;''Rice/Tree/Burial'' 1968, Eco-Logic, [[Sullivan County, New York]]; re-created 1977 at [[Artpark]] <ref>{{cite journal |last=Boettger |first=Suzaan |title=Excavating Land Art by Women in the 1970s |journal=Sculpture |date=November 2008 |pages=38–45 |volume=27 |number=9 }}</ref>
;''Rice/Tree/Burial'' 1968, Eco-Logic, [[Sullivan County, New York]]; re-created 1977 at [[Artpark]] <ref>{{cite journal |last=Boettger |first=Suzaan |title=Excavating Land Art by Women in the 1970s |journal=Sculpture |date=November 2008 |pages=38–45 |volume=27 |number=9 }}</ref>
:As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns,<ref name=NYT2012/> it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. This performance piece involved planting rice seeds in a field in upstate New York, chaining surrounding trees and burying a time capsule filled with copies of her haiku. “It was about communication with the earth,” Ms. Denes said, “and communicating with the future.”"<ref name=NYT2012/><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS6.html|title=Artist's Website - Description with 14 Photos of ''Rice/Tree/Burial''}}</ref>[[File:Wheatfield -- A Confrontation, 1982, by Agnes Denes.jpg|thumb|right]]
:As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns,<ref name=NYT2012/> it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. This performance piece involved planting rice seeds in a field in upstate New York, chaining surrounding trees and burying a time capsule filled with copies of her haiku. “It was about communication with the earth,” Ms. Denes said, “and communicating with the future.”"<ref name=NYT2012/><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS6.html |title=Artist's Website - Description with 14 Photos of ''Rice/Tree/Burial'' |deadurl=yes |archiveurl=https://web.archive.org/web/20130620125107/http://agnesdenesstudio.com/WORKS6.html |archivedate=2013-06-20 }}</ref>[[File:Wheatfield -- A Confrontation, 1982, by Agnes Denes.jpg|thumb|right]]
;''Wheatfield, a Confrontation'' 1982 [[Manhattan]], [[Battery Park]] City [[landfill]] <ref>{{cite web |title=Greenmuseum.org - Agnes Denes |url=http://www.greenmuseum.org/content/artist_index/artist_id-63.html |accessdate=2008-10-23}}</ref><ref>{{cite news|title=New York Times, June 6, 1982 - A Critic's Guide to the Outdoor Sculpture Shows by Grace Glueck|url=https://www.nytimes.com/1982/06/11/arts/a-critic-s-guide-to-the-outdoor-sculpture-shows.html?pagewanted=all | work=The New York Times | date=1982-06-11}}</ref><ref>{{cite journal|journal=Critical Inquiry|title=On Public Art - Agnes Denes|issue=Summer 1990, Volume 16, Number 4|url=http://ccindex.info/iw/critical-inquiry/01-ccindex-critical-inquiry-16-4/}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS7.html|title=Artist's Website - Description with 9 Photos of ''Wheatfield''}}</ref>
;''Wheatfield, a Confrontation'' 1982 [[Manhattan]], [[Battery Park]] City [[landfill]] <ref>{{cite web |title=Greenmuseum.org - Agnes Denes |url=http://www.greenmuseum.org/content/artist_index/artist_id-63.html |accessdate=2008-10-23}}</ref><ref>{{cite news|title=New York Times, June 6, 1982 - A Critic's Guide to the Outdoor Sculpture Shows by Grace Glueck|url=https://www.nytimes.com/1982/06/11/arts/a-critic-s-guide-to-the-outdoor-sculpture-shows.html?pagewanted=all | work=The New York Times | date=1982-06-11}}</ref><ref>{{cite journal|journal=Critical Inquiry|title=On Public Art - Agnes Denes|issue=Summer 1990, Volume 16, Number 4|url=http://ccindex.info/iw/critical-inquiry/01-ccindex-critical-inquiry-16-4/}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS7.html |title=Artist's Website - Description with 9 Photos of ''Wheatfield'' |deadurl=yes |archiveurl=https://web.archive.org/web/20130620125127/http://agnesdenesstudio.com/WORKS7.html |archivedate=2013-06-20 }}</ref>
:Arguably her best known work. It was created during a six-month period in the spring, summer, and fall of 1982 when Denes, with the support of the Public Art Fund, planted a field of golden wheat on two acres of rubble-strewn landfill near Wall Street and the World Trade Center in lower Manhattan (now the site of Battery Park City and the World Financial Center).
