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{{About|the Buzzcocks lead singer|the pop singer|Peter Shelley}}
{{About|Buzzcocks lead singer|the pop singer|Peter Shelley}}
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{{Use British English|date=August 2011}}
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===Buzzcocks===
===Buzzcocks===
Shelley formed [[Buzzcocks]] with [[Howard Devoto]]<ref>{{Cite web|url=https://www.theguardian.com/lifeandstyle/2002/mar/01/shopping.artsfeatures|title=Part time punks|last=Lester|first=Paul|date=1 March 2002|website=the Guardian|language=en|access-date=15 March 2018}}</ref> after the two met at the Bolton Institute of Technology (now the [[University of Bolton]]) in 1975{{sfn|McGartland|2017|loc=309–316}} and subsequently travelled to [[High Wycombe]], near London, to see the [[Sex Pistols]].{{sfn|McGartland|2017|loc=353}} The Buzzcocks debuted in 1976 in [[Manchester]], opening for the Sex Pistols.{{sfn|McGartland|2017|loc=365}}
Shelley formed [[Buzzcocks]] with [[Howard Devoto]]<ref>{{Cite web|url=https://www.theguardian.com/lifeandstyle/2002/mar/01/shopping.artsfeatures|title=Part time punks|last=Lester|first=Paul|date=1 March 2002|website=the Guardian|language=en|access-date=15 March 2018}}</ref> after the two met at the Bolton Institute of Technology (now the [[University of Bolton]]) in 1975{{sfn|McGartland|2017|loc=309–316}} and subsequently travelled to [[High Wycombe]], near London, to see the [[Sex Pistols]].{{sfn|McGartland|2017|loc=353}} Buzzcocks debuted in 1976 in [[Manchester]], opening for the Sex Pistols.{{sfn|McGartland|2017|loc=365}}


In 1977 the Buzzcocks released their first [[Extended play|EP]], ''[[Spiral Scratch (EP)|Spiral Scratch]]'', on their own [[Independent record label|independent label]], New Hormones.{{sfn|Taylor|2006|p=50}} When Devoto left the group shortly afterwards—in February 1977—Shelley took over as the lead vocalist and chief songwriter.{{sfn|McGartland|2017|loc=691}} Working with the producer [[Martin Rushent]], the band went on to create the punk/new wave singles "[[Orgasm Addict]]", "[[What Do I Get?]]", and "[[Ever Fallen in Love (With Someone You Shouldn't've)]]",{{sfn|Taylor|2006|p=50}}{{sfn|McGartland|2017|loc=89}} along with three LPs: ''[[Another Music in a Different Kitchen]]'' (1978), ''[[Love Bites (album)|Love Bites]]'' (1978), and ''[[A Different Kind of Tension]]'' (1979).{{sfn|Brackett|Hoard|2004|p=124}} Difficulties with their record company and a dispute with [[Virgin Publishing]] over the UK release of their greatest hits record, ''[[Singles Going Steady]]'', brought the band to a halt in 1981.{{sfn|McGartland|2017|loc=1848–1866}}
In 1977 Buzzcocks released their first [[Extended play|EP]], ''[[Spiral Scratch (EP)|Spiral Scratch]]'', on their own [[Independent record label|independent label]], New Hormones.{{sfn|Taylor|2006|p=50}} When Devoto left the group shortly afterwards—in February 1977—Shelley took over as the lead vocalist and chief songwriter.{{sfn|McGartland|2017|loc=691}} Working with the producer [[Martin Rushent]], the band went on to create the punk/new wave singles "[[Orgasm Addict]]", "[[What Do I Get?]]", and "[[Ever Fallen in Love (With Someone You Shouldn't've)]]",{{sfn|Taylor|2006|p=50}}{{sfn|McGartland|2017|loc=89}} along with three LPs: ''[[Another Music in a Different Kitchen]]'' (1978), ''[[Love Bites (album)|Love Bites]]'' (1978), and ''[[A Different Kind of Tension]]'' (1979).{{sfn|Brackett|Hoard|2004|p=124}} Difficulties with their record company and a dispute with [[Virgin Publishing]] over the UK release of their greatest hits record, ''[[Singles Going Steady]]'', brought the band to a halt in 1981.{{sfn|McGartland|2017|loc=1848–1866}}


