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After the death of his mother in 1906, Cecil was brought up in London by his father, with the help of an aunt, spending summer holidays with relatives in [[County Wexford]]. He was educated at [[Sherborne School]] and at [[Wadham College, Oxford]]. In Oxford, Day-Lewis became part of the circle gathered around [[W. H. Auden]] and helped him to edit ''Oxford Poetry 1927''. His first collection of poems, ''Beechen Vigil'', appeared in 1925.<ref name=greenwichpast/>
After the death of his mother in 1906, Cecil was brought up in London by his father, with the help of an aunt, spending summer holidays with relatives in [[County Wexford]]. He was educated at [[Sherborne School]] and at [[Wadham College, Oxford]]. In Oxford, Day-Lewis became part of the circle gathered around [[W. H. Auden]] and helped him to edit ''Oxford Poetry 1927''. His first collection of poems, ''Beechen Vigil'', appeared in 1925.<ref name=greenwichpast/>


In 1928 he married Constance Mary King, the daughter of a Sherborne master (i.e. teacher), and worked as a schoolmaster in three schools, including Larchfield School, [[Helensburgh]], [[Scotland]] (now [[Lomond School]]).<ref name=greenwichpast>[http://wwp.greenwichpast.com/vip/writers/day-lewis.htm Cecil Day-Lewis]</ref><ref>https://www.theguardian.com/uk/2008/aug/31/helensburgh.heroes</ref> During the 1940s he had a long and troubled love affair with the novelist [[Rosamond Lehmann]]. His first marriage was dissolved in 1951, and he married actress [[Jill Balcon]], daughter of [[Michael Balcon]].
In 1928 he married Constance Mary King, the daughter of a Sherborne master (i.e. teacher), and worked as a schoolmaster in three schools, including Larchfield School, [[Helensburgh]], [[Scotland]] (now [[Lomond School]]).<ref name=greenwichpast>[http://wwp.greenwichpast.com/vip/writers/day-lewis.htm Cecil Day-Lewis] {{webarchive|url=https://web.archive.org/web/20060427062702/http://wwp.greenwichpast.com/vip/writers/day-lewis.htm |date=27 April 2006 }}</ref><ref>https://www.theguardian.com/uk/2008/aug/31/helensburgh.heroes</ref> During the 1940s he had a long and troubled love affair with the novelist [[Rosamond Lehmann]]. His first marriage was dissolved in 1951, and he married actress [[Jill Balcon]], daughter of [[Michael Balcon]].


During the [[Second World War]] he worked as a publications editor in the [[Ministry of Information (United Kingdom)|Ministry of Information]], an institution satirised by [[George Orwell]] in his dystopian ''[[Nineteen Eighty-Four]]'', but equally based on Orwell's experience of the [[BBC]]. During the Second World War his work was now no longer so influenced by Auden and he was developing a more traditional style of [[lyric poetry|lyricism]]. Some critics believe that he reached his full stature as a poet in ''Word Over All'' (1943), when he finally distanced himself from Auden.<ref name=bbc>[http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/daylewisc2.shtml BBC]</ref> After the war he joined the publisher [[Chatto & Windus]] as a director and senior editor.
During the [[Second World War]] he worked as a publications editor in the [[Ministry of Information (United Kingdom)|Ministry of Information]], an institution satirised by [[George Orwell]] in his dystopian ''[[Nineteen Eighty-Four]]'', but equally based on Orwell's experience of the [[BBC]]. During the Second World War his work was now no longer so influenced by Auden and he was developing a more traditional style of [[lyric poetry|lyricism]]. Some critics believe that he reached his full stature as a poet in ''Word Over All'' (1943), when he finally distanced himself from Auden.<ref name=bbc>[http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/daylewisc2.shtml BBC]</ref> After the war he joined the publisher [[Chatto & Windus]] as a director and senior editor.
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==Nicholas Blake==
==Nicholas Blake==
In 1935, Day-Lewis decided to supplement his income from poetry by writing a detective novel, ''A Question of Proof'', in which he created Nigel Strangeways, an amateur investigator and [[gentleman detective]] who, as the nephew of an Assistant Commissioner at [[Scotland Yard]], has the same access to, and good relations with, official crime investigation bodies as those enjoyed by other fictional sleuths such as [[Ellery Queen]], [[Philo Vance]] and [[Lord Peter Wimsey]].<ref name="neglected">[http://www.deadlypleasures.com/Scowcroft.htm Neglected British Crime Writers]</ref> This was followed by nineteen more crime novels. (In the first Nigel Strangeways novel, the detective is modelled on [[W. H. Auden]], but Strangeways becomes a far less extravagant and more serious figure in later novels.) From the mid-1930s Day-Lewis was able to earn his living by writing.<ref name=greenwichpast/> Four of the Blake novels – ''A Tangled Web, Penknife in My Heart, The Deadly Joker, The Private Wound'' – do not feature Strangeways.
In 1935, Day-Lewis decided to supplement his income from poetry by writing a detective novel, ''A Question of Proof'', in which he created Nigel Strangeways, an amateur investigator and [[gentleman detective]] who, as the nephew of an Assistant Commissioner at [[Scotland Yard]], has the same access to, and good relations with, official crime investigation bodies as those enjoyed by other fictional sleuths such as [[Ellery Queen]], [[Philo Vance]] and [[Lord Peter Wimsey]].<ref name="neglected">[http://www.deadlypleasures.com/Scowcroft.htm Neglected British Crime Writers] {{webarchive|url=https://archive.is/20060508130138/http://www.deadlypleasures.com/Scowcroft.htm |date=8 May 2006 }}</ref> This was followed by nineteen more crime novels. (In the first Nigel Strangeways novel, the detective is modelled on [[W. H. Auden]], but Strangeways becomes a far less extravagant and more serious figure in later novels.) From the mid-1930s Day-Lewis was able to earn his living by writing.<ref name=greenwichpast/> Four of the Blake novels – ''A Tangled Web, Penknife in My Heart, The Deadly Joker, The Private Wound'' – do not feature Strangeways.


