Alan Morrison (poet)

Alan Duncan Morrison (born 18 July 1974, Brighton) is a British poet.

Background

Morrison's Christian name was chosen after two of his father's boyhood heroes, Alan Breck, the Highland Jacobite fictionalized in Robert Louis Stevenson's Kidnapped, and, sans the second 'l', Allan Quatermain, from the novels by H. Rider Haggard. Morrison's early years were spent in Worthing, West Sussex. In 1985 his family moved to a small hamlet, Trematon, outside Saltash, in South-East Cornwall, just over the Tamar River from Plymouth. Due to unforeseen vicissitudes, several years of near-abject poverty followed, which had a profound influence on Morrison's development, personally, poetically and politically (he 'converted' to socialism at the height of Thatcherism). He was educated at English Martyrs Roman Catholic Primary School (1978–85), Saltash Comprehensive (1985–90), Plymouth College of Further Education (1991–94), and the University of Reading (1994–97) where he initially studied Sociology but later switched to Ancient History (graduating with what W.H. Auden once termed "A Poet's Third" (Hons)). In 1998 Morrison moved to Brighton (his birthplace) where he cut his teeth in poetry while working for a number of years in various unrelated jobs and voluntary roles (including typist, secretary, homelessness worker, mental health poetry tutor, freelance editor, designer, and occasional magazine journalist).

Overview of works

Morrison's work owes some debt to fairly unconventional influences such as Anglo-Scots poets John Davidson and Harold Monro, and Anglo-Welsh poets Alun Lewis and Dylan Thomas. However, his earliest influences were John Keats, Wilfred Owen, William Blake, Andrew Marvell, Emily Brontë (whose novel Wuthering Heights first inspired Morrison to write) and Percy Shelley (his introduction to the latter was via a stanza from 'The Mask of Anarchy' excerpted on the back of The Jam's 1980 LP Sound Affects -the lyrics of Paul Weller were also a potent influence on Morrison's early poetry). Critics have drawn comparisons between Morrison's often didactic and polemical style and a wide range of poets and writers such as John Milton ('Miltonic' has often been coined), William Blake, John Clare, Ivor Gurney, Wilfred Owen, T.S. Eliot, Ezra Pound, James Joyce, Alun Lewis, Philip Larkin, Stevie Smith, W.H. Auden and Tony Harrison.

His work is often characterised by a strongly social and polemical tone (drawing on the Audenesque), as epitomised in two of his long poems: Clocking-in for the Witching Hour (Sixties Press, 2004; rev ed. Smokestack 2010), which charts the thought processes of his father on a night shift as a security officer, through themes of ancestry and fate; and the Blakeian Keir Hardie Street (new revised edition, Smokestack, 2010), in which a fictitious, turn-of-the-century, working-class poet, Allan Jackdaw, discovers a Socialist Utopia off the dreamt-up Sea-Green Line of the London Underground. KHS not only pays homage to its namesake but also to poets William Blake and John Davidson (whose 'Thirty Bob a Week', a mock-Kipling balladic monologue of a broke city clerk, strongly influenced the style of Morrison's long poem), the socialist writer Robert Tressell, and artist Walter Sickert. In 2011, KHS was recorded to CD by film, television and radio actor, Michael Jayston (Cromwell, Nicholas and Alexandra, Jane Eyre, Flesh and Blood, A Bit of a Do etc.).

Morrison's Picaresque, a play for voices, was based on his experiences working at an all-male night shelter in Brighton, in which he juxtaposes the homeless "residents" with piratical alter-egos. The piece has been performed several times between 2000 and 2006, at venues including The Poetry Café and the George Bernard Shaw Theatre, RADA. Comparisons have been drawn with Dylan Thomas' Under Milk Wood – (DADA South and Samuel French Ltd.), but in terms of subject and tone other reviewers have seen the work as more echoing the likes of Robert Tressell and Maxim Gorky (Andy Croft, Smokestack).

Between 2004-06 Morrison worked as editor and designer of Poetry Express, journal of Survivors' Poetry, (a mental health literary charity) and of the Survivors’ Press imprint; he selected, edited and designed the Collected Poems of David Kessel, O the Windows of the Bookshop Must Be Broken.^[6] Between 2007 and 2012 he ran poetry workshops at Mill View psychiatric hospital, Hove. In 2008 he gained an NHS Artists' Award to produce an anthology of writing from the workshops (2009). Morrison was then commissioned to write his own poetic response to this residency, resulting in his epic work Captive Dragons / The Shadow Thorns, published in October 2011.

His collection Blaze a Vanishing and The Tall Skies (Waterloo Press, 2013) was funded by an Arts Council Grant for the Arts Award. Much of this volume is about historical and contemporary Sweden, including poem-tributes to figures such as Emanuel Swedenborg, Alfred Nobel, Ingmar Bergman, but with particular focus on the early 20thc. Swedish 'proletarian' writers and poets such as Ivar Lo Johansson, Dan Andersson, and Moa and Harry Martinson.