===Solo career===
===Solo career===
Shelley's debut album ''[[Sky Yen]]'' was recorded in 1974 but remained unheard until March 1980 when it was released on 12" vinyl on Shelley's own label, Groovy Records. It was recorded as one continuous piece of music with a purpose-built [[oscillator]] and was notable for its use of layered electronics and playback speed manipulation to achieve its experimental feel.{{sfn|McGartland|2017|loc=150, 305}} Rooted in [[electronic music]], it has been compared with [[krautrock]].<ref>[{{Allmusic|class=album|id=r49206|pure_url=yes}} Sky Yen] from Allmusic.com</ref> Also released on Groovy Records was the soundtrack LP ''Hangahar'' by [[Sally Timms]] and Lindsay Lee, which included Shelley as a musician, and an album by artists [[Eric Random]], [[Barry Adamson]] and [[Francis Cookson]] under the name ''Free Agents''. After these releases, Groovy Records never released another album.{{sfn|McGartland|2017|loc=1295–1303, 3531}}
Shelley's debut album ''[[Sky Yen]]'' was recorded in 1974 but remained unheard until March 1980 when it was released on 12" vinyl on Shelley's own label, Groovy Records. It was recorded as one continuous piece of music with a purpose-built [[oscillator]] and was notable for its use of layered electronics and playback speed manipulation to achieve its experimental feel.{{sfn|McGartland|2017|loc=150, 305}} Rooted in [[electronic music]], it has been compared with [[krautrock]].<ref>[{{Allmusic|class=album|id=r49206|pure_url=yes}} Sky Yen] from Allmusic.com</ref> Also released on Groovy Records was the soundtrack LP ''Hangahar'' by [[Sally Timms]] and Lindsay Lee, which included Shelley as a musician, and an album by artists [[Eric Random]], [[Barry Adamson]] and [[Francis Cookson]] under the name ''Free Agents''. After these releases, Groovy Records never released another album.{{sfn|McGartland|2017|loc=1295–1303, 3531}}


In 1981 Shelley released his first solo single, the song "[[Homosapien (song)|Homosapien]]", again produced by Martin Rushent. On this recording he returned to his original interests in [[electronic music]] and shifted emphasis from guitar to synthesiser; Rushent's elaborate drum machine and synthesiser programming laid the groundwork for his next production, the chart-topping album ''[[Dare!]]'' by [[The Human League]]. "Homosapien" was [[Ban (law)|banned]] by the [[BBC]] for "explicit reference to gay sex", but this didn't stop it from becoming enormously popular in dance clubs in Europe and North America: on the US dance charts, "Homosapien" peaked at number fourteen.<ref>{{cite book |title= Hot Dance/Disco: 1974–2003|last=Whitburn |first=Joel |authorlink=Joel Whitburn |year=2004 |publisher=Record Research |page=232}}</ref> It was also at this time that Pete Shelley talked about his [[bisexuality]],<ref name="wct">{{Cite news |title=Queerly Independent: The Best of New Queer Music Isn't Finding Home at the Major Labels |first=Gregg |last=Shapiro |date=26 March 2003 |accessdate=9 September 2007 |url=http://www.windycitymediagroup.com/gay/lesbian/news/ARTICLE.php?AID=3504 |periodical=[[Windy City Times]] |postscript=<!--None-->}}</ref> which had been implicit in many of the Buzzcocks songs he had written but now came to attention due to "Homosapien" and the BBC ban. The next year saw the controversial single followed by an LP of the same name.
In 1981 Shelley released his first solo single, the song "[[Homosapien (song)|Homosapien]]", again produced by Martin Rushent. On this recording he returned to his original interests in [[electronic music]] and shifted emphasis from guitar to synthesiser; Rushent's elaborate drum machine and synthesiser programming laid the groundwork for his next production, the chart-topping album ''[[Dare!]]'' by [[The Human League]]. "Homosapien" was [[Ban (law)|banned]] by the [[BBC]] for "explicit reference to gay sex", but this didn't stop it from becoming enormously popular in dance clubs in Europe and North America: on the US dance charts, "Homosapien" peaked at number fourteen.<ref>{{cite book |title= Hot Dance/Disco: 1974–2003|last=Whitburn |first=Joel |authorlink=Joel Whitburn |year=2004 |publisher=Record Research |page=232}}</ref> It was also at this time that Pete Shelley talked about his [[bisexuality]],<ref name="wct">{{Cite news |title=Queerly Independent: The Best of New Queer Music Isn't Finding Home at the Major Labels |first=Gregg |last=Shapiro |date=26 March 2003 |accessdate=9 September 2007 |url=http://www.windycitymediagroup.com/gay/lesbian/news/ARTICLE.php?AID=3504 |periodical=[[Windy City Times]] |postscript=<!--None-->}}</ref> which had been implicit in many of the songs he had written, but now came to wider attention due to "Homosapien" and the BBC ban. The next year saw the controversial single followed by an LP of the same title.


