Jump to content

Mezzanine (album)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Soakologist (talk | contribs) at 22:23, 30 November 2007 (No stars awarded . . . why was this image here?). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Untitled

Mezzanine is the title of the third full-length album from Bristol-based trip-hop innovators Massive Attack. Released in 1998, it marked the moment when the dark undercurrents which had always been present in the collective's music came to the fore.

Overview

Overall, the album was highly acclaimed by many critics. Discordant rock guitars are featured on several tracks, allegedly against the wishes of founding member Andrew Vowles (aka Mushroom), who left the band shortly after the album's release, citing creative differences. Mezzanine features the talents of long-time Massive Attack collaborator Horace Andy, along with guest vocalists such as Elizabeth Fraser.

The entire album was provided on Massive Attack's website for legal download many months before it was released on CD. Various other artists have since done the same, notably Wilco's Yankee Hotel Foxtrot. It was also one of the first major uses of the MP3 compression system by a commercial organization.

In 1998 Manfred Mann sued Massive Attack for unauthorized use of a sample of the song "Tribute" from Manfred Mann's Earth Band's eponymous 1972 album, used in "Black Milk".[1] The song has subsequently appeared as "Black Melt" on later releases and at live performances, with the notable absence of the sample.

"Angel" has been covered by Brazilian metal band Sepultura on their Revolusongs EP and by American mathcore band The Dillinger Escape Plan on their EP Plagiarism (which consists mostly of cover songs).

In 2000 Q Magazine placed Mezzanine at number 15 in its list of the 100 Greatest British Albums Ever. Template:RS500

Track listing

  1. "Angel" (Robert Del Naja, Marshall, Andrew Vowles, Hinds) – 6:18
  2. "Risingson" (Del Naja, Marshall, Vowles, Lou Reed, Seeger) – 4:58
  3. "Teardrop" (Del Naja, Marshall, Vowles, Elizabeth Fraser) – 5:29
  4. "Inertia Creeps" (Del Naja, Marshall, Vowles) – 5:56
  5. "Exchange" (Bob Hilliard, Mort Garson) – 4:11
  6. "Dissolved Girl" (Del Naja, Marshall, Vowles, Sara Jay, Schwartz) – 6:07
    • Vocals by Sara Jay
  7. "Man Next Door" (John Holt, Robert Smith, Laurence Tolhurst, Michael Dempsey) – 5:55
  8. "Black Milk" (Del Naja, Marshall, Vowles, Fraser) – 6:20
  9. "Mezzanine" (Del Naja, Marshall, Vowles) – 5:54
  10. "Group Four" (Del Naja, Marshall, Vowles, Fraser) – 8:13
  11. "(Exchange)" (Hilliard, Garson) – 4:08
    • Vocals by Horace Andy
    • Features sample from "Our Day Will Come" by Isaac Hayes
  12. "Superpredators" (Vowles, Marshall, Del Naja) (Japanese bonus track) – 5:16

Use in other media

"Angel" is featured in many films and in other media including:

"Teardrop" is featured in:

"Inertia Creeps" is featured in:

"Exchange" was featured twice in the 2001 documentary Dogtown and Z-Boys, although it did not appear on the soundtrack.

"Dissolved Girl" is featured in:

"Man Next Door" is featured in:

The Japanese release of Mezzanine featured an additional track, "Superpredators," which was used as the opening theme to the film The Jackal (1997) and as the favourite song of character Zaraki Kenpachi in the manga Bleach.

Samples

  • Audio file "MassiveAttack-GroupFour.ogg" not found

Personnel

  • Robert Del Naja – vocals, producer, arrangements, programming, keyboards, samples, art direction, design
  • Grant Marshall – vocals, producer, arrangements, programming, keyboards, samples
  • Andrew Vowles – producer, arrangements, programming, keyboards, samples
  • Neil Davidge – producer, arrangements, programming, keyboards, samples
  • Horace Andy, Elizabeth Fraser, Sara Jay – vocals
  • Angelo Bruschini – guitars
  • John Harris, Bob Locke, Winston Blisset – bass guitars
  • Andy Gangadeen – drums
  • Dave Jenkins, Michael Timothy – additional keyboards
  • Jan Kybert – protools
  • Lee Shepherd – engineer
  • Mark "Spike" Stent – mixing
  • Jan Kybert, P-Dub – assistant mixing
  • Tim Young – cut
  • Nick Knight – photography
  • Tom Hingston – art direction, design

References

  1. ^ [1]