché is particularly interested in the effect of political trauma on the poet's use of language. The anthology Against Forgetting was intended to collect the work of poets who had endured the impress of extremity during the 20th century, whether through their engagements or force of circumstance. These experiences included warfare, military occupation, imprisonment, torture, forced exile, censorship, and house arrest. The anthology, composed of the work of one hundred and forty-five poets writing in English and translated from over thirty languages, begins with the Armenian Genocide and ends with the uprising of the pro-Democracy movement at Tiananmen Square. Although she was not guided in her selections by the political or ideological persuasions of the poets, Forché believes the sharing of painful experience to be radicalizing, returning the poet to an emphasis on community rather than the individual ego. In this she was strongly influenced by Terrence des Pres.[12]

Forché is also influenced by her Slovak family background, particularly the life story of her grandmother, an immigrant whose family included a woman resistance fighter imprisoned during the Nazi occupation of former Czechoslovakia. Forché was raised Roman Catholic and religious themes are frequent in her work.

Among her translations are Mahmoud Darwish's Unfortunately, It Was Paradise: Selected Poems (2003), Claribel Alegría's Sorrow (1999), and Robert Desnos's Selected Poetry (with William Kulik, for the Modern English Poetry Series, 1991).[citation needed]

Her fourth book of poems, Blue Hour, was released in 2003. Other books include a memoir, The Horse on Our Balcony (2010, HarperCollins); a book of essays (2011, HarperCollins); and a fifth collection of poems, In the Lateness of the World (Bloodaxe Books, due out in 2015).

Forché received an honorary doctorate from the University of Scranton in 2010.[13]

Bibliography

Carolyn Forché at Georgetown University in 2012.
Library resources about
Carolyn Forché
By Carolyn Forché
  • Women in American Labor History, 1825-1935: An Annotated Bibliography (Michigan State University, 1972), with Martha Jane Soltow and Murray Massre
  • Gathering the Tribes (Yale University Press, 1976), ISBN 0-300-01983-1
  • History and Motivations of U.S. Involvement in the Control of the Peasant Movement in El Salvador: The Role of AIFLD in the Agrarian Reform Process, 1970-1980 (EPICA, 1980), with Philip Wheaton
  • The Country Between Us (Harper & Row, 1981), ISBN 0-06-014955-8
  • El Salvador: Work of Thirty Photographers (W.W. Norton, 1983), ISBN 0-86316-063-8
  • Against Forgetting: Twentieth-Century Poetry of Witness (W.W. Norton, 1993), ISBN 0-393-03372-4 (ed.)
  • The Angel of History (HarperCollins, 1994), ISBN 0-06-017078-6
  • Writing Creative nonfiction: Instruction and Insights from Teachers of the Associated Writing Programs (Story Press, 2001), ISBN 1-884910-50-5 (ed. with Philip Gerard)
  • Blue Hour (HarperCollins, 2003), ISBN 0-06-009912-7

In other media

Forché appeared in the Ken Burns Oscar-nominated documentary The Statue of Liberty in 1985.[14]

In November 2013, Forché was interviewed as both scholar and poet for the documentary Poetry of Witness, directed by independent filmmakers Billy Tooma and Anthony Cirilo.

References

  1. ^ [1] Archived January 18, 2011, at the Wayback Machine
  2. ^ "Carolyn Forché". Poets.org. Retrieved 2013-09-24.
  3. ^ "Carolyn Forché's Teaching Philosophy". Modern American Poetry. Retrieved January 14, 2012.
  4. ^ [2] Archived July 19, 2011, at the Wayback Machine
  5. ^ Department of English. "Carolyn L Forche". Georgetown University. Retrieved 2013-09-24.
  6. ^ In 1991, the writer Steve Cannon named his newly-incorporated multicultural arts organization (which would eventually include a gallery and a literary magazine) A Gathering of the Tribes, acknowledging Forche's inspiration. See http://www.placematters.net/node/1789
  7. ^ "About Carolyn Forché". Robert Creeley Foundation. Archived from the original on 2012-03-17. Retrieved 2013-09-24. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  8. ^ "Carolyn Forché". The Nation. Retrieved 2013-09-24.
  9. ^ [3] Archived May 11, 2011, at the Wayback Machine
  10. ^ McDowell, Edwin (September 16, 1990). "Arts Foundation Awards $35,000 to 6 Authors". The New York Times.
  11. ^ "The Griffin Trust | Trustees". Griffin Poetry Prize. Archived from the original on 2013-09-28. Retrieved 2013-09-24. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  12. ^ "Carolyn Forché's Life and Career". Modern American Poetry. University of Illinois. Retrieved 2013-09-24.
  13. ^ "Honorary Degree Recipients". University of Scranton.
  14. ^ Schur, Joan Brodsky (2002). The Statue of Liberty: For Educators. WETA, 2002. Retrieved on 2013-07-02 from http://www.pbs.org/kenburns/statueofliberty/educators/.
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