Shelley released his second LP ''[[XL1]]'' in 1983 on [[Genetic Records]]. In addition to the minor hit "Telephone Operator," the album included a computer program for the [[ZX Spectrum]] which featured lyrics and graphics which displayed in time with the music, an innovative precursor to the visuals of today's media players. ''XL1'' was produced by [[Martin Rushent]] and Shelley.
Shelley released his second LP ''[[XL1]]'' in 1983 on [[Genetic Records]]. In addition to the minor hit "Telephone Operator," the album included a computer program for the [[ZX Spectrum]] which featured lyrics and graphics which displayed in time with the music, an innovative precursor to the visuals of today's media players. ''XL1'' was produced by [[Martin Rushent]] and Shelley.

Revision as of 22:44, 6 December 2018

This article is about Buzzcocks lead singer. For the pop singer, see Peter Shelley.

Pete Shelley
Shelley in Australia, 2013
Shelley in Australia, 2013
Background information
Birth namePeter Campbell McNeish
Born(1955-04-17)17 April 1955
Leigh, Lancashire, England
OriginManchester, England
Died6 December 2018(2018-12-06) (aged 63)
Estonia
Genres
Occupation(s)Musician, singer, songwriter, guitarist
Instrument(s)Vocals, guitar
Years active1974–2018
LabelsI.R.S., Cooking Vinyl, Island
Websitebuzzcocks.com

Pete Shelley (17 April 1955 – 6 December 2018), born Peter Campbell McNeish, was an English singer, songwriter and guitarist, best known as the leader of Buzzcocks.

Biography

Shelley was born to Margaret and John McNeish at 48 Milton Street, in Leigh. Margaret was an ex-mill worker in the town, while John was a fitter at the nearby Astley Green Colliery. He had a younger brother, Gary.[1]

Buzzcocks

Shelley formed Buzzcocks with Howard Devoto[2] after the two met at the Bolton Institute of Technology (now the University of Bolton) in 1975[3] and subsequently travelled to High Wycombe, near London, to see the Sex Pistols.[4] Buzzcocks debuted in 1976 in Manchester, opening for the Sex Pistols.[5]

In 1977 Buzzcocks released their first EP, Spiral Scratch, on their own independent label, New Hormones.[6] When Devoto left the group shortly afterwards—in February 1977—Shelley took over as the lead vocalist and chief songwriter.[7] Working with the producer Martin Rushent, the band went on to create the punk/new wave singles "Orgasm Addict", "What Do I Get?", and "Ever Fallen in Love (With Someone You Shouldn't've)",[6][8] along with three LPs: Another Music in a Different Kitchen (1978), Love Bites (1978), and A Different Kind of Tension (1979).[9] Difficulties with their record company and a dispute with Virgin Publishing over the UK release of their greatest hits record, Singles Going Steady, brought the band to a halt in 1981.[10]

Solo career

Shelley's debut album Sky Yen was recorded in 1974 but remained unheard until March 1980 when it was released on 12" vinyl on Shelley's own label, Groovy Records. It was recorded as one continuous piece of music with a purpose-built oscillator and was notable for its use of layered electronics and playback speed manipulation to achieve its experimental feel.[11] Rooted in electronic music, it has been compared with krautrock.[12] Also released on Groovy Records was the soundtrack LP Hangahar by Sally Timms and Lindsay Lee, which included Shelley as a musician, and an album by artists Eric Random, Barry Adamson and Francis Cookson under the name Free Agents. After these releases, Groovy Records never released another album.[13]

In 1981 Shelley released his first solo single, the song "Homosapien", again produced by Martin Rushent. On this recording he returned to his original interests in electronic music and shifted emphasis from guitar to synthesiser; Rushent's elaborate drum machine and synthesiser programming laid the groundwork for his next production, the chart-topping album Dare! by The Human League. "Homosapien" was banned by the BBC for "explicit reference to gay sex", but this didn't stop it from becoming enormously popular in dance clubs in Europe and North America: on the US dance charts, "Homosapien" peaked at number fourteen.[14] It was also at this time that Pete Shelley talked about his bisexuality,[15] which had been implicit in many of the songs he had written, but now came to wider attention due to "Homosapien" and the BBC ban. The next year saw the controversial single followed by an LP of the same title.

Shelley released his second LP XL1 in 1983 on Genetic Records. In addition to the minor hit "Telephone Operator," the album included a computer program for the ZX Spectrum which featured lyrics and graphics which displayed in time with the music, an innovative precursor to the visuals of today's media players. XL1 was produced by Martin Rushent and Shelley.

June 1986 saw Shelley release the darker, edgier Heaven and the Sea, an album that drew comparisons to Love and Rockets, Gary Numan and late period Ultravox. In 1987 he followed the album with a new song, "Do Anything", for the film Some Kind of Wonderful.

In 1989 Shelley recorded a new version of "Homosapien" entitled "Homosapien II". The single featured four mixes of the new recording.