''Minute for Murder'' is set against the background of Day-Lewis's Second World War experiences in the Ministry of Information. ''Head of a Traveller'' features as a principal character a well-known poet, currently frustrated and blocked from writing, whose best poetic days are long behind him; the reader is free to speculate whether the author is describing himself, one of his colleagues, or has entirely invented the character.
''Minute for Murder'' is set against the background of Day-Lewis's Second World War experiences in the Ministry of Information. ''Head of a Traveller'' features as a principal character a well-known poet, currently frustrated and blocked from writing, whose best poetic days are long behind him; the reader is free to speculate whether the author is describing himself, one of his colleagues, or has entirely invented the character.
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In his youth, Day-Lewis adopted communist views, becoming a member of the [[Communist Party of Great Britain]] from 1935 to 1938, and his early poetry was marked by didacticism and a preoccupation with social themes.<ref name=infoplease>[http://www.infoplease.com/ce6/people/A0814844.html Day Lewis, C]</ref> In 1937 he edited ''The Mind in Chains: Socialism and the Cultural Revolution''. In the introduction, he supported a popular front against a "Capitalism that has no further use for culture". He explains that the title refers to [[Prometheus]] bound by his chains, quotes [[Percy Bysshe Shelley|Shelley]]'s preface to ''[[Prometheus Unbound (Shelley)|Prometheus Unbound]]'' and says the contributors believe that "the Promethean fire of enlightenment, which should be given for the benefit of mankind at large, is being used at present to stoke up the furnaces of private profit". The contributors were: Rex Warner, [[Edward Upward]], [[Arthur Calder-Marshall]], Barbara Nixon, [[Anthony Blunt]], Alan Bush, [[Charles Madge]], Alistair Brown, [[J. D. Bernal]], T. A. Jackson and [[Edgell Rickword]].
In his youth, Day-Lewis adopted communist views, becoming a member of the [[Communist Party of Great Britain]] from 1935 to 1938, and his early poetry was marked by didacticism and a preoccupation with social themes.<ref name=infoplease>[http://www.infoplease.com/ce6/people/A0814844.html Day Lewis, C]</ref> In 1937 he edited ''The Mind in Chains: Socialism and the Cultural Revolution''. In the introduction, he supported a popular front against a "Capitalism that has no further use for culture". He explains that the title refers to [[Prometheus]] bound by his chains, quotes [[Percy Bysshe Shelley|Shelley]]'s preface to ''[[Prometheus Unbound (Shelley)|Prometheus Unbound]]'' and says the contributors believe that "the Promethean fire of enlightenment, which should be given for the benefit of mankind at large, is being used at present to stoke up the furnaces of private profit". The contributors were: Rex Warner, [[Edward Upward]], [[Arthur Calder-Marshall]], Barbara Nixon, [[Anthony Blunt]], Alan Bush, [[Charles Madge]], Alistair Brown, [[J. D. Bernal]], T. A. Jackson and [[Edgell Rickword]].


