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== Life and career ==
== Life and career ==


Diasuke Inoue was born in [[Osaka]], Japan on May 10, 1940. He was raised in [[Nishinomiya]], the son of a pancake vendor with a stall behind a train station.<ref name=Time>{{cite journal|url=http://www.time.com/time/asia/asia/magazine/1999/990823/inoue1.html |archiveurl=https://www.webcitation.org/5iPUQdAJQ?url=http://www.time.com/time/asia/asia/magazine/1999/990823/inoue1.html |last=Iyer |first=Pico |title=Daisuke Inoue |journal=[[Time Asia]] |date=August 23–30, 1999 |volume=154 |issue=7/8 |accessdate=2009-05-08 |archivedate=2009-07-20 |deadurl=yes |df= }}</ref> He started playing [[drum kit|drums]] in high school, but was not particularly skillful, as a result of which he took on the business management of his band, which provided back-up music in a club for businessmen who wanted to take the stage.<ref name=Time/> He developed the basic idea of karaoke, which means "empty orchestra", when one client wanted Inoue to back him during a business trip that Inoue could not attend. He supplied the businessman with taped accompaniment instead. Thinking that the idea might have widespread appeal, he began in 1971 renting to bars in [[Kobe]] eleven machines outfitted with tapes and amplifiers which he had assembled along with some friends.<ref name=Time/> They proved popular, and a trend was born.<ref name=Time/>
Diasuke Inoue was born in [[Osaka]], Japan on May 10, 1940. He was raised in [[Nishinomiya]], the son of a pancake vendor with a stall behind a train station.<ref name=Time>{{cite journal |url=http://www.time.com/time/asia/asia/magazine/1999/990823/inoue1.html |archiveurl=http://www.webcitation.org/5iPUQdAJQ?url=http://www.time.com/time/asia/asia/magazine/1999/990823/inoue1.html |last=Iyer |first=Pico |title=Daisuke Inoue |journal=[[Time Asia]] |date=August 23–30, 1999 |volume=154 |issue=7/8 |accessdate=2009-05-08 |archivedate=2009-07-20 |deadurl=yes |df= }}</ref> He started playing [[drum kit|drums]] in high school, but was not particularly skillful, as a result of which he took on the business management of his band, which provided back-up music in a club for businessmen who wanted to take the stage.<ref name=Time/> He developed the basic idea of karaoke, which means "empty orchestra", when one client wanted Inoue to back him during a business trip that Inoue could not attend. He supplied the businessman with taped accompaniment instead. Thinking that the idea might have widespread appeal, he began in 1971 renting to bars in [[Kobe]] eleven machines outfitted with tapes and amplifiers which he had assembled along with some friends.<ref name=Time/> They proved popular, and a trend was born.<ref name=Time/>


Inoue did not [[patent]] his invention and so did not directly profit from the invention that started a booming industry.<ref name=Song>{{cite journal|url=http://www.japanfocus.org/-David-McNeill/1833 |archiveurl=https://www.webcitation.org/5iPUXMeec?url=http://www.japanfocus.org/-David-McNeill/1833 |title=Mr. Song and Dance Man |last=McNeill |first=David |journal=[[Japan Focus]] |date=September 22, 2005 |accessdate=2009-05-08 |archivedate=2009-07-20 |deadurl=yes |df= }}</ref> He did continue in the field, inventing a pesticide to repel cockroaches and rats that destroy the electronics within karaoke machines.<ref name=Time/> In the 1980s, he ran a business engaged in securing licensing for music in eight-track karaoke machines.<ref name=Song/> In the 1990s, with eight-track karaoke out of use, Inoue turned his company towards working with [[Daiichikosho]], then the top karaoke company, but though he was earning considerable money as chairman of the company left it when he suffered a period of [[Depression (mood)|depression]].<ref name=Song/><ref name=Tapei>{{cite news | title = Karaoke machine inventor not looking back | last = [[Agence France-Presse|AFP]], Tokyo | date = November 22, 2004 | page = 10 | work = [[Taipei Times]] | accessdate = 2009-05-08 | url = http://www.taipeitimes.com/News/biz/archives/2004/11/22/2003212131}}</ref> Subsequently, Inoue launched the [[All-Japan Karaoke Industrialist Association]].<ref name=Tapei/>
Inoue did not [[patent]] his invention and so did not directly profit from the invention that started a booming industry.<ref name=Song>{{cite journal |url=http://www.japanfocus.org/-David-McNeill/1833 |archiveurl=http://www.webcitation.org/5iPUXMeec?url=http://www.japanfocus.org/-David-McNeill/1833 |title=Mr. Song and Dance Man |last=McNeill |first=David |journal=[[Japan Focus]] |date=September 22, 2005 |accessdate=2009-05-08 |archivedate=2009-07-20 |deadurl=yes |df= }}</ref> He did continue in the field, inventing a pesticide to repel cockroaches and rats that destroy the electronics within karaoke machines.<ref name=Time/> In the 1980s, he ran a business engaged in securing licensing for music in eight-track karaoke machines.<ref name=Song/> In the 1990s, with eight-track karaoke out of use, Inoue turned his company towards working with [[Daiichikosho]], then the top karaoke company, but though he was earning considerable money as chairman of the company left it when he suffered a period of [[Depression (mood)|depression]].<ref name=Song/><ref name=Tapei>{{cite news | title = Karaoke machine inventor not looking back | last = [[Agence France-Presse|AFP]], Tokyo | date = November 22, 2004 | page = 10 | work = [[Taipei Times]] | accessdate = 2009-05-08 | url = http://www.taipeitimes.com/News/biz/archives/2004/11/22/2003212131}}</ref> Subsequently, Inoue launched the [[All-Japan Karaoke Industrialist Association]].<ref name=Tapei/>


