Ulrich Schnauss: Difference between revisions
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==Pseudonyms / Groups== |
==Pseudonyms / Groups== |
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* Ulrich Schnauss |
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* Ethereal 77 |
* Ethereal 77 |
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* View to the Future |
* View to the Future |
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==Biography== |
==Biography== |
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⚫ | '''Ulrich Schnauss''' was born in northern [[Germany]] fishing port [[Kiel]] in [[1977]], during his formative years he grew a love for a broad spectrum of music ranging from [[My Bloody Valentine]] to [[Tangerine Dream]], [[Chapterhouse]] to early bleep & [[breakbeat]] tracks. There was not much opportunity to see some of his musical heroes in Kiel, so the inevitable pull of the big city meant a move to [[Berlin]] in [[1996]]. |
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⚫ | By that time Ulrich's musical output had already become prolific with a variety of pseudonyms (most notably View to the Future and Ethereal 77) veering from [[ambient]] to [[drum and bass]] via [[electronica]]. These earlier works were soon, catching the eye of Berlin electronica label CCO (City Centre Offices) who took up the story. |
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⚫ | Ulrich Schnauss was born in northern Germany fishing port Kiel in 1977, during his formative years he grew a love for a broad spectrum of music ranging from |
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⚫ | "It came a bit of a regular thing, those anonymous packages sent to us from Berlin with a single CDR, a biro scrawl revealing at closer inspection the simple stamp 'Ethereal 77'. Ulrich had been making music for years, producing, touring, piecing together that BIG sound. And yet each of these CDR instalments revealed something a little more personal." |
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⚫ | By that time Ulrich |
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⚫ | Soon these submissions to CCO developed into Ulrich’s first album under his own name entitled ''Far away Trains Passing By'' which as it slowly seeped into people's consciousness became an electronic classic. Listeners were taken with the lush instrumentation and the emotion of the elegant, simple and beautiful music. |
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⚫ | Yet nothing was to prepare his growing army of supporters for this next record ''A Strangely Isolated Place'' which slowly came together during 2001 into a record that really showed some of Ulrich's youthful indie influences. His debut album under his real name established his pedigree as an outstanding electronic composer, but somehow he managed to take it further by developing his interest in songwriting for electronic music, born of his love for such giants of the independent world as My Bloody Valentine's Kevin Shields and Cocteau Twins' Robin Guthrie. From this humble conception, comes forth a record of surprisingly rare emotional power. |
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⚫ | Soon these submissions to CCO developed into Ulrich’s first album under his own name entitled |
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⚫ | ''A Strangely Isolated Place'' has become one of those extraordinary and rare occurrences; a genuinely word-of-mouth record slowly growing in stature by virtue of its over-riding ability to deliver more than the usual arid and academic treatises on the state of the synthesizer, or solipsistic bedsit meanderings. |
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⚫ | Yet nothing was to prepare his growing army of supporters for this next record |
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⚫ | "When you've worked with [[computers]] and [[Keyboard_synthesizer|keyboards]] for a number of years, they become not so fascinating of themselves anymore. I gained in confidence after people began to discover ''Faraway Trains'', and it hasn't really stopped since then. This time I decided not to compromise on what I wanted to do, with what I thought people might want me to do." |
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Since the release of both albums Ulrich has been asked to work with and remix a host of artists including: Mojave 3, Longview, Johannes Schmoelling, The Zephyrs, Lunz (Rodelius) etc. |
Since the release of both albums Ulrich has been asked to work with and remix a host of artists including: Mojave 3, Longview, Johannes Schmoelling, The Zephyrs, Lunz (Rodelius) etc. |
Revision as of 08:28, 24 November 2004
Pseudonyms / Groups
- Ulrich Schnauss
- Ethereal 77
- View to the Future
- Hexaquart
- Police in Cars with Headphones
- Hair (with Alex Krueger)
Biography
Ulrich Schnauss was born in northern Germany fishing port Kiel in 1977, during his formative years he grew a love for a broad spectrum of music ranging from My Bloody Valentine to Tangerine Dream, Chapterhouse to early bleep & breakbeat tracks. There was not much opportunity to see some of his musical heroes in Kiel, so the inevitable pull of the big city meant a move to Berlin in 1996.
By that time Ulrich's musical output had already become prolific with a variety of pseudonyms (most notably View to the Future and Ethereal 77) veering from ambient to drum and bass via electronica. These earlier works were soon, catching the eye of Berlin electronica label CCO (City Centre Offices) who took up the story.
"It came a bit of a regular thing, those anonymous packages sent to us from Berlin with a single CDR, a biro scrawl revealing at closer inspection the simple stamp 'Ethereal 77'. Ulrich had been making music for years, producing, touring, piecing together that BIG sound. And yet each of these CDR instalments revealed something a little more personal."
Soon these submissions to CCO developed into Ulrich’s first album under his own name entitled Far away Trains Passing By which as it slowly seeped into people's consciousness became an electronic classic. Listeners were taken with the lush instrumentation and the emotion of the elegant, simple and beautiful music.
