Jump to content

Eric Gans

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Leun de trestés (talk | contribs) at 06:03, 24 June 2024. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Eric Lawrence Gans
Eric Gans at the Tokyo 2012 Generative Anthropology Society & Conference
Born (1941-08-21) August 21, 1941 (age 83)
the Bronx, New York
EducationBronx High School of Science (1957)
Columbia College (BA, 1960)
Johns Hopkins University (MA, 1961)
Johns Hopkins University (PhD, 1966)
Notable workThe Origin of Language: A Formal Theory of Representation (1981)
AwardsPhi Beta Kappa (junior year)
Woodrow Wilson fellow (1960-61)
Prix de la langue française (1977)
Chevalier des Palmes Académiques (1982)
InstitutionsSUNY at Fredonia (1965-67)
Indiana University (1967-69)
UCLA (1969-)
Johns Hopkins University (1978)
ThesisThe Discovery of Illusion: Flaubert's Early Works, 1835-1837 (1966)
Main interests
Generative anthropology
Literary theory
19th-century French literature
Notable ideas
The originary hypothesis
Generative anthropology
WebsiteChronicles of Love and Resentment

Eric Lawrence Gans (born August 21, 1941) is an American philosophical anthropologist and literary theorist. Gans established a human science called generative anthropology (GA), which is based on the hypothesis that representation, language—insofar as it is the most fundamental form of representation[1]—and the human species—insofar as it is defined against other animal species by its unique possession of language—could only have originated in an event. GA then explains culture—insofar as it constitutes systems of representations[2]—in terms of the "generative"[3] development of this event.

Gans claims that GA serves as a better foundation for the human sciences than the alternatives of (a) the natural sciences[4] and (b) religion, as it:

  • (a) actually explains the origin of language unlike the natural sciences, which, by "explaining" it in terms of human language gradually emerging from non-human animal sign systems—ultimately in an attempt to ignore the uniqueness of human language—do not actually explain it at all;[5] and
  • (b) nevertheless remains consistent with the natural sciences unlike religion, which, despite actually explaining the origin of language, makes recourse to the supernatural in its explanations.[6]

Gans edits Anthropoetics: The Journal of Generative Anthropology, an academic journal devoted to GA. He also publishes the Chronicles of Love and Resentment, a weblog dedicated to his reflections on a range of topics, including popular culture, film, contemporary politics, philosophy and religion.

Gans has taught and published on 19th century literature, literary theory, and film in the UCLA Department of French and Francophone studies.

Life

Eric Lawrence Gans was born on 21 August 1941 in Parkchester, the Bronx to a middle-class Jewish family.[7]

In 1957 Gans graduated from the Bronx High School of Science. In the same year he attended Columbia College. During his first year he majored in mathematics before switching to French at the end of his second.[8] In 1960 he graduated with a BA in French. In the same year he attended Johns Hopkins University. During this period he studied with and received doctoral direction from René Girard.[9] In 1961 he received an MA in Romance languages and in 1966 a PhD in the early works of Gustave Flaubert. From 1965-67 he taught at SUNY at Fredonia and from 1967-69 at Indiana University.

In 1969 Gans started teaching at UCLA. During this period he became conversant with the work of Jacques Derrida and was introduced to Batesonian communication theory, particularly the notion of "pragmatic paradox" in Paul Watzlawick, Janet Beavin Bavelas and Donald deAvila Jackson's Pragmatics of Human Communication (1967). These influences inspired his own notion of l’esthétique paradoxale ("paradoxical esthetics") and the publishing of his Essais d'esthétique paradoxale (1977).[10] In 1976 he received full professorship and from 1974-77 sat as chairman of UCLA's French and Francophone Studies Department. In 1977 he was invited by Girard to Johns Hopkins as a visiting professor. At the end of his visit he conceived the germ of his originary hypothesis and what would later become GA by combining his notion that ostension must constitute the most primitive "utterance-form"[11] with Girard's scapegoat mechanism. Upon returning from Johns Hopkins he immediately started writing The Origin of Language: A Formal Theory of Representation (1981).[12]

In 1981, the same year that The Origin of Language was published, Gans resat as chairman of UCLA's French Department. In the subsequent years he elaborated and refined his hypothesis in a series of works starting with The End of Culture: Toward a Generative Anthropology (1985). In 1987 he started teaching seminars on GA. Later, in 2010, alumni of these seminars would found the Generative Anthropology Society & Conference (GASC), of which Gans is an honorary member. In 1990 UCLA's French Department held its first GA colloquium, which featured Marvin Harris as keynote speaker. In 1994, as a result of the activity of GA seminar alumni, the MLA held a session on GA at its annual meeting. In 1995 Gans co-founded Anthropoetics: The Journal of Generative Anthropology, a scholarly journal devoted to GA. During the 90s he sponsored a series of talks at the UCLA Society for the Study of Religion, which was chaired by David C. Rapoport.[13] In 2007 he was honored with distinguished professor status. In 2014 he resigned from his professorship after being found in violation of UCLA's sexual misconduct policy.[14] Since 2015 he has assumed distinguished professor emeritus status.