:Arguably her best known work. It was created during a six-month period in the spring, summer, and fall of 1982 when Denes, with the support of the Public Art Fund, planted a field of golden wheat on two acres of rubble-strewn landfill near Wall Street and the World Trade Center in lower Manhattan (now the site of Battery Park City and the World Financial Center).
;''Tree Mountain-a living time capsule'' 1996, [[Ylöjärvi]], [[Finland]]<ref>{{cite web |title=Agnes Denes |url=http://www.asci.org/artikel921.html |accessdate=2008-10-23| archiveurl= https://web.archive.org/web/20081123070609/http://www.asci.org/artikel921.html| archivedate= 23 November 2008 | deadurl= no}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS8.html|title=Artist's Website - Description and 2 Photos of ''Tree Mountain''}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS8B.html|title=Artist's Website - Description and Diagram of ''Tree Mountain''}}</ref>
;''Tree Mountain-a living time capsule'' 1996, [[Ylöjärvi]], [[Finland]]<ref>{{cite web |title=Agnes Denes |url=http://www.asci.org/artikel921.html |accessdate=2008-10-23| archiveurl= https://web.archive.org/web/20081123070609/http://www.asci.org/artikel921.html| archivedate= 23 November 2008 | deadurl= no}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS8.html |title=Artist's Website - Description and 2 Photos of ''Tree Mountain'' |deadurl=yes |archiveurl=https://web.archive.org/web/20130620125137/http://agnesdenesstudio.com/WORKS8.html |archivedate=2013-06-20 }}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS8B.html |title=Artist's Website - Description and Diagram of ''Tree Mountain'' |deadurl=yes |archiveurl=https://web.archive.org/web/20130620124931/http://agnesdenesstudio.com/WORKS8B.html |archivedate=2013-06-20 }}</ref>
:A monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.
:A monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.
;''A Forest for Australia'' [[reforestation]] of [[Eucalyptus camaldulensis|Red Gum]], [[Allocasuarina verticallata|She Oak]], and [[Melaleuca halmaturorum|Paperbark]] trees in [[Melbourne]] [[Australia]] 1998 <ref>{{cite web|url=http://www.marquette.edu/haggerty/press/denespress.html|title=Marquette University - Agnes Denes: Projects for Public Spaces}}</ref><ref>{{cite web |last=Denes |first=Agnes |title=My work as an environmental artist |url=http://www.helsinki.fi/jarj/iiaa/io1998/denes2.html |accessdate=2008-10-26}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKSAustraliaForest.html|title=Artist's Website - Description and Diagram of ''Forest for Australia''}}</ref>
;''A Forest for Australia'' [[reforestation]] of [[Eucalyptus camaldulensis|Red Gum]], [[Allocasuarina verticallata|She Oak]], and [[Melaleuca halmaturorum|Paperbark]] trees in [[Melbourne]] [[Australia]] 1998 <ref>{{cite web|url=http://www.marquette.edu/haggerty/press/denespress.html |title=Marquette University - Agnes Denes: Projects for Public Spaces |deadurl=yes |archiveurl=https://web.archive.org/web/20080509081808/http://www.marquette.edu/haggerty/press/denespress.html |archivedate=2008-05-09 }}</ref><ref>{{cite web |last=Denes |first=Agnes |title=My work as an environmental artist |url=http://www.helsinki.fi/jarj/iiaa/io1998/denes2.html |accessdate=2008-10-26}}</ref><ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKSAustraliaForest.html |title=Artist's Website - Description and Diagram of ''Forest for Australia'' |deadurl=yes |archiveurl=https://web.archive.org/web/20130803215621/http://agnesdenesstudio.com/WORKSAustraliaForest.html |archivedate=2013-08-03 }}</ref>
:6000 trees of an endangered species with varying heights at maturity were planted into five spirals by the artist, creating a step pyramid for each spiral when the trees are fullgrown. The trees help alleviate serious land erosion and desertification threatening Australia.
:6000 trees of an endangered species with varying heights at maturity were planted into five spirals by the artist, creating a step pyramid for each spiral when the trees are fullgrown. The trees help alleviate serious land erosion and desertification threatening Australia.
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:A 25-year master plan to unite a 100 kilometer-long string of forts dating from the sixteenth to the nineteenth centuries. Incorporating water and flood management, urban planning, historical preservation, landscaping, and tourism into a single plan.
:A 25-year master plan to unite a 100 kilometer-long string of forts dating from the sixteenth to the nineteenth centuries. Incorporating water and flood management, urban planning, historical preservation, landscaping, and tourism into a single plan.
