Talk:Revolution 9

Who recorded this song??

In the text I find "it was primarily the effort of John Lennon. George Harrison, Ringo Starr, and Yoko Ono made small contributions, while Paul McCartney did not actively participate in the track's creation." In another web page McCartney is credited for playing the piano in the opening.. And Ono is not credited. So what is correct?

George Harrison

Why would he contribute to this song only to later join forces with Paul, Ringo, and George M. to try and keep it off the album? --Ian911299

Football Chants

The recordings aren't of soccer chants, but of (American) football chants, and I'm changing the page accordingly. I consider myself an afficionado of both sports, and while I have heard the chants of "hold that line" and "block that kick" used in many an American football game (particulary at the high school and college level, where chanting is much more common), I've never heard them once used in a soccer game, in any league, any country, any level. I suppose you could conceivably chant "block that kick" for penalty shots, but I can't even conceive of a situation in which "hold that line" would make any sense at all! Of course, the accents of the chanters are clearly American, and this should tip you off, too. But to lay the matter to rest, see this handy-dandy list of American football cheers. If anyone can find a list of soccer cheers that includes "block that kick" and "hold that line", feel free to change it back.

You're almost certainly correct since the crowd sounds were taken from the Elektra Sound Effects album set which was produced in the U.S.

Paul is dead.

I've played it backwards with friends and "number nine" does indeed sound like "turn me on dead man", though in a creepy sort of half-distorted way. You kind of have to adjust to hear it that way, but then it pops out at you, like those 3-D pictures that you have to focus on just right to see the image. It's enough of a non-coincidence that I always assumed that it was calculated, or at least a found object that the Beatles knowingly used.

I don't see how the "Paul is dead" thing can be called debunked. On Sgt. Pepper's, for example, there are so many clues that it looks certain that this was all a cool thing the Beatles cooked up, and their denying it to the bitter end is just part of the cool thing. Not a hoax exactly, just a prank that they let the fans in on by letting out info through "back channels." Of course, Paul couldn't be "dead" after they broke up because he wanted to have a career, but why should they ever fess up and spoil it all? But there are too many clues and weirdnesses to deny that there was a stealth "Paul is dead" campaign at least from Sgt. Pepper's to Abbey Road.JimmyTheSaint 21:57, 24 October 2005 (UTC)

It can be debunked because Paul isn't dead. Wow. That was tough. -Silence 05:46, 10 October 2005 (UTC)

what is the referent of your "it"? the point of the comment is clearly that the clues are real, not Paul's death. as the poster said, it's "not a hoax exactly, just a prank." the poster plainly asserts that the Beatles knowingly pulled this prank, so it's not a hoax that can be debunked. perhaps the confidence in which people proceed to dis and miss the obvious is a symptom of the kind of gullible seeing what you want to see that makes real hoaxes possible.

The PID history is summarised at http://www.recmusicbeatles.com/public/files/faqs/pid.html. The Beatles had nothing to do with it.— Preceding unsigned comment added by 203.214.85.234 (talk • contribs)

Let's look at your two main points. First, that the "number nine" recording is actually a backwards message. This is ridiculous. If it was true, then the "creepy, half-distorted" audio was the original recording, and the man saying "number nine" was really backwards audio. If you can make a sound that played backwards sounds like a crisp British accent, I'll be impressed. Backward message mentions a study in which subjects could find non-existent messages in backwards audio, but only if they were given the message to find. Think; did anyone tell you that there was supposed to be a backward message?

Second, you claim that there are a plethora of clues. Frankly, most of the album cover "clues" are meaningless. You can interpret the covers any way you want. For example, look at the mannequins of the young Beatles on the Sgt. Pepper cover. All of them are looking down- except John. Sounds to me like the Beatles arranged it that way so that fans would think John had died and been replaced by an impostor. Deltabeignet 07:07, 22 January 2006 (UTC)

There's so much imagery in Beatle albulms, especially Sgt. Peppers, that almost any concieveable idea could be gleaned from it. And additionally, "backwards messages" are completely unreliable.--MafiaCapo 04:24, 15 August 2006 (UTC)

this song scares the crud out of me

yeah....

Agreed, its the creepiest song I heard. The first time I listened to it I got so freaked out I couldn't finish it and had to skip it.

I love this song! I think it's awesome! --Ian911299

Lol, you and the millions of other kids who bought this album in the 60s bro

Yeah, creeps me out too. TheContralto 04:10, 30 June 2006 (UTC)

I was actually born in 1989 and bought this album in 2005, and I love almost every song on it! Including this one and Wild Honey Pie --Ian911299

Wild Honey Pie is great, but this isn't as good. In the old days of cassettes I would have the whole of Rev.9 run, but with cd's I usually skip this one and go straight onto the classic Savoy Truffle. 74.65.39.59 22:46, 1 October 2006 (UTC)

okay, so I was done listening to the backword version of this song....

Can anybody CONFIRM that, this is, indeed the backward version of dis song?

Just stick it in Windows Sound Recorder and reverse it to see.Mr.hotkeys 01:26, 8 December 2006 (UTC)

What?

What does it mean in the middle of the song when a man says,"Take this brother, may it serve you well"? And what is the choir singing?El benderson 17:39, 29 May 2006 (UTC)

I think the man is referring to a gun. If you listen, it sounds like there is a gun being cocked after he says this.

The true precursor to noise rock?

what do you think?

Monty Python connection

The 3rd episode of Flying Circus (with the theme "How to recognise different types of trees from quite a long way away") has the voice-over "Number 1: The Larch" frequently repeated throughout. MP's FC started in '69, so it's not much of a stretch to suggest it's a reference. - AlKing464 10:37, 17 December 2006 (UTC)

satanic message?

people say this track has a satanic message. couldn't we get maybe some sources about that, since some people apparently believe that?

music concrete

The text states "influenced by the musique concrète styles of Karlheinz Stockhausen and John Cage" - however neither Stockhausen nor Cage were exponents of musique concrète, it was originated by Pierre Schaeffer at the RTF Studios in Paris. Stockhausen was interested in "Elektronische Muzik" and Cage in indeterminicy. Please check this on the electronic music pages. The text should be edited to reflect that musique concrète was a development of Schaeffer. 203.173.147.98 10:22, 26 May 2007 (UTC)

Voice of NY Yankees

The voice who keeps saying "Number 9..." almost certainly is Yankee public address announcer Bob Sheppard. 216.179.123.146 00:44, 6 June 2007 (UTC)