After the late 1930s, he gradually became disillusioned with communism.<ref name=greenwichpast/> Among his works is his autobiography, ''Buried Day'' (1960), in which he renounces his communist views,<ref>[http://www.artehistoria.com/frames.htm?http://www.artehistoria.com/historia/personajes/7266.htm Arte Historia Personajes]</ref> while his detective story, ''The Sad Variety'' (1964), contains a scathing portrayal of doctrinaire communists, the repression of the 1956 Hungarian uprising, and the ruthless tactics of Soviet intelligence agents. {{Citation needed|date=January 2012}}
After the late 1930s, he gradually became disillusioned with communism.<ref name=greenwichpast/> Among his works is his autobiography, ''Buried Day'' (1960), in which he renounces his communist views,<ref>[http://www.artehistoria.com/frames.htm?http://www.artehistoria.com/historia/personajes/7266.htm Arte Historia Personajes] {{webarchive|url=https://web.archive.org/web/20070310171718/http://www.artehistoria.com/frames.htm?http%3A%2F%2Fwww.artehistoria.com%2Fhistoria%2Fpersonajes%2F7266.htm |date=10 March 2007 }}</ref> while his detective story, ''The Sad Variety'' (1964), contains a scathing portrayal of doctrinaire communists, the repression of the 1956 Hungarian uprising, and the ruthless tactics of Soviet intelligence agents. {{Citation needed|date=January 2012}}


==Selected works==
==Selected works==

Revision as of 14:33, 1 August 2017

"Nicholas Blake" redirects here. For other uses, see Nicholas Blake (disambiguation).

Cecil Day-Lewis
Born(1904-04-27)27 April 1904
Ballintubbert, County Laois, Ireland
Died22 May 1972(1972-05-22) (aged 68)
Hadley Wood, Hertfordshire, England
Resting placeSt Michael's Church, Stinsford, Dorset, England
Pen nameNicholas Blake
OccupationPoet, novelist
NationalityBritish
SpouseConstance Mary King (1928–1951)
Jill Balcon (1951–1972)
ChildrenSean Day-Lewis (b. 1931)
Nicholas Day-Lewis (b. 1934) Tamasin Day-Lewis (b. 1953)
Daniel Day-Lewis (b. 1957)

Cecil Day-Lewis (or Day Lewis) CBE (27 April 1904 – 22 May 1972) was an Anglo-Irish poet and the Poet Laureate of the United Kingdom from 1968 until his death in 1972. He also wrote mystery stories under the pseudonym of Nicholas Blake. He was the father of actor Daniel Day-Lewis and documentary filmmaker and television chef Tamasin Day-Lewis.

Life and work

Day-Lewis was born in Ballintubbert, Athy/Stradbally border, Queen's County (now known as County Laois), Ireland.[1] He was the son of Frank Day-Lewis (died 29 July 1937),[2][3] Church of Ireland Rector of that parish, and Kathleen Blake (née Squires; died 1906).[4] Some of his family were from England (Hertfordshire and Canterbury). His father took on the surname "Day-Lewis" as a combination of his own birth father's ("Day") and adoptive father's ("Lewis") surnames.[5] In his autobiography The Buried Day (1960), he wrote "As a writer I do not use the hyphen in my surname – a piece of inverted snobbery which has produced rather mixed results".[6]

After the death of his mother in 1906, Cecil was brought up in London by his father, with the help of an aunt, spending summer holidays with relatives in County Wexford. He was educated at Sherborne School and at Wadham College, Oxford. In Oxford, Day-Lewis became part of the circle gathered around W. H. Auden and helped him to edit Oxford Poetry 1927. His first collection of poems, Beechen Vigil, appeared in 1925.[7]

In 1928 he married Constance Mary King, the daughter of a Sherborne master (i.e. teacher), and worked as a schoolmaster in three schools, including Larchfield School, Helensburgh, Scotland (now Lomond School).[7][8] During the 1940s he had a long and troubled love affair with the novelist Rosamond Lehmann. His first marriage was dissolved in 1951, and he married actress Jill Balcon, daughter of Michael Balcon.