;''North Waterfront Park Masterplan'', Berkeley, California, 1988-91. Site plan and art concept.<ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKSNWP.html|title=Artist's Website - Description and 12 photos of sketches from ''North Waterfront''}}</ref>
;''North Waterfront Park Masterplan'', Berkeley, California, 1988-91. Site plan and art concept.<ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKSNWP.html |title=Artist's Website - Description and 12 photos of sketches from ''North Waterfront'' |deadurl=yes |archiveurl=https://web.archive.org/web/20131006100459/http://agnesdenesstudio.com/WORKSNWP.html |archivedate=2013-10-06 }}</ref>
:A conceptual masterplan was developed for the conversion of a 97-acre municipal landfill, surrounded by water on three sides in the San Francisco Bay, into an oasis for people and nature.
:A conceptual masterplan was developed for the conversion of a 97-acre municipal landfill, surrounded by water on three sides in the San Francisco Bay, into an oasis for people and nature.
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''Original drawings for Isometric Systems, from the Museum of Modern Art Collection''
''Original drawings for Isometric Systems, from the Museum of Modern Art Collection''
* ''Early Philosophical Drawings, Monoprints, and Sculpture'' 1970-1973<ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS4.html|title=Artist's Website - 11 Photo of Early Philosophical Drawings}}</ref>
* ''Early Philosophical Drawings, Monoprints, and Sculpture'' 1970-1973<ref>{{cite web|url=http://www.agnesdenesstudio.com/WORKS4.html |title=Artist's Website - 11 Photo of Early Philosophical Drawings |deadurl=yes |archiveurl=https://web.archive.org/web/20130620124926/http://agnesdenesstudio.com/WORKS4.html |archivedate=2013-06-20 }}</ref>
===Sculpture===
===Sculpture===
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* The DAAD Fellowship, Berlin, Germany (1978)
* The DAAD Fellowship, Berlin, Germany (1978)
* American Academy of Arts and Letters Purchase Award (1985)
* American Academy of Arts and Letters Purchase Award (1985)
* Eugene McDermott Award in the Arts at MIT (1990)<ref name="MIT">{{cite web|url=http://arts.mit.edu/va/roster/|title=MIT Visiting Artists Roster}}</ref>
* Eugene McDermott Award in the Arts at MIT (1990)<ref name="MIT">{{cite web|url=http://arts.mit.edu/va/roster/ |title=MIT Visiting Artists Roster |deadurl=yes |archiveurl=https://web.archive.org/web/20130117172405/http://arts.mit.edu/va/roster/ |archivedate=2013-01-17 }}</ref>
* Rome Prize from the American Academy in Rome (1998)<ref>{{cite journal |title=Winners of the Rome Prize for Work and Study Abroad |issue=April 19 |url=https://query.nytimes.com/gst/fullpage.html?res=9D02E2DE1E3FF93AA25757C0A961958260&scp=11&sq=%22Agnes%20Denes%22&st=cse |accessdate=2008-10-24 | journal=The New York Times | date=1997-04-19}}</ref>
* Rome Prize from the American Academy in Rome (1998)<ref>{{cite journal |title=Winners of the Rome Prize for Work and Study Abroad |issue=April 19 |url=https://query.nytimes.com/gst/fullpage.html?res=9D02E2DE1E3FF93AA25757C0A961958260&scp=11&sq=%22Agnes%20Denes%22&st=cse |accessdate=2008-10-24 | journal=The New York Times | date=1997-04-19}}</ref>
* Jill Watson Award for Transdisciplinary Achievement in the Arts from Carnegie Mellon University (1999)<ref name="Bates">{{cite web|url=http://www.bates.edu/news/2007/09/26/otis-lecture|title=Bates College bio of Agnes Denes}}</ref>
* Jill Watson Award for Transdisciplinary Achievement in the Arts from Carnegie Mellon University (1999)<ref name="Bates">{{cite web|url=http://www.bates.edu/news/2007/09/26/otis-lecture|title=Bates College bio of Agnes Denes}}</ref>
Agnes Denes (Dénes Ágnes; Budapest, 1931) is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media - from poetry and philosophy writings, to complex hand and computer rendered diagrams (which she terms Visual Philosophy), sculpture, and international environmental installations, such as Wheatfield -- A Confrontation (1982), a two-acre wheatfield in downtown Manhattan.[1]
Biography and Early Career
Born in Budapest, Hungary in 1931,[2] her family survived the Nazi occupation and moved to Sweden in the mid-1940s. As a teenager, they relocated again to the United States. She has said that the repeated change in language caused her to focus on the visual arts - having "suddenly been silenced."[3] She studied painting at the New School and Columbia University in New York, and exhibited and sold some of her work.[3] She soon abandoned painting, due to the constraints of the canvas, and focused broadly on ideas she could explore in other mediums.[1] "I found its vocabulary limiting"[3]
She has since participated in more than 450 exhibitions at galleries and museums throughout the world, and has written 6 books.[4] At some point in the late 1960s-1970s, she was married and has one son, Robert T. Frankel.[5]
Selected works
What ties it all together is Ms. Denes’s insistence on marrying ambitious intellectual ideas with exquisite formal execution. In contrast to many of her conceptual and land-art peers, she has always been deeply involved with drawing.
