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* ''Divertissement'' (2015, [[Important Records]]) {{small|(with Richard Chartier)}}
* ''Divertissement'' (2015, [[Important Records]]) {{small|(with Richard Chartier)}}
* ''[[A Shadow in Time]]'' (2017, 2062 Records)
* ''[[A Shadow in Time]]'' (2017, 2062 Records)
* ''Selva Oscura'' (2018, [[Temporary Residence Limited]]) {{small|(with [[Lawrence English]])}}


===Compilation albums===
===Compilation albums===
* ''The Disintegration Loops'' (2012, [[Temporary Residence Limited]])
* ''The Disintegration Loops'' (2012, Temporary Residence Limited)


== See also ==
== See also ==

Revision as of 04:36, 26 September 2018

William Basinski
William Basinski performing live at the Empty Bottle in 2005.
Background information
Born1958 (age 65–66)
OriginHouston
GenresExperimental, ambient, tape music, process music
OccupationComposer
Years active1978–present
LabelsRaster-Noton, 2062 Records, Temporary Residence Limited, Spekk, Durtro, Die Stadt, Line
Websitewww.mmlxii.com

William Basinski (born 1958) is an avant-garde composer based in New York City.[1] He is also a clarinetist, saxophonist, sound artist, and video artist.

Basinski is best known for his four-volume album The Disintegration Loops (2002–2003), constructed from rapidly decaying twenty-year-old tapes of his earlier music.[2]

Biography

William Basinski was born in 1958 in Houston, Texas.[3] A classically trained clarinetist, he studied jazz saxophone and composition at North Texas State University in the late 1970s. In 1978, inspired by minimalists such as Steve Reich and Brian Eno,[4] he began developing his own vocabulary using tape loops and old reel-to-reel tape decks. He developed his meditative, melancholy style experimenting with short looped melodies played against themselves creating feedback loops.[citation needed]

His first release was Shortwavemusic. Although created in 1983, it was first released on vinyl in a small edition in 1998 by Carsten Nicolai's Raster-Noton label. This was followed by Watermusic, self-released in 2000 on Basinski's 2062 Records. Another 2-disc work was Variations: A Movement in Chrome Primitive, 1980: it was finally released in 2004 by David Tibet on the Durtro/Die Stadt label. At the time this work was created, Basinski was experimenting with compositions for piano and tape loops.[citation needed]

Throughout the 1980s, Basinski created a vast archive of experimental works using tape loop and delay systems, found sounds, and shortwave radio static. He was a member of many bands including Gretchen Langheld Ensemble and House Afire. In 1989, he opened his own performance space, "Arcadia" at 118 N. 11th Street.[5] In the 1990s, he performed and produced records and intimate underground shows there for various NYC artists including Antony, Diamanda Galás, Rasputina, The Murmurs, and his own ad-hoc experimental electronic/improvisation band, Life on Mars.[citation needed] In 2000, he made a film titled Fountain with artists James Elaine and Roger Justice.[citation needed]

In August and September 2001, he set to work on what would become his most recognizable piece, the four-volume album The Disintegration Loops. The recordings were based on old tape loops which had degraded in quality. While attempting to salvage the recordings in a digital format, the tapes slowly crumbled and left a timestamp history of their demise.[6][7][8][9]

Discography

Studio albums

Compilation albums

  • The Disintegration Loops (2012, Temporary Residence Limited)

See also

References

  1. ^ Lester, Paul (11 October 2010). "New band of the day – No 884: William Basinski". The Guardian.
  2. ^ Medwin, Marc (1 October 2012). "William Basinski - The Disintegration Loops". Dusted Magazine.
  3. ^ "William Basinski". IMDb. Retrieved 2018-05-12.
  4. ^ Catalano, Nicola (2004). "William Basinski + Richard Chartier interview". spekk. Retrieved 17 July 2012.
  5. ^ "William Basinski". Flaunt. Retrieved 16 August 2014.
  6. ^ Tangari, Joe (8 April 2004). "The Disintegration Loops I-IV - Review". Pitchfork. Retrieved 27 July 2011.
  7. ^ Simmons, Ian. "The Disintegration Loops - Review". nthposition. Archived from the original on 13 April 2009. Retrieved 27 July 2011. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  8. ^ Mason, James. "Disintegration Loops 3 - Review". AllMusic. Retrieved 27 July 2011.
  9. ^ Levaux, Christophe (2014). "William Basinski, The Disintegration Loops. De l'érosion de l'espace sonore. L'antithèse totaliste". Revue et corrigée (101): 24–27.