During the Second World War he worked as a publications editor in the Ministry of Information, an institution satirised by George Orwell in his dystopian Nineteen Eighty-Four, but equally based on Orwell's experience of the BBC. During the Second World War his work was now no longer so influenced by Auden and he was developing a more traditional style of lyricism. Some critics believe that he reached his full stature as a poet in Word Over All (1943), when he finally distanced himself from Auden.[9] After the war he joined the publisher Chatto & Windus as a director and senior editor.

In 1946, Day-Lewis was a lecturer at Cambridge University, publishing his lectures in The Poetic Image (1947). Day-Lewis was made a Commander of the Most Excellent Order of the British Empire by Elizabeth II in her 1950 Birthday Honours.[10] He later taught poetry at Oxford, where he was Professor of Poetry from 1951 to 1956.[7] During 1962–1963, he was the Norton Professor at Harvard University. Day-Lewis was appointed Poet Laureate in 1968, in succession to John Masefield.[11]

Day-Lewis was chairman of the Arts Council Literature Panel, vice-president of the Royal Society of Literature, an Honorary Member of the American Academy of Arts and Letters, a Member of the Irish Academy of Letters and a Professor of Rhetoric at Gresham College, London.

Headstone of Cecil Day-Lewis in the Stinsford churchyard.

Cecil Day-Lewis died from pancreatic cancer on 22 May 1972, aged 68, at Lemmons, the Hertfordshire home of Kingsley Amis and Elizabeth Jane Howard, where he and his family were staying. He was a great admirer of Thomas Hardy, and had arranged to be buried as close as possible to the author's grave at St Michael's Church in Stinsford, Dorset.[7]

Day-Lewis's epitaph, taken from his poem Is it Far to Go?, reads:

 
Shall I be gone long?
     For ever and a day.
To whom there belong?
     Ask the stone to say.
     Ask my song.

Day-Lewis's two marriages yielded four children,[12] including Academy Award-winning actor Daniel Day-Lewis, food writer and journalist Tamasin Day-Lewis, and TV critic and writer Sean Day-Lewis, who wrote a biography of his father, C. Day Lewis: An English Literary Life (1980).

Daniel Day-Lewis donated his father’s archive to the Bodleian library.[13][14]

Nicholas Blake

In 1935, Day-Lewis decided to supplement his income from poetry by writing a detective novel, A Question of Proof, in which he created Nigel Strangeways, an amateur investigator and gentleman detective who, as the nephew of an Assistant Commissioner at Scotland Yard, has the same access to, and good relations with, official crime investigation bodies as those enjoyed by other fictional sleuths such as Ellery Queen, Philo Vance and Lord Peter Wimsey.[15] This was followed by nineteen more crime novels. (In the first Nigel Strangeways novel, the detective is modelled on W. H. Auden, but Strangeways becomes a far less extravagant and more serious figure in later novels.) From the mid-1930s Day-Lewis was able to earn his living by writing.[7] Four of the Blake novels – A Tangled Web, Penknife in My Heart, The Deadly Joker, The Private Wound – do not feature Strangeways.

Minute for Murder is set against the background of Day-Lewis's Second World War experiences in the Ministry of Information. Head of a Traveller features as a principal character a well-known poet, currently frustrated and blocked from writing, whose best poetic days are long behind him; the reader is free to speculate whether the author is describing himself, one of his colleagues, or has entirely invented the character.

Political views

In his youth, Day-Lewis adopted communist views, becoming a member of the Communist Party of Great Britain from 1935 to 1938, and his early poetry was marked by didacticism and a preoccupation with social themes.[16] In 1937 he edited The Mind in Chains: Socialism and the Cultural Revolution. In the introduction, he supported a popular front against a "Capitalism that has no further use for culture". He explains that the title refers to Prometheus bound by his chains, quotes Shelley's preface to Prometheus Unbound and says the contributors believe that "the Promethean fire of enlightenment, which should be given for the benefit of mankind at large, is being used at present to stoke up the furnaces of private profit". The contributors were: Rex Warner, Edward Upward, Arthur Calder-Marshall, Barbara Nixon, Anthony Blunt, Alan Bush, Charles Madge, Alistair Brown, J. D. Bernal, T. A. Jackson and Edgell Rickword.