Shelley has also played with various other musicians during his career, including The Invisible Girls, who backed punk poet John Cooper Clarke. Shelley also formed bands called The Tiller Boys, and Zip. He briefly reunited with Howard Devoto to make the LP Buzzkunst, released in 2002.

Buzzcocks
Pete Shelley singing with Buzzcocks at Shepherds Bush Empire, 30 January 2009.

He also appeared on the 2005 debut EP by the Los Angeles band The Adored (who toured extensively with Buzzcocks the following year.)

A substantially sped-up club remix of "Telephone Operator" is a standard offering on the Dance Dance Revolution arcade game. He produced a single by the band Redtrack.

Buzzcocks reform

In 1989, Buzzcocks reunited, and released a new full-length recording, Trade Test Transmissions, in 1993. They continued to tour and record, their most recent release being the CD The Way in 2014. They toured with bands such as Nirvana, the Adored, the Strays, Lola Ray, and Images. In 2005, Shelley re-recorded "Ever Fallen in Love" with an all-star group, including Roger Daltrey, David Gilmour, Peter Hook, Elton John, Robert Plant and several contemporary bands, as a tribute to John Peel. Proceeds went to Amnesty International. Shelley also performed the song live at the 2005 UK Music Hall of Fame.[16]

Death

Shelley died on the morning of 6 December 2018, of a suspected heart attack, in Estonia where he was living. His brother, Gary McNeish, announced his death on Facebook.[17][18]

Discography

See also: Buzzcocks discography

Albums

  • Sky Yen (1980) Groovy Records
  • Hangahar (1980) Groovy Records
  • Homosapien (1981) Genetic-Island/Arista
  • XL1 (1983) Island/Arista (UK #42)[21]
  • Heaven and the Sea (1986) Mercury
  • Cinema Music and Wallpaper Sounds (2016) (Caroline True Records)

Singles

  • "Homosapien" (1981) Genetic-Island/Arista (AUS #4) (CAN #6) (US Dance #14)
  • "I Don't Know What Love Is" (1981) Genetic-Island/Arista (US Dance #22)
  • "Witness the Change" (1981) (US Dance #63)
  • "Qu'est-Ce Que C'est Que Ça" (1982)[22]
  • "Homosapien" (1982) Genetic-Island/Arista
  • "Telephone Operator" (1983) Island/Arista (US Dance #22) (UK #66)[21]
  • "Millions Of People (No One Like You)" (1983) (UK #94)
  • "Never Again" (1984) Immaculate
  • "Waiting For Love" (1986) Mercury
  • "On Your Own" (1986) Mercury (US Dance #10)
  • "Blue Eyes" (1986) Mercury
  • "I Surrender" (1986) Mercury
  • "Your Love" (1988)
  • "Homosapien. Pete Shelley Vs. Power, Wonder and Love" (1989) Immaculate

References

  1. ^ Gomm, Brian (1 July 2009). "University honours Buzzcock Pete". Leigh Journal. Newsquest Media Group.
  2. ^ Lester, Paul (1 March 2002). "Part time punks". the Guardian. Retrieved 15 March 2018.
  3. ^ McGartland 2017, 309–316.
  4. ^ McGartland 2017, 353.
  5. ^ McGartland 2017, 365.
  6. ^ a b Taylor 2006, p. 50.
  7. ^ McGartland 2017, 691.
  8. ^ McGartland 2017, 89.
  9. ^ Brackett & Hoard 2004, p. 124.
  10. ^ McGartland 2017, 1848–1866.
  11. ^ McGartland 2017, 150, 305.
  12. ^ Sky Yen from Allmusic.com
  13. ^ McGartland 2017, 1295–1303, 3531.
  14. ^ Whitburn, Joel (2004). Hot Dance/Disco: 1974–2003. Record Research. p. 232.
  15. ^ Shapiro, Gregg (26 March 2003). "Queerly Independent: The Best of New Queer Music Isn't Finding Home at the Major Labels". Windy City Times. Retrieved 9 September 2007.
  16. ^ Dickson, Andrew (23 September 2005). "Music legends unite for Peel tribute single". guardian.co.uk. London: Guardian News and Media.
  17. ^ "Buzzcocks singer Pete Shelley dies at 63". BBC News. 6 December 2018. Retrieved 6 December 2018.
  18. ^ "Buzzcocks' Pete Shelley Has Died". 6 December 2018.
  19. ^ "Tour de France theme tune". April 2010.
  20. ^ "Tour de France theme tune info". April 2010. Archived from the original on 28 March 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  21. ^ a b Strong, Martin C. (1999) The Great Alternative & Indie Discography, Canongate, ISBN 0-86241-913-1
  22. ^ "Buzzcocks Discography : PETE SHELLEY Qu'est-ce Que C'est Que Ça [SINGLE]". Archived from the original on 5 December 1998. Retrieved 28 August 2007. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)

Sources

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