In 2014, Morrison published parts of an epic polemical poem-in-progress, Odour of Devon Violet ([1]), which juxtaposes the austerity era of the present day with that of the Thirties. Morrison was awarded his second Arts Council Grant for the Arts Award in succeeding years for this literary project. The poem -attributed to 'Ivor Mortise', a fictitious alter-ego of Morrison's- takes a satirical and dialectical take on contemporary austerity culture, rhetoric and political propaganda, using the core leitmotiv of Devon Violet, a cheap perfume particularly popular during the Thirties and Forties, as an olfactory metaphor for a detectable tendency of our present day Tory-facilitated austerity culture to latch onto retro-rhetoric and synthetic nostalgia (a sort of austerity nostalgia or 'nosterity'/ 'austalgia', as Morrison refers to it) for a pre-welfare state Britain of the Thirties and early Forties. The work dialectically draws on the period polemical works of Christopher Caudwell (Illusion and Reality, Studies in a Dying Culture etc.), Edmund Wilson (To the Finland Station), Cyril Connolly (Enemies of Promise), as well as focusing on other key cultural figures of the inter-war years, such as W.H. Auden and George Orwell.

In 2015 Lapwing Publications (Belfast) published Morrison's volume Shadows Waltz Haltingly. A deeply personal collection, it is a departure from his more socio-political poetry of recent years. Core to the volume is a series of poems charting his mother's 15+ year battle with Huntington's Disease, which finally claimed her in 2013; as well as many other poems on his family background, his own lifelong battle with chronic anxiety and obsessional neurosis (pure obsessional disorder, a lesser known but hugely debilitating type of obsessive-compulsive disorder), and poem-meditations on the lives and thought of Robert Burton (The Anatomy of Melancholy) and Søren Kierkegaard (The Concept of Anxiety etc.).

Morrison’s most recent collection is his most robustly political yet. Tan Raptures (Smokestack, April 2017) transposes the ubiquitous brown or tan envelopes that put fear into today’s unemployed, sick and disabled into passports towards a twisted Tory notion of salvation by benefit sanction. Morrison describes the long title poem as an ‘Audenic dialectic’ in verse; it is also a Socialist-Catholic polemic in opposition to the draconian welfare regimen of ex-Secretary of the Department for Work and Pensions (DWP), and self-proclaimed Roman Catholic, Iain Duncan Smith.

Morrison is editor of left-wing international literary webzine, The Recusant, which he founded in 2007. In August 2010 Morrison compiled, contributed to and edited a collection of political poems entitled Emergency Verse - Poetry in Defence of the Welfare State (Caparison) endorsed by Caroline Lucas MP ^[5]. This was followed in 2012 by a second, significantly bigger anti-austerity anthology, The Robin Hood Book – Verse Versus Austerity (patron Mark Serwotka of the PCS Union). Morrison started up another polemical poetry site, Militant Thistles, in 2015.

Morrison's poetry and monographs have appeared in over sixty journals including Aesthetica, Aireings, Cadenza, Candelabrum, The Cannon’s Mouth, Carillon, The Communist Review, Culture Matters, Decanto, Disability Arts Online, Eclipse, Exile, Illuminations (U.S.), The International Times, The Journal, The London Magazine, The Morning Star, Pennine Platform, The Penniless Press, Poetic Hours, Poetry and All That Jazz, Poetry Monthly International, Poetry Salzburg Review, Pulsar, Red Poets, South, Stand, The Whistling Shade (U.S.) and The Yellow Crane and online at Great Works, Strix Varia and Snakeskin.

Publications

• Poems - Alan Morrison - Don't Think of Tigers - The Do Not Press, 2001
• Giving Light - Waterloo Press, 2003
• Feed a Cold, Starve a Fever - Sixties Press, 2004
• Clocking-in for the Witching Hour - Sixties Press, 2004
• Picaresque, a play for voices - Survivors' Press, 2005
• "Storming Heaven in a Book", a preface to O the Windows of the Bookshop Must Be Broken - the Collected Poems of David Kessel (ed.) - Survivors' Press, 2005
• The Mansion Gardens - Paula Brown Publishing, 2006
• Picaresque - The Pirates of Circumstance - (reprint) chipmunkapublishing, 2007-8
• A Tapestry of Absent Sitters - Waterloo Press, 2009
• Keir Hardie Street - Smokestack Books, 2010
• Emergency Verse - Poetry in Defence of the Welfare State (ed. and contributor) - Caparison, 2010
• Captive Dragons / The Shadow Thorns - Waterloo Press, 2011
• The Robin Hood Book - Verse Versus Austerity (ed. and contributor) - Caparison, 2012
• Blaze a Vanishing/ The Tall Skies - Waterloo Press, Jan 2013
• Blaze a Vanishing - Revisited - Caparison (Nov 2013) ebook for World Literature Today [2]
• Odour of Devon Violet - 2014
• Shadows Waltz Haltingly - Lapwing Publications, Belfast, 2015 [3]
• Tan Raptures - Smokestack Books, April 2017

External links

• Alan Morrison website
• The Recusant
• Militant Thistles
• Smokestack Books
• Waterloo Press
• Lapwing Publications