Yet nothing was to prepare his growing army of supporters for this next record A Strangely Isolated Place which slowly came together during 2001 into a record that really showed some of Ulrich's youthful indie influences. His debut album under his real name established his pedigree as an outstanding electronic composer, but somehow he managed to take it further by developing his interest in songwriting for electronic music, born of his love for such giants of the independent world as My Bloody Valentine's Kevin Shields and Cocteau Twins' Robin Guthrie. From this humble conception, comes forth a record of surprisingly rare emotional power.
A Strangely Isolated Place has become one of those extraordinary and rare occurrences; a genuinely word-of-mouth record slowly growing in stature by virtue of its over-riding ability to deliver more than the usual arid and academic treatises on the state of the synthesizer, or solipsistic bedsit meanderings.
"When you've worked with computers and keyboards for a number of years, they become not so fascinating of themselves anymore. I gained in confidence after people began to discover Faraway Trains, and it hasn't really stopped since then. This time I decided not to compromise on what I wanted to do, with what I thought people might want me to do."
The results are an oddly retro-futurist record, which owes more to MBV's Loveless or Vangelis's Bladerunner soundtrack than Ulrich's computer peers. It sounds all the better for it.
Since the release of both albums Ulrich has been asked to work with and remix a host of artists including: Mojave 3, Longview, Johannes Schmoelling, The Zephyrs, Lunz (Rodelius) etc.
He is currently writing and recording his third album.
(from [[1]] 2004-11-23 with permission)
Discography
Releases
- View To The Future - Broken
- Label: White Label
- Format: 12" single
- Year: 1995
- Police In Cars With Headphones - Wegwerfgesellschaft
- Label: FSP
- Format: CD album
- Year: 1995
- View To The Future - Journey To The Other World
- Label: VTTF
- Format: 12" single
- Year: 1996
- View To The Future - Purity
- Label: Alphakid Recordings
- Format: 12" single
- Year: 1997
- View To The Future - Music Is Music
- Label: Airdrops
- Format: 12" single
- Year: 1997
- Hair (With Alex Krueger) - We Rule The 80s
- Label: Müller
- Format: 12" EP
- Year: 1997
- View To The Future - The 7th Seal
- Label: Alphakid Recordings
- Format: CD album
- Year: 1997
- View To The Future - Unicorn
- Label: Case Invaders
- Format: 12" single
- Year: 1998
- Hair (With Alex Krueger) - Hair 2
- Label: USM
- Format: 12" EP
- Year: 1998
- Ethereal 77 - Spring Rmx
- Label: Base Daddy
- Format: 12" single
- Year: 1999
- Ethereal 77 - Landscapes
- Label: Base Daddy
- Format: CD album
- Year: 1999
- Junkie Sartre Vs Hexaquart - Ignorance
- Label: Force Tracks
- Format: 12" EP
- Year: 2000
- Hexaquart - - Exploitation
- Label: Lifetime
- Format: 12" EP
- Year: 2001
- Ulrich Schnauss - - Far Away Trains Passing By
- Label: City Centre Offices
- Format: CD / LP
- Year: 2001
- ethereal 77 - zero gravity
- Label: Looking Good
- Format: 12" single
- Year: 2002
- Ulrich Schnauss - A Strangely Isolated Place
- Label: City Centre Offices
- Format: CD / 2xLP
- Year: 2003
Remixes
- Ulrich Schnauss
- Johannes Schmoelling - Icewalk (Viktoriapark - Collaboration With Robert Wässer)
- Hrk - Love World (Joint Records)
- Obscure Celebrities - Fahreinheit (Gooom Disques)
- I´m Not A Gun - Make Sense & Loose (City Centre Offices)
- Justin Robertson - Love Movement (Bugged Out)
- Mojave3 - Bluebird Of Happiness (4ad)
- Longview - Can´t Explain (14th Floor Rec)
- Longview - Will You Wait Here (14th Floor Rec)
- Pete Lawrence - Musical Box (Big Chill)
- Sia - Breathe Me (Go Beat)
- The Zephyrs - Stand Round Hold Hands (Club Ac30)
- View To The Future
- Korsakow & Nudge (Usm)
- Hexaquart
- Daniel Lodig - Connect (Müller)
- Beroshima - Electronic Discussion (Müller)
Compilation Appearances (Exclusive Tracks Only)
- Police In Cars With Headphones - Bitte Lächeln - Wenn Sie Wollen For - Artgenda 96
- View To The Future - Addicted To Your Smile For - Barcode
- Tinkabell - Rosarotes Meer For - Chillin´ Voices 2 (Shift Music - Collaboration With K. Hein)
- Ethereal 77 - Forever For - Schöne Neue Welt (Space Teddy)
- Ethereal 77 - Oblivion & - Open Skiez For - Unpleasant Poems (Ground Liftaz)
- Ulrich Schnauss - Nothing Happens In June For - Mashed Mellow Grooves 5
- Ulrich Schnauss - You Were The Only One Around For - The Sound Of The Cosmos (Hooj Choons)
- Ulrich Schnauss - Crazy For You & - Wherever You Are For - Blue Skied An´ Clear (Morr Music)
- Ulrich Schnauss - As If You´ve Never Been Away For - The Trip (Universal)
(from [[2]] 2004-11-23 with permission)