In the history of art there have been a few artists’ artists—individuals who have emphasized in their work the raising of provocative questions and who have also tested the limits of art by taking it into new, unforeseen areas and by using it for distinctly new functions. Agnes Denes is one of these special artists.
As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns,[1] it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. This performance piece involved planting rice seeds in a field in upstate New York, chaining surrounding trees and burying a time capsule filled with copies of her haiku. “It was about communication with the earth,” Ms. Denes said, “and communicating with the future.”"[1][8]File:Wheatfield -- A Confrontation, 1982, by Agnes Denes.jpg
Arguably her best known work. It was created during a six-month period in the spring, summer, and fall of 1982 when Denes, with the support of the Public Art Fund, planted a field of golden wheat on two acres of rubble-strewn landfill near Wall Street and the World Trade Center in lower Manhattan (now the site of Battery Park City and the World Financial Center).
A monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.
6000 trees of an endangered species with varying heights at maturity were planted into five spirals by the artist, creating a step pyramid for each spiral when the trees are fullgrown. The trees help alleviate serious land erosion and desertification threatening Australia.
A 25-year master plan to unite a 100 kilometer-long string of forts dating from the sixteenth to the nineteenth centuries. Incorporating water and flood management, urban planning, historical preservation, landscaping, and tourism into a single plan.
North Waterfront Park Masterplan, Berkeley, California, 1988-91. Site plan and art concept.[19]
A conceptual masterplan was developed for the conversion of a 97-acre municipal landfill, surrounded by water on three sides in the San Francisco Bay, into an oasis for people and nature.
One in a series of large earth sculptures, The Living Pyramid, is the first Denes sculpture in New York City in over 3 decades. Sculpture is scheduled from May - August 2015.
Visual Philosophy
Ms. Denes as a highly original thinker and visualizer whose work rewards the close attention it demands. -Grace Glueck, New York Times.[21]
Agnes Denes drawings in the permanent collection of the Smithsonian Institution Museums
Beginning in 1968, she began an intensive exploration of philosophy through art. The result was "an amazing body of work, distinguished by its intellectual rigor, aesthetic beauty, conceptual analysis, and environmental concern." -Jill Hartz, retrospective editor, Cornell University[5]
Paradox and Essence (Philosophical Drawings), 1976, Published by Tau/ma Press, Rome, Italy, in English and Italian. Edition of 200; 60 pages[22]
Sculptures of the Mind, 1976, Published by the University of Akron Press, Akron, Ohio. Edition of 1,000, 250 signed and numbered; 50 pages[23]
Isometric Systems in Isotropic Space: Map Projections (from the Study of Distortions Series, 1973-1979), 1979. Published by Visual Studies Workshop Press, Rochester, New York. Edition of 200 hardback copies in silver foil, signed and numbered by the artist; edition of 600 in paperback; 100 pages, color and black and white throughout, 29 original drawings specially created for the book, 22 transparent pages.[24]
Original drawings for Isometric Systems, from the Museum of Modern Art Collection
Early Philosophical Drawings, Monoprints, and Sculpture 1970-1973[25]
Sculpture
A gallery exhibition can only suggest how far and wide the polymathic Ms. Denes has ranged over material and mental worlds during the past four decades. It would take a full-scale museum retrospective to do that.
Book of Dust: The Beginning and the End of Time and Thereafter 1989 Published by Visual Studies Workshop Press, Rochester, New York. Edition of 1,100 of which 200 are signed with an original artwork. Insert ("The Debate - 1 Million B.C. - 1 Million A.D.); 200 pages, 16 full-page duotones [2]
The Human Argument, 2008 Spring Publications, Putnam, Connecticut.[27]
Poetry Walk—Reflections: Pools of Thought, 2000 Charlottesville, Va.: University of Virginia Art Museum.[3]
^ abcAgnes Denes: The Artist as Universalist, essay by Peter Selz, Professor Emeritus University California Berkeley in Agnes Denes, Edited by Jill Hartz, 1992
^"Agnes Denes". Archived from the original on 23 November 2008. Retrieved 2008-10-23. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)