Jump to content

Common Law Wife (film)

From Wikipedia, the free encyclopedia

This is the current revision of this page, as edited by ButlerBlogBot (talk | contribs) at 17:21, 6 May 2024 (top: ButlerBlogBot task 4: apply date format for {{Infobox film}}; report bugs). The present address (URL) is a permanent link to this version.

(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)
Common Law Wife
Directed byLarry Buchanan
Eric Sayers
Written byGrace Nolen
Produced byFred A. Kadane
Distributed byCinema Distributors of America
Texas Film Producers
Release date
  • 1963 (1963)
Running time
81 mins
CountryUnited States
LanguageEnglish

Common Law Wife is a 1963 American exploitation film shot in Texas.

Plot

[edit]

Shug, a rich old man, has been living with his mistress Linda for five years. He kicks her out and replaces her with his niece, Baby Doll, a former stripper in New Orleans.

Cast

[edit]
  • Annabelle Weenick as Linda
  • George Edgley as Shugfoot Rainey
  • Max W. Anderson
  • Lacey Kelly as Baby Doll

Production

[edit]

The film began as a movie called Swamp Rose made in 1960 by low-budget director Larry Buchanan. The existing footage was sold to producer Michael A. Rapps who hired Eric Sayers to shoot new footage and changed the title to Common Law Wife.[1]

Buchanan later said the film began "as an artistically inclined, naturalistic romance, shooting in 16MM color around Caddo Lake. But the sleaze merchants got hold of it blew it up to 35MM in black and white, and changed the title... The delicacy of our photography was lost and so were any serious intentions we might have had for the film."[2]

Reception

[edit]

In The Films of Larry Buchanan: A Critical Examination, Rob Craig points out, "Ripps and company decided to retain the main character from Buchanan's opus, but replace the actress who played her. Thus, the lead character in this disorienting backwoods fable changes indiscriminately from one person to another, in some cases quite obviously, lending the finished product a certain schizophrenic air. As one might imagine, Common Law Wife comes across as a choppy and confusing experience, which is not helped by the fact that a great deal of the footage seems to have been shot silent and overdubbed hastily afterwards."[3]

Psychotronic Video wrote called it "similar in some ways to the rural dramas Russ Meyer was about to make, with good dialog (written in this case by a woman), but minus the comedy" and said Lacey Kelly "is great as the sarcastic, wild beauty who uses the (married) sheriff and “Bull” out in the swamp to get what she wants and plots murder. Linda fights back and the ending is outrageous! I liked all the twisting in the club too. Mike shadows are visible." [4]

Tim Lucas of Video Watchdog said:

Sayers had nothing of Buchanan's ability, so Common Law Wife "crosses the line" like crazy, and the old and new footage cuts back-and-forth with absolutely no sense of rhythm - but as an example of what can sometimes happen to a film to make it "more commercial," it's a fascinating diversion for cinephiles. You see, Sayers was able to retain the services of some erstwhile cast members like Anne MacAdams and George Edgely, but Lacey Kelly was no longer available for reshoots. Therefore, the all-important role of "Baby Doll" is played in the final cut, with Buchanan's color footage dumbed-down to grainy black-and-white, by two completely different women. Ms. Kelly's unnamed replacement is disguised in some early shots with sunglasses and a series of preposterous hats, but it's ultimately a fact impossible to cover up.[1]

References

[edit]
  1. ^ a b Lucas, Tim (9 October 2017). "Something Weird Video's BACKWOODS DOUBLE FEATURE Reviewed". Video Watchdog.
  2. ^ Price, Michael (1997). "Larry Buchanan The Life and Times of a Hungry Visionary". Psychotronic Video. Vol. 24. p. 52.
  3. ^ Craig, Rob (2007). The Films of Larry Buchanan: A Critical Examination. McFarland & Company. pp. 20–21. ISBN 978-0786429820.
  4. ^ "Review of Common Law Cabin". Psychotronic Video. No. 15. Spring 1993. p. 50.
[edit]