Generative anthropology

Background

Generative anthropology grew out of Gans's association with Girard at Johns Hopkins University. Gans was one of Girard's first doctoral students, receiving his PhD in 1966. But it was only on the publication of Violence and the Sacred in 1972 that Gans became interested in Girard's idea of mimetic desire and the connection between violence and the sacred in Girard's work. The concept of mimetic desire forms one of the cornerstones of generative anthropology. Girard argues that human desire is essentially cultural or social in nature, and thus distinct from mere appetite, which is biological. For Girard, desire is triangular in structure, an imitation of the desire of another. Desire, therefore, leads to conflict, when two individuals attempt to possess the same object. In a group, this mimetic conflict typically escalates into a mimetic crisis which threatens the very existence of the group. For Girard, this conflict is resolved by the scapegoat mechanism, in which the destructive energies of the group are purged through the violence directed towards an arbitrarily selected victim. Girard sees the scapegoating mechanism as the origin of human culture and language.

Originary hypothesis

Gans agrees with Girard that human language originates in the context of a mimetic crisis, but he does not find the scapegoat mechanism, by itself, as an adequate explanation for the origin of language. Gans hypothesizes that language originates in "an aborted gesture of appropriation", which signifies the desired object as sacred and which memorializes the birth of language, serving as the basis for rituals which recreate the originary event symbolically. The originary sign serves to defer the mimetic violence threatening the group, hence Gans's capsule definition of culture as "the deferral of violence through representation". For a more detailed explanation of the originary hypothesis, see generative anthropology.

Scene of representation

For Gans, language is essentially "scenic" in character, that is, structurally defined by a sacred center and human periphery. In the secular culture which develops later, "significance" serves as an attenuated form of the sacred. The scene of representation is a true cultural universal and the basic model for cultural analysis. Generative anthropology attempts to understand the various means by which transcendence or meaning (which is always ethically functional) is created on a scene of representation.

Criticism

The main source of criticism directed against Gans's work comes from Girard himself, who claims that generative anthropology is just another version of social contract theories of origins. Gans has responded to Girard's criticisms and defended his theory in his books and articles. Others take issue with Gans's conservative political views as expressed in his Chronicles of Love and Resentment. Gans has entered into conversation with contrasting views on Middle Eastern politics in his published dialogue with Ammar Abdulhamid: "A Dialogue on the Middle East and Other Subjects".

Bibliography

Books and monographs

  • The Discovery of Illusion: Flaubert's Early Works, 1835–37. Berkeley: University of California Press, 1971. ISBN 9780520093713.
  • Un Pari contre l'histoire: les premières nouvelles de Mérimée (Mosaïque). Paris: Minard (Lettres modernes), 1972.
  • Musset et le drame tragique. Paris: J. Corti, 1974.
  • Le Paradoxe de Phèdre suivi du "Paradoxe constitutif du roman." Paris: A.G. Nizet, 1975. ISBN 9782707803696.
  • Essais d'esthétique paradoxale. Paris: Gallimard, 1977. ISBN 9782070297115.
  • The Origin of Language: A Formal Theory of Representation. Berkeley: University of California Press, 1981. ISBN 9780520042025.
  • The End of Culture: Toward a Generative Anthropology. Berkeley: University of California Press, 1985. ISBN 9780520051812.
  • Madame Bovary: The End of Romance. Boston: Twayne Publishers, 1989. ISBN 9780805780338.
  • Science and Faith: The Anthropology of Revelation. Savage, Md.: Rowman & Littlefield, 1990. ISBN 9780847676590.
  • Originary Thinking: Elements of Generative Anthropology. Stanford, California: Stanford University Press, 1993. ISBN 9780804721141.
  • Signs of Paradox: Irony, Resentment, and Other Mimetic Structures. Stanford, California: Stanford University Press, 1997. ISBN 9780804727693.
  • The Scenic Imagination: Originary Thinking from Hobbes to the Present Day. Stanford, California: Stanford University Press, 2007. ISBN 9780804757003.
  • Carole Landis: A Most Beautiful Girl. Jackson: University of Mississippi Press, 2008. ISBN 9781604730135.
  • A New Way of Thinking: Generative Anthropology in Religion, Philosophy, Art. Aurora, Colo.: Davies Group Publishers, 2011. ISBN 9781934542255.
  • The Girardian Origins of Generative Anthropology. Imitatio/Amazon Digital Services, 2012. ASIN B0087VO5P0
  • bijela krivnja / white guilt. Zagreb, Croatia: Kršćanska Sadašnjost, 2013. ISBN 9789531107488.
  • Les fleurs du mal: a new translation. New York: Spuyten Duyvil, 2015. ISBN 9781941550427.
  • Science and Faith: The Anthropology of Revelation (2nd ed.). Aurora, Colo.: Noesis Press, 2015. ISBN 9781934542521.
  • (with Adam Katz) The First Shall Be The Last: Rethinking Antisemitism. Leiden: Brill/Martinus Nijhoff, 2015. ISBN 9789004298361.
  • The Origin of Language: A New Edition. New York: Spuyten Duyvil, 2019. ISBN 9781949966138.

