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==External links==
==External links==
*[http://library.syr.edu/digital/guides/c/caesar_d.htm Doris Caesar Papers at Syracuse University]
*[http://library.syr.edu/digital/guides/c/caesar_d.htm Doris Caesar Papers at Syracuse University]
*[http://specialcollections.wichita.edu/collections/ms/95-02/95-2-A.HTML Doris Caesar Papers at Wichita State University]
*[https://web.archive.org/web/20140220145712/http://specialcollections.wichita.edu/collections/ms/95-02/95-2-A.HTML Doris Caesar Papers at Wichita State University]
*Chwiecko, Nancy. [http://news.nnyln.net/hill-news/hill-news-1975-september-1979-may/hill-news-1975-september-1979-may%20-%200135.pdf "Doris Caesar: Her Sculpture Fight."] ''Hill News''. 11 March 1976. Retrieved 1 Feb. 2014.
*Chwiecko, Nancy. [https://web.archive.org/web/20140218214203/http://news.nnyln.net/hill-news/hill-news-1975-september-1979-may/hill-news-1975-september-1979-may%20-%200135.pdf "Doris Caesar: Her Sculpture Fight."] ''Hill News''. 11 March 1976. Retrieved 1 Feb. 2014.


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Revision as of 22:14, 15 December 2016

Doris Caesar
Born(1892-11-08)November 8, 1892
Brooklyn, New York
Died1971
NationalityAmerican
EducationArt Students League
Known forSculpture

Doris Porter Caesar (November 8, 1892 – 1971) was an American sculptor best known for her portrayals of the nude female body.

Early life and education

Doris Porter Caesar was born in Brooklyn. Caesar attended Miss Chapin's School before transferring to the Spence School and the Art Students League, where she studied under George Bridgman. In 1913, she married and subsequently had three children. In 1925 she studied under Alexander Archipenko, under whom she developed her expressionistic approach to representing the female body.[1] Doris' first solo show occurred in 1931 at the Montross Gallery.

Work

Caesar experimented with sculpting the female body in clay, bronze, and brass, often elongating the figures to be taller than human height. In 1927, she cast her first bronze, the primary material she would work with throughout her career.[2] She took this bronze to E. Weyhe, a dealer on Lexington Avenue in New York City, who gave her access to his collection of German Expressionist artists. There, she was inspired by Ernst Barlach, Wilhelm Lehmbruck, and Käthe Kollwitz, whose work led her to turn away from classical forms and begin distorting the figures she sculpted until they were "stick-like."[3] Unfortunately, most of her work in the 1920s and 1930s was destroyed; the bulk of her major work was created in the following two decades after she moved to North Salem, New York and then to Litchfield, Connecticut, where she died in 1971.[2] In an article published in Hill News (March 11, 1975), Caesar says that she chose sculpture "because it's big and fights against you all the time".

Major works

  • 1947: Mother and Child
  • 1950: Descent from the Cross
  • 1955: Kneeling Torso
  • 1957: Ascent

Exhibitions

  • 1931: First solo exhibition at the Montross Gallery in New York City
  • 1934: Solo exhibition at the Montross Gallery
  • 1935: Solo exhibition at the E. Weyhe Bookshop and Gallery, New York City
  • 1943: Exhibition by Curt Valentin, New York City
  • 1957: Annual Exhibition, Whitney Museum, New York City[4]
  • 1959: "Four American Expressionists," Whitney Museum, New York City[5]

References

  1. ^ Anne Commire, ed. (2000). "Caesar, Doris Porter (1892–1971)". Women in World History: A Biographical Encyclopedia. Detroit: Yorkin Publications. p. 280. Retrieved 1 February 2014.
  2. ^ a b Jules Heller and Nancy G. Heller, ed. (1995). North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York & London: Garland Publishing, Inc. pp. 105–106.
  3. ^ Anne Commire and Deborah Klezmer, ed. (2007). "Caesar, Doris Porter (1892–1971)". Dictionary of Women Worldwide: 25,000 Women Through the Ages. Detroit: Yorkin Publications. p. 310.
  4. ^ 1957 Annual exhibition : sculpture, paintings, watercolors. Whitney Museum of American Art. 1957. Retrieved 1 February 2014.
  5. ^ "Doris Caesar: January 15 - February 7, 1959". Weyhe Gallery. Retrieved 1 February 2014.