== Tributes and awards ==
== Tributes and awards ==
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In 1996, Inoue's connection to karaoke was first publicized by a TV channel in [[Singapore]].<ref name=Time/> In 1999, ''Time Magazine'' recognized Inoue's role in the newly international craze, describing him as among "The Most Influential Asians of the Century". "[A]s much as Mao Zedong or Mohandis Gandhi changed Asian days," ''Time'' author [[Pico Iyer]] wrote, "Inoue transformed its nights."<ref name=Time/> Following the exposure by ''Time'', Inoue attracted the attention of international media.<ref>{{cite news | title = Singing the praises of karaoke's creator | last = Kahn | first = Joseph P. | date = October 2, 2004 | accessdate = 2009-05-08 | url = http://www.boston.com/news/globe/living/articles/2004/10/02/singing_the_praises_of_karaokes_creator/ | work = Boston Globe}}</ref>
In 1996, Inoue's connection to karaoke was first publicized by a TV channel in [[Singapore]].<ref name=Time/> In 1999, ''Time Magazine'' recognized Inoue's role in the newly international craze, describing him as among "The Most Influential Asians of the Century". "[A]s much as Mao Zedong or Mohandis Gandhi changed Asian days," ''Time'' author [[Pico Iyer]] wrote, "Inoue transformed its nights."<ref name=Time/> Following the exposure by ''Time'', Inoue attracted the attention of international media.<ref>{{cite news | title = Singing the praises of karaoke's creator | last = Kahn | first = Joseph P. | date = October 2, 2004 | accessdate = 2009-05-08 | url = http://www.boston.com/news/globe/living/articles/2004/10/02/singing_the_praises_of_karaokes_creator/ | work = Boston Globe}}</ref>


In 2004, Inoue went to [[Harvard University]] to accept an [[Ig Nobel Prize|Ig Nobel]] Peace Prize for "inventing karaoke, thereby providing an entirely new way for people to learn to tolerate each other."<ref>http://www.improb.com/ig/ig-pastwinners.html#ig2004</ref> His rendition there of "[[I'd Like to Teach the World to Sing]]" earned a [[standing ovation]].<ref name=Song/> [[Master of ceremonies]] [[Marc Abrahams]] indicated it was the longest standing ovation the Ig Nobels had ever seen; the audience of largely [[Nobel Prize]] laureates responded by serenading Inoue with a chorus of "[[Can't Take My Eyes off You]]".<ref>{{cite news | last = Woodward | first = Will | title = Nobels oblige | work = [[The Guardian]] | date = October 5, 2004 | accessdate = 2009-05-08 |url = https://www.theguardian.com/education/2004/oct/05/research.science}}</ref>
In 2004, Inoue went to [[Harvard University]] to accept an [[Ig Nobel Prize|Ig Nobel]] Peace Prize for "inventing karaoke, thereby providing an entirely new way for people to learn to tolerate each other."<ref>http://www.improb.com/ig/ig-pastwinners.html#ig2004 {{webarchive|url=https://web.archive.org/web/20110225074430/http://improb.com/ig/ig-pastwinners.html |date=2011-02-25 }}</ref> His rendition there of "[[I'd Like to Teach the World to Sing]]" earned a [[standing ovation]].<ref name=Song/> [[Master of ceremonies]] [[Marc Abrahams]] indicated it was the longest standing ovation the Ig Nobels had ever seen; the audience of largely [[Nobel Prize]] laureates responded by serenading Inoue with a chorus of "[[Can't Take My Eyes off You]]".<ref>{{cite news | last = Woodward | first = Will | title = Nobels oblige | work = [[The Guardian]] | date = October 5, 2004 | accessdate = 2009-05-08 |url = https://www.theguardian.com/education/2004/oct/05/research.science}}</ref>


