This is the current revision of this page, as edited by Citation bot(talk | contribs) at 07:46, 30 October 2023(Alter: url, title, template type. URLs might have been anonymized. Add: magazine. Removed parameters. Some additions/deletions were parameter name changes. | Use this bot. Report bugs. | #UCB_CommandLine). The present address (URL) is a permanent link to this version.
Revision as of 07:46, 30 October 2023 by Citation bot(talk | contribs)(Alter: url, title, template type. URLs might have been anonymized. Add: magazine. Removed parameters. Some additions/deletions were parameter name changes. | Use this bot. Report bugs. | #UCB_CommandLine)
The album includes nine tracks with seven written by Glasper. It also includes covers of Herbie Hancock's track "Maiden Voyage" and Irving Berlin's "Blue Sky", and features singer Bilal.[7] The album was well-received and convinced Blue Note to add Glasper to its selective roster.[8]
Michael G. Nastos of AllMusic stated, "Robert Glasper's debut as a leader displays his immense talent in full force as a legitimate original modern jazz voice. The majority of selections are with a trio, perfectly suiting his inclination to improvise, and hints at the hip-hop rhythms of his generation. The clear highlight is his bomb virtuosic interpretation of "Blue Skies." Ideas flow into infinity, he's insanely inspired, with bright melodies bursting like a supernova. He uses chord substitutions liberally and during an unaccompanied bridge, his emotions burn at length."[2]All About Jazz review commented, "Overall, this is a nice if not quite outstanding record. Those who have heard Glasper live or on record—on Mark Whitfield's Raw he is particularly fine—will welcome this worthy first outing by the young pianist. And for those as yet unacquainted with Glasper, there are plenty of younger pianists by whom one could do worse. Look for Mr. Glasper to be an in-demand sideman and recording artist for a long time."[1]