After the late 1930s, he gradually became disillusioned with communism.[7] Among his works is his autobiography, Buried Day (1960), in which he renounces his communist views,[17] while his detective story, The Sad Variety (1964), contains a scathing portrayal of doctrinaire communists, the repression of the 1956 Hungarian uprising, and the ruthless tactics of Soviet intelligence agents. [citation needed]

Selected works

Poetry collections

English Heritage blue plaque of Cecil Day-Lewis in Greenwich, London
  • Transitional Poem (1929)
  • From Feathers to Iron (1931)
  • Collected Poems 1929–1933 (1935)
  • A Time to Dance and Other Poems (1935)
  • Overtures to Death (1938)
  • Short Is the Time (1945)
  • Collected Poems (1954)
  • Pegasus and Other Poems (1957)
  • The Gate, and Other Poems (1962)
  • The Whispering Roots and Other Poems (1970)[16]
  • The Complete Poems of C.Day-Lewis (1992)[9]
  • Editor: A New Anthology of Modern Verse 1920–1940 (1941) edited with L. A. G. Strong.
  • Editor: The Chatto Book of Modern Poetry 1915–1955 (1956 edited with John Lehmann.

Essay collections

  • A Hope for Poetry (1934)[16]
  • Poetry for You (1944)
  • The Poetic Image (1947)

Translations

Novels written under his own name

  • The Friendly Tree (1936)
  • Starting Point (1937)
  • Child of Misfortune (1939)

Novels written as Nicholas Blake

  • A Question of Proof (1935); First US-Edition by Harper and Brothers (1935)
  • Thou Shell of Death (1936; First US-Edition by Harper and Brothers published as Shell of Death) (1936)
  • There's Trouble Brewing (1937)
  • The Beast Must Die (1938)
  • The Smiler with the Knife (1939)
  • Malice in Wonderland (1940; U.S. title: The Summer Camp Mystery)
  • The Case of the Abominable Snowman (1941; also published as The Corpse in the Snowman)
  • Minute for Murder (1947)
  • Head of a Traveller (1949)
  • The Dreadful Hollow (1953)
  • The Whisper in the Gloom (1954; also published as Catch and Kill)
  • A Tangled Web (1956; also published as Death and Daisy Bland)
  • End of Chapter (1957)
  • A Penknife in My Heart (1958)
  • The Widow's Cruise (1959)
  • The Worm of Death (1961)
  • The Deadly Joker (1963)
  • The Sad Variety (1964)
  • The Morning after Death (1966)
  • The Private Wound (1968)

Children's novels

Autobiography

  • The Buried Day (1960)

Bibliography

  • Sean Day-Lewis, Cecil Day-Lewis: An English Literary Life (1980)

See also

Notes

  1. ^ "The Garden at Ballintubbert: Stradbally, County Laois". Retrieved 23 January 2012.
  2. ^ The Principal Probate Registry, Calendar of the Grants of Probate and Letters of Administration made in the Probate Registries of the High Court of Justice in England (London; 1937), p. 105.
  3. ^ Southwell Registration District in the third quarter of 1937; see General Register Office, England and Wales Civil Registration Indexes (London; Third Quarter, 1937), names Lev-Lew, p. 28.
  4. ^ The Collected Letters of C.S. Lewis – C. S. Lewis – Google Books. Retrieved 22 April 2013 – via Google Books.
  5. ^ [1]
  6. ^ Cecil Day-Lewis (1960). The Buried Day. p. 17.
  7. ^ a b c d e f Cecil Day-Lewis Archived 27 April 2006 at the Wayback Machine
  8. ^ https://www.theguardian.com/uk/2008/aug/31/helensburgh.heroes
  9. ^ a b c BBC
  10. ^ "No. 38929". The London Gazette (Supplement). 2 June 1950. p. 2785.
  11. ^ "No. 44494". The London Gazette. 2 January 1968. p. 89.
  12. ^ "Cecil Day-Lewis, poet laureate, dies", The Montreal Gazette, 22 May 1972, retrieved 15 March 2010
  13. ^ "Daniel Day-Lewis donates poet father's archive". BBC News. 30 October 2012. Retrieved 28 March 2016.
  14. ^ "Bodleian library celebrates acquisition of Cecil Day-Lewis archive". The Daily Telegraph. 30 October 2012. Retrieved 28 March 2016.
  15. ^ Neglected British Crime Writers Archived 8 May 2006 at archive.today
  16. ^ a b c d Day Lewis, C
  17. ^ Arte Historia Personajes Archived 10 March 2007 at the Wayback Machine
  18. ^ An extract from this, Orpheus and Eurydice, appeared in The Queen's Book of the Red Cross.

References

  • Alfred Gelpi, Living in Time: The Poetry of C. Day-Lewis (1998)
  • Peter Stanford, "C Day-Lewis: a Life" (2007)
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1968–1972 		Succeeded by
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