Selected articles

  • "Differences." Modern Language Notes 96, no. 4 (May 1981): 792-808. https://doi.org/10.2307/2905837.
  • "The Culture of Resentment." Philosophy and Literature 8, no. 1 (April 1984): 55-66. https://doi.org/10.1353/phl.1984.0043.
  • "The Unique Source of Religion and Morality." Anthropoetics 1, no. 1 (June 1995). http://anthropoetics.ucla.edu/ap0101/gans.
  • "Mimetic Paradox and the Event of Human Origin." Anthropoetics 1, no. 2 (December 1995). http://anthropoetics.ucla.edu/ap0102/mimesis.
  • "Plato and the Birth of Conceptual Thought." Anthropoetics 2, no. 2 (January 1997). http://anthropoetics.ucla.edu/Ap0202/plato.
  • "The Holocaust and the Victimary Revolution." In Poetics of the Americas: Race, Founding, and Textuality, edited by Bainard Cowan and Jefferson Humphries, 123-39. Baton Rouge: Louisiana State University Press, 1997.
  • "Originary Narrative." Anthropoetics 3, no. 2 (February 1998). http://anthropoetics.ucla.edu/ap0302/narrative.
  • "The Little Bang: The Early Origin of Language." Anthropoetics 5, no. 1 (Spring/Summer 1999). http://anthropoetics.ucla.edu/ap0501/gans-2.
  • "The Sacred and the Social: Defining Durkheim's Anthropological Legacy." Anthropoetics 6, no. 1 (Spring/Summer 2000). http://anthropoetics.ucla.edu/ap0601/durkheim.
  • "The Body Sacrificial." In The Body Aesthetic: From Fine Art to Body Modification, edited by Tobin Siebers, 159-78. Ann Arbor: University of Michigan Press, 2000.
  • "Originary Democracy and the Critique of Pure Fairness." In The Democratic Experience and Political Violence, edited by David C. Rapoport and Leonard Weinberg, 308-24. London; Portland: F. Cass, 2001.
  • (with Ammar Abdulhamid) "A Dialogue on the Middle East and Other Subjects." Anthropoetics 7, no. 2 (Fall 2001/Winter 2002). http://anthropoetics.ucla.edu/ap0702/dialog.
  • "The Market and Resentment." In Passions in Economy, Politics, and the Media, edited by Wolfgang Palaver and Petra Steinmar-Pösel, 85-102. Vienna: Lit Verlag, 2005.
  • "White Guilt, Past and Future." Anthropoetics 12, no. 2 (Fall 2006/Winter 2007). http://anthropoetics.ucla.edu/ap1202/wg.
  • "On Firstness" and "Generative Anthropology and Bronx Romanticism." In The Originary Hypothesis: A Minimal Proposal for Humanistic Inquiry, edited by Adam Katz, 45-57 and 153-64. Aurora, Colo.: Davies Group Publishers, 2007.
  • "Generative Anthropology: A New Way of Thinking?" Anthropoetics 13, no. 2 (Special GATE Issue, Fall 2007). http://anthropoetics.ucla.edu/ap1302/1302gans.
  • "On the One Medium." In Mimesis, Movies, and Media (Violence, Desire, and the Sacred 3), edited by Scott Cowdell, Chris Fleming, and Joel Hodge, 7-15. New York; London: Bloomsbury Academic, 2015.
  • "World War II and the Victimary Era." In Apocalypse Deferred: Girard and Japan, edited by Jeremiah L. Alberg, 41-54. Notre Dame: Notre Dame University Press, 2017.
  • "Generative Anthropology." In The Palgrave Handbook of Mimetic Theory and Religion, edited by James Alison and Wolfgang Palaver, 447-53. New York: Palgrave Macmillan, 2017.
  • "The Screenic." In Mimetic Theory and Film, edited by Paolo Bubbio and Chris Fleming, 109-21. New York: Bloomsbury Academic, 2019.
  • "In the Beginning Was the Word: Generative Anthropology as a Religious Anthropology." In Generative Anthropology as Transdisciplinary Inquiry: Religion, Science, Language & Culture, edited by Magdalena Zlocka-Dabrowska and Beata Gaj, 21-34. Warsaw, Poland: Wydawnictwo Naukowe, 2018.