In 2005, director [[Hiroyuki Tsuji]] released a fictionalized biographic film of Inoue called ''Karaoke''.<ref name=Song/>
In 2005, director [[Hiroyuki Tsuji]] released a fictionalized biographic film of Inoue called ''Karaoke''.<ref name=Song/>

Revision as of 10:03, 3 September 2017

Daisuke Inoue
Born (1940-05-10) May 10, 1940 (age 84)
Known forInvention of karaoke

Daisuke Inoue (井上 大佑, Inoue Daisuke, born May 10, 1940) is a Japanese businessman best known as the inventor of the karaoke machine. Inoue, a musician in his youth employed in backing businesspeople who wanted to sing in bars, invented the machine as a means of allowing them to sing without live back-up. He did not patent the machine and so did not directly profit, but he continued to work in the industry it generated, including patenting a pesticide for karaoke machines. Named one of Time Magazines "Most Influential Asians of the Century" in 1999, he was awarded the Ig Nobel Peace Prize in 2004 and in 2005 was the subject of the Japanese biopic Karaoke.

Life and career

Diasuke Inoue was born in Osaka, Japan on May 10, 1940. He was raised in Nishinomiya, the son of a pancake vendor with a stall behind a train station.[1] He started playing drums in high school, but was not particularly skillful, as a result of which he took on the business management of his band, which provided back-up music in a club for businessmen who wanted to take the stage.[1] He developed the basic idea of karaoke, which means "empty orchestra", when one client wanted Inoue to back him during a business trip that Inoue could not attend. He supplied the businessman with taped accompaniment instead. Thinking that the idea might have widespread appeal, he began in 1971 renting to bars in Kobe eleven machines outfitted with tapes and amplifiers which he had assembled along with some friends.[1] They proved popular, and a trend was born.[1]

Inoue did not patent his invention and so did not directly profit from the invention that started a booming industry.[2] He did continue in the field, inventing a pesticide to repel cockroaches and rats that destroy the electronics within karaoke machines.[1] In the 1980s, he ran a business engaged in securing licensing for music in eight-track karaoke machines.[2] In the 1990s, with eight-track karaoke out of use, Inoue turned his company towards working with Daiichikosho, then the top karaoke company, but though he was earning considerable money as chairman of the company left it when he suffered a period of depression.[2][3] Subsequently, Inoue launched the All-Japan Karaoke Industrialist Association.[3]

Tributes and awards

In 1996, Inoue's connection to karaoke was first publicized by a TV channel in Singapore.[1] In 1999, Time Magazine recognized Inoue's role in the newly international craze, describing him as among "The Most Influential Asians of the Century". "[A]s much as Mao Zedong or Mohandis Gandhi changed Asian days," Time author Pico Iyer wrote, "Inoue transformed its nights."[1] Following the exposure by Time, Inoue attracted the attention of international media.[4]

In 2004, Inoue went to Harvard University to accept an Ig Nobel Peace Prize for "inventing karaoke, thereby providing an entirely new way for people to learn to tolerate each other."[5] His rendition there of "I'd Like to Teach the World to Sing" earned a standing ovation.[2] Master of ceremonies Marc Abrahams indicated it was the longest standing ovation the Ig Nobels had ever seen; the audience of largely Nobel Prize laureates responded by serenading Inoue with a chorus of "Can't Take My Eyes off You".[6]

In 2005, director Hiroyuki Tsuji released a fictionalized biographic film of Inoue called Karaoke.[2]

See also

References

  1. ^ a b c d e f g Iyer, Pico (August 23–30, 1999). "Daisuke Inoue". Time Asia. 154 (7/8). Archived from the original on 2009-07-20. Retrieved 2009-05-08. {{cite journal}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ a b c d e McNeill, David (September 22, 2005). "Mr. Song and Dance Man". Japan Focus. Archived from the original on 2009-07-20. Retrieved 2009-05-08. {{cite journal}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  3. ^ a b AFP, Tokyo (November 22, 2004). "Karaoke machine inventor not looking back". Taipei Times. p. 10. Retrieved 2009-05-08.
  4. ^ Kahn, Joseph P. (October 2, 2004). "Singing the praises of karaoke's creator". Boston Globe. Retrieved 2009-05-08.
  5. ^ http://www.improb.com/ig/ig-pastwinners.html#ig2004 Archived 2011-02-25 at the Wayback Machine
  6. ^ Woodward, Will (October 5, 2004). "Nobels oblige". The Guardian. Retrieved 2009-05-08.