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Cave painting

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Cave or rock paintings are paintings on cave or rock walls and ceilings, usually dating to prehistoric times. The earliest known rock paintings are dated to the Upper Paleolithic, 40,000 years ago, while the earliest European cave paintings date to 32,000 years ago. The purpose of the cave paintings is not known, and may never be. The evidence suggests that they weren't merely decorations of living areas, since the caves in which they've been found don't have signs of ongoing habitation. Also, they are often in areas of caves that aren't easily accessed. Some theories hold that they may have been a way of transmitting information, while other theories ascribe them a religious or ceremonial purpose.

Europe

File:Lascaux.jpg
The cave paintings of Lascaux were made in the Upper Old Stone Age
File:Sierra san francisco.jpg
Rock paintings of the Sierra de San Francisco, Mexico

When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Altamira cave, Cantabria, Spain in 1879, the academics of the time considered them hoaxes. Recent reappraisals and increasing numbers of discoveries have illustrated their authenticity and have indicated high levels of artistry of Upper Palaeolithic humans who used only basic tools. Cave paintings can also give valuable clues as to the culture and beliefs of that era.

Locations

Well known cave paintings include those of:


Rock painting was also performed on cliff faces, but fewer of those have survived because of erosion. One well-known example is the rock paintings of Astuvansalmi in the Saimaa area of Finland.

Age

Nearly 350 caves have now been discovered in France and Spain that contain art from prehistoric times. The age of the paintings in many sites has been a contentious issue, since methods like radiocarbon dating can be easily misled by contaminated samples of older or newer material[citation needed], and caves and rocky overhangs (parietal art) are typically littered with debris from many time periods. Recent advances make it possible to date the paintings by sampling the pigment itself. [1]

The choice of subject matter can also indicate date such as the reindeer at the Spanish cave of Cueva de las Monedas which imply the art is from the last Ice Age. The oldest cave is that of Chauvet, and is 32,000 years old.[2] The practice died out about 10,000 years ago, coinciding with the advent of the neolithic period.

Spanish Cave Painting of Bulls

Themes and patterns

The most common themes in cave paintings are large wild animals, such as bison, horses, aurochs, and deer, and tracings of human hands as well as abstract patterns, called finger flutings (the lines that human fingers leave when drawn over a soft surface). Drawings of humans are rare and are usually schematic rather than the more naturalistic animal subjects. Cave art may have begun in the Aurignacian period (Hohle Fels, Germany), but reached its apogee in the late Magdalenian (Lascaux, France).

The paintings were drawn with red and yellow ochre, hematite, manganese oxide and charcoal. Sometimes the silhouette of the animal was incised in the rock first. Stone lamps provided some light.

Tracings of hands and finger flutings often show the dimensions of children.[1]

Theories and interpretations

Henri Breuil interpreted the paintings as being hunting magic, meant to increase the number of animals. As there are some clay sculptures that seem to have been the targets of spears, this may partly be true, but does not explain the pictures of predators such as the lion or the bear.

An alternative theory, based on ethnographic studies of contemporary hunter-gatherer societies, is that the paintings were made by Cro-Magnon shamans. The shaman would retreat into the darkness of the caves, enter into a trance state and then paint images of their visions, perhaps with some notion of drawing power out of the cave walls themselves. This goes some way toward explaining the remoteness of some of the paintings (which often occur in deep or small caves) and the variety of subject matter (from prey animals to predators and human hand-prints).

R. Dale Guthrie[2] has studied not only the most artistic and publicized paintings but also a variety of lower quality art and figurines, and he identifies a wide range of skill and ages among the artists. He also points that the main themes in the paintings and other artifacts (powerful beasts, risky hunting scenes and the over-sexual representation of women in the Venus figurines) are to be expected in the fantasies of adolescent males, who made a big part of the human population at the time. According to Merlin Stone in her book When God Was a Woman, many scholars and archaeologists impose modern sexist views on ancient findings. Considering the prevalence of Goddess worship (beginning between 7,000 and 25,000 B.C.E), it is much more probable that art depicting the fullness of a woman's body was not a teenage male's fantasy but reproductions done in praise of women by artists of either sex. As with all prehistory, it is impossible to be certain because of the relative lack of material evidence and the many pitfalls associated with trying to understand the prehistoric mindset.

Africa

Rock paintings from the Western Cape

At Ukhahlamba-Drakensberg, South Africa, now thought to be some 3,000 years old, the paintings by the San people who settled in the area some 8,000 years ago depict animals and humans, and are thought to represent religious beliefs.

Recently, an archeological team discovered the Laas Gaa'l cave paintings outside Hargeisa in Somaliland. They show the ancient inhabitants of the area worshipping cattle and performing religious ceremonies.

Cave paintings are found in the Tassili n'Ajjer mountains in southeast Algeria also in the Akakus, Messak Settafet and Tadrart in Libya and other Sahara regions including: Ayr mountains, Niger and Tibesti, Chad.

Australia

Significant early cave paintings have also been found in Kakadu National Park in Australia.

The park has a large collection of ochre paintings. Ochre is a not an organic material, so carbon dating of these pictures is impossible. Sometimes the approximate date, or at least, an epoch, can be guessed from the content.

Southeast Asia

Bhimbetka rock painting, World Heritage Site

There are rock paintings in caves in India,[3] Thailand, Malaysia and Indonesia. In Thailand, caves and scarps along the Thai-Burmese border, in the Petchabun Range of Central Thailand, and overlooking the Mekong River in Nakorn Sawan Province, all contain galleries of rock paintings. In Malaysia the oldest paintings are at Gua Tambun in Perak, dated at 2000 years, and those in the Painted Cave at Niah Caves National Park are 1200 years old. See prehistoric Malaysia. In Indonesia the caves at Maros in Sulawesi are famous for their hand prints, also found in caves in the Sangkulirang area of Kalimantan.

See also

References

  1. ^ Bower, B. (2007). Children of Prehistory, Science News vol. 171, pp. 264-266. (references)
  2. ^ R. Dale Guthrie, The Nature of Paleolithic Art. University Of Chicago Press, 2006. ISBN: 978-0-226-31126-5. Preface.
  3. ^ "Rock Shelters of Bhimbetka". World Heritage Site. Retrieved 2007-02-15.

Further reading

  • Thomas Heyd and John Clegg, eds. Aesthetics and Rock Art. Ashgate Publishing, Aldershot, England and Burlington, VT, USA. 2005. ISBN 0-7546-3924-X
  • Gregory Curtis, The Cave Painters: Probing the Mysteries of the World's First Artists, Knopf, New York, NY, USA, 2006. 1-4000-4348-4

External links

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