See also

Notes

  1. ^ Eric Gans, The Origin of Language: A Formal Theory of Representation (Berkeley: University of California Press, 1981), 29-31.
  2. ^ Gans, The Origin of Language: A Formal Theory of Representation, 4.
  3. ^ Per Gans the word "generative" here should not be understood in the sense of Noam Chomsky's generative grammar but in that of the French word génétique i.e., pertaining to genesis and generation. See Eric Gans, "Learning from Chomsky," Chronicles of Love and Resentment, January 9, 2016, https://anthropoetics.ucla.edu/views/vw504/.
  4. ^ Per Gans this includes the social sciences, which ultimately adopt empirical methodologies in emulation of the natural sciences. See Gans, The Origin of Language: A Formal Theory of Representation, 4-5.
  5. ^ Eric Gans, Science and Faith: The Anthropology of Revelation (Savage, Md.: Rowman & Littlefield, 1990), 2, 7-9, 21.
  6. ^ Gans, Science and Faith: The Anthropology of Revelation, 13, 21.
  7. ^ Eric Gans, "Prolegomenon to an intellectual autobiography," Chronicles of Love and Resentment, April 15, 2023, https://anthropoetics.ucla.edu/views/vw769/.
  8. ^ Gans, "Prolegomenon to an intellectual autobiography."
  9. ^ Ibid.
  10. ^ Ibid.
  11. ^ See Eric Gans, "L'origine des structures linguistiques élémentaires," Archives et documents de la société d’histoire et d’épistémologie des sciences du langage 4, (1984): 1-21.
  12. ^ Eric Gans, "Origins of Generative Anthropology," Chronicles of Love and Resentment. April 22, 2023, https://anthropoetics.ucla.edu/views/vw770/.
  13. ^ Gans, "Origins of Generative Anthropology."
  14. ^ Jacob Preal, "Professor emeritus found to have violated UC sexual misconduct policy," Daily Bruin, February 28, 2017, https://new.dailybruin.com/post/professor-emeritus-found-to-have-violated-uc-sexual-misconduct-policy.

References

Further reading

  • Gans, Eric. "A Brief Introduction to Generative Anthropology." Anthropoetics: The Journal of Generative Anthropology. February 16, 2017. https://anthropoetics.ucla.edu/gaintro/.
  • Goldman, Peter. "Why Generative Anthropology?" Chronicles of Love and Resentment. July 13, 2013. https://anthropoetics.ucla.edu/views/vw445/.
  • Bertonneau, Thomas F. "Eric L. Gans on Language, Culture, God, and the Market." The Brussels Journal. July 5, 2009. http://www.brusselsjournal.com/node/3995.
  • Bertonneau, Thomas F. "The Gist of Eric L. Gans: From The Origin of Language to The Scenic Imagination." The Brussels Journal. November 11, 2009. http://www.brusselsjournal.com/node/4167.
  • Bartlett, Andrew. "From First Hesitation to Scenic Imagination: Originary Thinking with Eric Gans." Contagion: Journal of Violence, Mimesis, and Culture 15 (2008): 89-172. https://doi.org/10.1353/ctn.0.0026.
  • Bertonneau, Thomas F. "The Origin of Language and the Generative Anthropology of E. L. Gans: An Introduction." Michigan Academician 28, no. 2 (1996): 419-30.
  • Iser, Wolfgang. "Anthropological Theory: Gans." In How to Do Theory, 131-43. Malden, Ma.: Blackwell Pub., 2005.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Eric_Gans&oldid=1230700031"